A laminated copy of the "Graduate Diploma in Education 2003". It displays a photo and the names of the recipients. They are Faith Atcheson, Kate Esnouf, Rachel Mattille, Yvette Blachford, Bettina Cusack, Belinda Malcolm, Fiona Davison, Penny Baird, Donna Coghlan, Carly Lee, Melissa Wall, Brian Schorr, Rachel Brown, Felicity Gray, Chelsea Downing, Rebecca Van Dillen, Danielle Theobald, Amanda Palmer, Kylie Tynan, Kerry Holland, Heidi Brady, Kate Gillespie, Megan Bailey, Melinda Cameron, Lucy Hoare, Jacinta Corrie, Amy Lane, Belinda Colville, Georgina Barnes, Michelle Day, Christian Steel, Lyn Taylor, Joel Walton, Sara Yuen, Mark Bailey, Sandra Roberts, Margie McArthur, Megan Doller, Sarah Fowler, Ian Douglas, David Nightingale, Kirsty Bekker, Jeremy Robinson, Marc Smith, Neil Renfrey, Carly Langley, Sarah Wallis, Sarah Buchanan, Kym Lloyd, Jackie Kellow, Lee Olsson, Trish Everett, Peter Adams, Steven James, Julian Connors, Alistair Shaw, Wendy O'Flynn, Kieran Prowse, Wayne Cox, Keiran Murphy, Riccy Jamieson, Michelle Smith, Peter Coceani, Brad Slingo, Mark Gretgrix, Glen Cowan, Paul Oswin, Drew Crilly, Phil Payne, Kaka Gough, Liz Paolacci, Kelly Guild and Ken Burgess.bendigo, education, la trobe university bendigo, la trobe university bendigo collection, collection, bendigo, education, teaching, teachers, students, graduate diploma, la trobe university bendigo, tertiary education

This Great Britain shilling is dated 1835. There were over 3 million of these coins minted during the reign of King William IV, 1830-1837. British coins such as this one shilling were in circulation in the colony of Australia until 1910, when the Commonwealth of Australia began producing its own coinage. This coin was minted by the Royal Mint at Royal Mint Court, in Little Tower Hill, London, England. Coins for circulation in the Kingdom of England, Great Britain and most of the British Empire were produced here until the 1960’s when the Royal Mint shifted location to Wales. The obverse side of the coin’s inscription translation is “William IV by the Grace of God, King of the British territories, Defender of the Faith”. The engraver of the obverse image was William Wyon. The reverse side’s inscription on the coin is translated " King of The British territories, Defender of the Faith” The engraver of the reverse image was Jean Baptiste Merlen. AUSTRALIAN CURRENCY The early settlers of Australia brought their own currency with them so a wide variety of coins, tokens and even ‘promissory’ notes (often called IOU’s) were used in the exchange of goods and services. In 1813 40,000 silver Spanish dollars, purchased by the English government, were delivered to Sydney to help resolve the currency problem reported by Governor Macquarie. The coins were converted for use by punching a hole in the centre of the coin. Both the outer ring, called the holey dollar, and the punched out ‘hole’, called the dump, were then used as the official currency. The holey dollars hold the place of being the first distinctively Australian coins. In 1825 the British Government passed the Sterling Silver Currency Act, making the British Pound the only legal form of currency in the Australian colonies. Not enough British currency was imported into the colony so other forms of currency were still used. In the mid 1800’s Australia entered the Gold Rush period when many made their fortunes. Gold was used for trading, often shaped into ingots, stamped with their weight and purity, and one pound tokens. In 1852 the Adelaide Assay Office, without British approval, made Australia’s first gold coin to meet the need for currency in South Australia after the Gold Rush began. In 1855 the official Australian Mint opened in Sydney, operating as a branch of the Royal Mint in London, and the gold was turned into coins called ‘sovereigns’. Other branches also opened in Melbourne and Perth. Up to the time of Australia becoming a federation in 1901 its currency included British copper and silver coins, Australian gold sovereigns, locally minted copper trade tokens, private banknotes, New South Wales and Queensland government treasury notes and Queensland government banknotes. After Federation the Australian government began to overwrite privately issued notes and prepared for the introduction of its own currency. In 1910 a National Australian Currency was formed, based on the British currency of ‘pounds, shillings and pence’ and the first Commonwealth coining was produced. In 1966, on February 14th, Australia changed over to the decimal currency system of dollars and cents. Australia did not have its own currency in the colonial times. Settlers brought money from other countries and they also traded goods such as grain when currency was scarce. For a long time there was no standardised value for the different currencies. In 1825 British currency became the only official currency in the colony of Australia and coins such as this silver shilling were imported into Australia to replace the mixture of foreign currency. Australia became a Federated nation on 1st January 1901. In 1910 National Australian Currency was formed and Australia produced its own currency, based on the British ‘pounds, shillings and pence’. The British currency was no longer valid. This silver shilling is of national significance as it represents the British currency used in Australia from 1825-1910. Coin, Great Britain shilling. 1835. Silver coin, round. Obverse; King William IV bare head, looking right. Reverse; crown above denomination, surrounded by wreath, year below wreath. Inscription on both sides.Obverse “GULIELMUS IIII D : G : BRITANNIAR : REX F : D :” Reverse “ONE SHILLING” and “1835” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, coin, currency, money, legal tender, australian currency history, royal mint, great britain shilling 1835, king william iv currency, colonial australia currency, william wyon, jean baptiste merlen, numismatics

