See audio recording of Alan Marshall and Joh Ebeli made by Joh Ebeli at this time whilst he was modelling Alan Marshall's face - EDHS_05003 See also plaster cast model of sculpture - EDHS_02441Colour photographalan marshall, alan marshall bungalow, joh ebeli, sculptures

The University's mace was carried in procession for the first time during the Graduation ceremonies in May 1996. The mace was presented to the University by former Chief Commissioner of the Ballarat City Council, Vern Robson, at a ceremony on 02 February, following a national competition for its design, sponsored by the Council. (The Flag, Issue 2, July 1996) Nineteen artists responded to the competition which called for a design that would embody a distinctive Australian image reflecting the heritage of the city and in relationship with gold, an Aboriginal element and the history of the University. The winning entry, dominated by a poppet head, was submitted by Central Victorian artist/sculptor Trefor Prest, a sessional lecturer in sculpture at the University.(The Flag, Issue 2, July 1996) The Herald Sun of 03 February 1996 reported 'the new mace shows importance elements of Ballarat's heritage as well as the university's focus on the future. The artist emphasises the egalitarian nature of Australia as embodied in Ballarat's famous slice of history - the Eureka uprising. ... The mace has a poppet head at the top of the shaft - an unusual element for a mace - but it represents Ballarat's mining history and the University's evolution from the Ballarat School of Mines. An opening egg at the top stands for the nurturing of development and learning. The mace's straight shaft is depicted as the tree of knowledge and, incorporating a bark canoe scar, Ballarat's Aboriginal heritage. At the end of the shaft is a surveying device, which represents precision and accuracy ads embodied in the university's academic pursuits.' Bob Morrell of the University organised the national competition to design the mace and said 'It is in keeping with the university's logo, 'proudly flying the flag', which incorporates the Southern Cross.' This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Trefor Prest lectured in Sculpture at the University of Ballarat from 1995-1996.The mace symbolises the office of the Chancellor. The design of the mace is the outcome of a national competition and represents the cultural diversity of Australia. The poppet head on the top of the mace refers to gold mining, which underpinned the development of Ballarat. The protruding spikes recall the Eureka Stockade. The 'egg' shape enfolds and nurtures the development of knowledge and learning. The shaft with the three 'branches' represents the Tree of Knowledge, and includes a bark canoe scar which recognises the integration of black and white Australian traditions. The lower part of the shaft culminates in a device suggestive of scientific or surveying and measuring technology. This represents precision and accuracy embodied in the academic pursuits of Federation University Australia.art, artwork, trefor prest, prest, mace, federation university, university, eureka stockade, aborigines, scarred tree, mining, university mace, ballarat

Blue green book, title and authors names in gold lettering embossed on spine. Dust jacket also blue green, title in red print, authors in black print on both front and spine. Photo of Baker Institute Award (sculpture by Michael Meszaros) on front. List of contributors on back.non-fictionMemoirs of Baker Medical Research Institute alumni.alfred hospital, medical research, baker medical research institute, physicians

Soft cover book. Cover - cardboard, white and green print on front, spine and back. Illustrated - front colour photograph of a bronze look head with ammunition cartridge headwear sculpture with black background. 254 pages - cut, plain, white colour page. Illustrated with black and white photographs. publication, book, trench art

sculpture, australian artist, female artist, alien, young family, family, mother, motherhood, babies, baby, feeding, genetic modification

These chainsaw sculptures were created by Leigh Conkie at his home in Main Road. There were so many at times it would be a regular sight to see them sprawled across the public reserve adjacent to his home.fay bridge collection, 1305 main road, 2000-10-21, chainsaw sculpture, eltham, leigh conkie, main road

These chainsaw sculptures were created by Leigh Conkie at his home in Main Road. There were so many at times it would be a regular sight to see them sprawled across the public reserve adjacent to his home.fay bridge collection, 1305 main road, chainsaw sculpture, eltham, leigh conkie, main road

Plaster marquette, mounted on small pedestal, of James Moore, second Catholic Bishop of Ballarat by sculptor Commons of Ballarat. Commons work is mainly evidenced in headstone work at cemeteries but this demonstrates his ability in modelling and sculpture.Dr Moore titled to front of base of bust and Commons to back.commons, james moore, bishop, ballarat, sculptor.

