Showing 12289 items matching "art-aborignal"
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Women's Art Register
Magazine - Women's Art Register Bulletin, Rachel Gorman, 2002
28 page photocopied booklet A4 size.julia margaret cameron, dorothy baker, mary gole, josie telfer, naomi ota, maxienne tritton young, gail stiffe, marianne little, aloma treister -
Women's Art Register
Women's Art Register Bulletin, Gail Stiffe, 2003
16 page photocopied magazine A4 size.isabel davies, nina ryan, regina noakes, kirsty gorter, maggie mccormick, genetics exhibition, shirley clancy, kerry ann cousins -
Women's Art Register
Women's Art Register Bulletin, Gail Stiffe, Women's Art Register Bulletin Number 36 Spring 2003, June 2004
A4 photocopied booklet 20 pagesjan delaney, gail stiffe, lesley dickman, shirley clancy, andrea may, inge king, heather tanner mcgriffen, vivienne binns, margaret gurney, penny peckham, genetics exhibition -
Women's Art Register
Book, Virago Press Limited, The Art & Life of Georgia O'Keeffe, 1986
Illustrated, extensively researched overview of O'Keeffe's life and practice including images of works, photographs by her partner Stieglitz, letters and interviews.Booknon-fictionIllustrated, extensively researched overview of O'Keeffe's life and practice including images of works, photographs by her partner Stieglitz, letters and interviews.painting, abstraction, watercolour -
Women's Art Register
Book, Eva Cockcroft, John Weber, James Cockcroft, Towards a People's Art. The Contemporary Mural Movement, 1977
Written by two muralists and a sociologists the book documents the community based mural movement in the late 60s and early 70s in Canada and the USA.Booknon-fictionWritten by two muralists and a sociologists the book documents the community based mural movement in the late 60s and early 70s in Canada and the USA.political art, revolutionary art, community arts, large scale works -
Women's Art Register
Book, Toby Clark, Art and Propaganda in the Twentieth Century. The Political Image in the Age of Mass Culture, 1997
Using paintings, posters, photographs, film stills and sculpture the author explores how propaganda art can be determined and defined.Booknon-fictionUsing paintings, posters, photographs, film stills and sculpture the author explores how propaganda art can be determined and defined.war, feminism, installation art -
Women's Art Register
Book - Anthology, Katy Deepwell, New Feminist Art Criticism, 1995
Essays addressing questions surrounding the effects of feminism on arts practice including responses to feminist exhibitions, the way arts degrees are taught d how feminism's engagment with psychoanalysis and postmodernism has deconstructed borders between the arts and crafts.Booknon-fictionEssays addressing questions surrounding the effects of feminism on arts practice including responses to feminist exhibitions, the way arts degrees are taught d how feminism's engagment with psychoanalysis and postmodernism has deconstructed borders between the arts and crafts. theory, psychoanalytic theory, modernism, curatorship, museology, censorship, hierarchy of media, feminist pedagogy, education, performance art -
Women's Art Register
Book, Perth Institute of Contemporary Arts, In the Company of Women. 100 Years of Australian Women's Art from the Cruthers Collection, 1995
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Women's Art Register
Book, Sandy Kirby, Sight Lines. Women's Art and Feminist Perspectives in Australia, 1992
Charts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.Booknon-fictionCharts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.portraiture, feminist art practice, performance art, political art, art and craft, thancoupie, jill orr, vivienne binns, collective art, erica mcgilchrist, mickey allan, ann newmarch -
Women's Art Register
Book - Anthology, Gregory Battcock, Idea Art, 1973
A survey of theories, practices and documents that outlines the origins of US and European Idea Art of the 1960s and 1970s.non-fictionA survey of theories, practices and documents that outlines the origins of US and European Idea Art of the 1960s and 1970s.idea art, land art, conceptual art, lucy lippard, dore ashton, jonathan benthall, cheryl bernstein, jack burnhan, joseph kosuth, ursula meyer, john perreault, arthur rose, harold rosenberg, seth siegelaub, sol le witt, lawrence weiner, daniel buren, mel bochner, robert hughes -
Women's Art Register
Book, Penguin, Nothing If Not Critical, Selected Essays On Art and Artists, 1992