During the Victorian era, the period (1837-1901) in which Queen Victoria ruled England. The queen’s influence was felt throughout the world, including in the United States and Australia where Victorian values shaped society and style, especially in home décor. This period’s distinct style presents an eclectic mix of highly ornamented furniture, wallpaper, and knick-knacks. Particularly in terms of furniture, and the characteristic floral patterns and rich, contrasting colours, wall hanging that enjoyed the height of its popularity during the Victorian era were of the spiritual type with an either embroidered or punched paper religious motto or bible quote. Mottoes were commonly hung high up on the wall or in an area of prominence, to remind the viewer of their important message, such as "Home sweet Home “He Leadeth Me” and “Honesty, Industry, and Sobriety.” Short and pithy, they embodied the ideals of Victorian society. Technological advances contributed to the boom of religious mottoes whereas before the Industrial Revolution home décor of this sort was handmade and therefore minimal, now consumers could purchase and fill their homes with all sorts of mass-produced ephemera goods similar to the subject item. Many of these mass-produced period pieces still exist today, often in their original frames, ceramic, or paper formats. Flagstaff maritime museum has many examples of mottoes on display that serve to reflect the period in which values of home, faith, and Christianity were very prominent in everyday Victorian society. For more information on the Giles collection see Acquisition section this document: An item that reflects the social values and attitudes of the late Victorian era that was used to promote good Christian and moral values in many households. These items of decoration were very popular at this time and the subject item is significant as it gives a snapshot into the social norms of past generations. The Giles family collection is of additional social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us an additional view into what domestic life was like in early colonial times prior to Federation.Wall decoration, framed handmade embroidered tapestry with the woven inscription, Frame has velvet cover. This item is part of the Giles CollectionHome Sweet Home, in gothic scriptflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, soft furnishing, wall decoration, home sweet home, wall hanging, handmade wall hanging, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century handcraft, mrs vera giles

The images depict the newly completed fourth Catholic Church at Kinglake. The previous three churches having been destroyed by 'Black Saturday' bushfire. The painting is oil on canvas. The historical continuity is expressed by the continuity of the skyline and the disconnectedness of the colours. it is not a literal depiction of each church, but a recognizable and symbolic image conveying resilience of faith of the local community. The first church was burnt down in a bushfire, the second burnt down by vandals, and the three burnt down in the 2009 bushfires known as 'Black Saturday'.The white cross and black fence at the lower left commemorated the remarkable fact that these remained intact after the 2009 bushfires. The red-orange can be the colour of the kinglake soil or the fires. The return of new life is indicated by the green growth on the burnt gumtrees. The presence of the Holy Trinity is shown above the entrance to the church. The return of new life is indicated by the green growth on the burnt gumtrees. The presence of the Holy Trinity is shown above the entrance to the church. The Holy Sprit is symbolized by the sulphur crested cockatoo, an Australian bird instead of the white dove. The symbol for the father is above the church in the triangle which has God's Holy Name (I AM) as given to Moses from the Burning Bush, written in Hebrew. Christ is represented by the cross above the entrance. The previous church was destroyed in the 2009 bushfires. The area is surrounded by 22,000 hectares of Kinglake National Park, the largest National Park close to Melbourne. The park was established in 1928 to protect native flora and fauna. Kinglake takes its name from Alexander Kinglake who travelled through the area in 1870. Photographs showing the newly built St Mary's Catholic Church at Kinglake. .1) Interior of Church .2) Painting of the Four Churches of Kinglake by Judy Racz .3-5) Views from the Church windows to the adjoining landscape .6) St Mary's Church groundskinglake, bushfire, black saturday, church, catholic, racz, st mary's catholic church kinglake

The AFB were aware that accommodation options for blind people were limited and sought to open a hostel to assist with this.The first hostel opened in Lara Street, South Yarra but could not meet demand. In 1926, a suitable property 'Egremont' at 54 The Avenue, Windsor, came on the market. The price was £2650. Lack of funds to purchase seemed an insurmountable barrier. With assistance from the Trustees of the Edward Wilson Estate and the Felton Bequest a deposit of £650 was raised. In a huge step of faith the Committee took out a mortgage of £2000. The interest on the mortgage and its repayments weighed heavily on the Committee. The Avenue, as 'Egremont' was commonly termed, was also a seven roomed house. Mr Paterson and the Architect, Mr Parkes of Oakley and Parkes, immediately began planning an extension, fourteen single bedrooms were added. They were filled from the Waiting List. A Windsor Auxiliary was formed and worked to reduce the mortgage of £2000. An active programme of dances, card evenings, theatre nights and the like took place under the leadership of Mrs. Robertson. The Auxiliary also took an interest in the boarders, arranging entertainment and social activity. £1500. was still owed in 1930. Living side by side is no easy task for a group of people, and the Hostel meeting minute books are filled with stories of disputes over wireless sets, telephones, hot water bottles and wardrobes. In 1958, with rising costs and the growth of aged care centres, the Hostel was closed and the house sold to a succession of private buyers. In 2016 it still stands and has been refurbished as a guest house.B/W copy of newspaper photographThe hostel for blind women at 54 The Avenue, Windsor was established in 1926 to provide a place where sightless women may live together to their mutual advantage under proper and sympathetic supervision. The Windsor Hostel was sold in 1958. This building still stands today and has been refurbished.egremont, blind womens hostel, tilly aston

The Ballarat School of Mines is the oldest school of mines in AustralasiaThe Ballarat School of Mines (SMB) Australian Rules Football team pose with their coach. They were the green and gold colours of the School. The photograph appears to be taken at the White Flat Oval. Standing left to right: R. Smith, A. Wren, N. Leonard, D. Patmore, G. James, D. Haintz, M. Fox (Runner) Seated left to right: D. Hunt, C. Robe, A. Panther, (Captain), Colin McCurry (Coach), S. Hunt (Vice-Captain, B. Squires, T. Stownix. Front: P. Drever Absent: C. Bowes, D. Conroy, C. Cushion, K. Dunn. T. Evans, N. Frka, W. Gordon, D. Hubble, J. Jeffries, S. Rewell, A Scott, M. Simpson, G. Toohey, R. Roohey. The 1984 results were: SMB 19-14-128 defeated Ballarat North Tech 6-3-45 SMB 16-11-107 defeated Sebastopol Tech 6-8-50 SMB 4-2-26 defeated by Camperdown Regional college 14-9-93 ballarat school of mines, football, australian rules footballl, herald shield, mccurry, colin mccurry, r. smith, a. wren, n. leonard, d. patmore, g. james, d. haintz, m. fox (runner), c. robe, a. panther, (captain), colin mccurry (coach), s. hunt (vice-captain, b. squires, d. conroy, c. cushion, n. frka, w. gordon, d. hubble, j. jeffries, s. rewell, a scott, m. simpson, g. toohey, r. roohey., d. hunt, c. bowes, k. dunn, t. evans, n. frika, t. stownix, p. drever

