Showing 5943 items
matching 1989/90
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Vision Australia
Audio - Sound recording, 1989 RVIB Oral History luncheon, 1989
Prior to 'The Years Between' a luncheon was held to discuss the possibility of recording recollections of RVIB by some of its older attendees. This discussion was recorded and preserved, as the group discusses the various events and themes the history could cover. Individual speakers are not identified, nor are they sometimes near the microphone, however the result is a rambling discussion between friends who lived, enjoyed and endured their time at RVIB. Other attendees included Linley Wallis, Lorraine Bolton, Adrianne Gallagher and Patricia McQueen.2 audio recordings of recollections from former RVIB attendeesroyal victorian institute for the blind, allan nuske, reuban ryan, norman rees, charlie bradley, margaret fialides, jim smith, ray smart, alf crossthwaite -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Shire of Tambo, Shire of Tambo 1989 Community Resource Directory, 1989
A community resource directory listing emergency services, legal advice councelling, and various community organisations, for the residents of the Tambo Shire, Gippsland, Victoria. Indexed alphabeticallydirectories -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Gippsland Heritage Journal No 6 June 1989, 1989
Issue No 6 of a series contains articles on early Gippsland newspapers photographs of Gippsland schools Wonthaggi coalmine strike Police history Thomas Coto immigrant Tarlton Rayment Naturalistperiodicals, schools, migrants, strikes, police -
Whittlesea Historical Society Inc.
Photograph, Evan Meades, St. Joseph's Catholic Church, Mernda, Mar 1989
One of a series of photographs taken in 1988-1989 around the Shire of Whittlesea by Evan Meades.Print copy of a photograph"St. Joseph's Catholic Church, Plenty Road, Mernda, March 1989"evan meades collection, st. joseph's catholic church, mernda, bluestone church, plenty road mernda -
Greensborough Historical Society
Glasses, Watsonia Technical School glasses WaTECH, 1957-1989
These glasses were presented to students and staff when the school closed in 1989. The nearby Watsonia High School and the technical school were merged to form Greensborough Secondary College for the beginning of the 1990 school year,This is a piece of history as the school is no longer operating under this name. The donor was a mature age student at the school.Pair of wine glasses, clear glass on stem. Bowl is engraved.Engraved on bowl: Watsonia Technical School 1957-1989watsonia technical school, greensborough secondary college -
Nillumbik Shire Council
Print (etching): Michael LEUNIG (b.1945 Vic, AUS), Michael Leunig, ‘Pilgrim’ from 'The Baldessin & Friends' commemorative folio, 2016
Michael Leunig is an Australian cartoonist, poet and cultural commentator. His best known works include The Adventures of Vasco Pyjama and the Curly Flats series. Leunig was declared one of Australian Living Treasures by the National Trust of Australia in 1999. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.one colour (yellow) etching on Somerset paper. Thick lines weave in and out to produce a figure reminiscent of his 'curly flat' characters holding a long stem flower/vine. ekphrasis2018, pilgrim, baldessin, leunig -
Nillumbik Shire Council
Print (etching and photo polymer): Imants TILLERS (b.1967 Syd., AUS) in posthumous collaboration with George BALDESSIN (b.1939 Treviso ITA – d.1978 Melb., AUS), Imants Tillers, 'Unsaid + Nameless' from the 'Baldessin & Friends' commemorative folio, 1976; completed 2016
Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio -
Nillumbik Shire Council
Print (drypoint): Rick AMOR (b.1948 Melbourne, AUS), Rick Amor, 'The Ruin' from 'The Baldessin & Friends' commemorative folio, 2016
Painter, printmaker and sculptor Rick Amor is one of Australia's most distinguished senior artists. He was a good friend of the late George Baldessin and three times Archibald Prize winner Clifton Pugh, having lived and worked at Pugh's property, Dunmoochin in Cottles Bridge, Nillumbik during the 1980s and 90s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'The Ruin' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. Rick Amor has been an ardent supporter of the Baldessin Press & Studio and a great patron of living artists. In 2014 the Press partnered with Amor and the State Library of Victoria to create The Amor Residency at The Baldessin Press & Studio, which is part of the Library's annual fellowship program. 'The Ruin' was based on a plein air painting done by Rick Amor on a trip to Broken Hill in 2001 and reflects on death and the passing of time so eloquently portrayed by the industrial ruins of NSW. In the tradition of a Piranesi, the work emphasises the transience of life and the triumph of time. Black and white drypoint etching in which a small figure, a traveller; located bottom left, points to a large crumbling edifice (building), a stage like space in the background. Ed.14/25baldessin, print, drypoint, amor, 2018 ekphrasis, ruin, etching, ekphrasis2018 -
