Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of two men manually raking and gathering hay.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of two men raking and gathering hay in preparation to make bales.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of man pitchforking hay with haybaler in backgroundCatalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of people operating a baler in a paddock.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of people operating a baler in a paddock with the windmill in the background.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of people operating a baler in a paddock with the windmill in the background and a woman driving a horse raking hay.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white landscape photograph of people operating a baler in a paddock with the windmill in the background and a woman driving a horse raking hay.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white landscape photograph of people operating a baler in a paddock with the windmill in the background and a woman driving a horse raking hay.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white landscape photograph of people operating a baler in a paddock with a woman driving a horse gathering hayCatalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white landscape photograph of people operating a baler in a paddock with a woman driving a horse gathering hayCatalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white landscape photograph of people operating a baler in a paddockCatalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white landscape photograph of people operating a baler in a paddock. The windmill is in the background, and a woman riding a horse gathering the hay is visible.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

At top of first page an inscription "St Luke's Sunday School" Alberton. Hector Irvine 3rd prize, Sister Winifred SuptA child's rhyme book with pictures to colour in. Ten pages printed on both sides with a card cover. Very poor condition, edges of pages dog eared and mended with sticky tape. The back cover has been replaced by card from a 1959 Bennett's store Wandiligong calendar. The spine has been reinforced with brown paper. Most pictures have been coloured in. Contains about 50 rhymes.Bottom of first page "With pictures to colour" No 10 An Australian Production, Copyright by Gunn and Taylor pty Ltd

Doll belonged to donor's granddaughter. A teaching doll to show children how to use zips, buttons and press studs.Toy clown doll with plastic head and hands, vinyl feet and soft body. Orange wool hair. Open and close eyes with long ashes. Painted face with blue eye shadow and red nose and smiling white painted mouth. Yellow and red ruff around neck, and blue, red and yellow suit. A zip on left side with two pockets on right side.Copyright Red Box Toy Factory Hong Kong. Red Box325b 29m Av 5am Frantoys, dolls

Yields information about the way the SEC repair overhead failures on the Ballarat Tramway system - shows the trucks and the crews involved.Black and White copy photograph of a newspaper photograph taken by The Courier of repairs to damaged overhead wire, Lydiard St North, just to the north of the Railway level crossing. Tram services were disrupted as a result. Photo taken 23/4/1965, published 24/4/1965. Shows three SEC vehicles in use, including the tower truck. By the front of the truck, the overhead wire and a set of ears can be seen. The Victorian Railways Institute building is in the background. In the far background is the North Star hotel. The types of truck, from the left hand side are Ford (Tower Truck), International and a Bedford. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited." and "85%" in ink in the top left hand corner.tramways, trams, lydiard st nth, overhead, secv, repairs

.1 - Colour print of Ballarat Tramway Museum W4 671 outside the Ballarat depot, following repainting to the blue colour scheme mid 1990's. Photographed by John Phillips for the Dept. of Transport. .2 - W4 671 running in Melbourne, during early 1996, on the City Circle in Spring St Melbourne, advertising the Ballarat Begonia Festival with the Princes Theatre and Holmes Colleges buildings in the background. Has number "96-35-25" on rear. Printed on Kodak paper.Each photo has on the rear a "Copyright Department of Infrastructure with details for reordering and a hand written letters "JP"trams, tramways, ballarat, btm, w4 class, spring st, tram 671

.1 - Colour print of Ballarat Tramway Museum (BTPS) W3 661 , prior to repainting, on the access track, early 1980's Photographed by John Phillips for the Dept. of Transport. .2 - ditto - following repainting mid 1990's outside the Ballarat depot. Printed on Kodak paper.Each photo has on the rear a "Copyright Department of Infrastructure with details for reordering and a hand written letters "JP"trams, tramways, ballarat, btm, w3 class, tram 661

