The following is an extract from Warrnambool and District Historical Society Website which explains briefly the Great Exhibition of 1896-97 The Great Industrial and Art Exhibition in Warrnambool in 1896-97 was an exciting affair for the town and the surrounding area. People came from far and wide to be enlightened, educated and entertained, with 70,000 visitors passing through the doors during the three months of the exhibition. Not bad for a town with a population of only 6,500 and a further 9,200 living in the surrounding shire! Planning began at a public meeting attended by 60 people in May 1896 and the exhibition opened in December the same year on the site of the current Light House Theatre. The architects submitted plans for four annexes, complete with turrets, a fernery and a giant flagpole. The site covered 1 acre and included a Marine court, industrial exhibits, an education court, defense and agriculture court, stalls, coach builders, dairy show, an art court and provision for a smorgasbord of various entertainment. (The Story of the Warrnambool Industrial & Art Exhibition 1896-97- E O’Callaghan) This certificate was one of many awards for competency and /or excellence in a wide range of activities and skills. Warrnambool Industrial & Art Exhibition 1896-1897 Competitions-Piano forte solo Gertrude Lewin- prizewinner W J Hickford- Mayor E Lyle Rossiter As a link to one of the biggest events ever held in Warrnambool this item has significant value to the history of Warrnambool. It has social significance also linking a number of names related to the event. Rectangular cardboard. pale cream and aqua background, multi linear gold and deeper aqua border with rounded and right angled corners. An interior border has a swag, linear vertical ribbons with four emblems related to science, labour, arts and industry. Four local black and white photographs, the town council crest and town officials, patron and councillors. An inscription of the prizewinner, event and signatures is written in a cream square in the middle of the certificate.Warrnambool/Industrial & Art Exhibition Opened Dec 21st 1896/ By the Chief Justice of Victoria/ Sir John Madden, K.C.M.G. upper L corner. Closed March 19th 1897/ By the Mayoress of Warrnambool/ Mrs WJ Hickford 'First Order of Merit/ Awarded to Gertrude Lewin/ of Parkville/ for Piano forte Solo (under 15) Signatures of WJ Hickford, President and E Lyle Rossiter, Secretary gertrude lewin, wj hickford, e lyle rossiter, the great warrnambool exhibitiion, warrnambool, pianoforte

This medal was awarded to the school children of Australia in 1951 to mark the fiftieth anniversary of the Federation of Australia. The design was chosen after a competition, with the valuable cash prize of two hundred guineas. It was won by John Wolfgang Elischer for his depiction of a man hand-sowing wheat. The wheat has grown to represent the seven States of Australia on the other side of the medal. Elischer was an Austrian sculptor and an Associate of the Royal Academy.Fifty Years of the Commonwealth of Australia 1901 - 1951.This medal was awarded to the school children of Australia in 1951 to mark the fiftieth anniversary of the Federation of Australia. The design was chosen after a competition, with the valuable cash prize of two hundred guineas. It was won by John Wolfgang Elischer for his depiction of a man hand-sowing wheat. The wheat has grown to represent the seven States of Australia on the other side of the medal. Elischer was an Austrian sculptor and an Associate of the Royal Academy. This is a round medal and is bronze in colour. On the front is a man throwing seed on the ground with the dates, 1901-1951, and on the back the words, "FIFTY YEARS COMMONWEALTH OF AUSTRALIA". along with a carving of the sun and seven ears of wheat representing the States and Territory.1901, 1951, commonweath australia medal