Dana Street State School was one of the earliest primary schools in Ballarat and was established in 1857.Timber honour board in the entrance foyer of Dana Street Primary School. names include: L.J. Curnow, W. Daly, M. Dixon, S.E.A. Dean, O.T. Dell, R. Eva, F. Eggington, S.P. Eddy, C. Frost, A.W. Fitzgerald, L.G. Fitzgerald, F. Feary, S. Fox, C.H. Falla, C.E. Fa;;a. H.C. Foote, J. Hammond. F.J. Harris. F.E. Hillman, J. Hunter, R.A. Hind, R.V. Horsfall, R.G. Hutson. H. Jones, R. Jamieson, C. Kerr, C.R. Kift, P. Kraiscill, A. Lancaster, C.W. Lee, I.T. Lilburn. R.E.N. Murphy, H. marks, H.H. Martell, P.W.G. Moon. G.P. Merz, A. McGoldrick, W.E. Moon, C.R. Ince, W.J. Peacock, W. Pollard, N. Pinney. C. Pike, J.R. Doney, A.R. Doney, R.E. Rowlands, A.E. Rowlands, L. Rowlands, C. Snell, R. Snell, J. Snell, W. Wilberforce, N.F. Wellington, H. Williams, E. Wallace, S. Wallace, H.S. Yates, A. Yates, T.E. Yates, l.j. curnow, w. daly, m. dixon, s.e.a. dean, o.t. dell, r. eva, f. eggington, s.p. eddy, c. frost, a.w. fitzgerald, l.g. fitzgerald, f. feary, s. fox, c.h. falla, c.e. fa, a. h.c. foote, j. hunter, r.a. hind, r.v. horsfall, r.g. hutson. h. jones, r. jamieson, c. kerr, c.r. kift, p. kraiscill, a. lancaster, c.w. lee, h. marks, h.h. martell, p.w.g. moon. g.p. merz, a. mcgoldrick, w.e. moon, c.r. ince, w.j. peacock, w. pollard, j.r. doney, a.r. doney, r.e. rowlands, a.e. rowlands, l. rowlands, c. snell, r. snell, j. snell, w. wilberforce, n.f. wellington, h. williams, e. wallace, s. wallace, h.s. yates, a. yates, t.e. yates, dana street state school, dana street primary school, j. hammond, f.j. harris, f.e. hillman, i.t. lilburne, r.e.n. murphy, n. pinney, c. pike

B&W studio portrait of Percy and Minnie Agnes (Cissy) Johns, children of Edwin Johns of Selby. Percy is about 10 years old. He is wearing what appears to be a sailor suit comprising a dark, double-breasted jacket with a deep, pale collar which is squared off at the back, a dark waistcoat buttoned to the neck, with a pale bow and collar showing, and dark knee-length pants over dark stockings and ankle boots. The jacket is undone. Cissy looks to be about 3 or 4. She is wearing a dark, knee-length dress with a yoke, long sleeves, and a light, wide lace collar. She has dark stockings and calf-length buttoned boots. She has a bow in her hair. The children are standing in front of an ornate wicker chair with one arm resting on the arm of the chair. The name 'Melba' is written on the cardboard frame around the photo, and 'Melba [illegible but presumably '& Co.'] Melbourne' is embossed on the bottom right corner of the photo. The original photo is badly foxed. Dated c.1905.

Series of five 35mm slides in a yellow colour "Peter Fox Collins St. Melbourne" cardboard mounts, of view of Bendigo trams. Each slide along the top edge has the details while the bottom edge, has a number in the details area. 2599.1 - No. 9420, No. 24 at Quarry Hill - photo at dusk, poor quality, has surface damage all over slide. 2599.2 - No. 9421, ditto 2599.3 - No. 10132, No. 19 in Bendigo Trust operation colours at intersection of McCrae St & Nolan St, some surface damage around the top and bottom edges. Has Gillies Pies roof advertisement. Tram has destination of North Bendigo. 2599.4 - No. 10133, No. 25, High St, south of Charing Cross - some surface damage around the top and bottom edges. Tram has roof advertisements for "Gas" and "Myers". Has destination of Joss House 2599.5 - No. 10134, No. 19, Pall Mall, some slight surface damage. Tram has destination of Golden Square and has a roof advertisement for Sandhurst Milk and one other company. In blue ink on each slide; number as above in bottom edge. 2599.1 and .2 - "No. 24 Quarry Hill" 2599.3 & .5 - "No. 19 Nth Bendigo" 2599.4 - "No. 25 Nth Bendigo"tramways, trams, bendigo, pall mall, bendigo trust, nolan st, tram 24, tram 19, tram 25

Of Pleasant Creek Stawell Hospital. Sent back from France for safe keeping Two Doctors Matron and eight nurses on steps of Pleasant Creek Hospital Edinburgh Scotland 16.2.19 My Dearest Mother I am sending you these P.Cs to take care of them for me until come home. The Photo's you don't know I will tell you all about them when I get home. Iam having a good time here but go back to Eng. On the 22nd we may get away early in March to sail for home. With fondness love from your loving son Harry Group on steps of Pleasant Creek Nurses Mable Hyslop, Mamie Singleton, Jess Taylor, -Whitney Ann Gullan, Mag Williams, May Booth, Jennie Wren Dr Fox? Matron Simpson Dr Forshawhospital, ww1, medical, nursing

