Black and white photograph of a Bendigo Single Truck straight sill tramcar (were numbers 1 to 12) prior to fitting windscreens (Destination Eaglehawk page 30 - says this occurred in 1920). Side on view of the same tram in Reg. Item No. 1711 Tram has "Dewar's imperial whisky" roof advertisement, and "Bendigo Tramways" on the letterboard. Photograph appears to be a photo of another print. Two copies held on file. See page 30 of Destination Eaglehawktrams, tramways, bendigo, esco

Copy photograph of a small photograph contained within item Reg. No. 587. Photograph is of MMTB 111, being lifted onto a horse drawn jinker at Ballarat Railway Station, May or Jun 1930. Caption on 587, says "No. 111 lifted off by Station Crane" Below photograph is "Note Horse Transport!, and Cars were painted grey over old Melbourne coloured panels and ends." Hi Res scan added 25/3/2011trams, tramways, ballarat, new trams, m class, railway station , tram 111, tram 26

Copy photograph of an illustration, sepia toned of Bourke St looking west from Swanston St. Title of illustration says World War 1 era, thought appears to be more early to mid 1920's from the motor cars. Cable tram has the destination of Nicholson St. In the view are Coles Book Arcade, Bull and Mouth Hotel, Kino's, The Metropole and Danks. .2 - more extensive print - added 14-12-2018 - scanned in to sections.trams, tramways, bourke st, cable trams

School of Mines Students' Magazine Committee 1909 Back L-R: T Sim; A Campbell; R Callister; S Leathes; V Tucker; Mitchell; G Corrie; Front L-R: l Middleton; W Geldard (Treasurer); Mr Whittingtin (Vice-President); Professor Alfred Mica Smith; A C Hesselmann (Secretary); W T Sayer; L Coulter.Photograph mounted on cream card discolouring around edges.Photographer's name - Fraser, Ballaratsmb, smb magazine committee, t sim, a campbell, r callister, s leathes, v tucker, mitchell, g corrie, l middleton, w geldard, mr whittington, alfred mica smith, a c hesselmann, w t sayer, l coulter

message continued from 05475...we went out snow balling one another and had some fine fun, and then we made a snowman had our photo taken alongside him. Well little Dorothy I am going to France next week so I will not get a chance to write very often so I will say goodnight for this timeAustralian soldier waiting to go into battleBlack and white postcard of British soldier and a little girl. Englandworld war 1914-1918, communications

Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." King sized Diamond blanket, pink, mint and lemon Mothproofed/Godfrey Hirst/Pure Wool Pelage Blanketwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst diamond blanket in pink, grey and lemon"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst Diamond blanket in pink and grey"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Collector says: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Godfrey Hirst diamond blanket in pink and cream"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong

Collector says: "I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized blanket, soft pastel pinkWarranted 100% Pure Wool/The Famous "Doctor" Regd/Blanket Made in Tasmania/in Emblem "K&K" (first K mirror image)/Regdwool, blanket, blanket fever, the famous doctor, kelsall and kemp, tasmania

This letter from Dr John Ritchie, General Editor of the Australian Dictionary of Biography informs Patricia Boyd Davies that Robin Boyd's biographical entry will be included in Volume 13 of the Australian Dictionary of Biography. It says that Geoffrey Serle is in possession of a draft of the entry. Note: Neil Clerehan, and not Geoffrey Serle, is the author of the entry first published in Australian Dictionary of Biography, Volume 13, 1993.One page letter plus seven page photocopy of the draft ADB entry for Robin Boyd in envelopePatricia Davies (formerly Boyd) has written on envelope 'Dr John Ritchie'

A postcard from Kristiania, which is the former name of Oslo, Norway. The title says 'Kristiania. Stortinget og Grand Hotel'. The Stortinget is the name of the parliament building, which is the building on the right of the picture. The Grand Hotel is on the left. The postmark is 1924 which is before Kristiania was renamed Oslo in 1925. The link to Legacy is not known. There are many postcards in the collection from different times and people.This postcard has an aesthetic and historical significance, the perfect handwriting shown on the back of the postcard certainly represents a significant way of traditional handwriting used at that time. Postcards were a common form of correspondence in the early 20th century.Matte finished paper postcard with a printed photo of the Stortinget and Grand Hotel in Oslo, Norway. At the back of the photo has a beatifully made handwriting specifying the message and address. Front side: Printed on photo, Kristiania. Stortinget og Grand Hotel. / 1220 Back side: Handwritten, Kristiania Norway 4 June 1924 / Dear Dode, I am back on the Lygneum and feeling OK. We are leaving here tomorrow. (Thursday for Fremantle, Adelaide, Melb and Sydney via Newcastle (Eng) and Durban. Kind Regards to all. Love to see mum. Charl. / Mrs. C. H. Carpenter, 235 Malvern Road, South Yarra, Victoria, Australia. Stamped seal, Norge 25 ore post / stamp post, Kristiania 10 VI 6 M E 1924 P . N souvenir, postcard