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 33 on the Barwon Bridge, with the destination of Belmont. Photo by Leon Marshall Wood, 29-3-1948. Printed on Kodak Velox paper. On rear in ink "Geelong 29.3.48, Barwon Bridge". Has the L. M Wood copyright stamp on rear.trams, tramways, geelong, belmont, tram 33

A photo of a group of female junior legatees in sporting outfits. There are 20 girls of various ages, and 1 lady who could be the instructor. Legacy clubs ran classes for junior legatees for many years such as gymnastics, swimming or dancing classes. It was part of providing for the children of their deceased comrades. The skills they learned were show cased in an annual demonstration usually at the Melbourne Town Hall. It appears to be photo taken professionally, as there are several photos of different classes (see 00862 - 00873) perhaps to record Legacy classes for promotion purposes. A note with the photo identifies two young ladies; "Kneeling at the front Michelle and Anne O'Connor. Date is estimated as the 1960s as they joined classes in 1962.A record of a way Legacy provided classes for junior legatees.Black and white photo of girls and young ladies in sports outfits with the Legacy logo.Stamped on the back Copyright, Herald and Weekly Times in grey ink. Handwritten 'Legacy P2' in blue penjunior legatee, girls' classes

A photo of Barbara Leach, volunteering with a badge tray, and a bag piper in the centre of St Kilda Road. The slogan says "Please buy a badge". It appears to have been professionally taken to publicise Legacy Week in the newspapers. The photo appeared on the front page of the Herald Sun on 6 September 1991. The accompanying articles says that police piper Constable Ross Bates played outside Legacy House to pipe in Legacy Day, which saw hundreds of collectors spread across Melbourne for the badge appeal. The appeal was aiming to reach $500000 to beat the previous year's total of $467,702. The reference number 910906/9 could mean the date was the 6th September 1991. The picture is attributed to George Salpigtidis.A record of promoting Legacy in Badge Week.Black and white photo of a bag piper and a lady collecting for the Legacy Appeal.Stamped with copyright of Herald and Weekly Times in green ink. Hand written 910906/9 on blue pen.fundraising, legacy appeal, legacy week, badge week

.1 - Colour print of Ballarat Tramway Museum (BTPS) W3 661 , prior to repainting, on the access track, early 1980's Photographed by John Phillips for the Dept. of Transport. .2 - ditto - following repainting mid 1990's outside the Ballarat depot. Printed on Kodak paper.Each photo has on the rear a "Copyright Department of Infrastructure with details for reordering and a hand written letters "JP"trams, tramways, ballarat, btm, w3 class, tram 661

.1 - Colour print of W3 667 at TMSV site Bylands, mid 1990's. Tram has the destination of "Carnegie - Truganini Rd". Photographed by John Phillips for the Dept. of Transport. Printed on Kodak paper.Each photo has on the rear a "Copyright Department of Infrastructure with details for reordering and a hand written letters "JP"trams, tramways, tmsv, bylands, w3 class, tram 667

.1 - Colour print of W4 673 at TMSV site Bylands, mid 1990's. Tram has the destination of "Moreland". Photographed by John Phillips for the Dept. of Transport. Printed on Kodak or Fujifilm paper.Each photo has on the rear a "Copyright Department of Infrastructure with details for reordering and a hand written letters "JP"trams, tramways, tmsv, bylands, w4 class, tram 673

Item in the collection re Edwin James Jones No 3511 AIF. Refer 1367.5 for his service history..1) Match box holder, metal with paper covering. Covering has a depiction of a flag and Rising Sun with banner and text "Copyright. British Made." Writing has been scratched into the flag side. .2) Matchbox, complete made of cardboard. Red, black and yellowish face with text "Impregnated Safety Matches." Contains 2 matches..1) “Pte E Jones, 46 BAT-Good Luck"personal effects-smoking accessories, containers-commercial, metalcraft, domestic items-matches, jones

photograph - black and white -Japanese Yacht mounted on cardboard /The fine-art photographers publishing company , 46 Rydevale Rd , london S.W , Gold Medal series , Copyright 1901 , B.L. Singley -/ Stereo photograph - two photos side by side forming into one with use of relevant mechanism / rear small note describing the viewThe fine-art photographers publishing companyphotograph, landscape, -japanese yacht /the fine-art photographers publishing company , 46 rydevale rd , london s.w , gold medal series , copyright 1901 , b.l. singley