Hilda Charlotte Foster, 1902 - 1990, was a Double Certified Nurse when, at the age of 35, she successfully applied to the board of the Australian Inland Mission (AIM) to work at an outback field centre in South Australia. Born and raised in suburban Melbourne, she had been inspired by stories told to her by other missionaries about the fulfilment to be gained working amongst Aboriginal communities. Given her religious faith and nursing skills, she believed she could make a difference. She worked in Oodnadatta in South Australia for two years (1937-1939), followed by a stint in Innamincka in New South Wales in 1940 -1942. Before she became a nurse, Hilda Foster trained to be a Sunday School teacher and was a member of the Sunday School Council of Victoria. She completed first aid courses run through the Presbyterian Deaconesses Institute in Carlton, Victoria, and in 1930 successfully applied to become a trainee nurse at the Austin Hospital for Incurables, in Heidelberg. She commenced her training there in 1931, before moving to the Women's Hospital in 1933. In 1934 she had six months at the Fairfield Infectious Diseases Hospital, before returning to the Austin, where she was employed when she sat her final exams in November 1934. Her combined skills made her a most attractive option for the Australian Inland Mission. As well as being multi-skilled as a nurse, she provided religious instruction and spiritual ministry to members of the community. https://trove.nla.gov.au/people/762093?c=people Sister Foster nursed at Toora Bush Hospital prior to leaving for the Paton Memorial Hospital, Vila, New Hebrides in 1944. She left the New Hebrides in 1946.Matt, black and white, head and shoulders, studio portrait of Sister Hilda Charlotte Foster on card.australian inland mission, presbyterian deaconess, sister hilda charlotte foster, paton memorial hospital vila new hebrides

The Reverend Doug Dargaville, Anglican clergyman and former General Secretary of the Victorian Council of Churches from 1966 – 1982, and again for a time in 1995, passed away on 19 March 2013. "The death of Rev. Doug Dargaville at Bacchus Marsh in Victoria, Australia has been announced, and his funeral is to take place on March 28th. Doug was one of the great pioneers of the ecumenical and interfaith movements, especially in his role as executive secretary of the Victorian Council of Churches from 1966 to 1982. Perhaps more than anyone else, he laid the foundations for the organizational structure of the ecumenical movement here in Victoria and across Australia. A small man with a big vision, he brought his inclusive Anglican spirituality to the tasks at hand. With his retirement to the country town of Bacchus Marsh outside Melbourne with his beloved Lucy, his life’s work was not yet complete. He devoted three years of his life during the 2000s to being the general secretary of Religions for Peace Australia, and was always a strong supporter of the interfaith movement, not least during the Parliament of the World’s Religions, held in Melbourne in December, 2009. He was an efficient and prudent administrator, never seeking the limelight yet everything was done with an ironic and disarming humor and a certain impish and whole-hearted spirit. He was, in every sense of the word, a good man whose life was completely devoted to overcoming barriers and forging unity between the different churches and different faith traditions. We pray that he will find rest and eternal peace with the God whom he served so well and so faithfully for so long." Professor Des Cahill, Chair, Religions for Peace Australia.B & W photograph of Rev Anderson Douglas Dargaville discussing ecumenical material with another man.dargaville, douglas, victorian council of churches

An interesting document outlining the evolution of the tradition of pausing in silence for remembrance on 11 November each year. The account outlines how King George V decreed a two minute silence be held at the first anniversary of the Armistice - originally referred to as Peace Day. The events included a letter written by Edward George Honey, an Australian journalist, proposing the idea on 8 May 1919. In it part of it says: "Should not this be the spirit of at least a fragment of our Peace Day? Communion with the Glorious Dead who won us Peace, and from the communion new strength, hope and faith in the morrow, Church services, too, if you will, but in the street, the home, the theatre, anywhere, indeed, where Englishmen and their women chance to be, surely this five minutes of bitter-sweet silence there will be service enough. Before and afterwards, sing and make merry as we will. Of one thing, I am quite certain, and the tis that our songs will take a deeper, truer note after those five minutes of remembrance We will have gathered from them strength for the morrow. God knows we need it!" The document was produced by a committee that was proposing a memorial to Edward Honey to record his role. It was forwarded too H.G. Brain, presumably a Legatee who could bring this information to Legacy's attention. Items were in an envelope with other photos and programmes from different items relating to the Shrine of Remembrance - including discussions on its location and design. Labelled 'Shrine of Remembrance S1 - S14' it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history. (01181 - 01190, 01206 - 01212).A record of a committee approaching Legacy about a memorial to the man who suggested the adoption of silence as a form of remembrance in 1919. Also there was an effort to record historical events by the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190, 01206 - 01212)A thirteen page report typed on buff paper in a dark brown card cover, on a proposed memorial to Edward Honey. Also a letter dated 20 March 1964 from the Memorial Committee to Mr H G Brain that accompanied the report.Handwritten 'S13' in red pen on top left of of the letter which is signed Roy Gordon in blue ink. memorial, remembrance day

Document. A Few Facts (7 copies). Two page typed, timelined document on the Goldfield area of Bendigo 1851 1954 by the Bendigo Branch of the Royal Historical Society of Victoria. Mentions Ravenswood sheep run, German Gully, Derwent Gully, Peg Leg Gully, 'The Dascombe' & 'The Victoria' gold nuggets. Watson's Kentish mine in Long Gully, Garden Gully United in Ironbark, The Great Extended Hustlers Tribute on Hustlers Hill, The New Chum United in Golden Square, The Victoria Quartz in Victoria Hill Ironbark, The United Devonshire Mine in Eaglehawk, The Famous Devonshire Valley, Portion of the New Chum Group in Golden Square, The New Moon, The South New Moon, The 'Flying Fox' which conveyed the quartz from the Central Red, White and Blue mine to New Chum Hill, Lansell's'222' Mine, The Mine in the Heart of the City, The Fortuna Hustlers Mine; Snob's Hill, Sailors Gully & Devonshire Gully at Eaglehawk, California Gully, Long Gully, Victoria Hill at Ironbark, New Chum Hill & New Chum Valley at Golden Square, Hustlers Hill & Comet & Redan Hills at North Bendigo.cottage, miners, the bendigo goldfields, a few facts

