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Eltham District Historical Society Inc
Photograph - Digital Photograph, Marguerite Marshall, Art Gallery at Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, 5 February 2008
Art Gallery with mural painted by Clifton Pugh (1924-1990) at his Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p153This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Marguerite Marshall, Doorway of Clifton Pugh's former house at Dunmoochin, Barreenong Road, Cottles Bridge, 5 February 2008
Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p155This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, c.1995
Visit to Dunmoochin prior to Clifton Pugh's home being destroyed by fire in 2002. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 1995, barreenong road, cottles bridge, dunmoochin -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, 14 May 2016
Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 2016-05-14, art gallery, barreenong road, clifton pugh, cottles bridge, dunmoochin, maurice hurry -
Eltham District Historical Society Inc
Photograph, The Australian Memorial Card Company, Memorial Card: Jean Shillinglaw, 1906
Died March 19, 1906 aged 87 years. A Colonist of 64 years, relict of the late William Shillinglaw and beloved mother of Phillip, Samuel, Margaret, Annie and Caroiline, Catherine Bottle (nee Shillinglaw), Sarah Aldous (nee Shillinglaw) and Elizabeth Docherty (nee Shillinglaw). Memorial Cards were commonly handed out to those friends and family paying their respects at the loss of a loved one. A duplicate is contained in the same album CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, shillinglaw family photo album 3, 1906, ann shillinglaw (1861-1940), caroline (carrie) watson (nee shillinglaw) 1876-1956, catherine bottle (nee shillinglaw), elizabeth docherty (nee shillinglaw 1861-1942), jean shillinglaw (nee blemner 1819-1906), margaret shillinglaw, memorial card, phillip shillinglaw (1842-1914), samuel shillinglaw (1848-1925), sarah aldous (nee shillinglaw 1854-1925), the australian memorial card company, william shillinglaw -
Eltham District Historical Society Inc
Photograph, The Art Engraving Company, Memorial Card: Alexander Stewart, 1897
Memorial card given out to family and friends. Alexander Kirk Stewart died October 17, 1897 aged 42 years. Husband of Caroline Fairie (nee Kidd - born 1856 at sea), they marriedin 1885. Caroline died in 1901 at Diamond Creek aged 45 years. Memorial Cards were commonly handed out to those friends and family paying their respects at the loss of a loved one. CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 19911897, alexander stewart, cabinet photo, caroline fairlie stewart (nee kidd), marg ball collection, memorial card, shillinglaw family photo album 3, the art engraving company -
Eltham District Historical Society Inc
Photograph, The Art Engraving Company, Memorial Card: Edward Henry Bottle, 1900
Died August 3, 1900, aged 46 years. Edward Henry Bottle, dearly loved husband of Catherine Bottle, beloved father of William, Harry Ethel and Private Edward John. Bottle of the 3rd Bushman's Corps, South Africa (Boer War) Catherine Shillinglaw and James Bottle had a family of three children; William, Harry and Etheline. Memorial Cards were commonly handed out to those friends and family paying their respects at the loss of a loved one. CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, memorial card, shillinglaw family photo album 3, the art engraving company, 1900, catherine bottle (nee shillinglaw), edward henry bottle, edward john bottle, ethel may bottle, harry bottle, william bottle -
Eltham District Historical Society Inc
Photograph, The Art Engraving Company, Memorial Card: Agnes Edith Hill, 1899
Died January 29, 1899 aged 21 years 9 months Daughter of John and Esther (nee Lewis) Hill Sister to Phoebe Jane, Caroline Elizabeth, Emily Isabella and Albert Richard Ftizsimmons Hill Memorial Cards were commonly handed out to those friends and family paying their respects at the loss of a loved one. CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, memorial card, shillinglaw family photo album 3, the art engraving company, 1899, agnes edith hill -
Eltham District Historical Society Inc
Photograph, The Australian Memorial Card Company, Memorial Card: Alicia Jackson Reynolds, 1899
Dearly loved infant daughter of James G.Reynolds and Adeleine (nee Kidd). Died December 9, 1899 aged 18 months. Adeleine Reynolds was the daughter of William Kidd and Sarah Ann Bird Memorial Cards were commonly handed out to those friends and family paying their respects at the loss of a loved one. CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, shillinglaw family photo album 3, memorial card, the australian memorial card company, 1899, adeline reynolds, alicia jackson reynolds, james g. reynolds -
