Roman style chasuble, part of a full vestment set used in the Catholic Cathedral Ballarat in the 1920s. This style of vestment was superseded in the1970s following the second Vatican Council. This set is unusual in its use of art-deco design.The main component of a set of vestments for use in the Catholic liturgy rare in its use of art-deco style embroidery. Roman style.Symbolism of wheat and vine with central medallion of Christ as the Sacred Heart. Also a Chiro in lower section of orphery.vestment, chasuble, art-deco, sacred heart,

Railway Station staff were an important part of the social structure of both the railway and wider communities in the 1920s. Here Michael Taffe (1) is pictured with other staff members in front of the arches at the Ballarat West Railway Station.On back of mounting board, Mick Taffe, Middle, Head Porter.

A digital copy of a handwritten letter requesting accommodation be booked for one young lady, a Miss Gange, from January 6th, 1935, for two weeks, at Marysville House. Marysville House was built in the late 1920s by Arthur Dickinson.A digital copy of a handwritten letter requesting accommodation be booked for one young lady, a Miss Gange, from January 6th, 1935, for two weeks, at Marysville House. Marysville House was built in the late 1920s by Arthur Dickinson.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, letter, r. bowen, g rapki, chicago hairdressing salon, miss gange

Later versions of lorries Nos 1 & 2 in the same location. Lorry 2 carries the same registration number, 6764, as the company's bus No. 2, dismantled in 1922. The date of the photograph is likely to be soon after that: mid 1920s.Black and white print on paper.GRS710/20/1/12 and 20-12, written on the reverse in pencil. The No. 2 in a circle written on the reverse in pen.geelong tramway lorries nos. 1 & 2, geelong tramway 6764

A digital copy of a hand written letter confirming the arrival date of guests to Marysville House, the tariff for staying at Marysville House, and the mode of transport available to Marysville House. Marysville House was built in the late 1920s by Arthur Dickinson.A digital copy of a hand written letter confirming the arrival date of guests to Marysville House, the tariff for staying at Marysville House, and the mode of transport available to Marysville House. Marysville House was built in the late 1920s by Arthur Dickinson.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, letter, mr v. marett

Depicted are a group of men standing in front of a wooden structure. The men wear attire appropriate to the 1920s. This photos is of the shows miners at the Homeward Bound Mine in Hillsborough. The Homeward Bound reef was discovered in 1865 and was worked continuously until 1880. This image is significant as it shows how Victorians worked during the gold rush era. A black and white rectangular photograph depicting 21 separate men, either standing or sitting around a wooden structure. Each man wears the typical attire for gold mining in the 1900s. A horse appears behind a man on the right side of the photograph.The background shows a wooden structure of a mine and the Australian gumtree 7855 /mining, group photo, burke museum, beechworth, photograph, hillsborough, mine, homeward bound mine

Jim Jenkins worked for the Railways and lived in York Street (Source: Electoral Rolls) Pages from a scrapbook belonging to Heather Jenkins (nee Sargeant) who lived as a child in the Police Residence at 728 Main Road, Eltham in the 1920s.Heather Sargeant was the daughter of Constable W.C. Sargeant, the local police officer in residence at Eltham, 1922-1927Glued on a brown paper scrapbook page (torn from scrapbook) with 9 black and white/sepia photos of varying sizes, 1 newspaper clipping and handwritten captions in ink.On verso in pencil "Const. W.C. Sargeant 1922-1927 - see Police list"heather jenkins (nee sargeant), eltham, police residence, constable w.c. sargeant, jim jenkins, eltham railway station, railway line

E. Jenkins Butcher shop and family cottage in Albert Street, Sebastopol. The shop was built in 1880s. In the late 1920s, the butcher shop was moved further north along Albert Street to the corner opposite what is now the Ford dealership e. jenkins butcher, albert street, sebastopol, ballarat, commerical, building, cottage, private dwelling

The simple cottagy handpainted designs of Louse Powell's on Wedgewood creamware was popular in the 1920s. This is one of a set of four (possibly originally six) Louisa Powell decorated Wedgewood cups and saucers. Louise Powell was the grand-daughter of Emile Lessor.Wedgwood sought to offer a new product range which, after its success, lead to she and her husband receiving money towards a studio to work, two assistants in London and a studio in the Wedgwood factory. Their brief was to developed the art wares within the company. Their style was sought by Wedgwood to mass-produce works which coincided with the arts and crafts movement. A lot of Louise's work was individual as she preferred calligraphic and heraldic motifs. Most of her designs were hand painted and a lot of her patterns were derived from nature in a calligraphic fashion.Underglaze printed Wedgewood label to base with Louisa Powell cypher. wedgewood, louise powell, creamware, cottage designs., emile lessor, porcelain