Gramophone record used in the mending room of the Foster Valley Mill.Gramophone record housed in a brown paper sleeve bound in a orange folder with a blue spine. One of a collection of 12 gramophone records housed in the folder.[printed] "HIS MASTER'S VOICE" / TRADE MARK / MANUFACTURED SPECIALLY FOR THE GRAMOPHONE CO LTD, SYDNEY, NSW / BETTER NOT ROLL THOSE BLUE, / BLUE EYES / (At Somebody Else) / Quick Step / (Twomey Goodhart) / JOE LOSS & HIS ORCHESTRA / Dance / Orchestra / (OER713) / Speed 78 / Cat. No. / E.A. / 3104 / CHAPPELLS / SYDNEY / MUST NOT BE USED FOR RADIO / BROADCASTING, NOR PUBLICLY PERFORMED [Hand written on sticker] 51/7 [printed] "HIS MASTER'S VOICE" / TRADE MARK / MANUFACTURED SPECIALLY FOR THE GRAMOPHONE CO LTD, SYDNEY, NSW / YOU RHYME WITH EVERYTHING / THAT'S BEAUTIFUL / Slow Fox Trot / (Stoner-Reisfeld) / JOE LOSS & HIS ORCHESTRA / Dance / Orchestra / (OER719) / Speed 78 / Cat. No. / E.A. / 3104 / CHAPPELLS / SYDNEY / MUST NOT BE USED FOR RADIO / BROADCASTING, NOR PUBLICLY PERFORMEDtextile mills staff, valley worsted mill, gramophone, record, textile mills - staff, his masters voice (hmv), gramophone co ltd, dickson's geelong, music, audio

The domestic sewing box would have been used in the home.A brown varnished rectangular wooden lidded Sewing Box with a lift out top section which has 16 varying sized compartments for storing sewing accessories. There is a has a hollow area underneath the tray. The lid is attached with brass hinges and it has a brass lock and small key. There are several sewing items included - cotton reels and thread, assorted darning thread for hosiery, wool and nylon threads, a box of black pins, assorted sewing needles, thimbles, small decorative sewing scissors, black rolled tape, mixed buttons, hooks and eyes, nickel plated fittings for hats, vintage stocking hooks, a stick of white chalk, two (one green and one ivory) antique cotton thread winders and a medium sized vintage safety pin.a Variety of brands of items include - 'Rite Tone', 'Della Darn' 'C No Darn', 'Clark's Filosheen' hosiery thread, 'Barbour's Linen Wax Thread', 'The Flora MacDonald Best Steel Bodkins' 'National Hat Guard' nickel plated steel and brass fittings, 'Chadwick's Wool and Nylon' reinforcing mending thread, 'The Myrene Snap Studio' size 1 rustless press studs, 'The Pagoda Brand' rolled tape 5 yds, 'Cross Fox Brand' Best quality Steel Stems (long plastic headed pins), 'Toledo' brass thimble and a black box of 'F. Tayler & Co's Solid Headed Mixed Pins'. The brass lock has 'SECURE PATENT' stamped in to it on the inside of the edge of the front of the box. there is also a small VR with a tiny rounded pattern opposite the Patent sign. sewing equipment, sewing box, sewing, embroidery scissors, functional object

Members of the Presbyterian faith were among the first settlers in the North-east of Victoria, and in the year 1842 the Presbytery of Melbourne requested the Rev. Peter Gunn, Minister of the Gaelic Church, Melbourne, to visit Presbyterians along the Murray River. This was the first of a series of annual visits, and was of a missionary nature. In May 1851, the Rev. David Hunter Ballantyne was appointed to the Wodonga district based out of Albury. In 1860 the Presbytery of Beechworth was formed, and from it two large presbyteries have grown - Wagga Wagga and Beechworth. In the early days the services at Wodonga were held in the old court house, which still stands. Wodonga Presbyterian Church continued as part of the Parish of Albury until the end of 1887, when it was placed under the administration of the Session of the Beechworth Church, with a home missionary in charge. Mr William Cooper was placed in charge for the first months, then Mr William Smith, a city missionary who had recently arrived from Scotland, was appointed. Mr Smith conducted a cordage factory at Stonleigh. He remained as missionary in charge for the next 10 years, and in that time the church steadily progressed. Plans were made for the erection of the building which now stands in High Street, Wodonga. Mr John Whan was a Founding Member of the Church and was appointed Sunday School Superintendent, an office which he held for 46 years, rendering extensive and valued service to the church and congregation. With a growing congregation and realising the challenges presented to the Church by changing conditions, land for a new church was sought. In September 1950 property was purchased in Nilmar Avenue in Wodonga and the new Presbyterian Church St Stephens became their new home. With the amalgamation of the Presbyterian and Methodist Churches, the new Church became the Uniting Church. The original Presbyterian Church was later sold to the Free Serbian Orthodox Church.These photographs are significant because they provide evidence of the changing nature of religious worship and groups in Wodonga.A collection of black and white photographic images depicting the first Presbyterian Church at Wodonga. The Church was later taken over by the Free Serbian Orthodox Church.presbyterian church, free serbian orthodox church, wodonga churches

Comprises a collection of metal, wooden and plastic toys which would possibly date back to the 1920s to 1940sThis collection came from the Warton / Baker families from Tawonga and Redbank in the Kiewa Valley.Collection of metal toys: 1. x2 Train Locomotives 2. Red tractor - mechanical with key 3. Man using grinder - mechanical with key 4. Two birds with worm - mechanical with key 5. Green trailer - mechanical with key 6. Small tank - mechanical with key 7. Aeroplane 8. Metal top 9. Home-made push-along wheels 10. Home made top 11. Cap gun 12. Cookie Cutters 13. Small tin puncture Kit - empty 14. Metal fox whistle 15. Tin trumpet 16. Large metal pump top 17. Plastic & metal mechancal toy in cardboard box- Jolly Skipper Other: 1. Monkey puppet with paper legs 2. Small plastic bells 3. Plastic boy on bike 4. Plastic green car 5. Plastic small trains 6. Soldier dog 8. Two half coconut shells (hollow) 9. Cylinder of wooden mechano tinker toy 10. Plastic Mr & Mrs Funny Face in box 11. Trip to New York game in box 12. Wooden Modelcraft - Build-ees in box 13. Wooden ring 14. Jig-saw toys, puzzles, wooden mechano, mechanical toys, recreation, children

