This bottle was made in Epsom, Bendigo at the Bendigo Pottery Works. The bottle contained ginger beer manufactured at the cordials factory of J.S. Rowley at the corner of Timor and Banyan Streets, Warrnambool. John Searle Rowley (1837-1893) opened a branch of the Geelong Corio Brewery in Timor Street and in 1868 established a cordial manufacturing plant on the site. The brewery section closed and the cordial manufacturing section, called the Warrnambool Steam Aerated Waters works, was expanded, By the 1880s there were 13 employees and 20 varieties of soft drinks were being produced. After Rowley died in 1893 the business continued under the same name with Ralph Reeves managing the plant from 1900 until he moved to Koroit Street and operated a cordial factory under his own name. This bottle is of interest as an example of the soft drinks manufactured by J.S.Rowley of Banyan Street Warrnambool. This business was an important one in Warrnambool in the second half of the 19th century and early in the 20th century. This is a ceramic bottle in brown and buff colouring. The top has two chips. There is no stopper. ‘J.S. Rowley Hamilton and Warrnambool Ginger Beer’ ‘The Bendigo Pottery Epsom Bendigo’ j.s. rowley cordial manufacturer, cordial manufacturers in warrnambool, history of warrnambool

Ceramic Sake set comprising of a flask and two cups Greenish Brown in colourJapanese characters

White ceramic ashtray commemorating the 67th Tactical Reconnaissance Wing's service in Korea 67th TRW Korea 1951 1952

Men's shaving mug and brush. Hoffman brand.Ceramic shaving mug, yellow glaze; with pig's bristle wooden shaving brushshaving mugs, shaving brushes, hoffman

Chamber pot ceramic cream and red floral decoration. Repaired chip in rim.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamber pot, ceramic chamber pot

Mixing bowls of this design were a common item in Austrailan kitchens in the late 19th and early 20th centuries. Women worked largely in the kitchen producing three meals daily for their families and, on farms, for the workers or casual labourers.Local significance for the history of women's work, especially the domestic duties of baking and cooking. Round, cream-coloured, ceramic mixing bowl with pouring lip, fluted design.baking, cakes, mixing bowl, kitchenware, women s work, domestic utensils, home cooked meals

One of the platters in this photograph is a part of the Federation University Art Collection. Black and white photograph of a man sitting behind a table with two ceramic platters. Written on back: "Associate Diploma of Arts (Ceramics) student Geoff Phillips with his artwork commemorating different phases of the moon and times for planting vegetables. " Ceramics Exhibition 12-11-92ceramics, pottery, geoff phillips, moon, vegetables

Mug in two parts, synthetic material holder containing removable ceramic jar

White ceramic shaving mug with gold rim with drainage shelf for shaving brush.On base : 'BRITTANIA POTTERY ENGLAND ...?????....447'.

Ceramic Plaque with black printing describing "Chinook Helicopter landing" Use on a displayplaque, chinook

White ceramic tray with 12 indentations for pathology Testing Tray (possibily blood)medical

Cameoware button, with crossed racquets motif in white on bue background. Materials: Ceramictennis

Gladys REYNELL (04/091881 - 16/11/1956) Born Glenelg, South Australia Gladys Reynell was South Australia's first studio potter and the first Australian artist to apply modernist principles to the crafts. For four years she worked from Ballarat. Osrey Pottery Ballarat operated between 1922 and 1926 by Gladys Reynell and George Osborne. The name of the pottery was an acronym formed from their surnames. Gladys Reynell, her sister Emily and brothers Rupert and Carew supported the war effort during World War One. Rupert Reynell was a neurologist who valued handicrafts in the rehabilitation of shell-shocked soldiers. He influenced Gladys and Margaret Rose (Rose) McPherson (later known as Margaret Preston) to learn pottery at the Camberwell School of Arts and Crafts, London, in 1916. Next year a friend sent Gladys some Kangaroo Island clay which excited her: 'I thought then that it could be the most delightful thing on earth to make pots in Australia from virgin clay'. In 1918 Gladys and Rose began teaching pottery to soldiers at Seale Hayne Neurological Hospital, Devon. In September 1919 Gladys Reynell came home in September due to her father's illness. She established the Reynella Pottery and became responsible for all stages of pottery production. Using a seasoned dump of buff-coloured clay from a well at nearby McLaren Vale Gladys Reynell built and fired her own kiln; threw simple, robust forms based on early European folk pottery; and decorated them with designs inspired by both Aboriginal art—one of the earliest to use this as a source. Gladys Reynell decorated her earthenware pottery with the characteristic rich 'Reynella blue' slip. On 14 August 1922 at St Mary's Church, Edwardstown, Gladys married George Samuel Osborne, an ex-serviceman and gardener at Reynella; they had no children. Between 1922 and 1926 they set up Osrey Pottery In Ballarat. Gladys produced pottery for sale at fairs with George as her assistant. She would throw her pots in the street, causing a sensation. In 1926 George contracted lead poisoning from lead in the glazes. They moved to rural Curdievale where Gladys resumed painting and making woodcuts. From 1939 Gladys and George lived in Melbourne. In World War II she worked in the army pay corps, in the Taxation Office, and as a translator of French. Gladys died of cancer on 16 November 1956; her husband scattered her ashes at Reynella. Her ceramics, the work of one of Australia's earliest studio potters, have been avidly collected since the late 1960s and are in most major art galleries. Small blue glazed ceramic bowl incised around the top with a decorative frieze. Incised on the base "(Dam Clay) Ballarat 1923, Osrey"gladys reynell, osrey pottery, blue bowl, incised bowl, australian studio pottery, ceramics, native clay

