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Clunes Museum
Equipment - AUROSCOPE
... IN THE OLD CLUNES HOSPITAL IN THE OPERATING THEATRE local history ...USED IN THE OLD CLUNES HOSPITAL IN THE OPERATING THEATREBOX : SQUARE WOODEN BOX OVERLAID WITH BLACK LEATHER, LINED IN DEEP BLUE VELVET SHAPED RECESSES FOR AUROSCOPE PARTS Five instruments in box INSTRUMENTS : STAINLESS STEEL SHAPED INSTRUMENT WITH THREE SIZES OF STAINLESS STEEL ATTACHMENTSlocal history, medicine, medical equipment, medical -
Clunes Museum
Instrument - STAINLESS STEEL SAW, UNKNOWN
... IN THE OLD CLUNES HOSPITAL IN THE OPERATING THEATRE LOCAL HISTORY ...USED IN THE OLD CLUNES HOSPITAL IN THE OPERATING THEATRESTAINLESS STEEL SAW USED FOR SURGERY / DISSTON BRANDlocal history, medicine, medical equipment, medical -
Clunes Museum
Equipment - ANAESTHETIC FRAMES
... IN THE OPERATING THEATRE local history medicine surgery medical OVAL METAL ...USED IN THE OPERATING THEATREOVAL METAL FRAMES WHICH HAVE A HINGED BACK PIECE WITH WHICH TO HOLD A CLOTH? IN PLACE.local history, medicine, surgery, medical -
Clunes Museum
PETHADINE BOX
USED IN THE OPERATING THEATRE AT CLUNES HOSPITALCARDBOARD BOX WHICH HAS CONTAINED AMPOULES OF PETHADINE HYDROCHLORIDE INSIDE THE BOX ARE 4 METAL "BLADES"? WITH A SERRATED EDGE ON ONE SIDE'WELLCOME' BRAND INJECTION OF PETHIDINE HYDROCHLORIDE. POISON D 12 AMPOULES. 100MG IN 2 ML. A STERILISED SOLUTION FOR SUBCUTANEOUS INTRAMUSCULAR OR INTRAVENOUS INJECTION. FOR USE UNDER MEDICAL DIRECTION.local history, medicine & surgery, medical -
Clunes Museum
Programme, 2007
PRODUCTION PRESENTED ON MARCH 2ND, 3RD,9TH & 10TH, 2007 AT ST. PAUL'S ANGLICAN CHURCH HALL.PROGRAMME FOR PRODUCTION OF "A MURDER IS ANNOUNCED" BY THE CLUNES FILM & AMATEUR THEATRE GROUPlocal history, documents, programmes, events and celebrations, film & theatre -
Nillumbik Shire Council
Drawing (Pastel): Nicholas Nedelkopoulos (b.1955 Melb, AUS), Nicholas Nedelkopoulos, The Sneeze, 1995
Nicholas Nedelkopoulos is an established artist, his work is represented in the Metropolitan Museum of Art, New York, the National Gallery of Australia and in numerous International and Australian Public and Private Collections. His work has been included in major historic exhibitions: the National Gallery of Australia's Federation touring exhibition, The Australian Bicentennial Folio and Victoria's 150th Anniversary exhibition curated at The State Library of Victoria and National Gallery of Victoria. He has a Diploma of Fine Arts from Victorian College of the Arts, a Master of Fine Art from the University of Melbourne (Victorian College of the Arts) and has a Doctorate from Monash University. Nedelkopoulos' work is based strongly in graphic tradition which can be seen throughout all of his media.'The Sneeze' alludes to a feverish response, an irritation, a period of temporary discomfort, or a sign of sickness. On a visit to Eltham in 1995 Nedelkopoulos became aware of the disquiet felt by many residents because local government was not in the hands of elected representatives. 'The Sneeze' is an allegorical work, which serves as a reminder of this period in our municipal history. Nedelkopoulos has constructed an environment similar to a theatre set in which every element is a symbol to be deciphered. Whether you read the red-nosed figure as democracy being challenged by the political circumstance, as representing the unelected commissioners surrounded by the criticism of the community, or as another player in the story, to unravel the meaning of individual elements will provide direction and add weight to your interpretation. Without knowledge of the artist's intention the work can convey quite straightforward messages and responses. For example, the misery of hayfever in Spring, or how germs spread from a single sneeze. Such ideas are relevant and provide the metaphoric basis for a more in-depth analysis.Pastel drawing on paper. Image depicts a small black figure with a small monkey on a lead. The figure has a red nose to which he is holding a tissue. He is walking through what appears to be a flowering forest.nedelkopoulos, the sneeze -
Nillumbik Shire Council
Public Art: Edward GINGER (b.1951 Kegalle, Sri Lanka - arrived 1975 Aus), Edward Ginger, The Breeze, Location: Main Road, Research - opposite Eltham Little Theatre, 1990
