Pamphlet, printed and cut for use in buses around passenger hanging rails, titled "Explore the world of Melbourne by Bus" - with an image of a bus in the PTV colour scheme with the background of various Melbourne icons or features. On the rear, advertising the "PTV App" that passengers can use to plan their journeys.trams, tramways, buses, ptv, public transport, computers

Book - 42 pages + cover + foldout map, perfect bound - titled "Explore Melbourne on train, tram and bus" giving details of many locations, venues that could be travelled to by public transport, how to buy Metcards, map of the inner area and transport routes. Places of Interesttrams, tramways, melbourne, local history, metlink, public transport, map

The files were used to register members of the Wimmera Aero Club. Records relate to membership from May 1949 to June 1953.The Wimmera Aero Club based at Nhill is thought to have been the first country club in the state and the records of members is significant from an historical point of view.Files are held in a brown metal box 16 cm x 13 cm x 12 cm with an attached flip top lid. About 70 alphabeticaly indexed files within the box.No markingsnhill aero club, members, card file,

Negative of tram 482 at Camberwell Tram Depot. Tram has destination City and Route No 70. Photo shows driver handing something from cab to man standing near depot shelter.Paper folder that contained the negative had "NR13A" in red ink, "M2" in pencil, "12A" in blue ink, "P ORMD" in purple ink, and date stamp "1 Dec 1959" on front, and date stamps "26 Sep 1962" on rear.trams, tramways, w2 class, route 70, camberwell depot, shelters, tram 482

Negative of tram 849 at Batman Avenue terminus. Tram has destination Prahran and Route No 70. note advert on front of tram for Magree Knitwear and the kiosk on the right hand side and a telephone box.Paper folder that contained the negative had "NR31A" written in red ink, "M10" written in pencil, "21A" written in blue ink, and date stamped as 11 Jun 1960.trams, tramways, sw5 class, batman ave, swanston st, tram 849

Six page, folded to A4, full colour programme for the 2010 Begonia Festival, titled ""Ballarat Begonia Weekend 2010 - Explore the Secret Garden". Notes the BTM's depot is open (rear page), tramway is a free activity and map shows the various events. Two copies held.trams, tramways, begonia festival, btm

Colour photograph of two soldiers of A Squadron 8/13 VMR during Exercise ' Northern Explorer ' Trooper Pratt and Lance Corporal Van De Velde demonstrate how the F2 Radio set could be carried. In addition the men would have webbing, pack and rifle to carry.

