Showing 1791 items
matching wedding
-
Federation University Historical Collection
Photograph, Jenkin Photographer, Alice Watson Bridesmaid, 22/05/1954
Grace Watson married Arthur Cowley at Holy Trinity Anglican Church Murtoa on May 22nd, 1954. Alice Watson, her sister was bridesmaid. Alice was a dressmaker in Murtoa, Victoria and made both their dresses as well as the dresses of the two flower girls, nieces Helen Cox and Alison Watson.Coloured photograph of a bridesmaid in 1954Front of folder: Alice Watson bridesmaid for Grace and Arthur Cowley's Wedding May 22nd 1954wedding photograph 1954, bridesmaid 1954, alice watson -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS, 1910
3 small off white wedding invitation cards with envelopes. The edges are pattern cut. The card has an embossed oval consisting of a line, dots and hearts. Inside the oval, printed in silver is 'Wedding'. Printing inside the carde is silver. Card and insert held together with white cord.British Manufactureperson, greeting cards, malone collection, malone collection, wedding invitation -
National Wool Museum
Ceremonial object - 1988 Seoul Olympics Closing Ceremony Paper Lantern, c. 1988
This paper lantern was used by Australian athletes in the ‘Lantern Dance’, the last program of the closing ceremony, the lantern is called “Ch’ong sa ch’orong” and is traditionally used during weddings and festivals.When closed the lantern appears as a large, red spiral bound book with detailed inscriptions describing the way to correctly use the lantern in the ceremony. This description appears in several languages as well as a drawn depiction. When opened latticed crepe paper forms a cylinder. The two thirds of the paper is dyed dyed blue and the last third is dyed red. A small battery pack is used to light the lantern.GAMES OF THE XXIVTH OLYMPIAD SEOUL 1988 o The last program of the Closing Ceremony is called “Lantern Dance”. When all the performers enter the stadium holding lanterns, turn the paper board inside out and press the ends so that they snap shut. This will then allow the lanterns to light up. Hold the lantern by the handle at the centre and gently rock it above your head as shown in the picture. o Listen to the announcements via the ear-phones and follow the signals from the guides for further instructions. o* This lantern is called “Ch’ong sa ch’orong” and was traditionally used during weddings and festivals. This inscription is repeated several times in various languages on the cover of the lantern.1988 seoul olympic games, closing ceremony, lantern dance -
Tatura Irrigation & Wartime Camps Museum
Book, Stories My Grandma Told Me, 1996
Written to show future generations the conditions and lifestyle of first 3 or 4 generations of the families. Contains many photographs of farm life, family and school groups. Also contains loose leaf page of stockists where book available and newspaper cutting, copy, information on book. G. Symons was also the first supplier of souvenir tea towels we had for sale at the Museum.Cream cover, brown writing. Oval picture of Elizabeth Susan Symons on 50th Wedding anniversary. Age 70.rural life, g symons, life in rural victoria -
Stawell Historical Society Inc
Clothing - Costume and Accessories, 1/09/1914 12:00:00 AM
Five Piece Cream Satin Wedding Dress worn by Emily E A Giles Wal Wal when married. stawell clothing material -
Kew Historical Society Inc
Photograph - Wedding party, 1925-1929
The Kew Historical Society has a large fashion and design collection. This copy of an original photo was given to support accurate depictions of bridal wear in the 1920s.Print copy of a studio portrait of a wedding party including a bride and groom and two male and two female attendants. wedding photography -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Elite Photos Melbourne
Photograph sent to Nan Fraser of Lakes Entrance VictoriaSepia toned photograph of Beth Rule and Leigh Cox taken as they were leaving the wedding ceremony Melbourne VictoriaVery Many Thanks. We send our warm appreciation of your Good Whishes and Thoughtful Giftcelebrations, fashion -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post photographer, 1994
Black and white photograph of Clyde and Evelyn Sykes taken on their 65th wedding anniversary, they lived at Gelantipy and Lakes Entrancecelebrations, genealogy -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2006
Colour photograph of wedding of Greg Farmer of Swan Reach and Melissa Timm of Gladstone Queensland at St Stephens Brisbanecelebrations -
Bendigo Historical Society Inc.
