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Flagstaff Hill Maritime Museum and Village
Functional object - Opera Glasses, 1920s
Opera Glasses came into existence as a result of a long line of inventions, and further improvements upon those inventions. The process started in the year 1608 when a Dutch optician by the name of Hans Lipperhey developed the first pair of binoculars with a magnification capability of X3. Less than a year later, a well-known inventor and philosopher by the name of Galileo developed what became known as the Galilean telescope. Advertisements were first found for opera glasses and theatre binoculars in London as early as 1730 in the form of a long collapsible telescope. The "Opera Glass" as it was referred to; was often covered in enamel, gems, ivory, or other art and paintings. For almost 100 years opera glasses existed merely as telescopes. In Vienna, in 1823 the first binocular opera glasses and theatre binoculars began to appear. They were two simple Galilean telescopes with a bridge in the centre, each telescope focused independently from the other by extending or shortening the telescope until the desired focus was achieved, which was useful, yet very cumbersome. Two years later in Paris, Pierre Lemiere improved on this design and created a centre focus wheel. This allowed the focusing of both telescopes together. After this development, opera glasses and theatre binoculars grew in popularity because of the superior view they facilitated in opera and theatre houses. The beautiful design of the glasses themselves also added appeal to the opera-going crowd. By the 1850's opera glasses and theatre, glasses had become a must-have fashion accessory for all opera and theatregoers. A vintage pair of 1920s opera glasses probably made in France by an unknown maker the item is significant due to it's provenance that can be traced and it's completeness as a useful social item and fashion accessory used by theatergoers from the mid 19th century and well into the 20th century. Some people still use modern variants of theater glasses today to improve their enjoyment of the theater.Both glasses and case are covered with black and white snake skin. Case lined with purple velvet, and has brass closure clip.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, opera glasses, serpentine opera glasses, binoculars, accessories, optical instrument, scientific instrument, theater glasses, french opera glasses, hans lipperhey -
Red Cliffs Military Museum
Certificate, Commendation Military Medal Award, 1918 (estimated)
Contained in a frame with 3 other certificates associated to J. MoorePhotocopy of original certificate for Military Medal award to No 1272 Gunner J. MooreCoat of Arms on Top of page/ dated 8th June 1918/ To No1272 Gunner (a/Bombadier) J. Moore, Australian Field Artillery. I congratulate you on the gallant act by which you have won the Military Medal./Rawlinsom, Commanding Fourth Army.medal, australian, military, moore, joseph, world, war, 1, feld, artillary, bombadier -
Flagstaff Hill Maritime Museum and Village
Container - Brown paper shopping bag from Adda & Co. Paris, c. early 20th century
Adda & Co operated a business at 52 Boulevard Haussmann, Paris.The store sold crocheted silks, furs and hides. History of shopping bags: Before the late 1800s, shopping bags didn’t exist. Shoppers would either carry their goods home in baskets, or have the merchant deliver them to people's homes, until 1852 when Francis Wolle, a schoolteacher in Pennsylvania, invented a machine to produce paper shopping bags. This invention would allow customers to carry items home in disposable paper bags. Soon after, owners of department stores and retailers began to realise that paper shopping bags could be used to help market their brands, and as such custom shopping bags with printed logos became common place. Carrying a shopping bag from certain shops became a type of status symbol for consumers, providing evidence that one was well-off, had good taste, or both.The paper shopping bag is a rare survival of ephemera related to a retail store called Adda &Co that operated at 52 Boulevard Haussmann, Paris. The arrival of waves of more than ten million migrants by boat is one of the major themes in Australia’s history. The paper shopping bag is representative of personal items purchased for migrant journeys as markers of domesticity, warmth and making oneself at home in a new land that speaks of the transnational lives embedded in threads of migration.A brown paper shopping bag with a printed logo and store information in black inkparis, department store, shopping, adda & co, flagstaff hill, maritime museum -
Coal Creek Community Park & Museum
Bottle, glass, Scott & Browne, c. 1890
Tall clear glass bottle for stopper, rectangular in section, impressed panels on three sides and on base with embossed text in the panels and on base.Front 'SCOTTS EMULSION'. Sides ' COD LIVER OIL', 'WITH LIME & SODA'. On base : '6 (?)24' in a triangle.cod liver oil, lime & soda, scotts emulsion, scott & browne -
Coal Creek Community Park & Museum
Brush, clothes, c. 1920's
Two slim wooden shafted black bristle clothes brushes, hinged together with brass hinges, a brass hook to hold flat when opened out, and a leather loop to hang with when converted to a travel coat hanger.Nilclothes hanger, clothes brush -
Coal Creek Community Park & Museum
Magnifying Glass, Folding Magnifying Glass, Circa 1900's
Steel and glass pocket folding magnifying glass. The maker's name DEPOSE and a cockerel stamped into the handle. The maker's name DEPOSE and a cockerel stamped into the handle. -
Coal Creek Community Park & Museum
Magnifying Glass
Small folding steel and glass magnifying glass with the word 'Depose' and a cockerel stamped into handle.On handle : 'Depose' and a cockerel. -
Victorian Interpretive Projects Inc.