The first sculpture awarded the Shire of Eltham 'Art in Public Places' Award/Commission. The Judges were Inge King, Jenny Zimmer and Daryl Jackson. The work deals with the juxtaposition of suburban and rural surroundings. This scupture is a typical example of the artist's oevre of the period. This sculptre is site specific and refers to the nature of the environment. The colour - bushfire red / sienna - alludes to the history of fire in the urban/rural fringe and the title, as well as the sculpture's shapes, forms and material refer to the natural and local elements. Judges report noted: "The most vital and expressive work for the site...with a great sense of dynamic movement and vibrant colour. Its' abstract forms will enliven the surroundings and the urban and natural environment. This work is the most appropriate for the site and expressive of the dynamics of an evolving community in which artistic discourse and debate has always thrived." The work has acquired the status of a major landmark from the National Trust. The Breeze is an abstract work made out of welded steel and painted in enamel in bush fire red / sienna. It comprises a series of flat, cut-out shapes, interlocking at different angles, giving the impression of being hinged together rather than fixed. The work references nature and the built environment. Its geometric shapes suggest man-made structures within industry and suburban life, while rural areas can be identified by the organic flame-like shapes fanned by the wind. The circular cut-out in the eye mimics the sun, symbolising the intense heat of the Australian climate, while the colour red alludes to the history of bushfire within the urban and rural fringe. N/Apublic art, ginger, red, sienna, elements, steel, abstract, breeze, fire, sculpture -
Plutarch Project
Film screening Log Book, Log Book, Collins late 1950's
Yiannoudes Family Film Memorabilia It is normally a time consuming and difficult task to accurately assess a collection’s significance to the primary criteria, however in the case of the “Yiannoudes Family Film Memorabilia” we have no hesitation of its high significance about its historic, social, rarity, interpretive, cultural and provenance to Australia, including the country side where most of this collection memorabilia visited. From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. Mr P. Yiannoudes has also published a book in October 2010, titled “Greek Cinema Across Australia – Behind the Scenes”. The book was published in two languages, English and in Greek. Details about the launch can be found on the Diasporic Literature Spot website at this address (in the Greek language) http://diasporic.org/ellinika/biblia/greek-films-in-australia/. His book is devoted to those with whom he co-operated in order to bring for the first time Greek language films into Australia. Their names are: Stathis Raftopoulos, Andreas Papadopoulos, Andreas Katopodis, Theodoros Kanellopoulos, Michael Ioannou, Fotis Hatzipavlides, Kostas Vrahnas, Evaggelos Terpenos, Dionysis Lourantos, Dimitris Georgiou, Vasilis Florias and Jim Gragie. All businessmen with the right entrepreneurial spirit to be the first and to make their mark in the making of cultural Australia. Mr P. Yiannoudes a Cypriot by descent born in the town of Vouni, a village in the area of Lemesos. In Lemesos he learned the first few things about cinema which would help him in all his later life. He migrated to Australia in 1956 has been a prominent member of the Greek & Cypriot Communities in Melbourne for many decades. He has been President of the Cypriot Community, President of Federation of Cypriot Communities in Australia (for 18 years), President of SEKA (for 26 years) and highly regarded member of the Greek-Cypriots Diaspora since he also has been Vice-President of the Global Federation of Cypriots of Diaspora for 18 years. Mr P. Yiannoudes is now working on creating a small museum of these pieces in the back of the Westgarth Theatre with the help of the Plutarch Project and …. In this collection numbering hundreds of items, we will try and capture some of the glory that was the Greek film industry in Australia for 23 years between 1959 and 1982. “Cosmopolitan Motion Pictures” also owned a large number of cinemas in Melbourne, the National Theatre in Richmond, the Westgarth Theatre in Northcote (which is still owned by the Yiannoudes