National Indigenous Tertiary Education Student Games (NITESG) began in 1996. Now referred to as Indigenous Nationals, the event is a week-long multisport competition for indigenous student-athletes. The annual event aims to bring together athletes from universities across Australia to compete in a variety of sports and ultimately crown one university team the champion of the games. Indigenous Nationals seeks to also acknowledge the heritage and history of the participating athletes. This new synthetic shirt (still with tags attached) has short sleeves, a collar and three white buttons set in a placket at the neckline. The colour ranges from mid blue at the top to a dark blue with spots at the bottom. On the front is printed the FedUni logo on the left breast and on the right side is printed Indigenous Uni Games and the Aboriginal and Torres Strait crossed flags at the breast and below is a design and a platypus. The same design is repeated on the left sleeve and on the right sleeve is a logo for the Central Highlands Local Aboriginal Network. The number 28 is printed on the back.Makers brand is stamped on the inside back neck.federation university, indigenous uni games, indigenous nationals, central highlands local aboriginal network, polo shirt

Recorded by Nagambie Historical Society. History of Kirwan's Bridge, Angustown, Aboriginal Camp ovens, Day's Mill, Oold pumping site, Goulburn WeirGold cover, black writing. Compiled September, 1972books, history, local

Copies of Squatters' Runs 1840's, Goulburn Blacks Tribal Lands, History of Bangerang Tribe, Issues of Aboriginal Australia (Magazine), History of CummeragungaBlack plastic cover, plastic sleevessquatters runs, aboriginal tribal lands, cummeragunga, aboriginal history

Aqua soft covered book relating to the Gippsland Institute. The contents include Aboriginal Studies, Accounting, Administration, Applied Science, Business, Computing, Engineering, Nursing, Psychology, Primary Teaching, Secondary teaching, Social Sciences, Visual Arts and Welfare.non-fictiongippsland institute, monash university gippsland, gippsland university college, churchill, gippsland, computing, computers, teacher education, engineering, gippsland campus, gippsland campus collection

BOOKLET ISSUED BY VICTORIAN HERITAGE COUNCIL TITLED "BRINGING YOUR ANCESTORS HOME" NOVEMBER 2013 , 19 PAGES RESPONSES TO THE DISCUSSION PAPER AND OPTION FOR CHANGE GREY COVER, BLACK AND YELLOW WRITING , PAINTED BLACK ROAD WITH AN ABORIGINAL SHIELDaboriginal heritage council, ancestors home

Original edition of the letters from pioneering families in the Colony iof Port Phillip. It looks at their daily lives and hardships. It includes first hand reports of William Buckley?s role with the Aboriginal people after he returned to White society.maps, b&w illustrations

Issue 13 of a series of Journals showcasing Gippsland history. This issue contains articles on photographers Charles Walter and R F Courtney. Aboriginals at lake Tyers, Italian prisoners of war, the Gippsland Hospital, Dyers Transport, Sale Regent Theatreaboriginals, world war 1939 - 1945, schools, photography, transport

Dr Ray HEARN (1943- ) Born Stawell, Victoria Ray Hearn graduated from the Ballarat School of Mines Technical Art School with a Diploma of Art (Ceramics) in 1970, followed by an Master of Fine Art from Regina Canada in 1976. He holds a PhD in Anthropology from Northern Territory, Darwin in 2003, with field work, exhibitions and teaching in Thailand since 1996. He has completed his MA in art curatorship from the University of Melbourne, with a thesis on Sidney Nolan and Ned Kelly.From Above and beyond function: Ray Hearn explains the reasons behind his useless ceramics:- "End Game suggests a climax of a tactical and intellectual struggle, in ceramics or chess, but it is also about beginnings and endings, for in chess the king can never be captured--one game ends and the board is reset so the next can begin. I made this piece at the start of my PhD work, acknowledging then that as there were once potters so too there are potters today--and tomorrow. The ceramic pieces were all collected in Tanon Suthep, one of Chiang Mai's streets. The board is a fragment of white tiles from a pharmacy building being remodelled, the bowl is a broken fast food noodle bowl from the ubiquitous street stalls, and the new small blue and white jars purchased from a market stall. Typical of my work, the objects are familiar--they might be just like ones we have at home today, had but threw away only yesterday, or objects we might purchase tomorrow. Clay lives on, and the ceramic 'game' starts again too. As it transpires End Game is about my own work too. All research degrees require an end--a thesis must reach a conclusion, and like a game of chess, start again. The sculptural potential of clay is unlimited, and in theory functional clay wares' aesthetic potential unlimited too, from a classic Song celadon to Arneson's genital encrusted teapots (which I first saw illustrated in Craft Horizons 1971). West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. Nothing could be more useless in a practical sense than a work of art, especially a painting--yet most craftwork has a passing reference at least to function." ( https://www.thefreelibrary.com/Above+and+beyond+function%3A+Ray+Hearn+explains+the+reasons+behind+his...-a0172598257, accessed 07 February 2018:)ray hearn, ballarat school of mines, ballarat technical art school, alumni, ceramics

The Victorian Indigenous Art Awards started in 2005. The awards celebrate the quality and diversity of current art practice of aboriginal and Torres Straight Islander Victorians and showcase and raise the profile of the uniqueness of South-East Australian Aboriginal Art. The awards were presented at the Art Gallery of Ballarat for the first time in 2013. In 2013 the University of Ballarat (now Federation University Australia) sponsored The University of Ballarat Acquisitive Award for Work Reflecting Victoria's Western District.Red soft covered book of 64 pages. The book has coloured reproctions and artist's overview on the works exhibited at the Art Gallery of Ballarat as part of the Awards. Artists include Ray Thomas, Georgia MacGuire, John Duggan, Peter Waples-Crowe, Bindi Cole, Bronwyn Razem, Lucy Williams-Connelly, Jack Anselmi, Deanne Gilson, Marlene Gilsonvictorian indigenous art awards, ray thomas, georgia macguire, john duggan, peter waples-crowe, bindi cole, bronwyn razem, lucy williams-connelly, jack anselmi, deanne gilson, marlene gilson, alumni

Writings about Coranderrk Aboriginal Station, Healesville (1863-1924) in the words of contemporaries. Arranged under headings taken from the writings. Includes chronology of Coranderrk.Companion volume to 'Birrarung Database' by the same compiler. Sepia toned soft cover book.coranderrk, aboriginal, healesville, barak, bon, green, woiwod