Photograph - HOSKING AND HUNKIN COLLECTION: PHOTO OF THE HUNKIN FAMILY 1907 IN DAYLESFORD WEDDING, 1907
HOSKING AND HUNKIN COLLECTION: PHOTO OF THE HUNKIN FAMILY 1907 IN DAYLESFORD - Wedding Descriptive notes and names on back of photo.document -
Flagstaff Hill Maritime Museum and Village
Wedding Dress, c. 1860
Wedding dress or Bridal Gown c. 1860, comprising wedding dress and veil. Gown of very fine cotton has long sleeves, high neck and waist. Lace insert in neckline and in body of dress, decorative panel in front, train at back. Hooke and eye closure. Veil is silk.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bridal clothing, wedding gown, wedding dress, silk bridal veil, 19th century wedding dress -
Bright & District Historical Society operating the Bright Museum
Wedding cake decoration, 1865
Used for the marriage of Mr J.F. Larkin and Miss Impey 1865White and silver flowers mounted on wooden basewedding, ornaments -
Bendigo Military Museum
Work on paper - INVITATION & ENVELOPE
Refer Reg No 3700P for photo re Ivan SOUTHALL. Refer Reg No 3627.5 for R C ALLARDICE..1) Printed invitation card folding with gold writing on the front. Card is soft yellow with ruffled edges. .2) Envelope, yellow, red stamp dated 23.8.1945, addressed to R C ALLARDICE. .1) In print on front: Mr & Mrs Ernest Blackburn request the pleasure of the company of (Handwritten in blue ink) F/Lt Reg Allardice at the marriage of their daughter Joy to Flying Officer Ivan Southall DFC (RAAF) at Streatham Hill Congregational Church on Saturday 8th September 1945 at 2 o'clock and afterwards at the Church Hall 95 St James Crescent London SW9 RSVP .2) Handwritten on front: AUS 418577 FL/LT R.C. ALLARDICE R.A.A.F. C/- KODAK HOUSE, LONDON W.C.2 Handwritten in blue ink on rear: Aug - Septinvitation, wedding -
St Kilda Historical Society
Photograph, Maureen Spence with her three sisters, c. 1969
black and white photographJan 1969. Outside 124 Argyle st. Maureen Spence in wedding dress with her three sisters. -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, The Bohemian Girl, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and members of the cast of the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, The Bohemian Girl, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and Alan Wilson in the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Clothing - Ivory silk crepe and lace bodice, 1912
This bodice was part of the wedding outfit worn by Grace Burland at her marriage to John Henty Hindson in 1912. Her husband's grandfather, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Silk crepe wedding bodice decorated with Mechlin lace, pearls and jet, which was worn by Grace Burland at her marriage to John Henty Hindson in 1912. A report in Punch [12 September 1912] described her outfit as “... white crepe de chene finished with Mechlin lace and pearl trimming; also pearl crescent brooch (gift of the bridegroom' s mother).” Mechlin lace or Point de Malines is an old bobbin lace, one of the best-known Flemish laces, originally produced in Mechelen, Belgium. Used for women's clothing, it was popular until the first decade of the twentieth century. The high silk net neckline is finished with pearls. These are repeated on the loose fitted diagonal ornamentation on the front and back which is finished with pearl and jet beading. Similar ornamentation finishes the elbow length sleeves. [The wedding skirt is not part of the donation]. wedding dresses, women's clothing, fashion -- 1910s, bodices, grace burland -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, B&W, George William Box & Elizabeth Honor Tippett Wedding 1902, c1902
Box Cottage Museum, a reconstruction of an early settler hut, is named after the Box family who resided there 1865 -1913 . George William Box 1870 -1933 was a son, and twin brother of Cecilia Eliza, of William and Elizabeth Avis Box who lived in Box Cottage and farmed the land 1865 - 1913 . George William Box married Elizabeth Honor Tippett 1902 and they had 8 children. Elizabeth Avis Box gave them a shop with a dwelling in Jasper Road where Elizabeth Honor sold groceries and vegetables while George obtained various jobs. Box Cottage Museum, a reconstruction of an early settler hut, is named after the Box family who resided there 1865 -1913 . George Box was the father of William Box who with his wife Elizabeth Avis Box and 13 children lived and farmed on the block of land in Jasper Road, East Brighton ( now McKinnon / Ormond) that was part of the Henry Dendy Special Survey 1841 Inscribed inside Album : “ The early photos in this album were found by Mr (Laurie) Lewis when he was demolishing the Old Box Cottage. He gave them to Mrs Avis Box Eldridge who in turn gave them to me. They were not identified. I believe they rightly