Nillumbik Shire Council
Print (etching & acquatint): George BALDESSIN (b.1939 ITA – d.1978 AUS), George Baldessin, ‘Portrait II’ from 'The Baldessin & Friends' commemorative folio, 1966 (printed 2017)
George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. This work chosen for the folio is from an incomplete edition from 1966. It has been printed on Baldessin's original 1974 cast aluminium Enjay press (designed and made in collaboration with Neil Jeffreys) and restored specifically for this project by Dan Jones. In addition Deanna Hitti has used Baldessin's original Japanese Torinoko paper, stored safely in his studio for over forty years. ‘Portrait II’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print is a fine example of Baldessin's primary interest of the figure, which displays great sensitivity to and observation of the human condition. Distortion, exaggeration and fragmentation were employed by Baldessin as tools to animate and scrutinize the displaced, dispossessed and alienated figure, flattened against the picture plane. Black and white distorted and exaggerated figure (head and shoulders), with hands raised to the face and the figure's right eye. acquatint, etching, baldessin, ekphrasis2018, figure -
Nillumbik Shire Council
Prints (solar etchings): Christine JOHNSON (b. 1959 AUS), Voyages Botanical, 2014
Johnson undertook this project with a State Library of Victoria 'Creative Fellowship' in 2012, drawing on early botanical illustrations by Sydney Parkinson, Pierre-Joseph Redoute, Ferdinand Bauer and others from the Library's 'Rare Books' Collection. Johnson printed this series in 2013 while working as artist in residence at Baldessin Press, St. Andrews. 'Voyages Botanical' celebrates the untamed treasures of Australia’s (Nillumbik) vast native flower garden. The work speaks to Nillumbik's natural environment and colonial heritage in the context of our national story. Charcoal solander box with artwork title, artist name and flower motif in silver lettering bottom centre (edition 4/5). Catalogue: 52 colour pages. Solar plate engravings x 30; ink on paper. Series A: Ten multi-layered solar plate engravings (edition of 12); Series B: Ten flower images drawn from living specimens (edition of 12); Series C: Ten details from early botanical art engravings (open edition) Charcoal solander box with artwork title, artist name and flower motif in silver lettering bottom centre. Solar plate engravings x 30: Series A, B: all prints have edition number '4/12' to bottom left of image, artwork title () centre and artist signature 'Christine Johnson 2014' to bottom right of image. Series C: all prints have artist initials signed 'CJ' bottom right of images. All inscriptions in pencil. johnson, solar plate, engravings, creative fellowship, baldessin press, state library of victoria, botanical, flora, native, european explorers, cartography, wildflowers -
Nillumbik Shire Council
Mixed media: Liz NETTLETON, Liz Nettleton, Respite and Repose, 2010
Nettleton creates an image of peace and tranquility after the violence felt from the 2009 Black Saturday bush fires / At the Arthurs Creek cemetery Nettleton found the grave of Reg Evans and Angela Brunton, friends who had perished in the fires / Nettleton sat on the edge of their joint grave and photographed their view / It was only after examining the photos more closely that she realized Mount Sugarloaf had burnt almost to the valley / Sugarloaf is always in an indigo haze. This work is by a local contemporary artist and encompasses themes dealing with the 2009 Black Saturday bushfires. Mixed media (acrylic paint, acrylic ink and indian ink) on board / Landscape painting of Mount Sugarloaf and green pastures after the 2009 Black Saturday bushfires / Mount Sugarloaf is depicted in an indigo haze in the background / A line of trees bathed in light border the mountain's edge / Lines of trees parallel to each other jut out diagonally in the foreground / Framing this view of the landscape is a pattern (topographical maps of the Nillumbik area), which suggest the vast extent of the devastated area of landscape. In black marker 'LIZ NETTLETON' + artist signature '2011' on back - middle right side nettleton, respite and repose, landscape, painting, mixed media, black saturday, mount sugarloaf -
Coal Creek Community Park & Museum
Phonograph Record, Viennese Nights
Phonograph record, black shellac, with black Columbia "Magic Notes" label. A&B sides: Viennese Nights - Waltzes Selection parts 1&2. Artist: Regal Cinema Orchestra.Reference Number DOX - 167. Has a white and blue semi circular label attached to the record label. G.J. Grice Ltd House of Music Supplies. -
Coal Creek Community Park & Museum
Phonograph Record Cover
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Southern Sherbrooke Historical Society Inc.