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

A caricature of Stan Savige drawn on a piece of cloth and signed by Legatees. Date in the bottom right says 'Federal Hotel Melbourne 23/1/53'. Meetings of legatees often were held in hotels and coffee palaces and clubs before Legacy House was purchased in the mid 1950s. This could have been from a weekly meeting or from a special event. The details are not known.A record that the Legatees held Stan Savige in high regard and honoured him with a drawing and signatures.Caricature of Stan Savige on cloth surrounded by autographs of legatees in a frame.stan savige, autographs

Booklet published for Melbourne Legacy to assist Legatees launch the new Endowment Scheme Campaign Oct 25,1962. A new campaign by Melbourne Legacy to assist Legatees with facts and talking points to aid Legatees when making contact with prospective donors. Sections of the booklet include: Our aim in education; Health is watched; Physical and cultural; Career guidance; Legacy Residences; Holidays and camps; Legal assistance, and Free Firewood. The Health section mentions: "a permanent dental clinic at Legacy House". The Education section mentions: "promising children are helped and encourages to carry their education right through University". The Career section says: "No Legacy child is sent into a dead-end job". The Residences section says: "Three homes - homes in the real sense of the word - are maintained by Legacy in Kew for Legacy children. They are Blamey House, Harelands and Stanhope, the first two owned by Legacy and the last leased free from the Red Cross, in return for its maintenance and upkeep."The booklet gives Legatees the facts and reasons why a potential donor should donate to Legacy. A good snapshot of Legacy's work in the 1960s.Black and white printed, 8 page booklet.Handshake on the front cover. Legacy badge top RH corner.fundraising, legacy promotion

A bronze bust was erected in Morwell to honour Legacy Founder Sir Stanley Savige. It was unveiled on 31 August 2006 and Legatee Bill Rogers was invited to perform the unveiling. Legatee Rogers says: Savige "was a great humanitarian; he dedicated his life to those who were less fortunate than himself and from a military point of view, was an officer and leader who always cared for the men he commanded". He went on to say that at the event he heard more about Stan Savige and his bravery in saving about 50,000 Assyrian refugees in the first world war. In the event where he protected refugees with only 12 men for six weeks and he was awarded the DSO for delivering these refugees to British lines just north of Baghdad. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A record of an memorial to Legacy founder Stanley Savige in Morwell.Print out of an article by Legatee Bill Rogers about the unveiling of the Stan Savige memorial in Morwell in 2006.stan savige, statue, memorial, assyrians, dunsterforce

A photo of Mr William Bernard Wigston who left a substantial amount to Melbourne Legacy in his will in 1968. The note from Legatee Aaron Beattie says William Wigston was born in London in 1880 and died in Melbourne in 1968. He was educated at Lancing College in Southern England (near Brighton). His father was a London solicitor. The photo was taken about 35 years before being given to Legacy which may have been approx 1933. The article from The Age says that Mr William Wigston was a financier living in Toorak and had died aged 88. He left in his will, approximately $150,000 to Junior Legacy and the same to the RSPCA. The executive officer of Legacy, Mr Ivan Layton, believed it was the highest donation that they had ever received at that time. The photo was produced by Talma, which was a photography business in Melbourne. The article was part of collection of items about bequests made to Legacy put together by a former archive committee. A record that individuals have left substantial sums to Legacy over the years.Photo of Mr Wigston in a cardboard mount, an article about his donation to Legacy and a note from Legatee Aaron BeattieHandwritten on the cardboard mount of the photo is 'Talma', which is likely the photo studio. Handwritten on the newspaper article 'The Age 8/6/6?' in pencil.donations, bequests

This photograph has been set as Christmas postcard. It could be the front page of a greeting card.Postcards and greeting form a vital part of social and historical records for researchers. They are very interesting records of places gone, architecture gone and people gone, showing social history such as dress, or early automobiles. This one record an earlier means of transport in east Gippsland.A small black / white oval shaped photograph set in a cream card with green writing at the bottom. The photo is of two horse teams and buggies crossing a large sandy beach.on front just below photograph - CROSSING LAKE TYERS SANDS Beneath that in cursive script is " This little view is sent from here To wish you joy and Christmas cheer And say you are remembered still with kindly thoughts and right goodwill"lake-tyers-east-gippsland greeting-card

Manuals supplied for maintenance and Training Purposes in relation to use and upkeep of Thompson machine Gun in the theatre of war. Notebook summarises some key points of this.1. Training Manual for the Thompson Sub Machine Gun. Yellow cover with picture of gun. 32 internal pages on white paper and black writing. Includes B & W pictures of guns and parts. 2. Note book has green cover and supplied by Military Forces. Inside pages lined and white. Writing of notes on one side only and manually numbered up to Pg. 14 with technical notes.1. Sticker on front says "Technical Book and Magazine Co". In pencil at top name "R.D. Vincent". 2. Note book name at top "D.V. Sutcliffe, SGT" and writing "Thompson Sub Machine" - Is notebook of "Australian Military Forces" training manual, thompson machine gun