Black and white photograph of Circular Quay and Queen St, Brisbane Qld. Inscriptions: Front: bottom left Sidues Series No. 557 Copyright. Centre front Circular Quay and queen street, Brisbane Qld.Reverse: Postcard, a real photograph, produced in Australia, Lines forming a 'T' Brisbane written in pencil and underlined. Red smudge to right of centre.person, individual, basil miller

Till CollectionTHE TILL COLLECTION SIGNIFICANCE STATEMENT|The significance of the Alwyn Till Collection is that Alwyn was born in Mitcham in 1921. He attended Mitcham Primary School and Box Hill Boys High School. He served his Community mainly through his activities within the Christ Church Anglican Church Mitcham. He joined the Royal Australian Airforce in World War II in September 1939. He trained as a Pilot in Australia and Canada, was posted to England and saw action in Europe. He was shot down over France and rescued by and then joined the French Resistance and while fighting with them was fatally shot. A Baron fighting with him wrote to his mother to inform her of his death.|Alwyn's parents were Evaleen Victoria Till (nee Maggs) and Sydney Norman Till who first lived in Creek Road Mitcham, before moving to 573 Whitehorse Road Mitcham. His father served in World War I where his eyesight was damaged and he was taught by the then Blind Institute in suitcase making of which we have two examples in this collection. He died in 1931. Alwyn took over responsibility for his mother and sister Alison. We can understand how devastated his mother and sister would have been at the news of Alwyn's feeling that he must serve his country in World War 11.|His letters home were so precious to them that they carefully kept all his correspondence, notices of death and condolences from friends. After Alison's death in 2007 her relation Joan Walker transcribed each of Alwyn's letters home into two bound volumes. The executors, Joan Walker and Anne Drew deposited the original letters with the Whitehorse Historical Society. Due to their significance as historical documents of one serviceman's complete correspondence with his family the Whitehorse Historical Society Committee after consultation with the donors deposited the original letters with the State Library of Victoria. The Whitehorse Historical Society retains the copies.|Alison and her mother kept many family memorabilia and personal items which make up this significant collection as they show how people lived, worked and served in the local community and municipality.|This collection represents the love and devotion of the women to their families during the course of two world wars. The father was disabled as a result of World War 1 and died an early death and a son who thereafter took on the responsibility as head of the family at an early age. This young handsome charismatic son served his community in peace time and gave his life in World War 11. This mother and sister were devoted to his memory.Blue book Australian Filet Crochet - Weekly Times Book of Patterns. Picture of filet crochet piece with house & tree and spray of leaves on left side. Underneath is written 'Original Designs by Australian Women' price Two Schillings. Across bottom is written ' The Whole of the Contents of this book are protect4ed by Federal Copyright Act 1912. 46 pagesbooks, handcrafts

Diggers & Mining: The Diggers. Calling citizens to join army. Caption: The Sacred Name of Liberty. Anti conscriptionist: '' What, not enough men! Well, get back into the trenches yourselves! We can't interfere with the liberty of these people.'' - From Sydney Bulletin. Sketch by: Norman ? Markings: VISAR COPYRIGHT SET - THE DIGGERS, 9. Used as a teaching aid.Visaireducation, tertiary, war

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola in her drawing room at D'Estaville, Barry Street, Kew, holding her pet dog while gazing into the fireplace. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Stamp of The Age on reverse.australian artists, d'estaville -- 7 barry street -- kew (vic.), alma figuerola, melbourne artists -- twentieth century