Eltham District Historical Society Inc
Photograph, Ellen Sweeney in Mrs Cox's garden, Eltham, Easter Sunday, April 16, 1922
Jackson St Casterton Aug 18. 23 Dear Girls, I was very pleased to receive your nice letters with news of your doings in Eltham. You put Casterton S.A., so your letters were a long time reaching me. As I hope to see you all very soon I shall just send a p.c. of me taken in Mrs Cox’s garden Easter Sunday 12 months ago. The river here has been in flood twice and people who lived along its banks had to move. I believe the Eltham PS is greatly improved. Betty says I shall get lost there now. Casterton is on the Glenelg R. in Vic so you will remember that next time. Best wishes to you all. From E. Hooley Ellen Sweeney was a former student of Eltham State School in the 1880s, She became a teacher at the school from 1891-1898. She returned in 1915 until her marriage to William Hooley of Casterton at St Marys, Eltham, Tuesday, April 24, 1923. Wedding at Eltham. (1923, April 27). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 2 (AFTERNOON). Retrieved February 14, 2023, from http://nla.gov.au/nla.news-article56655781 Wedding at Eltham PRESENTATIONS TO MISS SWEENEY. On Tuesday last. Miss Sweeney (a member of an old and respected Eltham family), who recently resigned her position as assistant teacher at the Eltham State School to marry Mr. W. Hooley, of Casterton, was presented with a handsome gold wristlet watch. The headmaster, Mr. Dudtield, in making the presentation on behalf of the school committee, parents, and children paid a high tribute to the excellent work done by Miss Sweeney during her connection with the school, and in asking her acceptance of the present, expressed on behalf of all the fullest measure of happiness to Miss Sweeney in her married life. On Thursday evening, a social evening was tendered to Miss Sweeney, at Mrs. T. Jewell's residence Main street, by the choir and parishioners of St. Mary's Church, Eltham, where Miss Sweeney has for some years acted as choir mistress. Mr. Harold Cox, in handing her a handsome gold and oak silver salad bowl and service, expressed the heartiest good wishes to one who had not only labored so strenuously in organising the choir, but had been always foremost in promoting church and public movements in the community. Congratulatory addresses were also contributed by the Rev. F. Norris and Mr. W. P. McMahon. Miss Sweeney sincerely thanked the donors for their beautiful present, and the speakers for the many kind things said in her regard. She felt very much severing her connection with Eltham. She would carry away many happy-. recollections of her old home, and the kindly people of the town. She hoped after some years to return to Eltham. permanently. (Applause.) On Saturday morning. the marriage ceremony was performed at St. Mary's in the presence of a large number of friends. During the nuptial Mass, celebrated by the Rev. F. Parker. (North Fitzroy), assisted-by the Rev. F. Morris .(Eltham). The choral part of the service including the Wedding March, was very efficiently rendered by the choir. MRS HOOLEY (1940, May 10).Eltham and Whittlesea Shires Advertiser (Vic. : 1940 - 1942), p. 4. Retrieved February 14, 2023, from http://nla.gov.au/nla.news-article57491650 MRS HOOLEY Sincere regret was felt, in Eltham and district at the death of Mrs. W. Hooley (nee Miss Ellen Sweeney) a very dear and capable teacher at State Schools in Eltham and other districts, including the Western District. The deceased was one of Nature's ladies, and was a native of Eltham having been born in the historic home, Culla Hill, one of the first settlements on the Yarra. She passed peacefully away on Anzac Day, April 26. The. funeral was the largest and most impressive ever seen in Eltham, and left St. Mary's Church after a requiem mass conducted by Rev. Father Morrison and Father Hollis. The pall bearers were mostly girlhood friends. Deceased leaves a husband, two brothers, Mr. Tom Sweeney of Kew, and Mr. Frank Sweeney of Western Australia and sisters (Mrs. Lane, of W.A., and Mrs. M. Carringham, of Dalton St, Eltham.) POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1922, 1923, ellen hooley (nee sweeney), ellen sweeney, eltham, mrs cox -
Glen Eira Historical Society
Letter - Lirrewa
