The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph, one of two copies, of WHS Dickinson and Alma Figuerola at the opening of an exhibition in Kew in 1964/5."Artists of Kew Exhibition. Founder of KHS Cr Dickinson in dark suit. Miss Alma Figuerola to his left."arists - kew (vic), exhibitions -- kew (vic.), gordon greer

[Melbourne] : J.B. Were & Son, 1964 xv, 309 p. : ill., facsims., maps, port. ; 20 cm. non-fictionwere, jonathan binns, victoria - history

Framed portrait of Howard (Pat) M. Lightfoot (1904-1991), who was the President of the Association for the Blind in 1952-1954 and 1964-1972 respectively. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mr Lightfoot is seated, with his hands clasped, and wears a gray jacket, grey collared shirt, green woolen vest and red tie. There is a name plate attached at the base of the painting with his name and dates of appointment. Signed by the artist in the lower, right-hand corner.1 art original in gold frameMr Howard (Pat) M. Lightfoot OBE President 1952-54, 1964-72 Association for the Blindassociation for the blind, h.m. lightfoot

White Scout Cars replaced Ferret Scout Cars and Saracen Arrmoured Personnel Carriers when 8/13 VMR changed roles in 1964.The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Black and white photograph of 8/13 Victorian Mounted Rifles Regiment on parade at Puckapunyal with it's White Scout Cars c. 1964

Hardcover"Mandy Boyd 1964"walsh st library

Dark glass with gold writing around the edge and logo in the centre. ‘THE ANTHONY ANASTASIO FOUNDATION SCHOLARSHIP FUND, INC . EST. 1964’ is on the top edge, while ‘BROOKLYN/INTERNATIONAL LONGSHOREMEN’S ASSOCIATION, AFL-CIO’ is along the bottom. The BILA logon is in the middle with a small Flint Glass Union label located below.PMA 015011 on proper left edge ‘THE ANTHONY ANASTASIO FOUNDATION SCHOLARSHIP FUND, INC . EST. 1964’ ‘BROOKLYN/INTERNATIONAL LONGSHOREMEN’S ASSOCIATION, AFL-CIO’ writing is in gold and around the edges.

How to Vote cards and information - State Election June 1964. A.: Vote ALP McIntyre, Donald; Smith, Arthur: b.: Bolte Government Team - R. H. (bob) Trethewwy, JP, F. J. (Jock) Granter; c.: Liberal and Country party; Brennan, PG, McIntyre, DRM, Trethewey, RH (LCP), Drechsler, FJ (Lib), Smith, A. On reverse, inscribed: 'Liberals advised 2nd vote to DLP; ALP advised 2nd vote to Lib; DLP advised 2nd vote to Lib'; d.: Pamphlet 'meet your Labor Candidates' - Legislative Council: Smith A and Legislative Assembly DR McL McIntyre; e.: Single sheet flyer - 'To the Electors of Bendigo' with names of candidates (DLP document)organization, government, elections, 1964

Program, Bendigo Repertory Society, ''Roar Like A Dove'' a comedy by Lesley Storm.Commencing 8pm. 26-29 August 1964program, theatre, bendigo repertory society

St Augustine's was consecrated in June 1864 and the first minister was Rev. H. C. M. Watson.16 Page Booklet celebrating 100 years of the church 1864-1964, program of events, Foreward by the rector, history of the church.religion, lydia chancellor collection, history, church

Book: 'HOW TO PLAY WINNING TENNIS'. Hardcover with dust jacket. First published 1964. Materials: Ink, Paper, Cardboardtennis

Discusses Kenzo Tange's plans for the national Gymnasium for the 1964 Tokyo Olympic Games and his use of tensile construction.Original manuscript of an article published as ‘Olympic Buildings in Tokyo’ in "The Architectural Review", Vol.139 no.830, April 1966 pp. 262 - 270 Typewritten, carbon copy, quarto, 13 pages. A second copy is a photocopy, 14 pages. (Two copies)tensile movement, olympic buildings, tokyo olympic games, 1964, architecture, kenzo tange, national gymnasium, tensile construction, robin boyd, manuscript

Blue and beige coloured decanter with a cork stopper. Top is dark blue with handle. Bottom half is beige with Wallaby Airlines printed in blue ink. Has RAAF emblem with RTFV underneath a Caribou (DHC-4) and 35 SQN emblem. Vietnam 1964-1972 First In Last Out written in blue along bottom.Vietnam 1964-1972 First in Last Out qrittenn in blue along bottom. On reverse of Jug is the story of RAAF Transport Flight Vietnam and No 35 Squadron RAAF. Known as WAllaby Airlinesvietnam history - 1945 - 1975, raaf, bottles, 35 squadron, wallaby airlines

The blanket fitted inside what was commonly called a “Silk”, the press studs fitted the Silk and could then be used like a sleeping bag. refer Cat No 3000. Peter Ball collection, refer cat No 4704Blanket Inner dark green wool, around the the edges are 18 nylon strips sewn on with press studs, one corner has a white tag with faint details on.On white tag, “Victoria 1964 (arrow up)”, in black texta pen, “PB”.blackest inner, equipment, sleeping

The plaque was on the white weatherboard church hall. Rectangular brass plaque with two screw holes on its short edges."IN GRATEFUL RECOGNITION OF ALL WHO CONTRIBUTED TO THE ERECTION OF THIS CHURCH BUILDING. SEPTEMBER 1964"leitchville congregational church

Coloured photo of old Rutherglen police station with a man standing on the verandaOn back of photo: "Rutherglen Police Station. Sgt Stan Fursdon about 1964"police station, stanley m fursdon

Sir Rohan Delacombe Easter 1964

The Intermediate Legacy Club (Girls) was comprised of ex-Junior Legacy Girls and were for girls who were older than 16 years of age.Sets out the aim of developing an organisation to be of service to Legacy beneficiaries and to maintain the links already established as Junior Legatees.2 typwritten foolscap documents, three pages each, printed both sides 00087.1 July 1955 00087.2 May 1964girls' club, junior legatee, objectives, rules

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Due to the age of the record dating back to 1964, we can infer it is one of the few remaining complete, intact and original examples of The Ruytonian from this period. Therefore, it can be considered an outstanding representation of its type, and is a reference example for research in early Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication and printed on papyrus coloured paper. 54 pages.Front Cover: THE RUYTONIAN / DECEMBER / 1964 / REGISTERED AT THE G.P.O. MELBOURNE FOR TRANSMISSION BY POST AS A PERIODICAL /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

CEMA Art Collection Winner of 1965 Portland Art Society Art Prize for category Any other medium.The drawing depicts the burnt remains of a mountain top. In the foreground are two mountain edges which are black with a patch of blue and patch of orange/brown. In the background are remains of several burnt tree stumps on a purple/brown ground. The work has a thin wooden frame, white painted hessian and glass.Front: M Macqueen 64 (signature, lower right, black chalk) Back: MARY MACQUEEN "BURNT MOUNTAIN" (1964) (lower left, typed label) 1964 (upper right, yellow sticker and also pencil)female artist, women, landscape