112 poundammunition, 1918

A copy of a receipt dated 31st July 1954. under the date the words: rs. E. Plant, 83 Sternberg Street Bendigo. Possibly for rent due by McKerlie, L. I. period 24/06/1954 to 29/07/1954 6 pounds 5 shillings and Walkerdon, R. A. period 28/06/1954 to 26/07/1954 6 pounds. A deduction of 12 shillings 3 penny is applied to bring the total to 11 pounds 12 shillings 9 penny. The document is in a manilla folder.organization, business, h.a. & s.r wilkinson real estate, yellow label 594.

Damaged u50 - Bridge Street - 24/11/1989Polaroidorganisation, industry, gas and fuel

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Two city of Bendigo Rate Notices. The first is for 1960-1961 and the second for 1961-1962. Land and house at 24 Quick Street in the name of Lilian M. Prout. The amount due on both is 7 pounds, 4 shillings and 6 pence.organization, government, city of bendigo

Invoice to Robin Boyd for a six berth cabin cruiser "Magnolia" from Wednesday 20 May to Sunday 24 May 1964, at the cost of ten pounds.

Three invoices from State Electricity Commission issued to Miss L. Prout, 24 Quick Street, Bendigo. the first dated 02/02/1962 for 2 pounds, 6 shillings and 8 pence, the second dated 02/08/1962, the third dated 02/11/1962 both for 2 pounds, 11 shillings and 3 pence. Attached also 2 receipt for payments.organization, public utility, electricity company

This promotional flyer featuring the 1890 Buglet was produced by the History & Heritage Committee of Auscyling and promotes one of items in their collection. The Buglet was presented to the Port Melbourne Bicycle Club by George GEDDES on 24 June 1890.A half A4 card with photograph a 1890 Buglet.Presented to the Port Melbourne Bicycle Club by George GEDDES Singer Bicycle Depot 24 June 1890.buglet, sport - cycling, auscycling vic, george geddes, port melbourne bicycle club, singer bicycle depot

Yields information about the delivery of an ex Ballarat tram to a tramway Museum.Colour 35mm slide in a white cardboard slide holder of Ballarat No. 21 being unloaded at the AETM site on 24-9-1971, Photo John Radcliffe. Ballarat No. 34 has been off loaded - See Reg Item 6515. In the adjacent slide position is a note to this effect. This piece of paper was wrapped around the slide. Photo from the collection of Lilian Butler.Written around the slide in ink "Unloading Ballarat car 21 at Australian Electric Transport Museum (SA) Inc St Kilda SA - car 34 already unloaded at right - 24-9-1971. J. C. Radcliffe photo."tramways, trams, ballarat, aetm, sale of trams, adelaide, tram 21

The tins were used by the Colonial Sugar Refining Co. to store and sell treacle which is a by-product of cane sugar and molasses. The tin is labelled with the imperial pound measurement so it preceded metric weights and measures.A green, red and gold tin used to sell and store treacle. Two stick of sugar cane decorate the front and the back of the round tin. The tin lid on the top of the tin needs to be levered open. The tin's capacity is 2 pounds. The word 'treacle' is written in bold red capital letters.THE COLONIAL SUGAR REFINING CO. LTD / TREACLE / 2 LB NET / MADE FROM CANE SUGAR ONLYcolonial sugar refining co., treacle, sugar cane, food, canning, sugar mills, george evans collection, commercial packaging

The article was published after a visit by the Victorian Historical Society to St Helena.Information about the Beale family and their connection to St Helena2 x A4 pages downloaded from Victorian Historical Magazine (1952) Vol 24, Issue 96, pages 140-141. Victorian Historical Magazine (1952) Vol 24, Issue 96, pages 140-141. This is the transcript of a paper read by Mr A T Latham. The title is St.Helena and the subject is Anthony Beale and his connection with Greensborough. st katherines church, st helena, anthony beale

This Sandhurst gold mine was registered in 1864 although its head office was in Melbourne. The first manager was Edwin Chaplin. It had an initial nominal capital of 11,200 pounds raised through 224 shares of 50 pounds each. It was liquidated and delisted on the stock exchange in 1951.Two typewritten letters, one dated 8th May 1925 and the other 22nd June 1925. Both letters are addressed to Mr. M. Kelly, Beehive chambers, Bendigo. The first one advising that enclosed is a statutory declaration in connection with the scrip certificates for 200 shares that have been lost. The second one advising of two cheques for 25 pounds enclosed as payment of dividends. Both letters are signed by the manager of the Hercules Gold Mining Company Mr. Stanfield.hercules gold mining company, shares

Preparing Tie in Chapel and McCrae Streets - 24/01/1990Polaroidorganisation, industry, gas and fuel

Bridge Street Damaged 450 mm. - 24/11/1989Polaroidorganisation, industry, gas and fuel

Bridge Street Damaged 450 mm. - 24/11/1989Polaroidorganisation, industry, gas and fuel

