Showing 3529 items
matching 1950s
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Numurkah & District Historical Society
8mm Movie Camera
Pentacon AK8 8mm Movie Camera Carl Zeiss Jena Lens Made in Germany 1950s. Leather sides are coming away from the metal box. Brown leather case of similar size (Camera can be used whilst still in the case)AK8 (on front) Made in Germany (inside) 439629 (underneath, serial number?) -
Kew Historical Society Inc
Collection, Ceramics of Viola Annie Ayling (1911–1990)
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.Parent file of the items in the Viola Annie Ayling collection of 1950s and 60s ceramics. This parent file includes digital copies of a photograph of the ceramicist and also of her home at 128 Pakington Street, Kew, in 1951 where she practiced her art.128 pakington street -- kew (vic.), viola ayling, ceramics -- victoria (australia) -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Teaching model, female pelvis, 1940s-1950s
Originally this teaching model belonged to Prince Henry's hospital library and was transferred to the Monash Medical Centre, Clayton in the 1970s by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s.Teaching model. Female Pelvis, cross section, flat 3D panel. Painted plaster on painted timber. Originally from Prince Henry's Hospital Nurses Library [ traces of stamp "PRINCE HENRYS HOSPITAL NURSES LIBRARY" on l.l.].teaching model, anatomy, female pelvis -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Teaching model, female reproduction organs, 1940s-1950s
Originally this teaching model belonged to Prince Henry's hospital library and was transferred to the Monash Medical Centre, Clayton in the 1970s by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s.Teaching model- 3D Female Reproduction Organs on stand. Plastic. Demonstration model for the insertion of cervical diaphragm. Manufacturer: Ortho, New Jersey. Barcode label Monash Medical Centre Clayton.teaching model, anatomy, female reproduction organs -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Teaching model, female reproduction organs, 1940s-1950s
Originally this teaching model belonged to Prince Henry's hospital library and was transferred to the Monash Medical Centre, Clayton in the 1970s by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s.Teaching model- 3D Female Reproduction Organs Painted and numbered plastic mould, showing vagina and one ovary and fillopian tude in cross-section. The model is mounted on metallic grey painted timber panel. Manufacturer Adam Rouilly, London. label on lower right.].Monash Medical Centre Clayton. Accompanying booklet missing.teaching model anatomy, female reproduction organs -
Ballarat Tramway Museum
Letter - from Alwyn Marshall Toolamba to Wal Jack re San Francisco, Alwyn Marshall, late 1950s
Wal Jack had an extensive range of correspondents throughout Australia and the world who often provided him with detailed drawings and notes on various tramway systems. This letter details over two pages Alwyn's notes on San Francisco trams - cable, electric and the Twin Peaks tunnel. Notes changes to the cable tram system in the mid 1950s. There may have been additional sheets.Demonstrates some of the correspondence that Wal Jack received from around the world.Handwritten letter one ruled foolscap sheet, written on both sides - undated. letters, wal jack, railways, tramways, alwyn marshall, san francisco, cable trams -
Kew Historical Society Inc
Headwear - Iridescent Feather 'Saucer' Hat, 1950s
The 'flat' hat dominated millinery design in the 1950s. Most women sourced their hats from numerous Melbourne or suburban milliners while others purchased the products of French designers. A number of Australian companies were licensed to reproduce French designs. In very rare cases, Australian women purchased directly from a French couturier's collection. This inverted flat 'saucer' hat is an example of the latter.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners. This feather hat was donated by Marion Blatchley, a resident of 7 John Street, Kew, a member of the Society, and a collector of vintage fashion items. In terms of fine workmanship, it is the highest quality hat in the collection.A fashionably flat woman’s hat with an inverted rim. The whole is covered in tiny iridescent dark feathers. A numbered label stitched to the interior of the hat identifies that the hat was made in Paris, France. The label includes a stamped number 9102 and a handwritten ‘Col 10’.Label: Stamped number 9102 and a handwritten ‘Col 10’.hats, women's clothing, costume accessories, french fashion - 1950s -
Kew Historical Society Inc
Photograph - Kew Philharmonic, Sutcliffe Pty Ltd - Illustrative Photographers, 1950s
The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.Photographic positive of the Kew Philharmonic Society and choir, possibly in the Kew Recreation Hall in Wellington Street.washfold family, kew philharmonic, christian-washfold collection -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
teaching model, female reproductive organs, 1940s-1950s
Originally this teaching model belonged to Prince Henry's hospit�l library and was transferred to the Monash Medical Centre, Clayton in the 1970s by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s.Model of female uterus with cross-section revealing a foetus, also, fillopian tubes and ovaries with cut away section revealing vagina and cervix. Painted plastic on metal rod with round wooden stand. Labelled on base "AV618.2 / 01 Fetus". Stamped on base, "PRINCE HENRY'S HOSPITAL/ NURSES LIBRARY." Label underneath base"Adam Rouilly/ London England".teaching model, anatomy, female uterus -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