A lengthy selection of essays on artists and art movements from a broad selection of historical and contemporary era including Baroque, Renaissance, 19th Century, Pre-Raphaelite, 20th Century, Modernism, Mid-Century, late 20th Century European and American art.Worn cover with clear tapenon-fictionA lengthy selection of essays on artists and art movements from a broad selection of historical and contemporary era including Baroque, Renaissance, 19th Century, Pre-Raphaelite, 20th Century, Modernism, Mid-Century, late 20th Century European and American art.lee krasner, louise bourgeois, elizabeth murray, susan rothenberg -
Mount Evelyn History Group
Book Blamire Young, Golden Press, The Art of Blamire Young, 1983
Watercolourist William Blamire Young (1862-1935) was a local artist. His property Mutamaro was on the corner of Swansea and Edinburgh Roads Montrose, diagonally opposite the Mt Evelyn side. He lived there from 1923 till his death in 1935. Young is perhaps best known as the designer of the first Australian-themed stamp (kangaroo on map of Australia, issued 1913). Biography of the artist and a representative collection of his work.Hard cover book, glossy white dust jacket with painting of the Sydney Harbor Bridge by Blamire Young.Noneblamire young, artist, watercolour, montrose, australian stamp -
Mount Evelyn History Group
Book Blamire Young, The Art of Blamire Young (2nd copy)
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Monbulk RSL Sub Branch
Book, Carroll and Graf, The mammoth bookof battles: The art and science of modern warfare, 1999
Forty gripping accounts of battles from the Boer war to Desert Stormmaps, p,498.non-fictionForty gripping accounts of battles from the Boer war to Desert Stormbattles - history - 20th century, military science -
NMIT (Northern Melbourne Institute of TAFE)
Photograph: CTS Art Dept. Modelling students c1930s
Black and white photograph of two students working on moulds, possibly plaster. Undated but c1930s.collingwood technical school, students, 1930s, nmit -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, Rock Art in the Playground of the Former Dry Diggings Primary School, 05/08/2004
The Dry Diggings area is located outside Hepburn Springs in the shadow of Mount Franklin. It was an early goldmining area, but little remains of the thriving town of the 1860s. Colour photograph in digital format of the shape of Australia carved into a rock in the playground of the former Dry Diggings Primary School near Hepburn Springs and Daylesford. The carved area has been filled with white quartz stone. dry diggings, education, rock, -
Monbulk RSL Sub Branch
Book, Big Sky Publishing, The Art of Sacrifice, 2021
Haunting and poignant, this collection of portraits from renowned Melbourne artist, George Petrou portrays a spirit like no other — the Anzac spirit. Australians from all walks of life have served our great nation with gallantry and sacrifice — ordinary people who displayed mateship, resilience and devotion to duty. The Art of Sacrifice captures the spirit of service in a fitting tribute to all Anzacs of every generation. Using images of the past and the stories of today, the artist travels Australia and overseas to connect the past and the present in a unique, powerful and evocative collection of outstanding portraits. The Art of Sacrifice is a stunning contribution to the understanding and commemoration of all those who have served our great country.Bib, ill, p.429.Haunting and poignant, this collection of portraits from renowned Melbourne artist, George Petrou portrays a spirit like no other — the Anzac spirit. Australians from all walks of life have served our great nation with gallantry and sacrifice — ordinary people who displayed mateship, resilience and devotion to duty. The Art of Sacrifice captures the spirit of service in a fitting tribute to all Anzacs of every generation. Using images of the past and the stories of today, the artist travels Australia and overseas to connect the past and the present in a unique, powerful and evocative collection of outstanding portraits. The Art of Sacrifice is a stunning contribution to the understanding and commemoration of all those who have served our great country.australia - military - personal narratives, soldiers - australia - pictorial works -
National Vietnam Veterans Museum (NVVM)
Manual, Trelleborg: Accessories Kit: Ord. No. G5700524. Art No. 484434236
Photocopy of information about a Tent system and some photos off the Internet?trelleborg tent system, accessories kit -
National Vietnam Veterans Museum (NVVM)
Book, Australia. Dept. of Veteran's Affairs, Bravo: Recollections and Reflections of the Veteran Community: Story Writing and Art Competition, 2011, 2011