Stations of the Cross by Clifton Pugh is a contempooray art piece in four sections making up 11 stations of the cross. It was commissioned by the Catholic parish in Eltham (Our Lady Help of Christians) in 1961 Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p81 Art is an important means of nurturing faith at Our Lady Help of Christians Church, Henry Street, Eltham. The Stations of the Cross by Clifton Pugh and The Crucifix with the Ascending Jesus by sculptor Charles Rocco are two of the fine works that enhance the parishioners’ worship. These two inspiring works of art were added in 2001 – long after Roman Catholics began worshipping in Eltham around 1864. This beautiful worship centre was built following hardship and change – for parishioners have endured their church being destroyed by fire and have built four churches since they first worshipped together. Before 1864, according to local legend, a visiting priest administered sacraments in the parlour of former convict-turned-respected citizen Thomas Sweeney at Sweeneys Lane, Eltham.1 The first church was blessed in September, 1865, by the Archbishop of Melbourne, Dr Goold. It stood on an acre (0.4ha) of land in Little Eltham as that area was known then, near the present Fordhams and Main Roads and was part of the Heidelberg Church Parish. In 1912 the church was relocated to a new building on the present primary school site at 1 Henry Street. This was closer to the town centre, which had moved from Little Eltham after the railway line was extended to Eltham in 1902.2 In 1958 the church split from the Sacred Heart parish, Diamond Creek, to become a parish in its own right, with Father Tom Curran as inaugural priest. Not long after in 1961, a fire destroyed the church and huge working bees under the prominent Catholic builders, the Sibbel brothers, rebuilt and extended it, using the original altar from the first church. It was then that builder and parishioner Herman Sibbel asked his friend, artist Clifton Pugh, to paint the Stations of the Cross for the church. But the priest, Father Curran, neither approved of Pugh’s bohemian reputation nor liked the paintings, so they were hung in the corridor of Our Lady’s Primary School instead. The parishioners almost sold the paintings in 1989 to pay for major school renovations. However the paintings remained there for about 40 years, until 2001, when the church was extensively renovated by Father Barry Caldwell. Another change awaited the church, as it outgrew its building, later to be used as the school hall. So, in 1976, the present church was built across the road. Three beautiful stained-glass windows depicting the Passion, Death, Resurrection and the presence of Christ’s Spirit, link these with the church’s experiences. The first depicts a bushfire in Eltham, referring to their church damaged by fire. Another represents the Resurrection of Christ with new growth on a blackened stump and the Holy Spirit is represented by the Southern Cross. A window depicting Our Lady Help of Christians by parishioner Bill Peperkamp, was donated by parishioners to commemorate the Silver Jubilee of Father Desmond G Jenkins’ ordination to the priesthood on July 27, 1977. This, with the statue of Mary, creates a Marian shrine. In the 14 Stations of the Cross painted on four masonite panels Pugh captures the pathos of the suffering Christ and his disciples.3 The figures are stylised, except intriguingly, that of Pontias Pilate, who looks like Clifton Pugh. Charles Rocco’s sculpture is an extraordinary Jesus figure being raised from the Cross. The delicate stainless steel mesh of the figure creates a sense of the power of God over death. The organ, built in 1868 by George Fincham and Sons, was first installed in the All Saints’ Anglican Church, East St Kilda, then in the St Andrews Church, Clifton Hill. It was rebuilt into a modern instrument with a donation from parishioner Jim Murray, in memory of his wife Gwendolene Mary.4 Church members created their own work of art in front of the entrance, by painting designs and messages on 700 tiles. This work indicates the strong church family and faith expressed in art, that awaits the worshipper inside.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art, clifton pugh, stations of the cross, our lady help of christans, installation

The St. Moritz Ice Rink was a popular ice skating rink on The Esplanade, St. Kilda, Victoria. It operated between 1939–1981. As one of only two ice rinks in Melbourne in the 1940s and 1950s, it played a central role to the sport of ice hockey in Australia. Closed in 1982, it soon suffered a major fire and was then demolished, an event later seen as a major blow to the heritage of St Kilda. It was first built as the Wattle Path Palais de Danse in 1922, a very large dance hall, designed by architects Beaver & Purnell, The Wattle Path was the venue for the first all-Australian dance championship, and featured some of the best dance bands of Australia, as well as from America. Popular throughout the 1920s, it suffered due to the Great Depression, and closed in the early 1930s. From 1933-1936 the building became a film studio, Efftee Studios, for Frank W. Thring. In 1938, businessman Henry Hans "Harry" Kleiner announced that the Wattle Path would become an ice rink. He was sole proprietor until 1953, when he sold the business to J. Gordon and T. Molony, both champion skaters. Trade declined during the 1970s. The building was sold in 1980 to developers Hudson Conway and trucking magnate Lindsay Fox and was closed in early 1982. It was nominated to the Historic Buildings Preservation Council, but a majority of City of St Kilda councillors voted to oppose this action and uphold a demolition permit already issued. The building infamously suffered a fire later that year, leaving only the facades, which were demolished soon after. The site remained vacant until about 1991, when a mid-price hotel called the St Moritz was constructed. By 1993 it was simply called the Novotel St Kilda. The hotel closed in 2019 and was replaced by an apartment complex.black and white photographSt Moritz, St Kilda. Ice Skating. Caf�st moritz, st kilda, the esplanade, ice skating