Voters' Roll, Sire of Sherbrooke, "Shire Of Sherbrooke South Riding Voters Roll", 10th July 1989 certified
Voters' Roll prepared for local government elections 1989-1990. Acquired by Downard familyVoters' Roll for 1989, comprising thirty-nine pages. Blue cardboard cover with lyrebird logo of Shire of Sherbrooke. Black binding.elections, 1989 -
University of Melbourne, Burnley Campus Archives
Article, D.H. Aldous, Historic Burnley Gardens: the first 100 years, 1989
"Historic Burnley Gardens: the first 100 years"; a four page article from the March 1989 issue of "Australian Horticulture" written by D.E. Aldous and TH Kneen; it gives a summary of the history of Burnley College. Several illustrations are included. 4-page article by D.H. Aldous & T.H.Kneen from Australian Horticulture, March 1989d.h. aldous, thomas.h. kneen, australian horticulture, burnley gardens centenary -
Clunes Museum
CATALOGUE, 1989
ART EXHIBITION WAS HELD IN CLUNES COURT HOUSE BUILDING AND PRESENTED BY WM BARKELL MEMORIAL ARTS & HISTORIC CENTRE INC. OFFICIAL OPENING BY CR. W. COOK, SHIRE PRESIDENT, SHIRE OF TALBOT & CLUNES - NOVEMBER 2ND 1989CATALOGUE FOR AN ART EXHIBITION HELD DURING 150 YEARS CELEBRATION & BACK TO CLUNES 1989local history, document, catalogues, events and celebrations, back to clunes, art exhibition -
Cornish College
Portrait, Richard Cornish, 1989
The portrait was commissioned by St Leonard's College in 1989. Mr Cornish sat for the artist in his office dressed in his cap and gown. Initially the portrait was hung in the main school hall, before being moved to the Cornish Campus in the mid 1990's.Richard Burnet Cornish was principal of St Leonard's College from January 1971 to October 1989. He was a dreamer, a driver, a doer and a visionary leader who purchased the land for Cornish Campus in July 1981 and presided at the official opening in February 1987. Another of his achievements was the introduction of the International Baccalaureate for year 11 and 12 students in 1982.An oil painting of Richard Cornish in accademic gown in 1989, his last year as principal. Signed by the artist "Stanley Ballard '89"the_st_leonards_years, cornish, richard -
Tatura Irrigation & Wartime Camps Museum
Audio Tape, 1989-1995
The choir, having sung for nearly 100 years, decided to record some of their work. church music|local choirs|St Andrews Presbyterian Church Choir1. 60 minute tape recorded locally of St Andrew's Presbyterian Choir, Tatura, singing a selection of anthems.|2. Ninety minute tape recorded locally, of St Andrews Presbyterian Choir reading an "Alexander" hymn service, 1989.St Andrews Choir Tatura Alexanders Hymn Service 1989; A Selection of anthems, St Andrews Presbyterian Choir, Taturamusical, instruments, accessory -
Torquay and District Historical Society
Book, Ken Jenkin Print, T.I.A. One Hundred Years, January 1989
The Torquay Improvement Association was formed in 1889 to promote the development of Torquay. The book tells of exploits over the hundred years from 1889 to 1989.The Torquay Improvement Association was behind many of the improvements that took place in Torquay in the period. The book is a record of these happenings.Soft Cover Blue Book "Torquay Improvement Association Inc./One Hundred Years/...a short history/1889/1989."torquay improvement association, torquay victoria australia -
Montmorency/Eltham RSL Sub Branch
Uniform - Trousers, Khaki, Summer Dress, 1989