family today), Sun Theatre in Yarraville, Kinema in Albert Park, Empire Theatre in Brunswick, Paramount Theatre in Oakleigh, Globe Theatre in Richmond, Galaxy Theatre in Brunswick and the Cosmopolitan Theatre in Brusnwick. At the same time they were hiring other theatres for film projections. They were the Astor Theatre in St. Kilda, Victoria Theatre in Richmond, Sunshine Theatre in Sunshine. Apart from Melbourne they were using the Pantheon Theatre in Adelaide, the Norwood Town Hall in Adelaide, the Shepparton Town Hall in Shepparton, the Premier Theatre in Perth, the Rivoli Theatre in Berri and the Renmark Theatre in Renmark. The number of films shown around Australia were over 1500 in total whilst about 1218 of them were in the Greek language. Other languages shown were in Turkish (about 150 films), Yugoslavian (about 100 films), English, French, German, Swedish, Dutch language films. “Cosmopolitan Motion Pictures” was the first company to bring Swedish and Dutch films to Australia. They also showed Martial Arts films for the first time in Australia in 1975 at the Galaxy Theatre in Melbourne. However one of the most significant pieces that tell the story with places and dates is the Show Logbook. The Show Logbook has a large number of stories to tell. It is still intact and in fair condition after all these years of travelling around Australia. It is categorised with an alphabetic index on the right by film title. Greek, Indian, Turkish and Yugoslav language film titles adorn its pages alongside the place where they were first shown, the towns and cities they visited and the dates for each one. It is an extremely significant part of history of the settlement of migrants in Australia. This Log Book is of Primary Significance to the "Cosmopolitan Motion Pictures" and the Yiannoudes family film memorabilia collection. It has a Historic, Social, Provenance and Rarity significance for the settlement of migrants in Australia and the entertainment industry.This is the Log Book, manually updated and used by "Cosmopolitan Motion Pictures" for films shown in different parts of AustraliaCollins Stock Records Booklogbook, films, shown, cultural, language, greek, australia, γιαννούδης, κατάσταση, yiannoudes -
Plutarch Project
35mm Projector, circa 1950's
... (for more details about the history of Galaxy Theatre follow... Westrex 14 projector was purchased from Waverley Theatre (Cnr ...This 35mm Westrex 14 projector was purchased from Waverley Theatre (Cnr Burke Road and Waverley Road in Malvern, in 1962) last used by "Cosmopolitan Motion Pictures" as follows: from 1962 to 1967 - National Theatre, Richmond. from 1967 to 1970 - in a small leatherette on Bridge Road, Richmond. from 1971 to 1985 - Galaxy Theatre Brunswick. After that it was stored at the back of Westgarth Theatre in Northcote. This projector has a primary historic significance as it covers the largest part of the history of film shows by "Cosmopolitan Motion Pictures", and cultural/social significance since it has been used to project a number of other language films (about 10 different languages) by the company. It also carries a secondary significance of rarity being the last used projector by the company at Galaxy Theatre.This metal (most probably steel) projector is part of a number of projectors owned by "Cosmopolitan Motion Pictures". It is in dark blue/grey colour and still operational to project 35mm films if needed. It has two inscriptions detailed below and was last used at Liberty/Galaxy Theatre in Brunswick in 1985 (for more details about the history of Galaxy Theatre follow this link http://technicolouryawn.com/?page_id=2988)INSCRIPTION 1 (red background) Westrex 14, High Intensity Arc Lamp, Serial Number A.5401018. Manufactured for Westrex (Australia) Pty. Limited by G.B.H. Electronic Laboratories - Made in N.S.W. Australia INSCRIPTION 2 (blue background) Westrex R4A Reproducer Made in Australia Western Electric Co. (Aust) Pty. Ltd.projector, film, culture, language, greek, entertainment, γιαννούδης, yiannoudes, προβολέας -
Melbourne Athenaeum Archives
Theatre Flyer, Piaf (musical biography) performed by Jeanne Lewis at Athenaeum Theatre commencing 4 July 1995
... melbourne piaf athenaeum theatre contains a brief history of Edith ...coloured black and red flyer contains a brief history of Edith piaf lifepiaf, athenaeum theatre -