Taken in the year 1900, this glass slide captures an image of St. Joseph's Church, a Roman Catholic Church that is still present today at 9 Church Street, Beechworth. This was one of many churches that was established in Beechworth during the second half of the nineteenth-century. This trend began with a focus on Anglican faith; however, in the early 1850s, Father Patrick Smyth, a priest from Maynooth, Ireland, advocated for the establishment of a Roman Catholic Church in the town. Roman Catholicism quickly grew to be the second largest religious group in the area; this was primarily due to the work of Father William Tierney, a priest from Dublin who arrived in Beechworth in 1859. Tierney personally fostered the growth of many Catholic schools and churches in Beechworth, as he viewed it to be a significant area for the prosperity of the religion. St. Josephs Church was officially established in 1866, with the Bishop of Melbourne, Dr Goold, laying the foundational stone of the building. The estimated cost of the building in its entirety was approximately twenty-thousand pounds. Further additions to the building - including a second aisle, tower and spire - were proposed for the church, but were ultimately never built. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide captures social and historical significance as it represents the development of Beechworth as a prosperous and thriving town; a development that occurred during the second half of the nineteenth-century. It also shows the development of religious institutions in the area, specifically the growth of Catholicism. Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metal strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, churches beechworth, st. joseph's church, catholicism beechworth, roman catholic churches beechworth, father patrick smyth, father william tierney

Hardback cover book with white Title (see above) and author text, KVERNDAL, Roald, on pink grey cover. pp 903, ills. Cover image depicts a masted galleon ship at anchor with interior lights at dusk or dawn flying from the stern of the ship is the blue BETHEL flag featuring a star and dove of peace in top and lwr corners respectively. xxviii, 903 p. : ill. ; 24 cmnon-fictionmerchant seamen, missions and charities, royal navy chaplains, missions-to-seamen, mission to seafarers, roald kverndal

Reproduced on p31 of 'Pioneers & Painters' Was destroyed in 1962 bushfire. Now Peter Franks Reserve, St Andrews On Friday 29th (August 1919) …, the Hon. S. Barnes, M. L. A., Minister of Mines, accompanied by Mr W. Everard, M.L.A., Mr. V. Dickson, secretary for Mines, and Mr. Merrin, Chief Mining Inspector, visited Smith's Gully for the purpose of opening, the new Government battery which has recently been erected. The party arrived punctually at 12.30, and was received by an assemblage of about 200 residents, including, those representing local prospecting and mining interests. At the mill house the Minister wished prosperity to mining on the old Queenstown field, and, in a few appropriate remarks, gave the battery the name of St. Andrew's. Then, as the stamps began to fall, three hearty cheers were given by the gathering. ….. The Queenstown field, dating back to the early sixties, might be regarded as a link that took them back to the Augustine age of gold mining in Victoria…From 1868 to 1918 the total yield of gold from the field was 274,606 fine oz. It might be that here, as elsewhere, deeper prospecting would give new life to the Queenstown goldfield. The miners of Queenstown, who through long year's had never lost faith in the possibilities of the field, felt that the purpose for which they were that day marked the beginning of a new era in the history of local reefing. …. The new mill is situated on the bank of the creek opposite the Queenstown Cemetery, and consists of a five head battery (Berdan pan) and 12 h.p. portable steam engine housed in a spacious structure of wood and iron. A concrete weir across the creek provides a good water supply, and all the necessary pumps, settling dams, etc., have been installed. Later on, should circumstances warrant it, it is pro-posed to erect Wilfley tables for concentrates. Eltham and Whittlesea Shires Advertiser and Diamond Creek Valley Advocate, Friday 5 September 1919, page 3This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Print 20 x 25 (2)shire of eltham pioneers photograph collection, queenstown, st andrews, st. andrews battery, gold mining, s. barnes, merrin, st andrews battery, v. dickson, william h. everard, peter franks reserve

Part of a collection of photographs donated by Bruce Bennett. Photographs from collections of: David Johnson, I Mannix, Legg, Charlie Blackney, Des Chilcott, Ted Walton, Len Bagley and Brian Davis.233-20. Black & White photograph of a postcard. The Pier Hotel and house set in paddock and surrounded by large trees and reserve at San Remo, Victoria. 233-21. Black & White photograph of a photograph. Bentons Guesthouse, San Remo, Victoria. 233-22. Black & White photograph of a photograph. Herbie Kirkland or Clive Fox?? on barge at Newhaven, showing cray caufs lined up on jetty in the background. 233-23. Black & White photograph of a photograph. San Remo Hotel. 233-24. Black & White photograph of a photograph. Breakwater at San Remo circa 1940 with family on the beach (Bert Blackney & Violet) and people swimming. Wooden groyne in foreground. 233-25. Black & White photograph of a photograph. Building the slip at Newhaven, Phillip Island. 233-26. Black & White photograph of a photograph. House in the distance at Rhyll built by Johnson. Dan Patience lived there till 1950's then Ted Walton. 233-27. Black & White photograph of a photograph. San Remo to Newhaven, Phillip Island punt with 3 cars on board. 233-28. Black & White photograph of a photograph. San Remo jetty showing boats and sheds. Ivan Hayhow boat. 233-29. Black & White photograph of a photograph. Sailing boat on Westernport with Phillip Island Suspension bridge behind.233-20 The Rose Series P700. Pier Hotel, from the reserve, San Remo, Victoriahotels, pier hotel san remo victoria, san remo hotel victoria, bentons guesthouse san remo, guesthouses, san remo to newhaven barge, phillip island barge, newhaven barge, san remo beach, newhaven slip phillip island, rhyll phillip island, san remo punt, san remo jetty, phillip island suspension bridge, sailing boats, bruce bennett

