Pg. 33 Crawford and Connelly's mail coaches station to change horses and provide 'free bag' mail service x3 weekly to Kiewa, Tangambalanga, Bungoona (Huon). All photos are published in the Kiewa Valley Book "A History of the Kiewa Valley' by Esther Temple and David LloydHistorical photos of the Kiewa ValleyBlack and white photos, varying sizes, published in KVHS history book. In order of appearance: 1. Generic photo of 'Aboriginal Man' Page 9 2. Crawford and Connelly, Royal Mail Coach. pg. 29 3. Early postcard of Kiewa - trees, road, homes pg 76 4. George Le Fevre and School Bus pg 77 5. Kergunyah Creamery pg 80 6. Gundowring Homestead: Built by Charles Barber, pgs 82,83 7. Bogong Hotel 1925 pg 103,104 8. The Junction September 1940 pg 119 9. Mt Beauty pg 119royal mail coach, kiewa, school bus, kergunyah creamery, gundowring homestead, charles barber, bogong hotel 1925, junction camp bogong, mt beauty 1950

Photograph of a sailor being transferred by bosun's chair from one ship to another. Several people watched the transfer.My vietnam Collection. copyright david Triggbosun's chair, photograph, hmas sydney, hmas yarra

Book - 84 pages including card covers, full colour printing on gloss paper, titled "The Melbourne Tram Book" - 3rd Edition, written by Randal Wilson and Dale Budd of 2014. Covers Melbourne tram history including cable trams, early electric trams, trams in art, historic fleet, colour schemes, tram types, and preserved tramways. Includes notes on the authors.KS 22-9-18" on top of first inside page.trams, tramways, melbourne, tramways, history

Letter - from Ross Wilson of Canberra to Keith Kings regarding cable tram conversions (St Kilda / Beaconsfield Parade), St Kilda Beach conversion and MAN Bus electronic route numbers / destinations. Attached is a photocopy over five A4 Sheets of "MAN Destination and Key No. chart", listing some 176 routes or keys. Has been stapled in top left hand corner.Has numerous notes in red or black ink about responses etc.trams, tramways, routes, man buses, buses, st kilda, cable trams, conversion

Oral history interview and partial transcript of David Blyth by Judith Buckrich, with Jess Blyth and Michele Prentice. Recorded as part of 'Lighthouse on the Boulevard'. Former students and staff recall their days at RVIB, the impact of what they learned and experienced there, and how the attitudes to blindness and low vision changed over the years. 4 audio recordings of recollections from former RVIB attendeesroyal victorian institute for the blind, david blyth, oral history, judith buckrich, michele prentice, jess blyth

Image 14 David and Claire Newbury House and Artists Studio Commenced 1954 Designed by David Newbury Built by David Newbury, Horrie Judd and others The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcclaire newbury, david and claire newbury house, david newbury, horrie judd, houses, mud brick construction, alistair knox collection

David Acrum Alexander was born c1925 and died in 2015. He practiced medicine in Ballarat but also had a keen interest in sketching and painting. The 52 books range from 1971 to 2012. They include rough outlines for characters, often with a comment re changes to be made. If a pencil sketch or water colour 52 artist's sketch books of varying sizes, spiral bound. Some are thematic in content; characters from novels, places, people Some comments are written and names of peopleDate of work written on covers and on some individual pages. Place name and those of characters from novels.david alexander, sketchbook, artists sketchbook

Donated by former student Maureen A. Nelson (née Skuse) (1956)Black and white photographs. The 1955 student group at the Wilson's Promontory Camp in 1955 Wilsons Prom Camp 1955students, maureen a. nelson (née skuse), springhurst, excursion, wilsons promontory, wilsons prom

The certificate was designed by David Kent in 1896Timber framed certificate relating to the Australian Juvenile Exhibition Ballarat and awarded to William Baragwanath for the model of the Welcome Gully. Frame is by W.H. Burgoyne, Picture Frame Maker, artist, Castlemainecertificate, w.h. burgoyne, william baragwanath, c.b. retallack, joseph j. kelsall, david kent, rider and mercer