Four articles on Lirrewa’s history, conservation study and notes on architectural features and correspondence from National trust to Mrs W Brooks. Photocopy of an extract from Caulfied Historical Newsletter (No 4 April 1973) containing 2 articles about Lirrewa and Caulfield (one by J O’Donnell, one by Mrs AP Bell) Photocopied extract from the Caulfield Conservation study detailing history and features of Lirrewa written by Andrew Ward (January 1995) Handwritten notes on architectural features of home and hand drawn designs of side and centre windows and design above all main room doors. Includes typed directory listings from 1886 to 1921. Date and author unknown Copy of correspondence to Mrs W Brooks from the Administration National Trust of Australia regarding classification Lirrewa 20/03/1973 and stables.lirrewa, lirrewa grove, o’donnell j, fulton thomas, land subdivisions, glen eira road, glen huntly road, kooyong road, tennant dr, cox james dr, brooks walter richard, baby health care, bryce percy h, sylverly, house names, market gardens, chinese community, langdon montague william, langdon henry joseph, rosecraddock, langdon elizabeth, tarqua, st marys church, caulfield, hawthorn road, lirrewa grove, stables, architectural features, brooks gladys, brooks walter, councillors, scott robert, redcliff mr, architects, mcculloch mr, teachers, office workers, farmer mr, ward andrew, mansions, verandahs, slate tiles, fountains, leadlights, fireplaces, grant rs, black rs, anderson p, russell edwin r, cast ironwork, flats, marble, mantel pieces, gothic revival style, brick, arches -
Eltham District Historical Society Inc
Card - Card and Envelope, Wisteria blossoms, Kameido, Tokyo, c.1920s
The outer envelope is addressed Mr E. Fielding which is believed to be Richard Edward (Eddie) Fielding. It is understood from Tom Fielding, that this item was collected by his Uncle Bill Teagle when visiting Japan in the 1920s whilst serving in the Navy. It is further understood that Bill always made efforts to collect souvenirs from his travels to give to family members. William George Teagle, more commonly known as Bill, was born 2 August 1899 at Sandringham, Victoria. Bill, a milk carter first attempted to enslist in the AIF in October 1917 but was rejected on the grounds of being too small. On a second attempt he was successful and his application was accepted 1 June 1918. He embarked in November 1918 for overseas with the 17th Reinforcements. He was discharged a year later in December 1918. On 6 May 1919 he enlisted in the Royal Australian Navy for a period of 7 years service with the rank of Stoker however he remained with the navy throughout till the end of the Second World War, and was finally discharged 14 November 1945 with the rank of Petty Officer. This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection -
Eltham District Historical Society Inc
Photograph - Postcard, Geisha Sakae looking into a mirror applying makeup, c.1905 to c.1920s
The text on reverse translates Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard -
Eltham District Historical Society Inc
Photograph - Postcard, Geisha Sakae holding an Ichimatsu Doll, c.1905 to c.1920s
The text on reverse translates to Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard -
Eltham District Historical Society Inc
Document - Folder, Proussalis, Con
Con Proussallis, who lived in Research, was an Ansett pilot and secretary of the Ansett Pilot Association. Contents Newspaper article: "One final Ansett flutter". Diamond Valley Leader, 4 June 2008. Con Proussalis handed over residue of Ansett Pilot Association funds to the Royal Children's Hospital.Newspaper clippings, A4 photocopies, etccon proussalis, ansett airways, ansett pilot association, royal children's hospital -
Glen Eira Historical Society
Document - Riddell Family
Four printed pages taken from Henderson Early Pioneer Families of Victoria and Riverina, gives history of Victorian Carre Riddell family and four pictures. One photocopied entry from Australian Dictionary of Biography V6 on John Carre Riddell. Hand written Carre Riddell family tree by Claire Bartonriddell john carre, brighton cemetry, carre consett, melbourne church of england grammar school, riddell carre, walter john, old melbournians council, stephan, virgenia consett carre, gervase, bohemia club, armed forces, carre yolande sibella, thomas william clubs and associates, carre eadith winona, clyde girls grammer school, carre john, sporting clubs, hamilton wynne and riddell, caulfield shire council, riddell jane georgina vereker, stanley henry james commander, cavers carre, elsternwick, stanley henry riddell, stanley geva mary georgina vereker, riddell margret elizabeth carre, riddell annie carre, de fegely barn charles strachan, de fegely albert gervase riddell, de fegely nita leontine -
Glen Eira Historical Society
Document - Taylor, Joseph Leslie (Squizzy)