Ownership history of 4 Austin Street, Mitcham between 1873 to 2019, including the plan of the Mellorton Estate, Mitcham (1923), showing some lots priced at one hundred and forty-five pounds and the Charlesworth Estate ((1913). The Austin Street house was purchased by Martin and Shirley Gleeson 1956 and sold in 2019. Subdivision map of area south of Burnett Street to Harrison Street. non-fictionOwnership history of 4 Austin Street, Mitcham.drake real estate, charlesworth estate mitcham, mellorton estate mitcham, austin street mitcham no4, ainger frank

The '24' inscribed on the handle is a theatre number for instrument identification. Invented by British obstetrician Robert Barnes (1817-1907), these forceps were designed to "enable delivery from the superior strait and from above the brim in cephalo-pelvic disproportion." One of Barnes' aims with this design "was to reduce the incidence of craniotomy, because the Caesarean operation was at this time a desperate last resort." (Source: Forster, F M C. (1971), Robert Barnes and His Obstetric Forceps. Australian and New Zealand Journal of Obstetrics and Gynaecology, 11: 139-147.) With the addition of William Neville's axis-traction handle (invented in 1886), a variation of these forceps known as the Neville-Barnes forceps gained widespread popularity.Set of metal forceps, consisting of two nickel plated blades with bakelite handles. Inscribed 'EVANS & CO./LONDON'.Theatre mark "24" inscribed on handle of both blades.obstetric delivery

Light cardboard folder in mainly mustard colour with woman on cover. Opens to hold pockets for negatives and printed photosKodak 20,000 pound world competition. You may win 3300 pound with one simple snapshot.phpotograph folder, kodak

Yields information about the use of the parking loop in Sturt St in 1955.Digital image from the Wal Jack Ballarat Album of a photograph of four trams parked in the Parking loop or City Loop in Sturt St, Nos. 36, 34, 39 and 32. Photo Wal Jack 24-9-1955. Has the Sturt St buildings in the background. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "SEC, Ballarat. No. 36, 34, 39, 32 Sturt St parking loop. 24-9-55" and Wal Jack stamp in top right hand corner with number "T184" written in.trams, tramways, sturt st, city loop, tram 36, tram 34, tram 39, tram 32

The Mabs Younger Slide Collection is made up of 20 envelopes containing 24 35mm Kodachrome colour slides. The photographs were taken in December 1949. Photographer A. Pout - Burnley School, W. Pattinson - Melbourne Conserc. C102 1 & 2, A. Pout - Botanical Gardens C99. Labelled and typed list. The collection was donated to the Archives by Mabs Younger on the 16 November 1990.20 envelopes containing 24 35mm Kodachrome colour slides. Photographs taken in December 1949. Labelled and typed list.mabs younger, slide collection, a. pout, kodachrome, burnley school, w. pattinson, botanical gardens

Yields information about the appearance of two of Geelong's tram in 1947.Black and white photograph of Geelong 2 - destination of Belmont and No. 24, destination North, in Moorabool St with the Austral Arts Furnishers store in the background. Photograph by Jack Strager June 1947.On rear in green ink "SEC Geelong Birney Nos. 2 (original stock) 24 (ex M&MTB ex HTT) / June 1947 J. Stanger photo."tramways, trams, geelong, moorabool st, tram 2, tram 24

Yields information about the delivery of an ex Ballarat tram to a tramway Museum.Colour 35mm slide in a white cardboard slide holder of Ballarat No. 34 being unloaded at the AETM site on 24-9-1971, Photo John Radcliffe. Ballarat No. 21 can be seen in the background on a truck waiting to be off-loaded. In the adjacent slide position is a note to this effect. This piece of paper was wrapped around the slide. Photo from the collection of Lilian Butler. See also Reg Items 7988i1 and i2 for other photographs.Written around the slide in ink "Unloading Ballarat car 34 at Australian Electric Transport Museum (SA) Inc St Kilda SA - Ballarat car 21 at rear - 24-9-1971. J. C. Radcliffe photo."tramways, trams, ballarat, aetm, sale of trams, adelaide, tram 34

Photograph, Black and White, Photo of the intersection of Bourke and Elizabeth St at evening peak on 24/10/1968, 5.35pm. SW6 872, route 20 to Coburg and W5 740 at the Safety Zone tram stop. Many pedestrians heading towards Flinders St station . In the background is the State Savings Bank and London Stores. The man bending over is possibly a newspaper seller given the leather straps around his back.In ink on the rear: Keith Kings stamp and number 44-23 "M&MTB SW6 872 and W5 740 in Elizabeth St at Corner Bourke St, city 5.35pm 24/10/68" "1/60 @ f8 HP4"trams, tramways, elizabeth st, bourke st, sw6 class, w5 class, route 20, coburg, tram 872, tram 740

35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeeltham, houses, peter street, pise construction