This oak wood sample is part of the wooden barque, the Grange, built in 1840. The wood sample was recovered from the shipwreck of the Grange in around 1968, 110 years after the Grange was wrecked (see below for further details on the Grange). It is part of the John Chance Collection. THE GRANGE, 1840-1858- The wooden barque ’Grange’ was a three-masted ship built in Scotland in 1840 for international and coastal trade. On March 22, 1858, the Grange set sail from Melbourne under Captain A. Alexander, carrying a cargo of ballast. The barque had left the Heads of Phillip Bay and was heading west along the Victorian coast towards Cape Otway. The ship struck Little Haley’s Reef at Apollo Bay due to a navigational error and was stuck on the rocks. The crew left the ship carrying whatever they could onto the beach. Eventually, the remains of the hull, sails and fittings were salvaged before the wreck of the Grange broke up about a month later. About 110 years later, in 1968, the wreck of the Grange was found by divers from the Underwater Explorers Club of Victoria. They were amazed to find a unique, six to nine pound carronade (type of small cannon) and a cannonball on the site. There have been no other similar carronades recorded. In that same year the anchor of the Grange was recovered by diver John Chance and Mal Brown. The wood sample is significant historically as an example of hardware used when building wooden ships in the early to mid-19th century. The sample is historically significant as an example of the work and trade of blacksmith. The sample is also has significant as it was recovered by John Chance, a diver from the wreck of the Grange in the 1968. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The sample is historically significant for its association with the 1840s wooden barque, the Grange. The Grange is an historical example of a Scottish built vessel used for international and coastal trader of both cargo and passengers in the mid-19th century. The Grange is an example of an early ship, designed with a wooden hull. It is significant as a ship still available to divers along the south coast of Victoria, for research and education purposes. The Grange is an example of a mid-19th century vessel that carried a weapon of defence onboard. Wood sample, oak wood fixed between plates and secured by a washer and bolt. There are five layers, each decreasing in size from base to the top. The bottom is a five-sided copper plate, above it is the oak sample that is crumbling and fragile, then a half-disc metal plate, then a square metal washer, then a round metal bolt head. The metal plate has unequal sides, the longest is parallel to the strait side of the half disc. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, west coast trader, apollo bay, mid-19th century shipwreck, the grange, scottish barque, little henty reef, captain a alexander, underwater explorers club of victoria, 1840s carronade, vhr 5297, coastal trader, wooden shipwreck, john chance, wood sample, wooden ship, oak timber, ship fitting

Clothing. Cream cotton with fine black/grey pin stripe. Single breasted - three buttons, possibly tortoise shell, half glazed, half natural. Three pockets. Breast pocket angled on chest. Two rectangular pockets with rounded corners, at hemline. Pockets attached by hand stitching. Seams all enclosed, except for inside sleeves.Handmade buttonholes. Label stitches inside collar: A.M.Poole, Bendigo.Some discoloration of collar.Label inside collar - A.M.Poolecostume, male suit, men's boating suit (jacket)

Red orlon long sleeved cardigan with high round neckline, with a narrow ribbed neckband. Set-in sleeves with a 5.5cm ribbed band at the wrist and a 5.5cm ribbed band at the waistline. Formerly owned by Margaret (Nell) Limbs nee Eider who worked at Hanoi in the Finishing Department about 1935. Donated by her daughter Bayonne Snipe who worked at Hanoi in the Office from 1961, then at John Brown until 1968.Hanro. SW Swiss Inspired. Pure Wool. Mothproof. Original label still attached. This is a guaranteed Hanro Hanrosafe garment. It is thoroughly shrinkproof and machine washable. Style 570, Size SW, Colour A14. On reverse of label “This garment has been awarded the coveted WOOL TESTING AUTHORITY’S SEAL OF APPROVAL and is guaranteed shrink proof and machine washable. Directions for Machine Washing – refer to photograph.costume, female, cardigan

Black and white photograph. Printed onto cream paper showing six directors of New Moon Company. Photograph image has rounded corners and a dark border. This studio study is then within a double-line border. Sketch of New Moon leases shown on back as part of report. Inscriptions: names of directors shown as: Joseph Lanfranchi, WB Walker, Daniel Murdoch, John Green, Alexander Hay, Edward Brightperson, group, new moon company

Black and white photograph on fawn board. Studio photograph on cardboard mount. White haired lady in black boned dress with wide lace collar and white cap. Black lace on cuff. Inscriptions: printed on mount at back - 'Bartlett Bros', 'Bendigo'. On back, hand written in pencil 'P676'., '1901'., 'Mrs Henry Jackson', 'Died 2/6/03'. Round stamp 'Royal Historical Society of Victoria, Bendigo Branch'.Bartlett Broscottage, miners