Material relating to the first Eltham Arts Festival organised by the Eltham Arts Council. It was held Friday June 14 to Sunday June 24, 1968. Events included an Art Show, Jazz Night, Musical Workshop, Photographic exhibition, String Quartette performance at Montsalvat, A night with the Poets, Evening of Chamber Music, Historical Exhibition (organised by the Shire of Eltham Historical Society), Choral Recital, Gilbert & Sullivan performance at Eltham High School, Film festival, Fesitval luncheon and Open discussion eventing with the theme: Eltham: A Happening or a Way of Life".Bulletin: Eltham Arts Council Special Fesitval Issue, 1 June 1968 Poster: Eltham Festival (calandar of events) Poster: Eltham Festival Jazz Night Program: History of Jazz Program: 1968 Eltham Art Show (includes complete list of paintings, sculpture, craft and pottery and their creators)whiteford, charis pelling, ailsa belbin, win pain, eltham arts council, eltham art show, eltham art awards, jazz festival

Remember Them, A Guide to Victoria's Wartime Heritage. From front flap: Behind each of the thousands of war memorials in Victoria is a story of courage and sacrifice, of devotion to duty, and of a family's terrible loss. Hard cover, red plastic over cardboard, white print on spine. Dust cover silver, gold & black print on front, spine & back. Coloured image of a sculpture of two soldiers on front. End papers are red. 307 pages, cut plain, white. Illustrated colour photos & illustrations.Handwritten in black ink on front fly leaf: "Peter Ball", "RSL Stamp"book, heritage, wartime, victoria

The Fisher family lived at Waterloo farm, Smythe's Road, near Ballarat. Alice Russell Shaw the daughter of Jessie Black Hamilton and John Shaw, married Albert Fisher in 1909 and had 10 children by him. They lived at Waterloo farm, Smythe's Road. Alice Russell Fisher (Shaw) was known as 'Queenie' Fisher. This family farmed in the Smythe's area for many years. They produced fine milk and butter. Jean, their second eldest child recalled that when they made the butter sculptures they used plenty of salt so that it wouldn't melt. They won first prizes at the Ballarat Show for the butter sculptures.Photocopy of original photographSmythe's Rd School. Brother Ed has a letter in his pocket. Joyce and Mary dressed alike in front. Others were Una Kent, Rose Owen, Elenor Egan, George Fletcher. Be about 1923-24 fisher, smythe's road school, smythe's road, school, egan, owen, kent, hamilton, shaw, ballarat, waterloo farm

The Fisher family lived at Waterloo farm, Smythe's Road, near Ballarat. Alice Russell Shaw the daughter of Jessie Black Hamilton and John Shaw, married Albert Fisher in 1909 and had 10 children by him. They lived at Waterloo farm, Smythe's Road. Alice Russell Fisher (Shaw) was known as 'Queenie' Fisher. This family farmed in the Smythe's area for many years. They produced fine milk and butter. Jean, their second eldest child recalled that when they made the butter sculptures they used plenty of salt so that it wouldn't melt. They won first prizes at the Ballarat Show for the butter sculptures.Llaminated sepia photograph.nonewaterloo farm, fisher, hamilton, shaw, smythe's road, ballarat, farm, farmhouse

Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. It was Perseus is the work of J. Cranari who was sctive in the 1880s. It was presented to the National Gallery of Victoria by James Chapman in 1885, before being de-accessioned and transferred to Ballarat in 1943. In 2008 it was removed from its Camp Street location and underwent conservation treatment, Pegasus was moved to the Robert Clark Centre at the Ballarat Botanical Gardens.Marble statue of Pegasus at Camp Street, Ballarat, outside the former Ballarat State Offices.pegasus, statue, sculpture, camp street

Photograph of the Queen Victoria marble memorial in the Ballarat Town Hall.In Memoriam Her Most Gracious Majesty Victoria the Good Obit 22nd January, 1901. Erected by the Citizens of Ballaarat.ballarat town hall, queen victoria, death, sculpture

Photograph of a marble memorial in the Ballarat Town Hall.In Memoriam H.R.H. the Duke of Clarence and Avondale Obit January 14th 1892. This tablet was erected by the Citizens of Ballarat in the Month of September 1892.ballarat town hall, sculpture, coat of arms, duke of clarnence and avondale