Yhonnie SCARCE (1973- ) Born Woomera, South Australia Language group: Kokatha, Southern desert region and Nukunu, Spencer region Yhonnie Scarce works predominantly in glass. She majored in glass withing a Bachelor of Visual Arts (Honours) course at the South Australian School of Art, Adelaide, and holds a Master of Fine Arts from Monash University. One of the first contemporary Australian artists to explore the political and aesthetic power of glass, Scarce describes her work as ‘politically motivated and emotionally driven’. Scarce’s work often references the on-going effects of colonisation on Aboriginal people, In particular her research focus has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. (https://thisisnofantasy.com/artist/yhonnie-scarce/, accessed 10 September 2018)Artist's Statement 'The More Bones the Better', 2016 Yhonnie Scarce was born in Woomera, SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non traditional approach to glass blowing using glass as more than a mere material, acting as a lens and a mirror, Scarce reflects and exposes the tragedies of Australia’s colonisation. She applies the technical rigours of traditional glass blowing techniques in an innovative and unconventional manner. In particular Scarce uses glass to explore the lives and histories of Aboriginal Australians. Hand blown glass is shaped, engraved, painted and smashed to create indigenous fruits and vegetables such as bush bananas, bush plums and long yams symbolic of her peoples culture and traditions. With their elongated, torso-like shapes, they even evoke human bodies. Akin to a gatherer of bush food Scarce creates glass-gatherings of the persecuted. The repetition of brittle ambiguous bodies collected for experimentation and examination conjures the relentless impact of colonisation and the litany of abuses suffered by Aboriginal people. Within her research Scarce encountered a variety of ethnographic studies examining the use of scientific interventions amongst Indigenous cultures. These include Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices amongst indigenous prison inmates. This work metaphorically looks at these situations and poses questions of what might have gone on in such a laboratory. The judge of the 2017 Guirguis New Art Prize (GNAP), Simon Maidment, Senior Curator, Contemporary Art, National Gallery of Victoria said; “The winning work by Yhonnie Scarce captures the sensitivity to materials she displays throughout her artistic practice. The blown and shattered glass elements are a delicate contrast to the shocking and little discussed histories of Aboriginal exploitation and abuse in the name of science in Australia. Engaging this topic, this work is haunting, in the same way those lived and documented experiences continue to haunt the collective unconscious of this country. Yhonnie Scarce’s work, The More Bones the Better 2016, I believe makes an important contribution to the Collection of Federation University Australia and will engage and move diverse audiences with its technical accomplishment, beauty and message. Yhonnie Scarce was born in Woomera SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non-traditional approach to glass blowing using her medium as more than a mere material. Applying the technical rigours of traditional glass blowing in an innovative and unconventional manner, Scarce’s glass objects act as a lens and a mirror to reflect and expose the tragedies of Australia’s colonisation and, in particular, explore the lives and histories of Aboriginal Australians. Hand-blown glass is shaped, engraved, painted and smashed to represent indigenous fruits and vegetables such as bush bananas, bush plums and long yams, symbolic of Scarce’s people’s culture and traditions. While these elongated shapes on the one hand represent fruit and vegetables, gathered and grouped as in the gathering of bush food, Scarce’s torso-like bodies and forms are glass ‘gatherings’ representative of the gathering of people. Here, the many brittle bodies act as a metaphor for the collection, experimentation and examinations undertaken by government authorities on Aboriginal communities researched by Scarce. Exposing a variety of ethnographic studies, examining the use of scientific interventions on Indigenous cultures, Scarce also revealed Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices undertaken on indigenous prison inmates. Scarce’s gatherings also reflect the impact of colonisation and the relentless conjuring and litany of abuses suffered by Aboriginal people. The More Bones the Better metaphorically looks at these situations and poses questions of what was undertaken and investigated in these laboratories. guirguis new art prize, yhonnie scarce, glass, aboriginal

My Little Melbourne Girl, Exploring the love letters of Lillie DuncanArticle published in Docklands News exhibitions, flinders street, mission to seafarers, docklands news, lille duncan, 2015, catherine mclay, library at the dock, city of melbourne, my little melbourne girl

Early draft of an article exploring the relationship between art, science and architecture.Typewritten, handwritten major pencil edits, quarto, 5 pages. Page 1 is missing.Page 1 missing, pages 4 and 6 handwrittenprefabrication, art, science, third culture, third culturalists; statler-hilton vision, robin boyd, manuscript

Geoffrey Murray, refer Cat No 638P for his service history.Wooden Plaque with the following Map of Vietnam Badge of a Kangaroo Badge of a Kiwi Shield of a Horse surrounded by 9 flags a small inscribed plate and ribbon colours of SVN “Presented to L/cpl G Murray ( Hon Member ) from HQ 1 ATF LAD 1969-70”personal effects, military history, plaques, 1 atf

Scale: 8 chains to 1 inch (1:6336)Hand drawn plan on waxed white linen."This is a correct copy from my Registration Book. [Rob N. Horay?] Mining registrar 1/11/70hard hills, survey

Brown leather and marbled hardboard cover, loose back cover With embossed detailing on cover and spine 'Gentleman's Magazine Vol 3. 1869' 758 pages ; 22cm; Illus;Handwritten inscription on first page - '153, 050 R 70' Stamp on various pages 'Kilmore Mechanics Institute' british magazine, kilmore mechanics institute library.

