Instruction sheet for mill floor operator - Appendix III Analysis & Use of Soaps.textile mills, collins bros mill pty ltd

The Collin's Union Mill was built in 1874 making it one of the first Woollen Mills in Geelong. The building was upgraded in 1910 and 1940. The two photos are of the same location within the mill at different years, showcasing the upgrade to the mill.The first photo is a black and white image alleyway in the Union Mill in landscape format. A pile of bricks are stacked on the right hand wall. The second photo is a sepia image of the same alleyway, showcasing the second floor upgrade to the left building.8064.1 - on rear - Union Mill 1932wool, woollen mills, geelong, wool manufacture, union mills, collins

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Black and white photo of nineteen female nurses. In three rows front row two sitting on the floor, second row eight sitting on chairs. Rear row of nine standing. Training School 5, 10/01/1951northern district school of nursing, pts 3&4

Series of two digital photos of the reconstruction of the sub-station Ballarat Tramway Museum - 11/6/2014. 6025.1 - Interior after previous boards disconnected prior to new floor being poured. 6025.2 - detail of some of the wiring.Photo by Peter Waugh, collected for reference purposestrams, tramways, btm, substation, depot, reconstruction

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.The east side of D'Estaville (built for Sir William Stawell). It was the home of the Figuerola sisters from the 1940s to the 1990s. The large ground floor room at centre was used by the artist as her studio. The photograph is from the Alma Figuerola photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Colour photograph. Ground floor looking east formerly the administration offices into what was to be the cafe and in 2015 is the Breacan office. Ladder leaning against brick wall. Blue locked trunk left of frame, Taken during restoration inspection. historic buildings, building construction, cultural structures and establishments

The photograph was taken when students from Bulla Primary School were taken on an excursion to the Melbourne Aquarium as part of their science studies.The excursion to the Melbourne Aquarium was part of the student's science studies,A non-digital coloured photograph of a group of children seated on the floor listening to a person giving a talk. Some of them have notebooks and writing materials to take notes. behind them is a backdrop of an expanse of water and a reconstructed rock formation.bulla primary schooil, school excursions, melbourne aquarium, science

Identified by Mrs Stella Surman as Minnie and Clair Simmond.Sepia photograph of two young ladies one seated on low bench wearing hat and fancy long dress right hand on lap, the other wearing fancy long dress leaning on pillar with arms crossed, hat on floor."S E Surman (14) Minnie and Clair Simmond" minnie simmond, clair simmond

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 24 Thornhill Dve., Forest Hill This property is listed as having sold for $290,700 in 2002. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a two story weatherboard mid-century L shaped house. Featuring floor to ceiling windows at the projecting end, over the carport underneath. There is a front lawn on the left4 Thornhill Dve., Forest Hill Picken © 2002 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill, real estate, mid-century

BHS CollectionCollection Castlemaine Gas & Fuel. Colour photograph storage area fas stove background right, Box containing two books, number of books and paper sheets on floor, Appliance foreground right, Windows along loft side.business, retail, gas and fuel

The Lidwill machine was designed by Mark Lidwill in 1913, for the purpose of mechanical or insufflation anaesthesia. It was manufactured by Elliott Bros. of Sydney.Colour photograph of a Lidwill anaesthetic machine sitting on carpet. A circular metal ether vaporiser sits on a brown wooden base, with brown tubes connecting to a trap bottle and metal valves, and a brown tube connected to the valve is coiled on the floor.anaesthetic equipment, lidwill anaesthetic machine, mark lidwill, ether vaporiser, elliott bros sydney

The bale hooks were used on the Dennys Lascelles building's show floor by the donor's father Maurice Dalton. Maurice was the foreman of the show floor of the Dennys Lacscelles building until his retirement after 34 years with the company and also worked as a wool classer in rural Victoria and New South Wales.Wood handle with curved rusted metal hock ending in a sharp point. One Hook is plain but longer. One hook is shorter and has inscription M.DALTON. on each side of handle. Third hook is much shorter, has dual hooks and a shaped handle.Handle of bale hook. Mirrored. Wording: M.Dalton.