teaching model,foetus, 1940s-1950s
Originally this teaching model belonged to Prince Henry's hospit�l library and was transferred to the Monash Medical Centre, Clayton in the 1970s by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s.Model of a foetus, approximately seven weeks. Painted plastic on metal rod with round wooden stand. Labelled on base "AV618.2 / 01 Fetus/ FOETUS". Stamped on base, "PRINCE HENRY'S HOSPITAL/ NURSES LIBRARY." Label on base"Adam Rouilly/ London England". The model has anaaatomical numberings in black ink. There must have been an acompaning information booklet [missing].teaching model anatomy, female foetus -
National Wool Museum
Textile - Blanket, 1950s
Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special. It was hard to let go of this one!Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized diamond blanket , lemon & grey "An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, godfrey hirst, diamond blanket, geelong -
Ballarat Tramway Museum
Photograph - Ballarat 15 in Victoria Street, Bob Lilburn, early 1950s
Photo shows Ballarat bogie tram 15 in Bridge Street Ballarat, near Stones Corner. The tram arrived in Ballarat in Oct. 1945 and was renumbered to No. 36 in Sept 1953. Photo early 1950s. In the background is W J Rodda Pty Ltd Grocery, wines and spirits store and Dunstan's leather store. Note the metal box on the footpath - could be an Electric Supply Co. cable power terminal box.Yields information about bogie tram 15, early 1950s.Black and White photograph of Ballarat 15 in Bridge StreetHas in ink on rear " R Lilburn"ballarat, tramways, trams, stones corner, bridge st, tram 15, esco, w j rodda -
Wodonga & District Historical Society Inc
Functional object - Baby Max Camera, Tougodo, 1950s
The Baby-Max is a Japanese subminiature camera popular in the 1950s and 1960s. It was often sold in a pack containing the camera, case and boxes of Kikufilm Panchromatic, a film specialised for toy cameras. Each film took ten 14x14mm images on 17.5mm paper backed roll. It was manufactured by Tougodo, a Japanese camera maker, active from 1930 to the early 1960s. The film with this camera has an expiry date of November 1962.This item is significant due to its popularity in the 1950s and demonstration of the evolution of camera technology.The Baby-Max is a Japanese subminiature camera. It has an elongated body with polygonal ends. The viewfinder is integrated in the top casing. There is a knob on the photographer's right to roll the film and there is a small fake knob on the left. The back is hinged to the right and locked by a sliding bar on the left. It contains a single uncovered window in the middle. The lens has a fixed focus and aperture, and has no markings. There is a lever to operate the shutter. The case is of brown faux leather. It is accompanied by a box of KIKUFILM.Around the central lens: "BABY-MAX / MADE IN JAPAN"baby max camera, cameras, cameras 1950 -
Ballarat Tramway Museum
Photograph - Tram 32 - Mt Pleasant, mid 1950s
The photograph shows SEC Ballarat tram No. 32 at Mt Pleasant fitted with large two reflective triangles on the front dash panel that were added during 1956. Tram has the destination of Gardens via Drummond St North. In the background is the shop advertising Lan Choo tea. The pole alongside has all the tramway signage including the timetable board. Photographer and date unknown - mid-1950s.Yields information about tram 32 and the Mt Pleasant terminus.Black and White print on plain paper.tramcars, tram 32, mt pleasant, barkly st, route signs, signs -
Melbourne Legacy
Slide, Costume preparation, 1950s
Slide photograph of ladies preparing costumes in Legacy House in the 1950s or 1960s. There is a sewing machine in the background. The lady in centre back is Miss Enez Domec Carre who ran the girls classes for many years. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Costumes for the Annual Demonstration were extremely elaborate and were often reused in different years. The beautiful costumes were made by members of the Junior Legacy Mothers' Club, senior girls, and the Melbourne Legacy Wives' Association. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall or Olympic Pool Stadium. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the the work done for the Annual Demonstration.Colour slide of costume preparations at Legacy House in a navy blue Hanimount cardboard mount.annual demonstration, costumes -
Frankston RSL Sub Branch
Dressing, Shell
A packaged shell dressing carried by World War 2 service personnel. This example was used by British RAF Regiment personnel training for airfield guard duties during the 1950s. The dressing is contained within a waterproof cover, giving instructions to open and directions for use. -
Frankston RSL Sub Branch
Dressing, Shell
A packaged shell dressing carried by World War 2 service personnel. This example was used by British RAF Regiment personnel training for airfield guard duties during the 1950s. The dressing is contained within a waterproof cover, giving instructions to open and directions for use. -
Ringwood and District Historical Society
Pamphlet - Land Sales Brochure, Miller's Estate , Heathmont
Land sales pamphlet with hand-drawn 33 allotments of the Miller's Estate, Allens Road, Heathmont. The new street is Milton Street with new courts Heath St and Mont St. Sold by CE Carter & Son, Ringwood WU6024. Maybe circa 1950s. -
Bendigo Historical Society Inc.