Coloured photograph of two ladies taken in a house. Both are sitting on a couch, one is holding a little brown dog on her lap. She is wearing a purple and aqua dress with a brooch at the neck, a short necklace, gold bracelet and a pearl hair clip. The other lady is wearing a mauve & multi coloured dress, mauve jacket and a wide brimmed mauve hat. On the table in front of them is a large, round glass/crystal vase.photo, group, 2 ladies, foster & wilson collection, photograph

Clothing. Made from soft lambskin, the leather appears to be finely punched all over, giving the appearance of tiny pin holes over the outer surface, but not showing through to the inside. Finely bound at the top edge, and around a 3 cm long round split at the outer wrist. The inside of the leather has a brushed finish-soft and warm. Three rows of stitching on the back of the hand, and around the wrist give a decorative effect.Inside left glove 'LAMBSKINS. Made in Italy. Inside right glove 7.costume accessories, female, honey coloured leather gloves

Clothing. A cardboard horseshoe shape, covered in 1.3 cm wide cream textured ribbon. Ribbon is wound round the shape and stitched into position at the open ends of the horseshoe. A small sprig of waxed orange blossom, four buds, and two leaves decorate the horseshoe at the top. A 34.5 cms long loop is attached under the orange blossom, to hang from the bride's arm. this loop is fastened with a bow, just above the horse-shoe.costume, female, wedding horse shoe

Hand knitted, lacey patterned baby's dress, with short, raglan sleeves, and round neck.Skirt has a lacey, fan shaped pattern of six rows (repeated), and gives a scalloped effect at the hemline. Yoke is knitted in stocking stitch, and has a 1 cm nylon ribbon passing through eyelets just above the change to the pattern. Four 1 cm diameter plastic pearl buttons fasten the back yoke.Matches jacket 11400.659.costume, children's, hand knitted baby's dress

Ladies sleeveless yellow nylon blouse. See through nylon fabric. Peter pan collar with pintucks on upper layer. Rounded front yoke of vertical pin tucks with scalloped lace edge. Front opening with four X 1 cm clear plastic buttons. A four cm fold over edging on arm holes. Vertical darts from lower hemline- one on either side of front and two on back.costume, female, ladies sleeveless yellow nylon blouse

Uniform used by Major Philip Ketch, Commanding Officer Creswick Volunteers (1883). Was on display for many years at Ballarat Ranger Barracks but at the families request returned to Creswick MuseumOnly known uniform on display of the Creswick (Ballarat) Volunteers.Creswick Volunteers Officer's Dress Tunic. Main body in black wool fabric with rounded red stand up collar and braid. Sleeves end with red wool pointed cuffs with braid. Braiding on main body of uniform. Froged with 5 rows of braid ending with netted button. On sleeve badge with crossed rifles year 1883 and above years 1880, 1881, & 1882. Leather belt across shoulder with whistle attached.volunteer uniform, creswick, philip ketch

This medal was struck to commemorate the 50th anniversary of the founding of the Royal College of Obstetricians and Gynaecologists (RCOG) in London in 1929. The RCOG was founded by William Blair-Bell, who is said to have been largely responsible for the design of the College coat of arms and gowns, and to have contributed to the motto "Super Ardua". This medal belonged to Frank Forster.Round silver medal with ring for chain attachment. Front of medal features a raised image of a pair of hands closing protectively around a foetus in utero. Surrounding this image is the inscribed text 'GOLDEN JUBILEE/1929-1979'. Back of medal features an image of the RCOG coat of arms, surrounded by the text 'ROYAL COLLEGE OF OBSTETRICIANS AND GYNAECOLOGISTS'. Medal comes with a navy blue, hinged presentation box, lined with cream satin and blue velvet.numismatics, rcog

This paperweight was created as part of the Golden Jubilee celebrations for SOGC (Society of Obstetricians and Gynaecologists of Canada) in 1994.Marble paperweight in the shape of a rounded square. Front of paperweight is engraved with a head and shoulders image of two Inuit figures, possibly a mother a child, wearing one coat between them and peering out of the same hood. The paperweight is signed by the artist at bottom right of front of paperweight. Back of paperweight is engraved with the text 'SOGC/1944-1994'. Bottom right of back of paperweight is signed by the artist, alongside the engraved words 'Quebec/Canada'.