Thin cardboard certificateRingwood Carnival Baby Competition 11th, 12th, 13th August 1926 THIRD PRIZE This is to certify that David Gordon Allen - Ringwood - was awarded Third Prize in the section for Babies Under 12 Months P. Whiteway, President Arthur Haywood, Medical Officer S.S. Jones, Hon. Secretary

Oral history interview and partial transcript of David Blyth and Margaret Bull by Alan Nuske. Recorded as part of 'The Years Between: an oral history of the RVIB 1866-1991'. Former students and staff recall their days at RVIB, the impact of what they learned and experienced there, and how the attitudes to blindness and low vision changed over the years. 4 audio recordings of recollections from former RVIB attendeesroyal victorian institute for the blind, allan nuske, david blyth, margaret bull, oral history

Mrs Doreen Trinham and student David Rock, Eltham Christian School, 1981. Photograph from one of several pages of a magnetic photo album relating to the staff, students and activities of the Eltham Christian School which operated as part of the Eltham Christian Church at Nyora Road, Eltham. See also entries for each photograph.eltham christian school, david rock, doreen trinham

Photograph probably for promotional purposes, of a ""David Sowden & Sons Patent Automatic Shuttling Loom", No 162. Photograph was among items from Yarra Falls Mill.Photograph, black and white, of a "David Sowden & Sons Patent Automatic Shuttling Loom", No 162."David Sowden & Sons/Looms/ Patent /Automatic Shuttling/ Loom"/ No 162/Jacquard Machine Makers/ SHIPLEYtextile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving

Photo of the first horse drawn tower wagon at Sovereign Hill. This item was offered to the BTPS but declined as it did not have the storage space for it. Understood to have later been dismantled.Yields information about the appearance of the horse drawn tower wagon of ESCo.Agfa colour slide, white blue plastic mount. Photo by David Verrier.On back of slide in inktramways, trams, tower wagon, sovereign hill, cotma

Students: Phillip Morrow, David Thomas and Melina Bryans, Eltham Christian School, 1981 in a construction/art based activity. From series of photographs from a magnetic photo album relating to the staff, students and activities of the Eltham Christian School which operated as part of the Eltham Christian Church at Nyora Road, Eltham. See also entries for each photograph.Colour Photographeltham christian school, melina bryans, david thomas

Grave of Beatrice A Chapple (died 14/07/1922) in Plot# G15 Greensborough Cemetery. Grave of David E. Wheeler (died 05/10/1926) in Plot# G14 Greensborough Cemetery. These graves are adjacent. [Caption by Bruce McDowell: Beatrice Alice Chapple was the daughter of William & Susan McDowell (nee Poulter) - Susan Poulter was the daughter of William & Susan Poulter (nee Chapman)]Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photographbeatrice chapple, david e wheeler, greensborough cemetery

David FERRY (1957- ) Born in Blackpool, United Kingdom. David Ferry studied painting at the Camberwell Schools of Art and printmaking at the Slade School of Fine Art in London. He is currently Professor of Printmaking and Book Arts at the Cardiff School of Art, Cardiff Metropolitan University,Wales. He was Former Associate Professor of Fine Art Media, at the Long Island University, New York, USA, and former Head of Printmaking at the Winchester School of Art, UK. David Ferry was awarded a Fellowship of The Royal Society of Arts for his contribution in the foundation of the Curwen Print Study Centre in Cambridge where he became its first Artistic Director in 2003. In 2010 he was made Professor of Printmaking at the Cardiff School of Art and Design, and a full Fellow of the Royal Society of Painter / Printmakers (RE).Framed screenprint which forms part of a series called ‘Cake walking in Scotland’ which was printed 2015/16. It is a Digital Archive print with gold and silver leaf and glitter and varnish. "Upon entering a strange place, the visitor is disorientated. He looks for key markers that can act as signposts to help him find his way. These markers are taken from his past experiences, giving shape to his perceptions.’…’ Ferry was born in the seaside town of Blackpool and educated at London art colleges during the late 1970s at the height of British Punk. These early foundations continue to assert themselves in the mischievous and disruptive nature of his photomontage. He argues that early understandings of oneself, along with the characters and situations one encounters, shape our viewpoint. These act as familiar signposts that enable us to negotiate our understanding of the world. Employing what he refers to as a collage mentality, Ferry collides and layers fragments to explore his subjects.’ Writes Stephen Clarke on David Ferry’s work in ‘The Double Negative’. (htt05 April 2019)ps://www.roeandmoore.com/shop/the-corrie-by-david-ferry/, accessed One of an edition of 12.david ferry, printmaking, artist in residence, screenprint, art, artwork