Seven items related to Squizzy Taylor: Two printed biographies on Squizzy Taylor, one from the Australian Dictionary of Biography by Chris McConville undated; and one from the Brighton Cemetery website printed 25/05/12; includes grave photograph. Computer printout on brief details of Squizzy and Ida Muriel Pender from St. Kilda historical website. Photocopied poster of Squizzy Taylor. Handwritten and printed history on Squizzy. Printed photocopy of Squizzy Taylor grave. An excerpt from John James Whitty’s “Been everywhere and seen everything”, hand dated by Claire Barton 11/06/2013. The excerpt mentions driver Whitty picking up Squizzy Taylor and Ida Pender on a few occasions, namely to take Pender dancing at the Palais, and how Squizzy never gave him any trouble. Handwritten notes by Claire Barton with regards to an interview on radio station 774 on 11/06/2013 with author and defence lawyer James Morton. Morton reveals some information on Squizzy Taylor, and some recollections by the public who call in including that Taylor’s wife Dolly Gray’s real name was Charlotte Hayes, the cause of his nickname, his escape tricks and his death.taylor joseph leslie (squizzy), taylor squizzy, brighton, taylor benjamin isaiah, coach builders, taylor rosina, crime, criminals, kelly irene lorna, kelly lorna irene, pender ida muriel, brighton cemetery, riding to win, films, cemeteries, new street, jockeys, taylor june, neerim road, carnegie, murrumbeena, emily street, lew george thomas, gray dollie, caulfield racecourse, fires, pender david galloway, smith grace lillian, edward street, elsternwick, hayes charlotte, good shepherd convent, abbotsford, morton james, pender ida, jarvie mollie -
Glen Eira Historical Society
Article - Sargood Family
This file contains six articles on the Sargood family. Two photocopied pages from BURKE’S COLONIAL GENTRY vol. 1, 1891, on the Frederick Thomas Sargood family lineage, pages 129 and 130. Article on Frederick Thomas Sargood on education, business ventures, the volunteer forces, and his ministerial position and marital status, taken from VICTORIA AND ITS METROPOLIS vol. 2, 1888, page 501. Nine handwritten pages of Frederick James Sargood family tree, primarily taken from Sargood Family Bible, Melbourne University archives, undated. One typed and one carbon copy of written notes on Sargood family in Australia up to family member Edith Marian. Hand written notes taken from Caulfield Rate Books 1858 to 1892, on Frederick Thomas Sargood, also St Kilda rate books 1867 to 1874. Hand written details of unknown relationships to F. G. Sargood and listing of Sargoods from phone book, date unknown.sargood frederick thomas, sargood marian australia rolfe, sargood frederick george, sargood percy rolfe, sargood alfred herbert, sargood harry morton, sargood willie ernest, sargood clara wordsworth, sargood edith marian, sargood emma winnifred, sargood gulielma bertha, sargood charlotte rippon tomlin, sargood julia charlotte, sargood frederick james, warehouses, defence forces, parliamentary representatives, st mary’s church, allen william, hotham street, caulfield, glen eira road, sandham street, ripponlea, housenames, mansions, willow street, gardeners, coachmen, à beckett t. t., alma road -
Glen Eira Historical Society
Letter - Orrong Crescent, 84, Caulfield North
Two items abut this property: 1/Copy of letter from S R Birch of National Trust Of Australia that acknowledges 84 Orrong Crescent Caulfield North built 1889 has been recorded by the National Trust. Letter sent to owner H C Chesterfield dated 30/01/1974 with cc's to the Town Clerk, City Of Caulfield and Trevor Hart. Address was formerly numbered 120. 2/Data image of one of two black and white photos for GEHS-held photo album 'Historical Caulfield to 1972' p152. Hand noted as 'Bonhurst'.chesterfield hc, north caulfield, cast iron work, birch s r, architectural styles, city of caulfield, orrong crescent, architectural features, hart trevor, houses, filbert street, verandahs, house names, 'bonhurst', 'historical caulfield to 1972' -
Glen Eira Historical Society
Article - Prentice Street, 32, Elsternwick
Three items about sales of this property: 1/Property Review Weekly article dated 14/07/2006 on newly built, neo classical Edwardian style weatherboard home called Khya. Home includes period style elements to maintain Edward Style of home. Includes four coloured photographs. 2/Advertising dated 19/07/2006 giving brief details of house features. Includes one coloured photograph of exterior. 3/Advertisement hand-dated as 08/08/2012 with one colour exterior photo. Described as modern period home.prentice street, elsternwick, edwardian style, khya, plaster moulds, harleston park, peer gary, bricker glenn, krongold darren, orrong road, caulfield north, estate agents, timber houses, house names, biggin scott -
Glen Eira Historical Society
Document - Prentice Street, 61, Elsternwick