Melbourne Athenaeum Archives
Theatre program, Programme of entertainment [tableaux vivant] in aid of Convalescent Fund of the Sick Children’s Hospital and the Episcopalian Church Upper Macedon, 9-10 October 1884, 1884
Silk programs, at that time, were only produced for a very prestigious night at the theatre. Historical note: The town of Gisborne was named after one of the members of the first committee of the Mechanics’ Institution (renamed in 1872 to Melbourne Athenaeum), formed in November 1839. His full name was Henry Fyshe Gisborne 1813-1841. The program, crafted of printed silk with a silk fringe all around the four edges is unique in the program collection. The program reveals an interesting fund-raising entertainment held at the Melbourne Athenaeum theatre in 1884. As the theatre was available for hire by everyone in the Melbourne community, over the course of its history it was hired by a large variety of theatrical performers, political groups, sporting and arts groups, in addition to fundraising groups, as found here. Proceeds of this concert were donated to the Melbourne-based Sick Children’s Hospital and the Upper Macedon Episcopalian Church – an unusual combination of charities. The Mount Macedon area became a popular place for holiday- makers from Melbourne in the 1870s and many professional people built holiday retreats with beautiful gardens in the area. The development of the area created a further need for places of worship. The names of the people taking part numbered over 70, several having the same family names as those listed as members of the Melbourne Athenaeum at that time but there is no proof that the people involved with the performance were subscribers to the Melbourne Athenaeum. At the time the Athenaeum hall consisted of a large flat space requiring chairs to be placed in lines, with hand-written alphabetical signs to indicate the rows and individually numbered chairs. The hall seated 900 patrons. When the hall was used for balls, banquets and exhibitions all the chairs were removed and stored under the stage and in a room at the side of the hall. The layout of the hall can be seen in this photograph from the archives, taken in the early 1900s. This fringed, silk program was produced for a concert held on 9-10 October 1884 under the patronage of the Governor Sir H Brougham Loch at the Athenaeum Hall in aid of the Convalescent Fund of the [Melbourne] Sick Children’s Hospital and the Episcopalian Church of Upper Macedon. The evening of light entertainment comprised eleven solo musical performances and thirteen tableaux, some humorous, referencing biblical and classical themes from plays, paintings and operasm enhanced with painted scenery and a multitude of costumes.melbourne athenauem hall, the sick children's hostipal, episcopalian church -
Melbourne Athenaeum Archives
Theatre Program, The Beggar Student (1931 film starring Lance Fairfax) plus Almost a Divorce (film 1931 starring Sydney Howard and Nelson Keys) screened at the Athenaeum Theatre commencing 16 April 1932, 1932
A rare program from the time when films were shown at the Athenaeum Theatre while Frank Talbot leased the theatre. The program has a managerial announcement from Talbot announcing the new policy: "under which the theatre will be devoted exclusively to English and Australian pictures". The company supplying the British films was called British Dominion Films Ltd. Talbot also stated: "It will be part of the managerial policy to screen such Australian films as may be available". The films were preceded by "The Herald" news reel and "The Daily Dozen at the Zoo". The theatre orchestra, playing before and during interval was conducted by Mr J Kost. The music included "Tales of Vienna Woods by Johann Strauss and selections from Sullivan's "The Pirates of Penzance". The program represents a time when films were shown at the Athenaeum Theatre. Records indicate that graphic entertainments started with magic lantern slides in the 1890s and continued with silent movies. The first full-feature film shown in Australia was "The Story of the Kelly Gang" in 1906 at the Athenaeum Theatre and the first talkie to be shown in Victoria, "The Jazz Singer" shown in 1928. Later when Hoyts took over the lease, Cinemascope films were exhibited completing a history of film shown at this one theatre. paper program; 10 pages; coloured front page. -
