Typed two page list - one foolscap and one quarto sheet, titled "Rolling stock data list of the Melbourne and Metropolitan Tramways Board, as at 10th Jan. 1927", listing each class, car numbers, type, seating capacity, truck, wheelbase, motors, Horsepower, Tare Tons, Controllers, Compressors and Length. Extends to X1 class tram - typo - 469 instead of 468. Includes cable cars. Has some depot allocation notes. Similar style to 5673, possibly re-typed by Keith Kings, from a MMTB data sheet.Has a pencil note against "469" - bogie?mmtb, tramcars, melbourne, lists

Yields information about timetable for tram services in Ballarat for May 1956 and what routes were operated.Duplicated foolscap sheet titled "Ballarat Tramways - Revised Time Table as from Monday 14th May, 1956". Date of issue one side with the other side providing details of service for Week days, Saturdays and Sundays on the Sebastopol, Grey St, Lydiard St North, Victoria St, Mt Pleasant, Gardens via Drummond St, Haddon St, Gardens via Sturt St West, Sturt St West and View Point. Document headed :"State Electricity Commission of Victoria"ballarat, timetables, services

12 page printed booklet, titled "As-U-Go", Souvenir edition, issued for the retirement of Denver's USA streetcar system, June 3 1950, by the Denver Tramway Corp. Features horse trams, short history, cable trams, steam trams, electric tram, funeral car, sight seeing and buses. Shows viewpoints of the conversion of electric streetcar systems to buses - forward by Mayor of Denver, Quigg Newton. trams, tramways, denver, usa

Demonstrates how the SEC used painted signs to advise passengers about fare payment arrangements.Folded metal and painted "Pay as you Enter" sign used on Ballarat single truckers until 1971. Black lettering on a yellow front with a Yellow back. Sign has been manufactured to fit the timber holders that were provided on each side of each door. Painted by the SEC Ballarat painter George Wright at the tram depot. (Advised by Bill Llewellyn to Richard Gilbert at the time of donation)trams, tramways, signs, sec, tramcars

Typescript (3 pages). Draft. To the rate payers as addressed. 1. Delete paragraph 1: ". We suggest if you have any doubts, that you try and make a personel inspection of the engineers offices as some of us have done. 2. Modify p.2, para. 3. 3. p.3: Delete "committee"; insert "council".shire of otway; ratepayers;

LED light, laser cut metal Located in the entrance to Bayside Gallery, Corner Wilson and Carpenter Streets, Brighton, Victoria 3186.sculpture, public art, installation, feather, neon, lights, peter kennedy, play on words, light as a feather

In 1936, a plate commemorating Adam Lindsay Gordon's service as a soldier of the Queen was installed in the Wilson Memorial Hall— formerly known as the Brighton Drill Hall— recording that the poet was sworn in there as a member of the Brighton Artillery Corps in 1869. Gordon lived in Brighton for only 14 months, but took an active interest in the Artillery Corps. In addition to the memorial plate, two photographs of the Brighton Artillery corps, were unveiled by Mr A. C. Wilson, a son of the Councillor Thomas Wilson before whom the poet took the oath of allegiance to the Queen. This photograph shows a group of the corps, with Gordon in uniform.brighton artillery corps, soldier, adam lindsay gordon, a.c. wilson, cr. t. wilson, poet

Yields information about Sturt St and the Begonia Festival Showboat tram of 1969.Set of two Colour slide, Kodak white cardboard mount, developed Mar 1969 of No. 21 as Begonia Festival Show Boat passing the Town Hall with the destination of Gardens via Drummond St. .2 - trailing photo - with the Coles and Fletcher Jones stores in the background. Advertising the 1969 Begonia Festival. ballarat, tramways, trams, begonia festival, decorated trams, sturt st, city, tram 21

Details the Museum's celebration event on Sunday 2 October 2022, published by the ABC on their website. Features photos of trams in Wendouree Parade, Ballarat 27 at Mt Pleasant on its supposed 1,000,000 miles, Richard Gilbert standing by Geelong No 2 and of the event itself with many people standing in front of the new Museum building.Demonstrates the 50 + 1 years celebration held on 2-10-2022Four A4 pages of the print of an ABC news item dated 3-10-2022 following the Museum's successful Tramcar Celebration day (50+1) years,btm, abc news, museums, tramways, tramcars, events, 50 years

Demonstrates the signage used on the trams to indicate to passengers when the trams were operating as a one-man tram. Yields information about the construction of the sign and paintwork.Pay As You Enter sign once fitted to side of SEC tramcar by door - with pins, - Sign writing gold leaf, black shading, green background paint. See original catalogue sheet for more details including sketch. See photo in use on No. 14 in an accident with a Ford Truck when in SEC early colour scheme. Has actual paint used at the time. See photo of No. 14 and a collision with a Ford Truck. To be kept in light controlled areatrams, tramways, advisory sign, passenger signs, one man trams