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.10 "C" with ric-rac round the letter and three churches appliqued in the top left corner "C"uniting church adult fellowship

Presented to Rev Hewiston on his departure from Brunswick Presbyterian Church to the John Knox Church Dunedin New Zealand. Rev W Hewiston BA 1890 ordained Brunswick, assistant to A MacVean (McVean); 1895 Dunedin New Zealand, Knox ChurchBrown leather cover with heavily decorative gilt embossed border and text. The inside left has a richly illuminated border round the text which is addressed to the Rev & Mrs Hewiston. It is decorated with a variety of colourful flowers and an image of the Brunswick Presbyterian Church. The right side is a continuation of the testamonial from the Brunswick Presbyterian Church congregation. It is signed by the Acting Session Clerk Evander McIver; Treasurer Daniel Tough and Secretary Daniel McDougall.brunswick presbyterian church, daniel tough, rev w hewiston, rev allan macvean, john knox church dunedin new zealand, daniel mcdougall

Medallion was minted to commemorate the 60th anniversary of the end of World War IIRound gold coloured medallion commemorating the 60th anniversary of the end of World War II. The front has a stylised map of Australia with 'World War II 60 years 1945-2005'. The back has the Australian Coat of Arms with 'World War II Service of Australia. The Medallion is contained in a black box with '60th anniversary of the end of World War II'. 'For Service to Australia'. A small brochure from The Royal Australian Mint.as above. On Box Australian Government - Department of Veterans' Affairs.military history, army

Black and white photo of St. John's Catholic Church, Mitcham erected in 1872. Two wings at rear give the church a cruciform shape were added in 1888. This building became decrepit gradually and prior to its demolition in the 1950's, the end walls of the crossings were supported with heavy 'flying shores'. The church was temporarily replaced with a half-round nissan hut type building, in turn replaced by the present church.st. john's catholic church, mitcham

Demonstrates an item that all SEC Ballarat tram crews carried, a simple key to open/close the doors and has a strong association with a SEC Ballarat tram crew member.T-shaped steel piece, fashioned from rod and welded at the top, with a round top piece or handle with a rod that has been ground to give a tapered square shape for use in external doors on SECV Ballarat Trams - known as a square key. Was used to secure doors in both open and closed positions. See Reg Item 3663 for similar items. Was used by SEC Ballarat driver John "Jock" Menzies.trams, tramways, tramcars, doors, locks, security

Demonstrates the method that the MMTB used to inform its tram and bus crews of the organisational rules and regulations in respect to the operation of the public transport service in Melbourne - mid 1970's.Book with light green Rexene covers, slightly rounded corners, six sections, sewn with self end papers, 104 pages, excluding end papers. Details the MMTB Rules and Regulations relating to drivers, conductors and employees concerned in any aspect of electric tram and motor omnibus operations. Issued with date Nov. 1974. Full scan of document (difficult to do a proper scan) added 29/5/2019.trams, tramways, mmtb rules, rules, drivers, conductors, buses

Demonstrates aspects of tramway operation, cancelling or showing that tickets had been inspected following sales to passengers by the conductor or motorman. Traditionally used by tramway operators to check or cancel tickets.Brass cast, was chrome plated, machined, device or ticket punch, used to cancel or punch paper tickets when purchased. Placed a round hole in the ticket. Spring loaded, consists of two main parts with a pin & spring in addition. . Chrome plate has been extensively worn off. There are no manufacturer markings or numbers on the punch. On the inside of one of the handles are two saw cuts that could have been used to identify the punch.trams, tramways, ticket punch, tickets, fares