Hardcover book, 158 pages. Front cover of book has a colour image of a man holding a revolver in each hand, face covered. Man on horseback in background.fictionOne side called it a righteous crusade, the other side a murdering invasion.allan v. elston, westerns, fiction

Small section of Glen Isla Drawing Room, open door and patterned floor covering.Small section of Drawing Room - Glen Islalocal history, photography, photographs, slides, film, buildings, historic, glen isla drawing room, sepia photograph, mrs emma anderson jacobs

Photo of children who are "overflow" pupils from the State School at Greensborough, seated on the floor.Copy of article published in "The Age" 13 July 1951, text and photograph.greensborough state school, greensborough primary school

The Geoffrey Blainey Resaerch Centre is located on the top floor of the Mt Helen Campus LibraryCard bookmark for University of Ballarat Geoffrey Blainey Research Centre, and combined bookmark for Federation University Geoffrey Blainey Research Centre, and Centre for Gippsland Studies. bookmark, geoffrey blainey research centre, centre for gippsland studies, geoffrey blainey

Instruction sheet for mill floor operator, Table XIII Scouring Machine Auxiliary Details.textile mills, collins bros mill pty ltd

Used to sample fine fuels on the forest floor. The ring was pushed into the litter to sample 0.1m2Heavy metal ring with sharpened bottom edgeforests commission victoria (fcv), bushfire, forest measurement

Building moved from Esplanade Lakes Entrance 1970 c. Floor plan in binderColour photograph of family residence of Frank and Wendy Price of Ninety Mile Beach Caravan Park Lake Tyers Beach Victoriaboats and boating, tourism, caravan parks

Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Single-piece, floor length, gold silk taffeta evening dress featuring the use of a very long fishtail train to which is attached a silk cord to allow the wearer to hold it above the floor. The dress includes a number of decorative features including the extensive use of box pleats on the sleeves and on the hem of the skirt; contrasting gold and cream braiding and tassles; and the extensive use of ruching on the bodice at the front. Due to the age and fine quality of the silk taffeta used, there is evidence of the degradation of the fabric on one shoulder and a tear in the rear of the skirt. Otherwise the dress is in excellent condition.fashion - 1870s, australian fashion, wedding dresses, costumes, women's clothing, coombs collection