Typical United States Army issue fatigue shirt worn by soldiers in the Vietnam War. this item was collected by National Serviceman R A Laing, Royal Australian Corps of Signals, 110 Signal Squadron, Vietnam 1969.A green United States Army issue fatigue shirt with four pockets on the front. Pockets have slanted flaps. Shirt is fastened by 5 plastic buttons. United States cotton badges on the left side of the shirt and on the top of the left sleeve. One is Airborne. The soldier's name is above the pocket on the right shirt front. On the right side of the shirt above the pocket appears the word "SPEIGHTS". Above the left side pocket appears 3 cloth badges. One says US Army. On the front left side pocket is a material badge of a winged torch with flames.united states army, fatigue shirt, u s uniform, laing

A photo of a young lady, Lisa Fitzgerald, with a metal Legacy Appeal tin and tray of badges, "Help Legacy take care of families of deceased ex-servicemen". Promoting badge day in September 1984 It came from a Legacy envelope marked "P3 Fund Raising" in red pen, with assorted photos of fundraising events, including appeal tins in different years and a charity concert, and a marathon run by WO2 Mike Hoffman (some are items 00433 to 00438).A record of fundraising in 1984.Black and white photo of a lady with badge tray and collection tin. Yellow note paper.840905/59 in blue pen on reverse. Stamped Copyright Herald and Weekly Times in blue ink. Yellow note says: "Lisa Fitzgerald a member of Legacy House Staff was a willing helper on Badge Day / Photo Sun" in black pen.fundraising, legacy appeal, badge week

A legatee function in Legacy House with Peter Batchelor MP as a guest speaker. It is assumed to be 2001 as it was with a bunch of other photos with the label, "Badge Launch 2001", plus David Grierson appears to be President. Other names unknown. They appear to be holding a cheque so assume it was a donation.A record of function for Legatees during Badge Week. Colour photo x 4 of a Legacy function with Peter Batchelor as guest speaker.Printing on the back "

Red cloth bound copy of Hilmer Smith's account of Sydney Legacy published in 1944.non-fictionhistory, hilmer smith, sydney legacy

A group of widows at Legacy House doing light exercises. Melbourne Legacy ran an excellent exercise program for its widows for many years at Legacy House. It is assumed to be 2004 as it was with a bunch of photos with the label, "Activities at Legacy House 2004". Names unknown. A record of the types of activities Legacy provided as a physical and social outlet for widows. Colour photo x 3 of widows doing light exercises at Legacy House.Printed on back

Photos from the 2004 Melbourne Legacy Christmas party for junior legatees. There was a Santa and pinata for the young children. It appears to be run by the Melbourne Legacy Leadership Group. The Leadership Group was formed by junior legatees who had become adults. They ran functions for junior legatees in a spirit of service that emulated the work of Legatees. There are more photos of the event, a note with the photos say it was 'JL 2004 Christmas Party'.A record of adult junior legatees helping Legacy provide experiences for the junior legatees.Colour photo of four junior legatees at a Legacy Christmas party.Printed on the back 'No.002' which is the image number.junior legatee outing, leadership group, christmas party

Photos from the 2004 Melbourne Legacy Christmas party for junior legatees. There was a Santa and pinata for the young children. It appears to be run by the Melbourne Legacy Leadership Group. The Leadership Group was formed by junior legatees who had become adults. They ran functions for junior legatees in a spirit of service that emulated the work of Legatees. There are more photos of the event, a note with the photos say it was 'JL 2004 Christmas Party'.A record of adult junior legatees helping Legacy provide experiences for the junior legatees.Colour photo of a junior legatee and Santa at a Legacy Christmas party.Printed on the back 'No.003' which is the image number.junior legatee outing, leadership group, christmas party

A photo from the 2004 Melbourne Legacy Christmas party for junior legatees. There was a Santa and pinata for the young children. It appears to be run by the Melbourne Legacy Leadership Group. The Leadership Group was formed by junior legatees who had become adults. They ran functions for junior legatees in a spirit of service that emulated the work of Legatees. There are more photos of the event, a note with the photos say it was 'JL 2004 Christmas Party'.A record of adult junior legatees helping Legacy provide experiences for the junior legatees.Colour photo of a mother and her children at a Legacy Christmas party.Printed on the back 'No.006' which is the image number.junior legatee outing, leadership group, christmas party

Photos from the 2004 Melbourne Legacy Christmas party for junior legatees. There was a Santa and pinata for the young children. It appears to be run by the Melbourne Legacy Leadership Group. The Leadership Group was formed by junior legatees who had become adults. They ran functions for junior legatees in a spirit of service that emulated the work of Legatees. There are more photos of the event, a note with the photos say it was 'JL 2004 Christmas Party'.A record of adult junior legatees helping Legacy provide experiences for the junior legatees.Colour photo x 6 of junior legatees trying to hit a pinata at a Legacy Christmas party.Printed on the back 'No.008 to 013' which are the image numbers.junior legatee outing, leadership group, christmas party