Bandolier used by light horsemen to store ammunition during WW1. Hocking Regt No 2741Black leather belt with gold buckles, also five pockets attached to the belt with stud buttons and fold over covers.2741 stamped into belt and makers label near buckle.passchendaele barracks trust, bandolier

Service History - Cat No. 5743.2Trousers - white cotton fabric, four metal buttons fly. Makers Label and handwritten label - back inside waist.Back inside waist - Makers label "M.TX/Size 5 1/2 " Handwritten - black ink "J.L. BLUNDEN"/ JB 3905/ BLUNDEN"uniform, ran, ww2, korea

The Air Force General Purpose Uniform was adopted by the RAAF in July 2014. It is worn as dress of the day for non-combat operations. These were worn by Bob Schouten.This jacket represents the every day experiences of Australian air force members since 2014.Blue/white/grey/green urban camouflage jacket. Made of cotton. With velcro sections to attach labels. Plastic buttons.'Australia' 'Air Force'military, raaf, air force, uniform, jacket, camouflage

Uniform belonged to Lt Laurie G Schilling Royal Australian Naval Reserve..1) Jacket wool, black with insignia on both lower sleeves, yellow buttons. .2) Pants wool black colour.uniforms, naval reserve

Sewing baskets are used to contain needles and thread and other sewing requirements.Woven raffia sewing basket with lid attached by a cord. Basket is lined with gold satin and the lid is padded with pearl buttons.domestic items, sewing, sewing baskets

Jar containing 20 black plastic buttons marked A.M. Pool Bendigo - 18 small size and 2 larger.costume accessories, clothing accessories, a.m. pool bendigo

Photograph. Gertrude Perry. Black & white photograph of Gertrude Perry and an unknown pianist. Gertrude with glasses and in a belted dress with buttons.person, individual, personal/portrait, gertrude perry collection, perry gertrude

Mackay collection - White cotton camisole with lace trimming small white buttons M P Mackay printed in black.costume, female underwear, camisole

Khaki colour, pale green pleated band. Metal rising sun insignia - general staff. Brass polished buttons.Rising sun badge, gold emb insignia - general staffaustralian, slouch hat

Worn by patients at Sunbury Asylum.Petticoat, bodice unbleached cotton, sleeveless and fastened at back with four metal buttons. Skirt deep reddish brown flannel."F7" handwritten on shoulder in black ink.costume, sunbury asylum, george evans collection

Crocheted Baby’s Jacket. Ribbons through wrists, neck, waist -linen buttons. Two silk Tassels. Brame Family.stawell clothing material

This was the uniform of junior girls from the 1960s until the new campus for secondary students began at Truganina in 1978. Shortly after the opening of the secondary campus a new dress, green in colour, was adopted for all girls. This summer uniform dress, donated by a past parent, was handmade and worn by a prep student in 1977. It is a rare example of the school dress from this period. Together with a dress pattern and a sample of the same fabric donated by another past parent, these items have historic significance and interpretive capacity. Current students enjoy learning about how different the provision of school uniforms was not so long ago, as Westbourne uniforms can now be ordered online.Small belted dress in blue checked pattern with white collar and sleeve cuffs and three white buttons down the front.

Dark grey woolen ladies riding breeches. Two back pockets -lacing at bottom of legs . Buttons at waist and sidecostume, female

Maroon dolls slacks with elastic top, maroon cream strip cardigan with long sleeves and collar and 5 maroon buttons.dolls, dolls clothing, knitting, toys, wool

Black females jacket buttons to left no ranking markers Australian shoulder flash. Name of Karmiste written on makers label

Light grey dress with a red, blue and yellow plaid pattern and cream buttons. includes a spare roll of dress fabric.

Belonged to Jan Prenpaze and donated by her.Winter coat made of grey figured fabric, with black fur collar. Has satin lining and material-covered buttons.Tag says "designed by Wein Fashions of Melbourne" and "Pinguino Italian Fashion fabric".

Set of 2 matching buttons, each with filigree edging, a racquet and shuttlecock motif, and studded with reflective stone. Materials: Metaltennis

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The outfit was owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Brightly coloured, long sleeve floral cotton coat dress which has regular pink plastic buttons to waist.Label: Kenneth Pirriekenneth pirrie, women's clothing, australian fashion - 1970s, mcintyre collection, day wear, coat dresses

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Three quarter length dress of ecru needle-run lace with pearl buttons at front to waist and green under slip.women's clothing, australian fashion - 1930s, cocktail dresses, lace dresses

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Olive green knit vest with gold buttons. On the left breast is the Australian emblem with the Olympic rings and "Barcelona 1992" underneath it.BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform

This slide is part of a collection of visual resources used by Stuart Ascough while conducting training, seminars, conferences and lectures in China, Australia, India, Russia and Taiwan. This item is part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.35mm colour transparency mounted in plastic slide mount showing a part of machinery with number keypad, key, lights and buttons.wool, industry, australia, australian wool board international wool secretariat, topmaking, carding, factory, training, gill box

Framed Display of various Naval Appeal buttons and badges. 7 Merchant Navy, 7 Sailors, 2 Jacks Day .

Used for Bicentennial Tableau in 1988 - Replica of Early Pioneer circa 1866.Button-up replica, grey wool men's shirt, with a collar. Black plastic buttons and long sleeves. Size is Medium.Morrisons, Euroashirts

McNamara Collection- Child's lace blouse, cream coloured - 5 decorative pearl buttons, no buttonholes - inset lace in sleeves & front pocketsNIlblouse, lace, child, pearl buttons

Found in cellar of building formerly Barr's drapery in Sussex St, Linton. Donated to society by building's owner Fiona Watson.Pair of leather and fabric ladies' button boots. Manufacturer's mark and size "3" on soles. Thirteen buttons on each boot.shoes, boots