In 1792 John Manners had set up a workshop making woodworking planes at 14 Saracens Lane Glasgow. He also had employed an apprentice Alexander Mathieson (1773-1851). But in the following year at Saracen's Lane, the 1841 census describes Alexander Mathieson as a master plane-maker now at 38 Saracen Lane with his son Thomas Adam working with him as a journeyman plane-maker. Presumably, Alexander must have taken over the premises and business of John Manners. Now that the business had Thomas Adam Mathieson working with his father it gradually grew and became more diversified, and it is recorded at the time by the Post-Office Glasgow Annual Directory that by 1847-1848 Alexander Mathieson was a “plane, brace, bit, auger & edge tool maker” In 1849 the firm of James & William Stewart at 65 Nicolson Street, Edinburgh was taken over and Thomas was put in charge of the business, trading under the name Thomas A. Mathieson & Co. as plane and edge-tool makers. Thomas's company went on to acquire the Edinburgh edge-tool makers “Charles & Hugh McPherson” and took over their premises in Gilmore Street. In the Edinburgh directory of 1856/7, the business is recorded as being Alexander Mathieson & Son, plane and edge-tool makers at 48 Nicolson Street and Paul's Work, Gilmore Street Edinburgh. In the 1851 census, Alexander is recorded as working as a tool and plane-maker employing eight men. Later that year Alexander died and his son Thomas took over the business. Under the heading of an edge-tool maker in the 1852/3 Post-Office Glasgow Annual Directory the firm is now listed as Alexander Mathieson & Son, with further entries as "turning-lathe and vice manufacturers". By the early 1850s, the business had moved to 24 Saracen Lane. The directory for 1857/8 records that the firm had moved again only a few years later to East Campbell Street, off the Gallowgate area, and that through further diversification was also manufacturing coopers' and tinmen's tools. The ten-yearly censuses report the firm's growth in 1861 stating that Thomas was a tool manufacturer employing 95 men and 30 boys; in 1871 he had 200 men working for him and in 1881 300 men. By 1899 the firm had been incorporated as Alexander Mathieson & Sons Ltd, even though only Alexander's son Thomas appears ever to have joined the firm so the company was still in his fathers' name. In September 1868 Thomas Mathieson put a notice in the newspapers of the Sheffield & Rotherham Independent and the Sheffield Daily Telegraph stating that his firm had used the trade-mark of a crescent and star "for some time" and that "using or imitating the Mark would be proceeded against for infringement". The firm had acquired its interest in the crescent-and-star mark from the heirs of Charles Pickslay, the Sheffield cutler who had registered it with the Cutlers' Company in 1833 and had died in 1852. The year 1868 seems also to be the one in which the name Saracen Tool Works was first adopted; not only does it figure at the foot of the notice in the Sheffield press, it also makes its first appearance in the firm's entry in the Post-Office Glasgow Annual Directory in the 1868/9 edition. As Thomas Mathieson's business grew, so too did his involvement in local public life and philanthropy. One of the representatives of the third ward on the town council of Glasgow, he became a river bailie in 1868, a magistrate in 1870, and a preceptor of Hutcheson's Hospital in 1878. He had a passion for books and was an "ardent Ruskinian". He served on the committee handling the bequest for the setting up of the Mitchell Library in Glasgow. When he died at Coulter Maynes near Biggar in 1899, he left an estate worth £142,764.  Company's later years: Both Thomas's sons, James Harper and Thomas Ogilvie were involved in the continuing life of the firm. James followed in his father's footsteps in becoming a local public figure. He was appointed Deputy Lieutenant of the County of the City of Glasgow and was made a deacon of the Incorporation of the Hammermen of Glasgow in 1919. His brother Thomas Ogilvie was recorded as a tool manufacturer and employer in the 1911 census. Thomas Ogilvie's son Thomas Alastair Sutherland Ogilvie Mathieson was born in 1908 took a rather different approach to engineering, however, by becoming a racing driver. In 1947 he wed the French film actress Mila Parély. The firm had won many awards at world fairs for their goods. At the Great Exhibition, London, 1851. Prize medal for joiners' tools in the class of Cutlery & Edge Tools, Great London Exposition, 1862. Prize medal honoris causa. International Exhibition, Melbourne, 1880. Gold medal International Exhibition of Industry, Science and Art, Edinburgh, 1886 Prize medal. See note section for Thomas McPherson Australian Retailer information: The firm of Alexander Mathieson & Sons was one of the leading makers of hand tools and later woodworking machines in Scotland. Its success went hand in hand with the growth of the shipbuilding industries on the Firth of Clyde in the nineteenth century and the emergence of Glasgow regarded as the "second city of the Empire". It also reflected the firm's skill in responding to an unprecedented demand for quality tools by shipyards, cooperages, and other industries, both locally and throughout the world. McPherson's started as an Australian retailer of hardware products in Melbourne going on to become a company that supplied machinery and other items for the establishment of major infrastructure projects in Australia during the early days of the colony that assisted in linking the various states and territories which became a precursor of Federation. From a humble beginning McPherson's became one of Australia's leading retail, and later manufacturing businesses that is still in existence today.Mortice machine metal with long metal lever handle with counter weight & 3 adjustment wheels & metal crank with wood end. Has 4 feet that can be bolted to floor & vertical moving piece that a cutting bit would fit into.Imprinted Alex Mathieson & Son Trademark Saracen Tool works Glasgow' also a brass plate "Thomas McPherson & Son Machinery Importer Melbourne"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Their experience of World War One Transcribed and researched by Louise Ryan Loose lead book boumd with coil binding white cover page with centred photo of two men and a woman sitting on floor reading newspaper "The bulletin." 88 PP" Donated by Louise Ryan." written inside front cover pagebooks, military history

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A Black and White Photograph of a Brass Band with instruments. Included in the photograph are four gentlemen and a young boy sitting on the floor. It appears they are in a Concert Hall. The band is the City of Ballarat Band and Frank Wright can been seen in the centre front row.Brisbane 1923frank wright, conductor, brass band, city of ballarat band

Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848First floor series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. .12 -.16 West and rear wall balcony and windowsindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd

School 81 - Group 1 - 5th February 1973 - 31 NursesBlack and White photo - 3 rows of nurses - 2 top rows standing and front row seated. 1 male seated in the middle of the seated row. Dark curtained background and dark tiled floor at front - 31 nurses in totalnursing history, nursing training

Colour photograph. Ground floor facin north west in what was to be the cafe. Entrances into the tower connected to access corridors to former hospital towers. New structure for cafe roof seen with black tarp on top. Taken during restoration inspection.building construction, historic buildings

Colour photograph. Possibly in the ground floor corridor during restoration works. Three women facing the camera in white hard hats. Left to right: Architect Yvonne von Hartel, Chair Janet England, Minister for the Arts Lorraine Elliot. parliamentary representatives, historic buildings, building construction, architects