Cardboard cover Photograph showing the Grampians, with text upper right and lower rightUpper right Text in black " The Grampians State Forest" Lower right a logo consisting of two vertical rectangles one black with a white tree, the other white with a black tree, Forests Commission, Victoria" In white Print beside logostawell tourism

Wooden 1-50 Scale model of the Dennys Lascelles WoolstoreOn plaque - 1-50 Scale Model of The Dennys Lascelles Woolstore / Cnr Moorable & Brougham sts, Geelong, Which will house the National Wool Centre - Geelong / The Centre is a project of the Geelong Regional Commission and is Geelongs major bicentinnial celebratons project

Yields information about the early operations in Wendouree Parade prior to the official opening.Set of 16 AGFA blue and white plastic mount 35mm slides of early running on Wendouree Parade - late December 1974, January 1975. .1 - 26? at Gardens Loop with Peter Winspur and Barry McCandlish walking in front of the tram. .2 - 26 at Gardens Loop .3 - 26 and 40 at Gardens Loop .4 - ditto .5 - 26 at Carlton St .6 - 26, side on view, Wendouree Parade .7 - 40 at Wendouree Parade .8 - ditto near Depot Junction .9 - ditto .10 - 40 at Depot Junction .11 - 26 at Depot Junction .12 - 40 at Depot Junction .13 - 26 crossing Wendouree Parade at Depot Junction .14 - ditto .15 - 26 on the access track .16 - 26 and 40 at Gardens Loop Various notations by John as to the slide number and the trams in pencil and ink.tramways, trams, btps, commissioning, wendouree parade, st aidans drive, gardens loop, depot junction, carlton st, tram 40, tram 26

This book was commissioned by the State Rivers and Water Supply Commission on the recommendation of Frank E. Old, Minister of Water Supply to meet the need for a comprehensive and progressive policy of river improvement. This book was presented to Milton King, the father of the donor Neville King.Khaki coloured hard cover book. 131 pp. Black and white illustrations and diagrams. Author H.G.Strom, BCE, AMIE. Australia. Neville King CollectionM R King 29/08/41 written in pencil inside the front cover.water supply, rivers, h g strom

Print Council of Australia Members' Print Commission, 1977.Screenprint and embossed print. Screenprinted image is in upper 1/2 of print. Two rectangular prints in gold and mauve in abstract pattern. Overlaying these is a royal blue dotted print, framing top and sides of gold and mauve print. Over centres of gold and mauve prints are rectangles of royal blue dots, giving appearance of Benday dots, or mesh screen. The density of this mesh fades gradually from top to bottom. The bottom edge of the screenprints are undulating, meeting the upper edge of the embossing that occupies remaining lower area of the print. The embossing is the same pattern as in the mauve and gold screenprint above. Mounted in pale cream matt. In black painted wodden frame, with glass.Front: A. P. VIII/X (lower left) Ewins 77 (lower right) (pencil) Back: 1978 (upper left, pencil)

Print Council of Australia Members' Print Commission, 1973Image of a carnival enclosure - one continuous tent wall with an open back. No roof. Front entrance is indicated by a partition to one side of the tent, edged in brown, opening in an inverted 'v'. Inside the tent is a swing with a seat and chains aloft in swinging motion. A black rope lies on the ground. Five black poles hold up the tent walls, secured by green cords to black pegs in the ground/ Mounted in dark cream matt and in a wooden frame with glass glazing.Front: 30/60 (lower left) "Play in swing in carny tent" (centre) Sigi Gabrie 73 (lower right) (pencil) Back: Sigi Gabrie "Play - in wing in carny tent" (1973) Silk screen and Litho (top left) (Typed table)

Print Council of Australia Members' Print Commission, 1983Abstracted views of two houses in the desert. A central road intersects image at a vertical diagonal. Faint outlines of houses and a watertower are scattered throughout the image. A railway crossing sign is positioned lower centre, at beginning of road. Dominant colour is rose, with blue accents and grey shadows. Mounted in grey matt, in wooden frame.Front: Nullarbor (lower left of image) (ink) 35/100 (lower left) Nullarbor 1-1-83 (lower centre) Mary Macqueen 83 (lower right) (pencil) Back: (no inscriptions)

Source: Forests Commission of Victoria. Ref. HH 988This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, kinglake, automobile, forrests commision

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson, montsalvat

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson, montsalvat

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

Commissioned by Harold Mitchell AC for Eltham Cemetery TrustBorn Digitaleltham cemetery, eltham cemetery trust, art in public places, sculptures, a currawong takes flight, michael wilson

This portrait was commissioned by Margaret Oddie, a Morongo Old Collegian.This is a portrait of Morongo GIrls College's second Principal (1942-1970)Large rectangular coloured oil painting encased in a guild-edged frameInscription on the bottom: "Miss Lucy Shaw MBE BA MACE Principal 1942-1970education, school, morongo, geelong, girls, principal