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Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: PHOTO BENDIGO CREEK
3 workers standing on wall of channel looking at the trench being dug and the pipe ready to be connectedKodakbendigo, waterworks, bendigo creek -
Bendigo Historical Society Inc.
Photograph - GEORGE BOSOMWORTH COLLECTION: WALL OF DISUSED PRISON
Small black and white photograph showing the walls of disused prison. Dated 10/10/1952.photograph, building, bendigo gaol -
Bendigo Historical Society Inc.
Slide - BENDIGO STREET VIEWS & FORTUNA, Feb 1963
Slide. Bendigo Streets & Fortuna. Bendigo Prison with manicured lawns and without the Razor wire on the walls.slide, bendigo, bendigo streets & fortuna.`, bendigo streets & fortuna. -
Bendigo Historical Society Inc.
Slide - BENDIGO VIEWS, Aug 1963
Slide. Bendigo Views. Additions to the Cathedral. Partly constructed wall of bricks and stone with scaffolding in place.slide, bendigo, bendigo views, bendigo views -
Bendigo Historical Society Inc.
Photograph - DUCHESS TRIBUTE CO PHOTO, c. 1875
Black and white photo of mines with a building in foreground with 'Duchess Tribute Co' on the wall, mounted on cardorganization, business, industrial, mines, mining, duchess tribute co -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Glass Sided model breakwater, n.d
Port of Portland Authority Archivesport of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Model Breakwater, Model Parapet Wall, n.d
Port of Portland Authority Archivesport of portland archives, model breakwater -
Ringwood and District Historical Society
Photograph, Dismantling Ringwood miners cottage in 1975 - Inside view
Written on backing sheet, "Inside front bedroom of miners cottage. Note split palings for walls. Round tree trunks". -
Hume City Civic Collection
Photograph
Born in Ireland 1864, Daniel Mannix entered into the Catholic Church and in 1917, he became the Archbishop of Melbourne. Dedicated to the community and its issues, he was known to have spoken against conscription. In 1963, at the senior age of 99, Daniel Mannix passed and was buried in St Patrick's Cathedral, Melbourne. Mounted b/w photgraph of Dr. MannixStamped on back: ALF. H. WALL / PHOTOGRAPHER / "Espero," 40 Brighton Road / St. Kilda / Tel. Windsor 3678clergymen, mannix, - (dr), george evans collection -
Ringwood and District Historical Society
Photograph, Ringwood Coolstores Circa 1967
Postcard size photograph'Written on back of photograph" Ringwood Coolstores, pre demolition, circa 1967. (Say "no" to 1967 Referendum for Aboriginal Vote ,on wall. -
Ringwood and District Historical Society
Photograph, Ringwood Primary School Centenary -1989 - Painting Centenary Wall
Black and white photograph"Written on back of photograph" Centenary Wall Bev Donald (Parent) Wayne Salt (Parent) Jessica Salt Rebecca Darlow -
Yarra City Council
Artwork, other - Mural, Ky-ya Nicholson-Ward, Aboriginal Lives Matter, 2021
"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country -
Southern Sherbrooke Historical Society Inc.Colour photograph of construction on a cool storage shed at Narre Warren. A yellow crane, marked "Luxford Engine[...]/Springvale" and with the numberplate SKO-615 sets up a wall on the shed. Trees can be seen over the wall. A man stands at the bottom left corner of the frame.
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Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: PHOTO BRICK WALL
A brick wall, worker on the road, bobcat and excavator in background, two houses on the background. Man at front of bobcat half bent over pointing to something on the ground. Heap of rubble at top of wall and spillage in the creek bed. White panel van obscured behind the rubble.Kodakorganisation, industry, gas and fuel -
Tatura Irrigation & Wartime Camps Museum
Photograph - original, Tatura Museum, 1988
Photograph of east wall of Tatura Museum. New spouting, wall painted, lacework restored.Colour photograph of exterior of Tatura Museum. 1988.on back: Museum Restorationtatura museum -
Phillip Island and District Historical Society Inc.
Photographs, 1994
Selection of 8 photographs taken at the Restoration Project of the Jetty Shed Cowes Pier. Donated by Anne Davie.Eight coloured photographs of the Cowes Jetty Shed building restoration in 1994. 1. Men working on the roof 2. Internal Walls 3. External walls, footings and steps. 4. Photo of shed without roof 5. External walls from west side 6. Men at work 7. View of shed without roof 8. Car park near Jetty Shed looking up to The Esplanade at Isle of Wight Hoteljetty shed cowes pier, jetty shed restoration, cowes pier phillip island, anne davie -
Bendigo Historical Society Inc.