Two items about sales of this property: 1/Leader Newspaper advertisement dated 03/05/2004, including two coloured photographs (one exterior and one interior). Article gives brief details of interior for upcoming sale. 2/Advertisement hand-dated 27/08/2015 with one colour exterior photo. Described as having period charm and modern convenience.prentice street, elsternwick, federation style, janssens chris, thomson david, estate agents, timber houses, architectural styles, edwardian style -
Glen Eira Historical Society
Document - PRENTICE STREET, 14, ELSTERNWICK
Four real estate campaigns for this property: 1/Newspaper ad dated 08/10/2003, includes one coloured photograph, and gives brief details on house features. 2/Newspaper ad dated 01/09/2006, includes two coloured photographs. Ad gives brief details on house features. 3/Newspaper real estate ads Melbourne Weekly Bayside dated 17/11/2010 and 24/11/2010 with similar front exterior colour photo and different rear exterior and interior photos. Details of property identical. 4/Real estate ad hand-dated 26/11/2016 with colour photos of front and rear plus 2 interior photos. Brief details stated for architect-transformed Edwardian home.prentice street, verandahs, godridge john, elsternwick, timber houses, edwardian styles, caulfield, stefanis angelos, glenhuntly road, stavraki s bill, newton todd, ashton daniel, real estate agents -
Glen Eira Historical Society
Plan - Jasper Road, 236-246, McKinnon
Three items relating to the valuation of this property: 1/A typed copy of a three page valuation of 236-246 Jasper Road, McKinnon, by valuator W V Scott for Atlantic Union Oil Co Pty Ltd, dated 11/08/1961. Accompanying this are a hand-drawn plan of the property and handwritten working notes for the valuation. 2/One additional page of correspondence from W V Scott to Atlantic Union Oil, dated 11/08/1961, informing them that the occupier of the property, L A Atkinson’s Garage and Panel Beating Works, was aware of the valuation taking place. 3/Field Purchase Order for the valuation of the property from Atlantic Union Oil Company Pty. Limited dated 19/07/1961.jasper road, mckinnon road, mckinnon, atkinson l.a, webb d mr, l.a atkinson’s garage and panel beating works, moorabbin council, atkinson mr, atlantic oil co pty ltd, morris g h, scott w v, motor vehicle repair shops, garages, petrol stations, factories, land use, land values, anderson's garage & panel beating works -
Glen Eira Historical Society
Document - Liscard St, 9, Elsternwick
A typed copy of a one-page report dated 16 May 1988 by H. Bullock and Rosalind Landells of Brighton Historical Society regarding the history and occupany of 9 Liscard Street, Elsternwick from 1888-1974. An undated hand-written note of the same information is included.liscard street, glen eira road, elsternwick, doyle estelle mrs, trew william tracey, cobbledick f.j. mrs, larsen rasmur j., johnson e. mrs, larsen bertha mrs, larsen roy, corkhill, depression 1890s -
Glen Eira Historical Society
Document - Monkleigh, Gladstone Parade, 12, Elsternwick
Three items aout this property:1/Copy of pages from Andrew Wards, Caulfield Conservation study document dated October, 1994. Gives a brief history of land owners and occupants of Monkleigh and copy of photo dated October, 1994. The document includes a brief history and a description of the house features. 2/Hand written research by Claire Barton taken from 'Trove' regarding former resident of 'Monkleigh' who went to World War One. 3/Printout dated 18/02/2014 from Roll of Honour - Charles Clifton Elliott with location of his name at theralian War Memorial.elsternwick, hume lucy, kooyong park estate, gladstone parade, gladstone road, carlingford street, ellis jabez, webster joseph, wimberley colin, vale chas., judge g.t., ward andrew, architectural styles, victorian style, architectural features, monkleigh, elliot charles clifton, elliott charles clifton, elliot e b mrs, elliott e b mrs, house names, station managers, world war 1914-1918 -
Glen Eira Historical Society
Map - Coimbra, 5, Chaddesley Avenue, St Kilda East
A two page photocopy of a typed letter from Peter Upton, dated 10/04/1981, requesting information on the property Coimbra in Chattersley Lane (sic), St Kilda and detailing his family’s involvement in the property. He describes his memories of the house, its rooms, details of engraved glass, floral and decorative motifs and extensive garden. The file also includes a one page photocopy of a typed letter from the National Trust of Australia (Victoria) to the St Kilda Historical Society, dated 29/04/1981, concerning Peter Upton’s letter and requesting assistance in providing him with information about the relevant property as Coimbra does not appear on the Trust’s records. The letter includes a hand drawn map (62mm x 120mm) of the area in which the property is located. Also included is a one page typed letter from St Kilda Historical Society, dated 03/06/1981, to