Koorie Heritage Trust
Book, Alberts, Trish et al, Making a Difference / First Australians : Plenty Stories, 2010
This book shares inspiring stories aabout how individuals and organisations have made a difference in Australian society by giving a voice to the histories and viewpoints of Aboriginal and Torres Strait Islander peoples. Contents: Understanding each other; Koorie Heritage Trust; Bangarra Dance Theatre; The Aboriginal Baldja Network; Reconciliation Australia and the Stolen Generations Alliance; Working together for change; Glossary; Index.32 p. : ill., col. maps, ports. (some col.) ; 24 cm.This book shares inspiring stories aabout how individuals and organisations have made a difference in Australian society by giving a voice to the histories and viewpoints of Aboriginal and Torres Strait Islander peoples. Contents: Understanding each other; Koorie Heritage Trust; Bangarra Dance Theatre; The Aboriginal Baldja Network; Reconciliation Australia and the Stolen Generations Alliance; Working together for change; Glossary; Index.aboriginal australians. | torres strait islanders. | australian -
National Wool Museum
Book, Knitting, Hand Knits by Villawool, 2nd ed
This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens and mens knitted garments. Interestingly, TV and theatre personalities have been used as well as high fashion models.Hand Knits / by / Villawool / 2nd EDITION / 3'9knitting handicrafts - history, villawood textile company, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, Hand Knits by Villawool, 3rd ed
This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens and mens knitted garments. Interestingly, TV and theatre personalities have been used as well as high fashion models.Autumn-Winter '61 / ... a superb / collection of / Villawool / designs ... / 3rd EDITION / Hand Knits / by / Villawool / 4'-knitting handicrafts - history, villawood textile company, knitting, handicrafts - history -
Whitehorse Historical Society Inc.
Document, Sarma Burdeu, 2009
Brief history of Sarma Burdeu's childhood in Blackburn, with photo of Norway Avenue and Sarma Burdeu.Brief history of Sarma Burdeu's childhood in Blackburn, with photo of Norway Avenue and Sarma Burdeu.Brief history of Sarma Burdeu's childhood in Blackburn, with photo of Norway Avenue and Sarma Burdeu.rialto picture theatre box hill, norway avenue blackburn, burdeu, sarma -
Whitehorse Historical Society Inc.
Photograph - Black and white photograph, Blackburn Hall Blackburn
Used by Robin Da Costa in 'Blackburn: a picturesque history' Blackburn Hall, built 1888 on present site of Blackburn Branch Library, demolished March 1965. Photo of an Arbor Day . gathering of local children outside the hall.|See page 85 of Da Costa book. Was also known as the "bug house"" when it was a picture theatre.Black & white photo of Blackburn Hall, built 1888 on present site of Blackburn Branch Library, demolished March 1965. Photo of an Arbor Day gathering of local children outside the hall..|See page 85 of Da Costa book.blackburn hall, blackburn branch library, blackburn -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1930
Small format black and white postcard of Esplanade, Lakes Entrance, looking west showing buildings from picture theatre westward. Motor car on roadway. Lakes Entrance VictoriaThe Esplanade, Lakes Entrance (on reverse)township, waterfront, memorials, jetties -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Murray Views, 1965
Black and white postcard taken from a jetty on Cunninghame Arm, Lakes Entrance, showing Esplanade from Bellevue Guest House to Prince Regent Theatre and six of the World War 1 memorial cypress trees. Yacht at jetty in foreground. Lakes Entrance VictoriaEntrance from Jetty, Lakes Entrance, Victoriawaterfront, fishing industry, boats and boating, jetties -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/08/2024 12:00:00 AM
Also a sepia toned copy of photograph 04866.1 Most people identified by number typed sheet attached Mylar sheet with photographBlack and white photograph of twenty six people at the Queen Carnival crowning ceremony on stage of the Federal Picture Theatre Esplanade Lakes Entrance Victoriacelebrations, churches, people -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 10/04/2009 12:00:00 AM