Images, World War One images relating to Tunnellers, c1917
5 images relating to tunnelling during World War 1.world war one, tunnelling, australian mining corp, rescue, mmm -
Victorian Interpretive Projects Inc.
Photograph - Digital, Arthur Elton Tandy, c1916
A man stands in World War One Australian Uniform. He is Arthur Tandy.tandy, arthur tandy, arthur elton tandy, tunneller, mmm, world war, world war one, australian mining corps, tunnellers -
Victorian Interpretive Projects Inc.
Photograph - Colour, Ann Gervasoni, Australian Mining Corp Remembrance, 2014, 22/07/2014
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Victorian Interpretive Projects Inc.
Photograph - Colour, Ann Gervasoni, Lochnagar Crater, 2014, 23/07/2017
The mine was named after Lochnagar Street, the British trench from which the gallery was driven. It was one of 19 mines that were placed beneath the German lines on the British section of the Somme front to assist the infantry advance at the start of the battle. The Lochnagar mine was sprung at 7:28 a.m. on 1 July 1916 and left a crater 98 ft (30 m) deep and 330 ft (100 m) wide, which was captured and held by British troops. The attack on either flank was defeated by German small-arms and artillery fire, except on the extreme right flank and just south of La Boisselle, north of the Lochnagar Crater. The crater has been preserved as a memorial and a religious service is held each 1 July. (Wikipedia)A number of photographs of a crater which was created at the Somme, on the Western Front during World War One. lochnagar crater, tunnellers, the somme, world war one, western front, france -
Victorian Interpretive Projects Inc.
Photograph - Colour, Ann Gervasoni, German Trenching on the Somme, 2014, 21/07/2017
Three photographs showing World War One German Trenches on the Sommethe somme, trenches, world war one -
Victorian Interpretive Projects Inc.
Photograph - Colour, Ann Gervasoni, De Palingbeek, 21/07/2014
A number of photographs showing the De Palingbeek crater which was created during World War One. de palingbeek, crater, world war one, hill 60, hill60 -
Victorian Interpretive Projects Inc.
Photograph - Colour, Ann Gervasoni, Amiens Cathedral, 2014, 22/07/2014
A number of colour photographs of Amiens Cathedral.amiens, amiens cathedral, world war one -
Victorian Interpretive Projects Inc.