Green ceramic vase with floral/leaf design. Has peacock feathers inside it."New Leaf R. No. 368610" on the basevases

Greta Sebire. Fired.White ceramic vase with floral design - in gold and yellow. With two handles on side.'383' inscribed on basevases

Johnson Brothers was a British tableware manufacturer and exporter that was noted for its early introduction of "semi-porcelain" tableware. In 2003, the manufacturing of Johnson Brothers products in Britain ceased and was transferred to China. Owned by Wandin J. Sebire Keywords White ceramic vase with green floral design. Has scalloped edge and base."Vienna" Johnson Bros. Englandvases

Flagons are vessels with a handle and spout used to hold alcoholic beverages, usually wine. In colonial times it would have been set on a table to share with friends or family.A brown and beige ceramic Port wine flagon or jug, with a handle and cork stopper.'Draytons Bellevue Vineyards Family Port. Wine product of Australia. Produced and bottled on the estate by Drayton & Sons Pty. Ltd. Pokolbin 2320. 1 Litre'jugs, pouring vessels, flagons, containers, stoneware

Coffee pot belonging to a set produced for use at the Moorabbin Arts Centre (now Kingston Arts).White ceramic coffee pot with lid and Moorabbin Arts Centre logo on front.Marked on base: Royal Porcelain / Kingdom of Thailand / Oven to Table / Dishwasher - safe / Microwave - safeceramic, ephemera, crockery, moorabbin arts centre

Milk jug belonging to a set produced for use at the Moorabbin Arts Centre (now Kingston Arts).White ceramic milk jug with lid and Moorabbin Arts Centre logo on front.Marked on base: Royal Porcelain / Kingdom of Thailand / Oven to Table / Dishwasher - safe / Microwave - safeephemera, crockery, tableware, moorabbin arts centre

Sugar bowl belonging to a set produced for use at the Moorabbin Arts Centre (now Kingston Arts).White ceramic sugar bowl with lid and Moorabbin Arts Centre logo on front.Marked on base: Royal Porcelain / Kingdom of Thailand / Oven to Table / Dishwasher - safe / Microwave - safeephemera, crockery, tableware, moorabbin arts centre

Vol. XVIII Part 6. Principal Contents - Report on Victorian Egg-Laying Competition, Loganberry Culture, Agricultural Display at the Special Show, Farm Notes.Includes article on Loganberries - "Small Fruit Culture in Victoria" by A.A. Hammond, Orchard Supervisor. Article also includes a photograph of "Mr. Murfet's Loganberry Plantation at Ringwood".

Six copies of Commercial Egg Producers Association of Victoria Bendigo Branch Final Notice for Membership. Rule 11 which refers to non payment is quoted.business, retail, the commercial egg producers' assoc, the commercial egg producers' association of victoria collection, cepa final notice for membership

Soft Cover Book - slightly larger that A5 - 272 pages Blue & Green withpictures of a paddock, cattle, produce, sheep, eggs, pig, honeycomb, fish

Simon KERR ( - ) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Photograph of golden egg shaped tourist object with the word, 'Genova' engraved across it on a yellowish golden background. Mounted in black card and framed in golden frame.1998 Student Acquisition Award Simon Kerrart, artwork, photography, golden, photo, close up, available, alumni