Event photography, AANS boarding a ship. "Photographs of AANS boarding ship 1940/41 farewelled by Matron Grace Wilson Matron in Chief. 1 framed copy, 1 unframed copy. Nurses groups AANS WWII, Matron Grace Wilson." [Former catalogued description, entry P36]Unframed, printed sepia photograph on photo paper of 4 AANS boarding a ship, being fare-welled by Matron Grace Wilson Matron in Chief in 1940-41."Leaving Australia 1940-41, L to R, Miss Wilson, Matron-in-Chief, Ruth Meaney, Jean Headberry, Patricia Chomley, Claire Meinoge, Photo: Ruth Millear" [Handwritten in biro on the back of the photo]aans, ww2, world war two, world war ii, world war 2, matron grace wilson, ruth meaney, jean headberry, patricia chomley, claire meinoge

Book - 84 pages including card covers, full colour printing on gloss paper, titled "The Melbourne Tram Book" - 1st Edition, written by Randal Wilson and Dale Budd of 2003. Covers Melbourne tram history including cable trams, early electric trams, trams in art, historic fleet, colour schemes, tram types, and preserved tramways. Includes notes on the authors. See Reg Item 1136 for 2nd Edition and 4287 for the 3rd edition.trams, tramways, melbourne, tramways, history

Book - 84 pages including card covers, full colour printing on gloss paper, titled "The Melbourne Tram Book" - 3rd Edition, written by Randal Wilson and Dale Budd of 2014. Covers Melbourne tram history including cable trams, early electric trams, trams in art, historic fleet, colour schemes, tram types, and preserved tramways. Includes notes on the authors. See Reg Item 1136 for 2nd Edition and 3362 for the 1st edition.trams, tramways, melbourne, tramways, history

The tin was made by Wilson Bros, Melbourne, for Edwards' Ensign Tea Pty Ltd, Melbourne, Victoria, Australia, 1900-1940. There was a fire at their factory in Flinders Street Melbourne on April 30, 1921 which completely destroyed the building. New premises were obtained at 310/18 King Street Melbourne in 1923. there continued to be bill board advertisements for Ensign tea at the King Street address, also regular adverts in the Argus newspaper during1942.An Australia icon during the first half of the 20th century as tea drinking was a popular past time and social activity.Container for tea with hinged lid. Label yellow with map of Australia. Lid is coming away on one hinge. "Edwards Ensign Tea" On label "Edwards Ensign Tea"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tea tin, tea caddy, drink, container, wilson bros, ensign tea

The tin was made by Wilson Bros, Melbourne, for Edwards' Ensign Tea Pty Ltd, Melbourne, Victoria, Australia, 1900-1940. There was a fire at their factory in Flinders Street Melbourne on April 30, 1921 which completely destroyed the building. New premises were obtained at 310/18 King Street Melbourne in 1923. there continued to be bill board advertisements for Ensign tea at the King Street address, also regular adverts in the Argus newspaper during1942.An Australia icon during the first half of the 20th century as tea drinking was a popular past time and social activity.Container for tea with hinged lid. Label yellow with map of Australia. Lid is coming away on one hinge. "Edwards Ensign Tea" On label "Edwards Ensign Tea"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tea tin, tea caddy, drink, container, wilson bros, ensign tea

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council