This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Heatherbrae HO46 https://vhd.heritagecouncil.vic.gov.au/places/120933 (as at 28/10/2020) "Heatherbrae" at 73 Neerim Road, Glenhuntly, is a substantial Victorian residential complex made up of two principal construction stages (pre 1876 and c. 1890) and outbuildings including stables. It is aesthetically, historically and socially significant. Its aesthetic value is demonstrated by the manner in which the two periods of construction survive, the earliest being of greater architectural interest on account of its tower and facade treatment, the latter phase adopting a common villa form. The importance of the complex is heightened by its intact state and surviving outbuildings. "Heatherbrae's" historical significance lies in its link with locally known business man and Shire of Caulfield councillor, John Charles Holland. Its social value rests on its ability to demonstrate a past lifestyle.Page 142 of Photograph Album with four photographs (three landscape, one portrait) of Heatherbrae on Neerim Road.Handwritten: "Heatherbrae" 73 Neerim Road [top right] / 142 [bottom right]trevor hart, verandah, chimneys, decorative brackets, cast iron columns, return verandah, garden, 1870's, intricate lacework, neerim road, booran road, 1880's, 1890's, mansion, john c. holland, bluestone foundations, italianate, iron roofed balcony, cast iron balustrade, balcony, ornamented pediment, mosaic tiles, cast iron lookout, flagpole, george f griffiths, mcgowan, tower, caulfield, heatherbrae, cast iron work, victorian style, john holland, porte-cochere porches, lead lights, george griffiths, mansions, stables, councillors, outbuildings

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates This Area is marked by the imposing brick and freestone gothic Revival church of the Holy Cross, built in 1937 to the design of O.H. Jorgensen. Church of the Holy Cross and Presbytery are contributory buildings to HO66.Page 65 of Photograph Album with one exterior photograph (landscape) of a brick church with a three storey tower.Hand written: Glenhuntly Rd [top left] / HOLY CROSS RC CHURCH / Dec 1972 [written underneath the photo] / 65 [bottom left] trevor hart, 1930's, gothic revival, brick, bell tower, spire, facade, catholic church, o h jorgensen, holy cross catholic church, caulfield, glenhuntly road, caulfield south, presbytery

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Glen Eira Heritage Management Plan 1996 by Andrew Ward The 1857 rate book indicates that the major portion of the District was under pasture, although a considerable portion was cultivated. There were 159 houses, huts and tents whose occupants were mainly occupied on the land. If "Camden Town" was the principal commercial focus for the District in 1857, it was to remain so in later years, incorporated today in the Glenhuntly Road centre which extends more or less continuously from Elsternwick to Bambra Road. The Caulfield State School of 1877, the horse tramway of 1889 and subsequently the electric trams were all events confirming the importance of Glenhuntly Road and the fledgling community of "Camden Town" wherein the City's commercial centre has its origins. It is recalled, today, by their presence, and also by the "London Tavern" in Hawthorn Road, established by John Guess in 1873. Dr Geulah Solomon's 4 volume book "Caulfield's Heritage" Vol 1 p 93: "A modern hotel presently on the site continues the name of the London Tavern." That was true until recent years as the hotel is named The Camden Hotel now (2021).Page 81 of Photograph Album with one landscape photograph of the front of the London Tavern with handwriting on the edge of the photograph.Hand written: LONDON TAVERN HOTEL 1937 [on bottom edge of photo] / 81 [bottom left] trevor hart, caulfield, hawthorn road, london tavern, camden town, john guess, hotels, pubs, victorian, 1870's, 1930's, sycamore street, the camden hotel

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 93 of Photograph Album with four photographs (two landscape and two portrait) of Ripponlea - lake and gardens.Handwritten: Neg 239 Dec 1973 LAKE [under top left photo] / Neg 242 Dec 1973 FERN HOUSE [under top right photo] / Neg 243 Dec 1972 FERN HOUSE [under bottom left photo] / Neg 241 Dec 1972 LAKE [under bottom right photo] / 93 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, gardens, ferns, bridges, walking trails