A Spalding metal tennis racquet, with double shaft, rounded head; metal throat bridges; black plastic shaft casing; and handle wrapped in black perforated leather. Black plastic butt cap has adhesive label featuring wreathed 'S' logo. Same logo appears on both sides of shaft casing (one in red, one in white). Materials: Metal, Adhesive tape, Plastic, Leather, Adhesive label, Nylontennis

A Spalding metal tennis racquet, with double shaft, rounded head; metal throat bridges; black plastic shaft casing; and handle wrapped in black & brown leather. Black plastic butt cap has adhesive label featuring wreathed 'S' logo. SAme logo appears on both sides of shaft casing (one in red, one in white). Materials: Metal, Adhesive tape, Plastic, Leather, Adhesive label, Nylontennis

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.This round ‘Wattle Day’ button is edged with a green and yellow wattle design. It is inscribed with white capital latters on a blue background in the centre. The first ‘national’ Wattle Day was celebrated in Sydney, Melbourne and Adelaide on 1 September 1910. Public support for Wattle Day peaked during World War I, when it was a potent symbol of home for military personnel serving overseas, and a means of raising money for organisations such as the Red Cross."Wattle Day"wattle day, patriotic buttons, first world war (1914-18)

The phosphoroscope was invented by Alexander Edmund Becquerel and used to measure the amount of time that a phosphorescent substance will glow after being irradiated by a brilliant source of light.The phosphoroscope consists of a round metal chamber with a pair of rotating discs inside, arranged so that no light can pass directly through the chamber. The discs have cut-out windows spaced equally at regular angular distances and are turned by the hand crank linked to a gear mechanism. The sample is placed in a specially designed holder into the small opening near the gearing, and it is exposed to the light source through the large rear condensing lens.Engraved on chamber: 'Phosphoroscope de E. Becquerel / J. Duboscq a Parisbecquerel phosphoroscope, phosphoroscope, optical instruments, phosphorescent, alexander edmund becquerel, jules duboscq, france

Henry Stainsby (1859-1925), Supt. of the Birmingham Royal Institution for the Blind, (later General Secretary of the British & Foreign Blind Association) along with Birmingham manufacturer Albert Wayne, introduced their Shorthand Braille Writer, circa 1910-1940. Used at the Royal Victorian Institute for the Blind. These machines were often supplied with a case, to deaden the sound when in use. The machine was designed to take down verbatim reports from dictation. As the strip of paper passes automatically through the machine, no time is needed to adjust the paper or the machine for each line. Speeds of 80 - 140 words per minute can be obtained.Contained in a dark blue case which folds down to reveal the keys, this portable Braille writer has six flat keys in front and a space key, attached to a marking device at the back. A roll of thin white paper is mounted on an attachment to the side of the machine, and the paper is threaded along a channel at the top of the machine and comes out the other side in a continuous roll. A red round rubber guard is just behind the keys. Royal National Institute for the Blind label attached.braille equipment, royal victorian institute for the blind

Part of "Woolcock Gallery Collection" Exhibition, CEMA, 1989.Three plant studies. At top of page is a study of a broad-leafed stem, with eight leaves and two flowers. On the right of this study are two pen and ink views of flower buds. Below in page centre is a plant with many small leaves and multiple stems. There are many small round flowers. On left of study are a flower, bud and leaf study. On the right there are two bud studies, one flowering stem study and one leaf study.Front: Cymbonotus preissianus (Austral Bear's Ears). Centipeda minima (Spreading Sneezeweed). " cunninghamii (lower left) (pencil) Back: 26 (upper left) (pen)botanical drawing, collin woolcock, woolcock, woolcock collection, cema

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. It may fit together with one of the other patterns with a similar outline. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century.Pattern; thick square mostly unopainted wooden block with a solid half-cylinder added to the top, which has rounded shoulders. A disc is added to the front, aligned with the curve at the top. The top curve has orange paint and the dial is pink. Three holes are drilled in the back, in a triangular configuration. It is similar in shape to a mantle clock or an early-style radio. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912