Photograph - Colour, Memorial to the 1st Australian Tunnelling Company, 2014, 18/07/2014
1st australian tunnelling company, world war one, tunnellers, tunnelling, memorial -
National Vietnam Veterans Museum (NVVM)
Functional Object, Tobacco pouch
Well used pipe and wooden bowl, silver stem and black (plastic) mouth piece. Tobacco pouch made of brown rubber with pull apart opening.Pipe made by Falcon. Pouch made by Blaque Automa Trovetobacco pouch -
Tatura Irrigation & Wartime Camps Museum
Badge, Peronne 1918 - 2018, 2018
Centenery of Battle of Peronne, given to Tony when he attended the service. Tony is a great nephew of Robert Mactier VCCircle - pin on badge. White with red white blue writing100 1st et Septembre 2018 Peronne 1918 - 2018 -
Tatura Irrigation & Wartime Camps Museum
Scales, H. L. Becker Fils & Co
Scientific Apparatus 2 tins with weights with appropriate numbersscales, flour mill scales -
Tatura Irrigation & Wartime Camps Museum
Book, Art Primitif, 1959
Dr. Leonhard Adam studied both Anthropology and jurisdiction as a young man.Gold and pink coloured soft cover book with black and white printing on front cover and red, black and gold printing on the spine. 40 pages of reproductions. Sketches of artefacts throughout the book. Written in German. Photocopy sheet of a man playing the piano in 6 frames.art primitif, leonhard adam, mary clare adam murvitz, camp 2, tatura, books, history, local -
Duldig Studio museum + sculpture garden
Photograph, Karl Duldig, Slawa and her sister Rella, Paris, 1968, 1968
This photograph was taken by Karl Duldig when he and Slawa visited Slawa's sister Rella Laisne in Paris in 1968. They went to Paris as part of a world trip on the occasion of the unveiling of Karl's sculptural monument, Dawn, at the Maccabiah Village, Ram Gat, Israel. Commissioned by Hakoah and World Maccabi Union his monument commemorates the sportsmen and women of Hakoah Sports Club who were among the victims in the Holocaust. Karl had played for Hakoah in his youth. This is one of a large collection of photographs taken by sculptor Karl Duldig, documenting his art, life and family. The collection is of historical and aesthetic significance as a personal record of the work, cultural and social milieu of an Austro- Australian sculptor and his family from the early to late 20th century. it is also a record and representative of the experience of those people who came to Australia at this time, displaced by the upheavals of the Second World War. -
Whitehorse Historical Society Inc.
Accessory - Box Face Powder
Round box face powder - Ashes of Roses with red rose in vase on lid.personal effects-toilet requisites, cosmetics -
Whitehorse Historical Society Inc.
Domestic object - Wine glass
Presented to Judith Fry on the 40th Anniversary Dinner at the Box Hill Historical Society, Box HillWine glass with inscription in red of white horse on building. Box Hill Historical Society Inc.Box Hill Historical Society Inc.civic mementoes, souvenirs -
Whitehorse Historical Society Inc.
Accessory - Water Wave Set
Water Wave Set comprising: 1 dish, 6 curved combs, 1 packet pins, 1 box containing hair net and 13 large hair pins. A total of 22 items.'Nocean' Water Wave Setpersonal effects-toilet requisites, hairdressing -
Whitehorse Historical Society Inc.
Accessory - Face Powder
Two boxes of face powder.Pour La Beaute De Dames.personal effects-toilet requisites, cosmetics -
Australian Lace Guild - Victorian Branch
Textile - Alencon Lace, Mid 18th Century
Fine lace used as a costume trimmingNeedle lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Le Puy Lace, Late 19th Century
A black silk lace used as a costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Le Puy Lace, Late 19th Century
A black silk edging used as a costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Valenciennes lace, Mid 19th Century
Fine lace used as costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Point de France, Late 17th century
Heavy, intricate, good quality lace. Use - either fashionable costume or ecclesiastical.Needle lace flounce - sample -
Australian Lace Guild - Victorian Branch
Textile - Bonnet veil with Agentan lace motifs, Argentan motifs - mid 18th century. Bonnet veil mid 19th century
Fashion Item. Bonnet veils were very fashionable during the 19th century. At this time old lace was highly valued - in this case old Argentan needle lace motifs (mid 18th century) have been reclaimed and appliqued onto machine made cotton net to form this 19th century bonnet veil. Probably home-made.Mid 18th century Argentan needle lace motifs appliqued onto machine-made cotton net.lace veil, bonnet veil.