Born: Clunes, Victoria, 1861; Died: Melbourne 1941InterwarGift of Mrs Irwin Bright, 1992Figure depicting female child in blue dress in front of landscape image. Gold gesso painted frame. Recto: Signed and dated “J Longstaff 1934” in ochre paint m.r. edge of composition; Not titledportrait, child, garden, landscape, rural, australian art

Born: Gisborne, New Zealand 1882; Arrived: Sydney, New South Wales, Australia 1883; Died: Sydney, New South Wales, Australia 1939Heidelberg SchoolGift of Mrs E.E. Ledger, 1975Rural farm landscape with wagon, animals and building. Gold patterned moulding with grey velvet insert frame.Recto: Signed "E. GRUNER" in black paint in l.r.c of composition; Not dated; Not titledpainting, rural, wagon, chicken, animals, wheel, fence, trees, farm, australian art

Born: Hobart, Tasmania, Australia 1836; Died: Hunter's Hill, New South Wales, Australia 1914RomanticismLedger Gift, 1976Rural landscape with cows, track, lake and large mountains and clouds. Golden gesso painted timber frame.Recto: Signed "W. C. Piguenit" in black oil in l.l.c of composition; Not dated; Not titledpainting, landscape, water, animals, cows, boats, trees, mountains, clouds, sky, colonial, reflections

Born: Siena, Tuscany, Italy 1860; Arrived: Australia 1885; Lived and worked: Australia 1885-1893, Australia 1898-1904, New Zealand 1893-1898, England 1904-1923; Died: Nervi, Genoa, Italy 1926ImpressionismLedger Gift, 1977Rural landscape with figures and grass and big blue sky with clouds. Carved, gold brushed timber frame.Recto: Signed "Pieri" in black oil in l.r.c of composition; Not dated; Not titledpainting, landscape, figures, clouds, grass

Born: 1837; Arrived Australia c. 1866; Died: Sydney, New South Wales, Australia 1906ColonialLedger Gift, 1982Rural landscape with farmhouse and outbuildings surrounded by trees, two figures by a horse and wagon. Stained wooden frame.Recto: Signed "Drawn by W.TIBBITS. artist NEIL ST. Ballarat" in blue ink in lower centre of sheet edge; Titled 'Mr J.Thompson’s. / Star Saw Mills Staffordshire Reef.' in blue ink in lower centre of sheet; Not datedwatercolour, colonial, rural, trees, buildings, wheels, horse, animal

The Melbourne Airport was built at Tullamarine in the late 1960's and officially opened in 1970. The Travel Lodge Hotel was built opposite the main terminal building to accommodate air travellers.A black and white photograph of the Travel Lodge Hotel in the Melbourne Airport complex and the landscaped gardens in front of the building.hotels, melbourne airport, tullamarine, travelodge hotel, george evans collection

Rural City of Wangaratta Collection. Gift of Mayor Lance Bullus, 1983.A landscape that features the scout hall in Yarrawonga, painted using oil in greens, blues, whites, browns, and reds.Obverse: DONALD CAMERON/ (bottom right corner)wangaratta art gallery, donald cameron, yarrawonga scout hall, landscape, painting

Rural City of Wangaratta Collection, Wangaratta Art Prize 1990.An oil landscape of gums and grass trees painted with a colour palette of green, yellow, brown, blue, and grey.E. MICHEL 90/ (bottom right corner) GRAND WINNER 1990/ ELLEN MICHEL/ 'Summer In The Warbys'/ (plaque mounted on frame)wangaratta art gallery, ellen michel, landscape, painting, warby ranges

Rural City of Wangaratta Collection.An oil landscape of Lake Mokoan that has been painted using shades of blue, green, yellow, and brown.Obverse: A. D. MORRIS/ (bottom right)wangaratta art gallery, a. d. morris, ad morris, landscape, painting, lake mokoan