Black and white photograph of Coach and Horses Hotel in Maroondah Highway, west of New Street, now adjacent to Eastlink Freeway, on northern side. There are two duplicate photos. Certainly the photo was taken post-1940 as the previous Coach & Horses Hotel, on the south side, burnt down in 1940. The telephone pole indicates that era, with limited lines. The style of the building was Art Deco that generally existed in the 1920s-1930s but did continued in Australia in the 1940s. The building has the appearance of being newly-built. Was H4, in the old cataloguing system.

Article in Trust News. In 1988 Nunawading City Council purchased 2.5 hectares of an historic property which has been owned and occupied by the Matheson Family since 1914. It is one of the last working orchards in Nunawading. A Management Plan includes an environmental living program which aims at providing an overnight experience for children, giving both an experience how the property was operated as an orchard in the 1920s and 1930s. There will also be a public information display from oral histories taken from orchardists.orchards, matheson, charles, gilfedder, francine, mcconville, chris (dr), butler, graeme, bicentennial orchard, strathdon community

A Slazenger (UK) 'Lawn Tennis Ball' box. Printed on lid: 'BRITISH MADE / MADE ACCORDING TO / THE REGULATIONS OF THE / LAWN TENNIS ASSOCIATION / AND OFFICIALLY AUTHORISED'. On front of box is printed: 'EXCLUSIVELY USED AT/THE CHAMPIONSHIPS/WIMBLEDON/ SINCE 1902'. Colour advertisement adhered to underside of lid, depicting 1920s/30s tennis racquets. Contains all six unbranded balls, probably original. Balls contained in a string net bag inside box. Materials: Ink, Cardboard, Paper, Rubber, Wooltennis

Charlemont & Co., operated out of the Academy Studio, 114 Elizabeth Street from 1890 to 1898. The sitter’s identity has been established as a Mrs. Merritt. While we know that she is not the Mrs Merritt who was to be the wife of the future Mayor of Kew, there were two Mrs Merritts who were shopkeepers in High Street, Kew. Mrs Lucy Merritt operated a bootmaker’s shop, and subsequently a “boot warehouse” from 1888 until the 1920s. Miss Laura Merritt established a dressmaker’s shop in High Street in 1910. Her business also lasted until the 1920s, albeit changed to that of a bookseller and stationer. Silver albumen cabinet card by Charlemont & Co., who operated out of the Academy Studio, 114 Elizabeth Street from 1890 to 1898. In this portrait of Mrs Merritt, she is posed gazing directly at the lens, thus achieving a potentially more intimate relationship with the viewer. All that is revealed however in this supposedly more direct pose is her face. As with an earlier generation, her hair is centrally parted and flattened to accommodate her bonnet, which is surmounted by feathers. The detail in her coat-dress is sharply revealed by new photographic processes that allowed firms like Charlemont & Co., to capture greater light and shade, as well as the detail of fabrics. The entire garment is beaded with what is probably Parisian jet. The beading is arranged in a ‘paisley’ design. The paisley pattern was to become ubiquitous in the 19th century as a design on everything from carpets, to shawls, to clothing.Mrs Merrittcharlemont & co., mrs merritt

The double-storey homestead with 1920s Arts and Crafts styling was built by A.K.T. (Albert Keaston Trenavin) Sambell, the the island’s first shire president. It sits just above the original site of the homestead of the pioneering McHaffie brothers, the Island’s first settlers.HistoricalLarge black and white photograph of a flat topped cart with no sides, pulled by 2 draught horses. Water tank on stand in rural background & people sitting on the cart. 3 women wearing hats and 4 boys, one holding a cricket bat.Off to the Nobbies for a day's picnic - 1917 from "Trenavin Park". Keaston Sambell driving. Sitting behind him - Betty Parker and on side of vehicle from left.-May Lambert, Jim Patterson, Jim Blake, Carmen Sambell, Bill Sambell.trenavin park phillip island, a.k. t. sampbell, betty parker, jim patterson, jim blake, carmen sambell, bill sambell, may lambert