Brown leather and marbled hardboard cover With embossed detailing on cover and spine 'Gentleman's Magazine Vol 6.' x; 748 pages ; 22cm; Illus;Handwritten inscription on first page - '153, 050 R 70' Stamp on various pages 'Kilmore Mechanics Institute'british magazine, kilmore mechanics institute library.

Brown leather and hardboard cover, With embossed detailing on cover and spine 'Gardening for pleasure; Orange, Judd & Co' 252 pages ; 20cm; Illus;Handwritten inscription on first page - '153, 050 R 70' Stamp on various pages 'Kilmore Mechanics Institute'gardening, kilmore mechanics institute library.

Horses were frequently used to assist in the manual labour of farming right up to the mid twentieth century. This image was taken while ploughing market garden fields in Moorabbin.Black and white image of two Clydesdale horses attached to harness and pulling a plough. Two men are behind the horses, one is holding the handles of the plough and the other is standing next to him with his hands on his hips.Handwritten in red ink on reverse: 70% Printed in black text on white round sticker adhered to reverse: 41horses, manual labour, farming, moorabbin

This book presents a pictorial and written record of Warrnambool in 1891.It covers a wide range of topics. It provides statistical evidence relating to public buildings and organisations of that era, as well as basic information about district points of interest. The Mechanics Institute, the Common, Albert Park, the rivers, the Museum and the Sea Baths are all mentioned. The various drawings and advertisements provide a list of businesses which were prevalent at the time.As this book is one of only two complete copies documented to be still in existence, it is of considerable significance and importance to our collection. The drawings and text are artistically very much of the era and are aesthetically pleasing.Plain grey card cover with fabric binding. Handwriting on front cover and inside front cover. It contains a number of black and white and coloured plates depicting scenes of Warrnambool and the district. Approximately 70 pages.Old Warrnambool about 1891 hand written on label on front cover, underneath is also written “When I have finished with these please forward to Warrnambool Historical Society Warrnambool. D 77, 252 in bottom RHC of cover. picturesque warrnambool,, warrnambool 1891,

Printed on the occasion of the 50th anniversary of the arrival in Australia. Interviews with 69 of the original Dunera men and their families done by 15 Hay students from Hay War Memorial School.Light blue covered folio side bound in black. Contains 70 pages of printed text and photos. Black and white picture on cover. Title in black ink above picture. Black taped spine.The Dunera Tapes Conversations on a Windy Day in Hayhay internment camp, 50th anniversary of dunera arrival, hay war memorial school, internment camp interviews, peter alsberg, paul altmann, max arnott, herbert barber, michael brent, gerald cunningham, peter danziger, reinhold eckfield, peter feistmann, adi felder, henry felder, john fletcher, werner frank, fred freitag, ernest green, john gresham, dennis goodman, frank heymann, horst jacobs, ernie katz, walter kaufmann, jimmy king, heinz kuehlenthal, george lederer, kurt leiser, kurt lewinski, hans loewe, franz menzel, rudi meth, albert meyer, martin moore, fred parkinson, fred reich, howard rickenberg, ernest rodeck, max rubinsohn, fren schonbach, ernest schonfeld, henry seaman, martin shelton, mike sondheim, ralph stern, george strauss, henry teltscher, roy thalheimer, herbert treidel, harry unger, fred warschauer, harold weinberg, mendel weisser, victor wieselmann, walter weyl, ernst wolf, christoph wolkenstein, oswald wolkenstein

The donor, Mrs Margaret Smith, was the daughter of Harold Allen who was a trumpet player and member of the Maroondah Symphony Orchestra and played the cornet in the Nunawading City Band for 15 years.Coloured photo of Nunawading City Band (date unknown -established 1969-70)showing the 26 members in their red and black jackets and red tie with their band instruments. Harold Allen (donor) was a member of the band..nunawading city band, maroondah symphony orchestra, allan harold, trumpet, cornet