Rural City of Wangaratta Collection, Wangaratta Art Prize 2005.A coastal landscape of people frolicking on the beach of an inlet, painted in oil using blues, browns, yellows, and whites.Obverse: L Pawluk/ 2005/ (bottom left) Wangaratta Art Show - 2005/ ** Grand Winner **/ 'Otway Coastline' - Artist: Len Pawluk/ Judge: Wykeham Perry/ (plaque mounted on frame) wangaratta art gallery, len pawluk, landscape, painting, coastal, otway

Rural City of Wangaratta Collection, Wangaratta Art Prize 1987.A landscape of a lake scene, painted using oils in a colour palette of green, blue, pink, brown, and grey.Obverse: Wykeham Perry 87/ (bottom left corner) WANGARATTA ART SHOW/ GRAND WINNER 1987/ (plaque mounted on frame)wangaratta art gallery, wykeham perry, landscape, painting, coastal

Rural City of Wangaratta Collection. Gift of Leslie Morrison. Donated in memory of Bruce Morrison, Shire Engineer.A realistic pastoral landscape, painted in watercolour using a colour palette of green, blue, brown, yellow, and white.Obverse: VR WATT/ (bottom left corner)wangaratta art gallery, v. r. watt, landscape, painting, pastoral

Rural City of Wangaratta Collection. Gift of Leslie Morrison. Donated in memory of Bruce Morrison, Shire Engineer.A realistic pastoral landscape, painted in watercolour using a colour palette of green, blue, brown, yellow, and white.Obverse: VR WATT/ (bottom left corner)wangaratta art gallery, v. r. watt, landscape, pastoral, painting

Stormy skies can be memorable with dark and contrasting colours. They often appear menacing and producing apprehension in the air because of the oncoming weather. Fabrics used in this piece are all commercial. I have endeavoured to make the sky angry with stitches. The mesa has some very dark and ominous craggy rifts. ‘Sky Series’ Changes are constantly taking place in the sky . I love the variety, colour and movement of the sky which are all a direct result of the clouds, sun and time of day. I certainly think about the sky much more when we are on Safari. The sky is a great indicator of the ever changing time of day and weather conditions …... fine and clear, cloudy, sunset, sunrise and storms. The artwork features a simple ‘mesa’ shape against the sky. A mesa is a flat topped hill. Which are part of the Australian Inland. The mesa I have featured is in recognition of Mt Connor in the Northern Territory.Wangaratta Art Gallery CollectionA embroidered textile depiction of an outback landscape scene during a storm featuring a colour palette of blues and browns.june brown, textile

Contextual location of Peterborough town within the shire at that time, including local roads.Historic informationA3 size map of the Warrnambool Shire East Riding, includes landscape details, and the location of town in the Shire.Irvine written in pencil on the backpeterborough, curdies river inlet, old maps, warrnambool shire map

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male worker turning machine on/off - manuals on side of machine. Information on wallAUnde Australia Ltd. logoindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male employee checking finished weave as it goes on roll from weaving machine.industry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: 2 men rolling material onto roll for final inspection of material for flawsFinal Inspectionindustry, aunde

Photographs were most likely used for promotional purposes. The photographed machine was made by Tomlinsons (Roshdale) Limited, was British machine manufacture company based in Rochdale.Black and white photo of a Rag Puller Machine in landscape format. Location of photo looks to be in a textile mill.On machine - Tomlinsons (Roshdale) Limited.textile machinery, wool manufacture, wool, timlinsons, rag pulling

Man standing in what looks to be a wool processing factory.Black and white photo of a man surrounded by machinery in a landscape format. The photo is attached to a olive coloured board.textile machinery, wool manufacture, wool

Bungaree and Warrenheip are known as early Irish settlements in the Ballarat district.A photographic landscape taken from Bungaree with Mount Warrenheip in the background. Mount Warrenheip is in close proximity to Ballarat. ballarat irish, warrenheip, mt warrenheip, bungaree

Australian bush / rural landscape painting - Impressionistic with four cows under tree in the bottom left of the picturelandscape, impressionist