Photograph of a marble memorial in the Ballarat Town Hall.In Memoriam H.R.H. the Duke of Clarence and Avondale Obit January 14th 1892. This tablet was erected by the Citizens of Ballarat in the Month of September 1892.ballarat town hall, sculpture, coat of arms, duke of clarnence and avondale

Photograph of a marble memorial in the Ballarat Town Hall.In Memoriam H.R.H. the Duke of Clarence and Avondale Obit January 14th 1892. This tablet was erected by the Citizens of Ballarat in the Month of September 1892.ballarat town hall, sculpture, coat of arms, duke of clarence and avondale

Photograph of a marble memorial in the Ballarat Town Hall.In Memoriam H.R.H. the Duke of Clarence and Avondale Obit January 14th 1892. This tablet was erected by the Citizens of Ballarat in the Month of September 1892.ballarat town hall, sculpture, coat of arms, duke of clarence and avondale

Photograph of a marble memorial in the Ballarat Town Hall.In Memoriam H.R.H. the Duke of Clarence and Avondale Obit January 14th 1892. This tablet was erected by the Citizens of Ballarat in the Month of September 1892.ballarat town hall, sculpture, coat of arms, duke of clarence and avondale

Photograph of marble memorials in the Ballarat Town Hall.ballarat town hall, windows, sculpture, memorials

Colour photographs of a starue commemorating the Pikeman's Dog in the Eureka Stockade Memorial Gardens.eureka stockade memorial gardens, eureka stockade, pikeman's dog, sculpture

Colour photographs of Lake Penhalluriack.eureka stockade memorial gardens, eureka stockade, pikeman's dog, sculpture

Colour photographs of the Arc D'Triomphe and details. paris, france, arc d'triomphe, sculpture

Colour photographs of Notre Dame and sculptural details. paris, france, notre dame, sculpture

Colour photographs of Lake Penhalluriack.On plaque "Lake Penhalluriack 'It has always been my ambition to see the Eureka Stockade - that most jistoric spot in the Commonwealth - preserved in an attractive way; so we will never forget the national sentiment associated with the memory of the struggle of early diggers.' Cr Frank Penhalluriack Mayor 1911-12"eureka stockade memorial gardens, eureka stockade, pikeman's dog, sculpture

Pattie BEERENS (1962- ) Born Sunshine, Victoria Pattie Beerens was enrolled in the Graduate Diploma of Ceramics at Federation University in 2018 after completing a Graduate Certificate Visual Art at the Victorian College of Arts, University of Melbourne in 2017.Artists' Statement: Red. Broken structure on its side supported with an unrecognisable form. It is cast from an electronics packaging carton. Triangular arrows piece the structure with a spider on either side. I created fertility spiders to protect the Minoan women from predators. I collected spiders as a child to ward off the bullies and, like the octopus, spiders have eight legs and a head and body. The stylised spiders reference links between the Minoan octopus and other symbols of fertility. The natural light elongates the form in a shadow reflection on the floor. The form is surrounded by black space. This piece took on an anger I felt on the day that [Malcolm] Turnbull was overthrown and materialises the bully-boy behaviour we were witnessing. What is most interesting about this piece is that I created it as a Minoan reflection. It dawned on me , when I had it ready for the kiln - on the day that Dutton challenged the Turnbull leadership, that my anger was both reflective and contemporary because nothing seemed to have changed. We were witnessing first hand how the power struggles continue and goodwill suffers." Winner of the 2018 Deputy Vice-Chancellor's Awardpattie beerens, ceramics, sculpture, available ceramics

Photograph of the Queen Victoria marble memorial in the Ballarat Town Hall.In Memoriam Her Most Gracious Majesty Victoria the Good Obit 22nd January, 1901. Erected by the Citizens of Ballaarat.ballarat town hall, queen victoria, death, sculpture

Construction of Eltham Town Park; reclamation of the eastern end of the tip overflow and landscape in progress of being sculptured and lakes formed. Shillinglaw Cottage and the Eltham Trestle Bridge visible. The park was later renamed Alistair Knox Park.35 mm colour positive transparency Mount - Agfacolor Service (Blue)Memorial Park 25 July 1973eltham, alistair knox park, eltham town park, shillinglaw cottage, eltham trestle bridge, eltham tip, trestle bridge