The wooden Main Road Bridge was substantially damaged in the 1924 flood and was replaced with a concrete structure Pages from a scrapbook belonging to Heather Jenkins (nee Sargeant) who lived as a child in the Police Residence at 728 Main Road, Eltham in the 1920s.This photo shows the flood damage to the bridge structure or the dismantling of the bridge post 1924 flood. Heather Sargeant was the daughter of Constable W.C. Sargeant, the local police officer in residence at Eltham, 1922-1927Glued on a brown paper scrapbook page (torn from scrapbook) with 9 black and white/sepia photos of varying sizes, 1 newspaper clipping and handwritten captions in ink.On verso in pencil "Const. W.C. Sargeant 1922-1927 - see Police list"heather jenkins (nee sargeant), eltham, police residence, constable w.c. sargeant, main road, main road bridge

This photo of a group of people, according to the back description is about John's aunt and friends, the names of people involved and when was taken this photo are unknown. It is most likely a social function with the early legatees. Probably in the 1920s or 1930s. Possibly on the ship Marella.A record of an early gathering of legatees and wives at a social gathering.Photo of a group of 10 people.Handwritten on reverse 'Johns aunt + friends'. Stamped, KODAK PRINT, C 268founding legatee, legatee event

A digital copy of a typed letter to Marysville House advising of an opportunity to advertise Marysville House and other guest houses at the premises of Gracie's (Marysville Tourist Bureau) Motor Services in Melbourne. Marysville House was built in the late 1920s by Arthur Dickinson.A digital copy of a typed letter to Marysville House advising of an opportunity to advertise Marysville House and other guest houses at the premises of Gracie's (Marysville Tourist Bureau) Motor Services in Melbourne. Marysville House was built in the late 1920s by Arthur Dickinson.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, letter, gracie's (marysville tourist bureau) motor services

Autobiography of a leftist playwright. From the cover notes: This is an insider's portrait of Australian bohemia of the 1920s and the 1930s and in particular of the establishment, under the magnetic influence of painter/​philosopher Justus Jorgensen, of the artists' colony Montsalvat at Eltham, Victoria. Cover image: Pool at Montsalvat325 p. : ill., ports. ISBN 0868061700betty roland, justus jorgensen, montsalvat

Elwyn Kinnane (nee Hamilton) worked at the Lucas factory in the 1920s (as Elwyn Hamilton). She married David Kinnane, lived at Bungaree, Bacchus Marsh, Tempe (Mallee) and Bendigo before settling in Ballarat. She went back to Lucas's to work in the 1950s. Postcard size colour photograph of an elderly woman sitting on a couch.elwyn kinnane, elwyn hamilton, lucas factory, lucas girl

The Victory Jig-Saw Puzzles were made by Gerald Hayter in England between the late 1920s through to the 1970s. They had wooden pieces and were very popular in the 1940s and 1950s. The puzzle was owned by the donor's mother, Iduna Miles (nee Sutton).A Victory Jig-Saw puzzle in its original cardboard box. Victory Jig-Saw puzzles were a popular series made by Hayter & Co., Bournemouth, UK.jig-saw puzzle, hayter & co, victory jig-saw puzzles

The Storey Dance Orchestra was formed in the 1920s by Arthur Storey, playing voilin & banjo, sister Rita-saxaphone,Jean and brothers Bob and Ben. Later, their mother, also Jean, an accomplished pianist and supporter of the orchestra, filled the pianist role after Jean left home to further her career. The car in the photograph was paid for with orchestra earnings. Their music involvement enabled a large family to sustain the farm during the 1920s and 1930s. World-War-Two intervened, this saw the Storey Orchestra disperse, Bob joined Jean in Melbourne, where they continued their musical careers. Ben joined the war effort, leaving Arthur on the farm. Con Taylor played on with a local Dance Band.The photograph tells of the important part that music played in the social structure of families and the wider community, and provided another means of income in the depression years of the 1930s.B&W print of the Storey-Dance-Orchestra, 1937/38, Ben Storey-banjo, Jean Storey-piano, Bob Storey-saxaphone-clarinet, Con Taylor-saxaphone, Keith Baker-trumpet, Jack Proctor-drums. The car,a Ford Rego.No Vic 21695 Noneclothing, musical instruments, storey, men women, dance orchestra, 1937 38, motor vehicles