Newspaper clipping about former tramway staff employed as post men. - circa Feb. 1956. Titled "Trammen as Postmen". Record revised and image added 21/9/2013."Feb. 56"trams, tramways, geelong, employees, closure

Historical Details: DAP Beaufighter A8-328 was delivered from DAP to the RAAF at Laverton 1AD on 9 September 1945, and consequently did not see any wartime service. Placed into storage at Tocumwal it returned to Laverton 1AD in 1953 for overhaul and preparation as a Target. Description: The Bristol Beaufighter was designed and built in England as a long range fighter but initially saw service as a night fighter. Carrying the newly invented airborne interception radar, it played a major role in ending the Blitz. British-built general purp. Level of Importance: Nationalbeaufighter

Historical Details: . Description: First flown on the 29th of September 1943, the Vampire, in its many versions, came to be the most widely used British military jet aircraft ever produced, and saw service with some 25 air forces around the world. In 1951 the RAAF ordered 36 DeHavilland. Level of Importance: Regionaldh vampire

The Australasian Federation Conference met in Melbourne from 6-14 February, 1890. The National Australasian Convention, met in Sydney, from 2 March–9 April 1891. Debates about the draft Australasian Federal Convention of 1897/8 took place over three sessions: First session, Adelaide, 22 March – 5 May 1897 Second session, Sydney, 2-24 September 1897 Third session, Melbourne, 22 January-17 March 1898This volume formed part of the private library of Malcolm Carkeek, former Archivist of the Royal Society of Victoria, and was donated by him to the Kew Historical Society.29 p. : coat of arms ; 21 cm.Adressed to "Mr Edwin McKereth (sic), Farmer, Avoca".australia - constitution, australia - political history - development

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/caire-nicholas-john-3139/text3683, published first in hardcopy 1969, accessed online 1 July 2016.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph, mounted on Board.printed in ink on support l.c.: VIEW OF PORTION OF THE CITY OF SANDHURST, AS SEEN FROM THE HILL, CAMP RESERVE / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 4. / VIEW OF PORTION OF THE CITY OF SANDHURST AS SEEN FROM THE HILL, CAMP RESERVE. / The Camp Reserve is the principal public promenade in this City. The Rotunda in the foreground, formerly used / by the local bands on festive occasions, is now regarded as a relic of the past. To the right of the picture is shown the / City of Sandhurst claim, supposed to be on the Hustler's line of reef. St. Paul's Church tower may be seen in the / distance. To the left of the picture Williamstown-street branches out from Pall Mall. On one side of the street is the / far-famed Shamrock Hotel; on the other stands the Bank of Australasia, with St. James's Hall immediately behind it. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period.Programme for a performance of Enduring As the Camphor Tree by Russell J. Oakes, performed by The Everyman Theatres Company. The programme includes performer and writer profiles as well as a cast list and advertisements.arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, everyman theatres company, 'enduring as the camphor tree' by russell j. oakes

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. There were clearly a huge range of toys produced for the Australian and International children’s market in the Nineteenth and Twentieth centuries. The examples of toys in the collection include examples of alphabet toys, arcade toys, baby toys, construction toys, dolls, doll accessories, educational toys, soft toys, tin toys, toy animals, toy blocks, toy machines, toy typewriters, etc. IMP is a fifteen puzzle. The metal base and the numbers are housed in a red leather purse with press-stud. The wallet contains a booklet of promotional material and 'problems'. Puzzle consisting of 15 squares, numbered 1 through 15, which can be slid horizontally or vertically within a four-by-four grid that has one empty space among its 16 locations. The object of the puzzle is to arrange the squares in numerical sequence using only the extra space in the grid to slide the numbered titles.Exterior: "IMP / known the world over as Diablotin"diablotin, games and puzzles, imp

stories written by service personnel both men and womenkhaki green hardcover bookas you were, 1949, non-fiction, world war two, second world war, wwii, ww2

The extraordinary and compelling story of June 6, 1944 and the battle for Normandy is told here through first-hand testimonies from civilians and soldiers on both sides. D-Day: As They Saw It features classic accounts by soldiers such as Rommel and Bradley, together with frontline reports by some of the world's finest authors and war correspondents, including Ernest Hemingway and Alan Melville. Published to celebrate the 60th anniversary of the Normandy landings, highlights of this unique collection include the break-out from Omaha beach as told by the GI who led it, a French housewife's story of what it was like to wake up to the invasion, German soldiers' accounts of finding themselves facing the biggest seaborne invasion in history, a view from the command post by a member of Eisenhower's staff, combat reports, diaries and letters of British veterans of all forces and services, and accounts of the follow-up battle for Normandy, one of the bloodiest struggles of the warForeword by Field Marshall Lord Carversoft cover book

Purchased with the assistance of Arts Victoria, 2006Corten steelgippsland, artwork, permanent collection

Purchased, 2013Engraving on papergippsland, artwork, permanent collection

Donated by Evan Lowenstein through the Australian Government Cultural Gifts Program, 2012Type E photograph on papergippsland, artwork, permanent collection