belong in the Cottage. I have attempted to identify them and present them in a way they can be preserved as a historical record of the era.” A B Leigh A black & white Wedding photograph 1902 of George William Box 1870-1933 and Elizabeth Honor Tippet Box d1953TALMA 119 Swanston Street / Melbourne / and at Sydneybox george, box mary, box william, box elizabeth, box alonzo, box mary louisa, dendy henry, were j b, dendy's special survey 1841, brighton, moorabbin, bentleigh, mckinnon, ormond, market gardeners, dairy farms, early settlers, pioneers, jasper road, gurr jabez, gurr eliza, pay henry, pay anna, ward willam, box henry, ward elizabeth emma, box john, sheldrake martha, rushall eleanor, box caroline, box william, box elizabeth avis -
Port Melbourne Historical & Preservation Society
Photograph - Wedding, Michael Thomas Woodruff and Catherine Harney Woodruff, 1911
From the Woodruff family archives, lasercopy of wedding photo Michael Thomas and Catherine Harney Woodruff 1911 (? confirm identity)families, catherine harney woodruff, michael thomas woodruff -
Port Melbourne Historical & Preservation Society
Photograph - Photograph (copy) Win Woodruff and friend, Eunice, at a St Kilda ball
From the Woodruff family archives, lasercopy of Win and friend Eunice at a St Kilda ball; Win in remodelled wedding dress.families, winifred mary prest woodruff -
Port Melbourne Historical & Preservation Society
Photograph - Win Woodruff with Barbara Syme in wedding dress made by Win
From the Woodruff family archives, lasercopy of newspaper photo of Win with Barbara Syme in wedding dress made by Win (undated)families, winifred mary prest woodruff -
Port Melbourne Historical & Preservation Society
Photograph - Barbara HEGARTY with her Margaret Conn at the wedding gift table, 1 Nov 1958
Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara HEGARTY with Margaret Coon, one of her bridesmaids, standing next to the wedding gift tableweddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty, margaret conn -
Port Melbourne Historical & Preservation Society
Photograph - Bob and Barbara GARDINER on their wedding day at Holy Trinity Church, 1 Nov 1958
Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara GARDINER nee HEGARTY and Bob GARDINER on their wedding day at Holy Trinity Church with the minister.weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty -
Port Melbourne Historical & Preservation Society
Photograph - Bob and Barbara GARDINER on their wedding day on the steps of Holy Trinity Church, 1 Nov 1958
Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara GARDINER nee HEGARTY and Bob GARDINER on their wedding day on the steps of Holy Trinity Church.weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty -
Whitehorse Historical Society Inc.
Photograph, Bob & Harold Pratt, c1936
Black & white photograph of Bob and Harold Pratt, his father, at Thelma Pratt's wedding. Harold played football for Ringwoodpratt bob snr., pratt harold, chapman jean -
Canterbury History Group
Photograph - Wedding in the old Canterbury Baptist Church, 1947
Interior view of the Old Canterbury Baptist Church for the Burridge / Marshall wedding on 15 February 1947. black and white photographcanterbury, old canterbury baptist church, balwyn road, weddings, burridge> lois -
Glenelg Shire Council Cultural Collection
Book, Benedict, What To Do At Weddings, c. 1951
Small booklet, a guide for brides, grooms and others involved in wedding planning. Grey card cover, red and navy print. -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Princess Margaret Rose Caves, n.d
Coloured photo/postcard of interior of Princess Margaret Rose Cave, showing formation known as 'The Long Engagement and the Wedding Cake'.tourism, princess margaret rose caves, postcard -
Port Melbourne Historical & Preservation Society
Photograph - Bob and Barbara GARDINER on their wedding day on the steps of Holy Trinity Church, 1 Nov 1958
Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara GARDINER nee HEGARTY and Bob GARDINER on their wedding day on the steps of Holy Trinity Church.weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty -
Mission to Seafarers Victoria
Photograph - Gelatin silver photograph, c1940s-1950s
This later photograph of Olive Duncan (in relation to the remainder of the sub-collection) shows a change in hairstyle in dress to earlier photographs. This is a photograph of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals involved in the Ladies Harbour Lights Guild and the activities carried out by that organisation. Black and white photograph of Olive Duncan (showing wedding ring) holding a dog whilst seated in a cane chair in a garden.On reverse of photograph "OLIVE DUNCAN" is written in blue biro.olive duncan, ladies harbour lights guild, lhlg, lillie duncan, dog