The door handles mounted on timber shield was donated by Eric MacKay former manager to LERHSColour photograph showing original door handles and signage from the old Prince Regent Theatre at Lakes Entrance Victoriabusinesses, occupation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1938 c
Also a black and white image of Hoopers Maranui Guesthouse 1949 c in SparesBlack and white photograph of a postcard showing Broomes Maranui Guesthouse with Police Station on the western side and the picture theatre on the eastern side. In foreground is the stone wall beside the lake, concrete path and picnic table beside the Esplanade Lakes Entrance Victoriaaccommodation, transport -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Slide - Articles relating tolLakes Entrance Picture Theatre
Cardboard shoe box containing glass slides, carbon rodsperforming arts, cinema -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1950c
Maranui was Kelvin House before it became Maranui|This is the before paired photograph used in the 150 year,Lakes Entrance 1858-2008 display.|The after paired photograph number 01217.1|Also one 12 x 16 framed photograph used in room displayBlack and white photograph of Hoopers Maranui Guest House. A timber double storied building, hip roof, sun shades over upper windows, seat on ground floor veranda, lattice fence, side view of Prince Regent theatre beside building. Water tank on stand. Lakes Entrance Victoriafences, guesthouses, architecture, room display -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Valentine Series, 1920c
Lakes Entrance Prince Regent Theatre was built on block at right of Maranui in 1926Black and white photograph of Broomes Maranui House, showing a double storied timber building with balcony, sash windows, doors with fan lights and side lights. Hedge and picket fence at front. Part of Police Station visible at left, vacant block at right with picket fence. Lakes Entrance VictoriaMaranui House Lakes Entranceguesthouses, architecture, township, fences -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1946c
Black and white photograph of Hoopers Maranui Guest House. A timber double storied building with upstairs balcony and down stairs veranda across front, sash windows, doors with side lights and fan lights, hedge at front enclosed by picket fence. On right of photo, fibro cement Prince Regent Theatre, built 1926. Lakes Entrance VictoriaMaranui Lakes Entranceguesthouses, architecture, entertainment -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1949c
Black and white photograph of Hoopers Maranui Guest House, after losing balcony in severe windstorm. Upstairs doorway is barricaded. Sun shields over upstairs veranda front windows. Water tank on high tank stand at rear of Maranui. Fibro cement picture theatre at right of picture. Lakes Entrance Victoriaarchitecture, guesthouses, cinema -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1956c
Black and white photograph of Hoopers Maranui Guest House, showing a timber double storied building decorated with flags. Timber fence at front in herringbone design. Boat deck seat on veranda, man in doorway, man and boy at right of photo. Part of fibro cement picture theatre is visible at right of Maranui. Decorations were for Centenary celebrations. Lakes Entrance Victoriaguesthouses, celebrations, architecture, cinema, fences -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1930c
This cement sheet clad building was opened in December 1926, and was used for over fifty years as a cinema, ballroom and venue for many social functions.|This is the before paired photograph used in the 150 year, Lakes Entrance 1858-2008 display.|The after paired photograph number is 01393.1|Also one 12 x 16 framed photograph used in room display.Black and white (sketch like) photograph of the Broome's Prince Regent Theatre, Lakes Entrance, Victoria.cinema, room display -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1926
Also on print Bohringer Taylor and Johnson Pty Ltd, Architects and Civil Engineers, 80 Swanston St, MelbourneGold coloured photograph of an advertisement promoting the Picture Theatre and Palais de Danse, built by Bohringer, Taylor and Johnson Pty Ltd, Architects and Civil Engineers, opened in December 1926, with a grand ball. Lakes Entrance VictoriaPicture Theatre and Palais de Danse, Lakes Entrance, 26/11/26architecture, cinema