This badge is possibly the earliest example of the membership badge of the Ladies Harbour Lights Guild. The simple discreet design compared to later versions by Stoke suggest it was possibly made in the early post-war 1920s period when resources would have been limited.Earliest known example in the MTSV Collection of an LHLG badgeOval dark blue enamel badge with "LHLG" in large writing at the bottom and "LADIES HARBOUR LIGHTS GUILD" in smaller font running across the top. "K.G. LUKE MELB" on back of badge"LHLG" "LADIES HARBOUR LIGHTS GUILD" "K.G. LUKE MELB" k.g. luke, badge, lhlg, ladies harbour lights guild, mission to seafarers, mission to seamen

This is a souvenir jug showing an image of the boat sheds (Proudfoots) at the mouth of the Hopkins River, Warrnambool. It would have been purchased in the 1920s or 1930s. These boatsheds were erected for Thomas Proudfoot in 1885. At that time the sheds housed the boats of the local Gordon Rowing Club. This jug is of interest as an example of the type of souvenir available to tourists and locals in the Warrnambool district in the 1920s and 30s. This is a lustre ware china jug with a black handle and a black lip and black edging around the opening. The jug has a squat spherical shape and has gold colouring with an image in black and grey of the boatsheds at the mouth of the Hopkins River, Warrnambool. The lettering is in black and on the base are the maker’s symbols. ‘Boat Houses on the Hopkins, Warrnambool ’23 R.K.G. Made in Cechoslov (sic)’ proudfoots boatsheds. warrnambool, hopkins river, warrnambool, history of warrnambool

Class photographs of Greensborough School in the 1920s. Greensborough Rounders Team has surnames on back of original: Back Row: Fraser, Whiteway, Dorothy Yandell; Middle Row: Hood, Percal, Oakley, Weaver, Pile, Montford, Carlon; Front Row: Thomas, Clayton.Early photographs of Greensborough Primary with some children identified.Digital copy of 2 black and white school photographs. Year written on front.greensborough primary school, yandell family

The photograph shows Geelong tram No. 4 southbound in Moorabool St at Malop St. Has the Solomons store in the background. In the view is one motor vehicle and some horse-drawn cars. On the corner can be seen a fire alarm and a letterbox. Photo 1910s to 1920s.Yields information about Moorabool St Geelong.Black and white photograph with some details on rear.In ink "No 4 in Moorabool St looking towards Ryrie St from Malop St. Photo before 1930 as No. 4 is shown in its original condition and was altered in early 1931."tramways, trams, geelong, moorabool st, malop st, tram 4

A digital copy of a hand written letter requesting the availability of accommodation at Marysville House for three weeks from January 8th, 1934. The writer has also requested the accommodation be priced at a discounted amount. Marysville House was built in the late 1920s by Arthur Dickinson.A digital copy of a hand written letter requesting the availability of accommodation at Marysville House for three weeks from January 8th, 1934. The writer has also requested the accommodation be priced at a discounted amount. Marysville House was built in the late 1920s by Arthur Dickinson.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, letter, mrs j. richards

A digital copy of a hand written letter accepting the offer of a position as a cook at Marysville House. The writer also requests an advancement of wages to enable them to settle up at their current employer and travel to Marysville. Marysville House was built in the late 1920s by Arthur Dickinson.A digital copy of a hand written letter accepting the offer of a position as a cook at Marysville House. The writer also requests an advancement of wages to enable them to settle up at their current employer and travel to Marysville. Marysville House was built in the late 1920s by Arthur Dickinson.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, letter

A digital copy of a hand written letter from Mrs Dickinson to Mr Couzens confirming the availability of seats in the service car, and that it will collect he and his wife from Canterbury for their journey to Marysville House. Marysville House was built in the late 1920s by Arthur Dickinson.A digital copy of a hand written letter from Mrs Dickinson to Mr Couzens confirming the availability of seats in the service car, and that it will collect he and his wife from Canterbury for their journey to Marysville House. Marysville House was built in the late 1920s by Arthur Dickinson.marysville, victoria, australia, marysville house, arthur james dickinson, grace dickinson, arnold spooner, eileen marie spooner, eileen marie dickinson, grace sweetland, eric dowdle, elsie may denton, elsie may dickinson, peter dickinson, linda dickinson, 2009 black saturday bushfires, letter, robert couzens