Wool and polyester khaki dress trousers. Two pleats at the front. Fob pocket on the right front. Front zip with metal closure and button tag.. Pockets on the left and right hips. Pocket on the back right side with hidden button and button hole.Seven belt loops on waist band. Four small horizontal loops on the waist band, two at the front and two at the back. Label on the inside on the lining of the back pocket states - A.G.C.F. (Australian Government Clothing Factory) Vic 1989. 8405.66.018.5545. Macquarie 89. Batch U. Size 87.5L W.87.5 IL.82 Army No. Name. Dry clean only. re press on original creases use damp cloth or medium to hot steam iron. White tag on the waist band on the right back stating - Size 87.5L. Tag on the right hand side on the back above the pocket stating - This tag is for identification only. Please remove before wearing. Docket No. 1106512 Order No. 29743836 Size 87.5L Garment No. 20851A Remarks 6I11Manufacturer - A.G.C.F. VIC 1989polyesters, dress trousers, wool polyester -
Wangaratta High School
WHS 90th Anniversary History Book, 1999
Marks the 90th Anniversary of Wangaratta High Schools educational service since opening in 1909 under the name Wangaratta Agricultural High School.Dark green covered book with text 'Wangaratta High School 90 Years On 1909 1999 Graham Jones' at the top and two black and white photos at the bottom. The first photograph is of the original Agricultural schoolhouse and the second is of a class of 10 students.Wangaratta High School 90 Years On 1909 1999 Graham Jones -
Bendigo Historical Society Inc.
Magazine - THIS WEEK IN BENDIGO, Sep 1988- Nov 1989
14 x Magazines with glossy papered front and back , This Week In Bendigo,the Golden Heart -Sponsored by the City of Bendigo 4 books, September 1988, October 1988, November 1988, December 1988, Official 1988 Bicentennial Tourist Guide.5 Books- January 1989, February 1989, March 1989, April 1989, June 1989, August 1989, September 1989, October 1989, November 1989. Winner 1989 State Tourism Award- Media Print August 1989 to November 1989.magazine, government, bendigo -
Melbourne Legacy
Document - Poem, A Glimmer of Hope
A humorous poem written by Legatee L F Johns about Legatee Chas Wilks (President of Melbourne Legacy in 1989). The poem was published in the Legacy Bulletin in 1989. It was collected to be part of a record of past presidents. There are several humorous poems in the album written by the same author. The poem mentions several Legatees, including Lea Ponton, Tom Nisbet, Dick Alexander, Ted Larkin, Stan Carpenter and Graham Riches. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of Legatee Chas Wilks a past president of Legacy. The information was collected to record the lives of prominent legatees in a folder.Photocopied poem about Legatee Chas Wilks - President 1989past presidents, lf johns, chas wilks -
Whitehorse Historical Society Inc.
Photograph, Dorothy Smith - Councillor
Black & white photograph of Dorothy Grace Smith, Councillor, East Ward and later South East Ward, City of Nunawading, August 1986 to August 1991. Mayor 1989 - 90smith dorothy g, city of nunawading -
Orbost & District Historical Society
program, Orbost Lions Club, 1989
Orbost Lions Club was established in 1969. The first president was Don McKenzie. David Nixon was a director. In 1989 the president was Rom Konieczny. The club was formed to assist with local community fundraising for special causes. This program was produced to be used at the 20 Year Celebration held in 1989.The Lions Club of Orbost is a volunteer service club which contributes to the Orbost community. A program printed in black type on yellow paaper. It was used for the Orbost Lions Club 20 years celebration. It contains a program for the event, a list of 1969 and 1989 members as well as the Lions Charter.lions-orbost community -
Whittlesea Historical Society Inc.