the Caulfield Historical Society, forwarding the letters received from Peter Upton and the Trust about Coimbra. The file also includes two handwritten versions of a two page letter, the final version dated 07/09/1981, from the Caulfield Historical Society to Peter Upton concerning his inquiry about Coimbra. It provides a brief list of occupiers of Coimbra from 1935 to 1974. Also included are two versions of a one page handwritten letter, the final version dated 07/09/1981, from the Caulfield Historical Society Historical to the St Kilda Historical Society thanking them for previous correspondence regarding Coimbra. The file also includes two handwritten versions of a one page letter, the final version dated 07/09/1981, to the National Trust of Australia (Victoria), from the Caulfield Historical Society, concerning Peter Upton’s inquiry about Combria. This letter is accompanied by a two page copy of the Society’s reply to Peter Upton. Also included is a one page typed letter of acknowledgement, dated 14/09/1981, from the National Trust of Australia (Victoria) to the Caulfield Historical Society.coimbra, upton henry e, saunders william g, causer archibald m, mansions, upton patricia henrietta, coimbra private hospital, connolly d, chaddesley avenue, chattersley lane, st kilda east, east st kilda -
Glen Eira Historical Society
Map - Daley Street, 49, Bentleigh
A one page typed letter, dated 23/11/1960, from Weigall and Crowther Solicitors, requesting a valuation of the property at 49 Daley Street, Bentleigh and forwarding a copy of the certificate of title for the property. The file also includes the copy of the certificate of title, dated 31/03/1926, with a hand drawn map (58mm x 60mm) of the property. The file also includes a copy of a two page typed response, dated 29/11/1960, from an unnamed valuator, providing a detailed description of the property and its value. The file also includes one page of handwritten working notes for the purposes of the valuation, dated 28/11/1960.bentleigh, daley street, borrow william george, dendy’s crown special survey parish of moorabbin county of bourke -
Glen Eira Historical Society
Map - Gardenvale Road, 11, Caulfield South
A one page typed letter from Equity Trustees to S P Simmonds Estate Agent, dated 12/12/1963, requesting a valuation of the property at 11 Gardenvale Road, Caulfield South. The file also includes a three page typed valuation of the property dated 19/12/1963. It provides details of the property and includes a hand drawn plan (75mm x 100mm) showing measurements of the block. The file also includes one page of undated, unattributed, handwritten working notes for the purpose of the valuation.redapple r r, redapple joseph, redapple rebecca rachel, gardenvale road, caulfield south, land values, brick houses -
Glen Eira Historical Society
Booklet, Handbook, Victorian State Emergency Council, Air Raid Precautions - Manual of General Training - July 1939, July 1939
Air Raid Precautions organisations were established in each state in Australia during World War 2. Air Raid Precautions in Victoria were run by Civil Defense organisation. This handbook, one of a series of handbooks, used in Caulfield during World War 2.Represents the importance of air raid wardens to civilian defence to handle the threat posed thus officials issued instructions on what to do in case of an air raid. This handbook was used for the Air Raid Precautions in Caulfield during World War 2.Printed handbook has 66 pages bound in soft cover of heavy weight buff colour with red spine.On front cover contains Victoria coat of arms, stamped with 'Caulfield Historical Society' in top right hand corner, handwritten in pen '64' and in pencil 'Box 4/1'. Also includes number '7155/39' On inside cover, in pencil, 'Phillip Campbell Hubert' and on first page, in pencil, 'P.C.Hubert' air raid precautions, general training, july 1939 -
Glen Eira Historical Society
Plan - Brady Road, 10, Bentleigh East
A two page letter, dated 20/03/1973, from J M Smith and Emmerton Solicitors on behalf of Mrs J V Maxted to S P Simmons Estate Agent, requesting a sworn valuation of property at 10 Brady Road, Bentleigh East. The file also includes a photocopy of the certificate of title of the property, dated 28/02/1973. The certificate of title includes a plan (57mm x 65mm) of the property. The file also includes a two page letter, dated 30/03/1973, from S P Simmons responding to the request for valuation. Also included is a copy of these two pages. The file also includes one page of handwritten working notes for the property valuation including measurements and sales history of the property. The file also includes a hand drawn plan (114mm x 163mm) of the property with measurements.maxed j v, bentleigh east, brady road, wingate street