True Wartime Experience; True Life Experience; Fiction; Poetry; Women and War; Art; Craft; PhotographyTrue Wartime Experience; True Life Experience; Fiction; Poetry; Women and War; Art; Craft; Photographyenglish literature - competitions, veterans - services for - australia -
National Vietnam Veterans Museum (NVVM)
Book, Liebmann, Marian ed, Art Therapy and Anger
Professionals working in a range of clinical settings are regularly called upon to work with angry clients.The last chapter includes the story & artwork from Peter O'Neill's scroll (in the NVVM)Professionals working in a range of clinical settings are regularly called upon to work with angry clients.art therapy - methods, anger, peter o'neill -
National Vietnam Veterans Museum (NVVM)
Book, Henri, Raymond, Vietnam Combat Art
Since the days of Valley Forge, artists have witnessed and documented the annals of Americans at war.Since the days of Valley Forge, artists have witnessed and documented the annals of Americans at war.united states. marine corps. - art collections, vietnam war, 1961-1975 - art and the war -
National Vietnam Veterans Museum (NVVM)
Book, Australia. Dept. of Veteran's Affairs, Bravo: Recollections and Reflections of the Veteran Community: Story Writing and Art Competitions 2015, 2011
53rd story writing and art competition, 2015. True Wartime Experience; True Life Experience: Fiction; Poetry; Centenary of ANZAC; 100 Years of Service; Art; Craft; Photography53rd story writing and art competition, 2015. True Wartime Experience; True Life Experience: Fiction; Poetry; Centenary of ANZAC; 100 Years of Service; Art; Craft; Photographyenglish literature - competitions, veterans - services for - australia -
National Vietnam Veterans Museum (NVVM)
Book, Australia. Dept. of Veteran's Affairs, Bravo: Recollections and Reflections of the Veteran Community: Story Writing and Art Competition, 2012, 2012
True Wartime Experience; True Life Experience; Fiction; Poetry; Women and War; Art; Craft; PhotographyTrue Wartime Experience; True Life Experience; Fiction; Poetry; Women and War; Art; Craft; Photographyenglish literature - competitions, veterans - services for - australia -
National Vietnam Veterans Museum (NVVM)
Book, Australia. Dept. of Veteran's Affairs, Bravo: Recollections and Reflections of the Veteran Community: Story Writing and Art Competition, 2014, 2014
True Wartime Experience; True Life Experience; Fiction; Poetry; Mateship; Stories of Companionship; Art; Craft; PhotographyTrue Wartime Experience; True Life Experience; Fiction; Poetry; Mateship; Stories of Companionship; Art; Craft; Photographyenglish literature - competitions, veterans - services for - australia -
Bendigo Art Gallery
Work on paper, August Edward Mauermann, First Premiated Design for the New Art Gallery, Bendigo, 1892
Signed, l.r., in image, pen & ink, "E. Mauermann, F.R.S.A. Architect. Bendigo". Not dated. Signed l.r., below image, pen and ink, "...E. MAUERMANN, ARCHITECT, PALL MALL, BENDIGO" -
Bendigo Art Gallery
Painting, Peter TYNDALL, A Person Looks At A Work Of Art/someone looks at something LOGOS/HA HA/ The Triumph of Charing Cross over Bednego Creek/ (after The Triumph of Christianity over Paganism,/ by Tommaso Siciliano), 1997
Not signed Not datedcontemporary art, conceptual art, australian artist, painting, looking, bendigo, central victoria, charing cross -
Tatura Irrigation & Wartime Camps Museum
Book, Art behind the wire, 2014
The untold story of refugee families interned in Australia during the second world warrectangular, white cover, with a black pen and ink sketch of two horses. behind barbed wire with a tree in the forground. B/W photos, colourful picturesart -
Tatura Irrigation & Wartime Camps Museum
Newspaper Article, Lessons From Primitive Art, 1941
Dr. Leonhard Adam studied both anthropology and jurisdiction as a young manNewspaper article from the "Argus" Wed. 12.1941ww2 camp 2, documents, newspapers -
Tatura Irrigation & Wartime Camps Museum
Booklet, Primitive Art Exhibition, 1943
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Soft cream coloured cover with black and red writing. 8 pages of photographs.leonhard adams, mary clare adam murvitz, camp 2 tatura -
Tatura Irrigation & Wartime Camps Museum
Book, Primitive art, 1940
Dr Leonhard Adam studied both Anthropology and jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England , sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Blue and white soft cover book with black printing front and back. 36 photos and numerous line drawings in the text. Written in Englishprimitive art, leonhard adam, mary clare adam murvitz