Magazine - LYDIA CHANCELLOR COLLECTION: SHORT STORIES
A cardboard folder covered with red striped paper. Contains short stories from various magazines - 'Womans's Day with Woman,' 'The Australian Women's Day,' 'Woman's Realm,' 'Woman's Illustrated,''The Saturday Evening Post,' 'Woman's Journal' and 'Woman's Home Journal.' 1950s.'entertainment, short stories, lydia chancellor, collection, short stories, stories, literature, magazines, entertainment, reading -
Port Melbourne Historical & Preservation Society
Photograph - Carmel, Mrs CONGUES and Moira, 1914 - 1918
Congues and Mowlam families Images of two families who lived in Cruikshank Street from the 1930s to 1950s. .08 Formal portrait of Carmel, Mrs CONGUES and Moira (Girls both holding dolls) which was sent to Johnnie during the war. 1914-18 families, congues family, mowlam family, moira congues, carmel mowlam nee congues -
Federation University Art Collection
Work on paper - Printmaking - Linocut, 'Hen Party' by Max Coward, 1964
Max COWARD ( -1991) Born Ballarat Max Coward was training to be an art teacher at the Ballarat Technical Art School from 1937 to 1941. He enlisted in the A.I.F. and was a Naval Trainee at Flinders Naval Depot in 1941. During these years Max Coward was described as a cartoonist and illustrator, and was was attached to the Naval Intelligence Division in 1945, producing stories and drawings for the Navy newspaper Dit. His work was reproduced in the Christmas annual, HMAS Mk IV and the Army educational journal, Salt. He was a foundation staff member at the Burwood Teachers' College art department when it opened at Box Hill in 1954, transferring to the Burwood Campus in 1955. Upon his retirement he moved to Queensland to start a graphic arts consultancy. Coward was active as a printmaker during the 1970s. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition linocut by Max Coward. 'Hen Party' uses simplified forms reminiscent of the shapes gracing 'moderne' interiors of the 1950s and 1960s. The simplification of form and decorative pattern achieved through repetition shows the influence of Paul Klee's work and imagery. lls 'Hen Party' lower centre edition '8/28' lrs 'Max Coward 64' art, artwork, max coward, printmaking, alumni, hens, linoprint, linocut -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Gullies 1960, Brely Bennell
Australian 1950sWatercolourSigned, titled and dated -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Sky and Water, Brely Bennell
Australian 1950sWatercolourSigned, titled and dated -
Bass Coast Shire Council - Robert Smith Collection
Work on paper - Untitled Study of Trees, Brely Bennell
Australia 1950s -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Untitled Small Landscape, Brely Bennell
Australian 1950sWatercolourNote - Befriended by Robert Smith and taught him to paint -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - [ Untitled Leaf Pattern ], Brely Bennell
Australian 1950sWatercolour -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - [Untitled landscape with Pool and Trees], Brely Bennell
Australian 1950sWatercolour -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Untitled Landscape with Waterpool, Brely Bennell
Australian 1950sWatercolourSigned l.r annotated 2 -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Sunset 1950s, Brely Bennell
Australian 1950sWatercolour, pencil and Chinese whiteTear right side - requires tape removal from verso -
Ballarat Tramway Museum
photograph - Set of 5 Black & White - Bendigo tramways, Peter Duckett, early 1950s
Set of five photographs of Bendigo trams photographed by Peter Duckett, early 1950s 1 - Bendigo 22 in Mitchell Street. Tram has the destination of Quarry Hill. In the background is the Morley Johnson Home furnisher and F. Kessling Butcher 2 - Tram No. 3 at the depot. 3 - Tram 7 on a Quarry Hill service. 4 - Bogie tram 24 at the depot 5 - Track cleaner - scrubber and another ex Melbourne single trucker at the depot.Yields information about Bendigo trams early 1950sSet of five black and white photographs by Peter Duckett.Details the image on the rear of the print in ink.bendigo, tramcars, bendigo tramways, quarry hill, charing cross, mitchell st, tram 22, tram 3, tram 7, tram 24, scrubber tram