Photograph - LANCEWOOD HOUSE: MCLAREN ST. BENDIGO
black and white photo; Lancewood House, home of Ernest Mueller and family. Corner of a sitting room with plant, flower motif wall paper. Pictures cover much of the upper walls, small tables and furniture pieces around the wall, drops of a chandelier visible, a vase of carnations on square table in foreground. A chimney breast and elaborate mirrored over mantle visible on the rift. Ornaments and vases on shelves of overmantle. UI 589.3 on front bottom left.buildings, fittings & materials, lancewood house -
Federation University Historical Collection
Photograph, Metal Plaque
Photograph of a metal plaque on an interior wall of the SMB Hospitality Facility (former Ballarat Junior Technical School)The School of Mines and Industries Ballarathospitality, plaque, ballarat junior technical school, prospects, ian cathie -
RMIT GSBL Justice Smith Collection
Painting 07 - bottom right
07 Bottom Right North East corner, north wall T. W. Smith - elderly - photograph -
Tatura Irrigation & Wartime Camps Museum
Photograph - original, Tatura Museum Restoration, 1990
Tatura Museum extension built mainly of 2nd hand materials and volunteer labour.Colour photograph of exterior east wall of new room under construction. 1990-1991. Tatura Museumon back: as abovetatura museum -
Williamstown High School
1970s Art room mural after fire
3 black and white photographs showing the remains of a mural painted on the art room wall in the 1950's.On back of photographs: Mural in old art room (quadrangle). Painted in 1950s.williamstown high school, 1970s, mural, art room, quadrangle, after fire -
Numurkah & District Historical Society
Equipment - Wall Telephone
Installed at Nathalia 1938 at 137 (Niell) and later at Cobbledick's (1953)Wooden Wall telephone with hand piece on the left side, bell at the top and all resting on wood (1907?)Manufacturer's sticker inside phonewall telephone, phone, nathalia -
Port Fairy Historical Society Museum and Archives
Postcard - Photograph, Eastern Beach -Port Fairy
This photograph was taken from the end of Battery Lane which was a favourite place for families to bring their children. There are gentle waves, lots of shells, and no deep water close in. The photo was taken to sell as a postcard.Black & White seascape of Port fairy East Beach taken from the training wall end of the beachEastern Beach, Port Fairy V15beach, sea, seascape, battery hill -
Queen Victoria Women's Centre
Bookmark, The Shilling Wall & Garden, c. 2008
series of bookmarks made for centre promotion. Cardboard double sided bookmark. Front depict shilling wall artwork and on the back information about the project. -
Queen Victoria Women's Centre
Programme Booklet, Shilling Wall Panel Launch, 30 April 2011
A4 pages halved to create A5 sized booklet. List and inscriptions of name on the wall. 21 pages. -
Mt Dandenong & District Historical Society Inc.
Photograph, Mount Dandenong Primary School 1997, 1997
Colour photograph of section of mural wall painted by parents and students to commemorate the school centenary 1897 - 1997.mount dandenong, mt dandenong school -
Sunbury Family History and Heritage Society Inc.
Photograph, c1910 - 1920s
The photo is of the Sunbury State School No. 1002, which replaced an earlier building. The Federation style red-brick school was built in 1911 and was officially opened on 2nd May 1912. An extra room was added in 1945 to accommodate increased enrolment. In 1999 the school closed at the Stawell Street site and the students relocated to the former and refurbished bluestone Industrial School in Jacksons Hill. The former red-brick school building is now part of the Sunbury Community Health Centre complex.Many former and present-day residents in Sunbury have attended this school over the years.A black and white photograph of a small school building. It is a federation style building with brick walls and a tiled roof.sunbury state school no. 1002. -
Flagstaff Hill Maritime Museum and Village
Lamp, Late 19th Century
Isaac Sherwoods Ltd were manufacturers of oil lamps and burners in Birmingham, in 1904 they were trading as Isaac Sherwood & Son Ltd. but by 1920 they had taken over Linley & Co. of 73-75 Great Lister Street, makers of `American' pattern lamps to become Sherwood-Linley at Nechells Park Works, Eliot Street. The company were a leading manufacturer of oil and candle lamps exporting their goods all over the world. The subject lamp is operated with a candle, which is inserted on the underside, it is sprung and as the candle burns the spring keeps the candle pushed upwards keeping the flame burning until the candle is extinct. Sherwoods invented and patented this innovation for candle lamps.The subject item is incomplete however it has some significance as it was designed to be used in a sea going vessel, as a result is quite rare also the item is made by a well known manufacturer.Spring loaded candle Lamp, brass, with gimbal wall attachment for use on a ship, shade and mount missing. Candle-stop has the words "Sherwoods Limited, trademark sound".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, candle lamp, gimbal spring, sherwoods limited -
Flagstaff Hill Maritime Museum and Village
Bell
Bell, chrome coated with hard wound rope attached to gong, with a bracket used to attach bell to wall.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Christ Church Anglican Parish of Warrnambool
Memorial window: Thomas Falkner FLEETWOOD
Stained glass, fourth from left in group of five lancet windows, west wall, north nave.To the Glory of God/and in loving and grateful memory of/ THOMAS FALKNER FLEETWOOD, M.D./a learned Scholar: a wise and skilful Doctor: above all, a/ faithful Servant of Jesus Christ, for Whom he worked, with Whom he suffered, in Whom he lives./ Thine Eyes shall see the King in his Beauty./ This window was given by/ parishioners and other friends.