Photograph, Evan Meades, Stone Wall, c.1988/89
One of a series of photographs taken in 1988-1989 around the Shire of Whittlesea by Evan Meades.Print copy of a photograph"Stone Wall 3/1 1988/1989"evan meades collection, river red gum, river red gum trees, stone wall, dry stone wall, stone wall whittlesea, stone wall mernda -
Vision Australia
Photograph - Image, John Wall, 1982
Portrait of John Wall, who was treasurer for the Association for the Blind between 1970-1989. This photograph was taken for an annual report based upon the ruled lines on the back of the photograph.Col. photograph of John Wall, treasurer at the Association for the BlindJohn Wall, treasurer 1970/1989association for the blind, john wall -
Clunes Museum
Photograph
COLOR PHOTOGRAPH OF PRESENTING THE CITIZENSHIP CERTIFICATES TO MR TONYBAYKEY AND MR ABRAHAMS BY CR FRED SEERE ON 26/01/1989ON BACK CR FRED SEERE PRESENTS CITIZEN CERFIFICATES TO MR. TONY BAYLEY AND MR. DICK ABRAHAMS 26/1/1989citizenship, tony bayley, dick abrahams, judth and mac fawcett -
Bendigo Military Museum
Photograph - Farewells to WO1 Adsett and WO1 Presser, Army Survey Regiment, Fortuna, Bendigo, 1989
This is a set of nine photographs of farewells to WO1 Allan Adsett and WO1 Peter Presser in the Officer’s Mess at the Army Survey Regiment, Fortuna, Bendigo in 1989. RSM WO1 Neville Stone presented WO1 Adsett, WO1 Presser certificates commemorating their military service and contribution to the Royal Australian Survey Corps. SGT’s Mess plaques and flowers were also presented to WO1 Adsett, WO1 Presser and their wives. WO1 Adsett served in the Australian Army from 1967 to 1990 and WO1 Presser served in the Australian Army from 1970 to 1990.This is a set of nine photographs of farewells to WO1 Allan Adsett and WO1 Peter Presser at the Army Survey Regiment at Fortuna, Bendigo in 1989. The photographs are on 35mm negative film. They are part of the Army Survey Regiment’s Collection. The photographic negatives were scanned at 96 dpi. .1) - Photo, black and white, 1989. L to R: RSM WO1 Neville Stone, WO1 Peter Presser. .2) - Photo, black and white, 1989. L to R: WO1 Colin Cuskelly, Mrs Leslie Presser, WO1 Peter Presser, RSM WO1 Neville Stone. .3) - Photo, black and white, 1989. L to R: Mrs Lesley Presser, WO1 Peter Presser, RSM WO1 Neville Stone. .4) - Photo, black and white, 1989. L to R: WO1 Colin Cuskelly, Mrs Leslie Presser, WO1 Peter Presser. .5) - Photo, black and white, 1989. L to R: WO1 Peter Presser, Mrs Leslie Presser. .6) - Photo, black and white, 1989. L to R: RSM WO1 Neville Stone, WO1 Allan Adsett .7) - Photo, black and white, 1989. L to R: Maz Cuskelly, WO1 Colin Cuskelly, RSM WO1 Neville Stone, WO1 Allan Adsett and Mrs Judyne Adsett, unidentified (x3). .8) - Photo, black and white, 1989. L to R: RSM WO1 Neville Stone, WO1 Allan Adsett and Mrs Judyne Adsett, unidentified (x3). .9) - Photo, black and white, 1989. L to R: WO1 Allan Adsett and Mrs Judyne Adsett. .1P to .9P – Personnel are identified on the film negative sleeve cover sheet.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn -
Whittlesea Historical Society Inc.
Photograph, Evan Meades, Mill Park, c.1988/89
One of a series of photographs taken in 1988-1989 around the Shire of Whittlesea by Evan Meades.Print copy of a photograph"unknown near Childs Road Epping ? 1988/1989"evan meades collection, plenty road, mill park, mill park estate, childs road mill park