Series of Black & White Images depicting life for the Hill Family and Friends During 1922 Post War Boom. Total 5 Photos. Ladies Day Out: Alma, Kitty, Lorna Claire & Eileen, all the ladies are dressed in white, lady at front wears dark stockings others are wearing white stockings and shoes, first two are standing on the steps and the others are on the verandah, two stone pillars with garden pots on them, Window of house to the left and curtains hanging inside, 'The Ranche' March 1922. (Aunt Mabel) Sister M. Alphonsus, dressed in dark habit with rosary hanging from her waist, arms crossed, standing in archway covered with vine, to right a spire can be seen. Uncle Percy in South America with Fox Terrier, holding a gun in his left hand, garden setting with palm trees. Frank, dressed in black suit white shirt and dark tie with his hands around a Hound Dog enjoying some R&R. Ken with his tennis racquet, in his dark coloured uniform white shirt and dark tie, standing between two chairs holding a tennis racquet and ball, both chairs have a white cloth backing, left chair with object on seat and large vase on the ground, trellis to the right, weatherboard to the left and shrub.Hilda Hill Personal Collectionaustralia, history, post war life

One copy of the Bendigo Sub-branch R.S.S.A.I.L.A. Annual Victory Ball held at the Town Hall, Bendigo on August 12th, 1952. Guests of Honour were Air Vice-Marshall A M Charlesworth, C.B.E., A.F.C. and Mrs Charlesworth. Card is cream with gold print on the front and a gold RLS badge. Other printing is blue. The inside of the tri-fold card has a Dance Program of 28 dances and a space for Autographs. The other side has the Debutantes: Mary Bacon Jill Britnell, Ailsa Peterson, Beatrice Bacon, Lorna Johnson, Elaine Campbell, Lorraine Jobe, Norene Fox, June Thomas, Joyce Strahan, Gladys Monro, Fay Stanton, Dawn Nicholls, Dorothy Cowling Iris Baxter and Fay Swift. Trained by: Mr J Singe and Miss P Reidy. Matron of Honor: Mrs V Palmer. Partners: Bill Perdon, Bill Waddell, Neil Merton, Gerald Matheson, Ernest Johnson, Neil Wilson, Len Ermel, Royce Read, Kevin Whelan, Brian Owins, Norman Quin, Robert Nichols, Ron Nievandt, Max Cowling, John Bond, Stan Johannsen and John Kupke. President Bendigo Branch R.S.L. Col Sir George V Lansell. Chairman Ball Committee: Mr F E Jackson. Hon Sec ball Committee: Mr J W Swatton. M.C. Messrs G Hudson, W Waters. Printed by Hocking & Sloan Print.Hosking & Sloan Print, Bendigoevent, social, victory ball, r.s.l. bendigo collection - annual victory ball 1952, air vice-marshall a m charlesworth, mrs charlesworth, mary bacon jill britnell, ailsa peterson, beatrice bacon, lorna johnson, elaine campbell, lorraine jobe, norene fox, june thomas, joyce strahan, gladys monro, fay stanton, dawn nicholls, dorothy cowling iris baxter, fay swift, mr j singe miss p reidy, mrs v palmer, hocking & sloan print, bill perdon, bill waddell, neil merton, gerald matheson, ernest johnson, neil wilson, len ermel, royce read, kevin whelan, brian owins, norman quin, robert nichols, ron nievandt, max cowling, john bond, stan johannsen, john kupke, col sir george v lansell, mr f e jackson, mr j w swatton g hudson, w waters

As a youth while working on his father's farm, Hugh Victor McKay became tired of the labour involved in winnowing wheat by hand. In 1884 he built the first machine in the world which did the winnowing in conjunction with the reaping. On Monday 21st August 1944, which coincided with the birthday of the late H. V. McKay, more than 2000 employees and friends of H. V. McKay Massey Harris Pty Ltd were entertained at the Melbourne Town Hall, in celebration of the Diamond Jubilee of the Sunshine Harvester Works.The event was planned to "turn it on for the boys' in a manner befitting the occasion." The compere was Eric Pearce (of later TV newsreader fame) and the entertainment was provided by leading performers of song (W.M.Laird and Mary Miller), of music (John Robertson, W.M.King, and the Sunshine Brass Band), and of humour (Charles Sherman). The accompanists for some of the performances were Betty Miller and Eric Fox. Two films depicting the activities of the Sunshine Works were shown, and the managing director Mr C. N. McKay, was presented with a book by Mr Fred Bult who had 50 years service with the company. The book contained more than 1000 signatures from invited employees who had completed more than 10 years of service, Supper was provided in the Lower Hall, and the MC for dancing to the Synco-Harvesters Dance Band in the Main Hall was James Patrick. The committee which organised the function were Messrs. L.W. King (Chairman), G. Baker, J. Downing, R. Stewart, F. J. Lee, V. Armstrong, F. Fields, J. Aird, G. Wilson, J. G. McKay, T. N. McArthur, and R. Webb, with secretaries Messrs. G. Shaw and D. J. McKay. The above information was compiled from the Souvenir Programme, and from The Argus of Tuesday 22 August 1944 which can be viewed at http://nla.gov.au/nla.news-article11357700, and from the Sunshine Advocate of Friday 30 June 1944.The Souvenir Programme provides a historical record of how the Diamond Jubilee was celebrated, as well as the type of entertainment and the names of the entertainers and other people involved. It also lists the types of dances such as the 'Fox Trot' and the 'Pride of Erin' that were normal entertainment in 1944. The Souvenir Programme is also significant in what it does not tell us. There is absolutely no indication of what would be considered to be a supper for an event like this in 1944, especially in the Melbourne Town Hall. From a historical point of view it would be interesting to know.Beige coloured cardboard document which is folded in two, and has brown coloured printing on three of the four sides. The document provides a detailed list of the entertainment and the presentations held in the Melbourne Town Hall, to celebrate the Diamond Jubilee of the Sunshine Harvester Works.1884 1944 / SOUVENIR PROGRAMME / DIAMOND JUBILEE of the SUNSHINE HARVESTER / MELBOURNE TOWN HALL / Monday 21st Aug.sunshine harvester, diamond jubilee, h. v. mckay, massey harris pty ltd, 21 august 1944, 1884, 1944, melbourne town hall, sunshine harvester works, sunshine harvester, diamond jubilee, h. v. mckay, massey harris pty ltd, 21 august 1944, 1884, 1944, melbourne town hall, sunshine harvester works

Newsletter created to share information between branches, staff and volunteers on achievements at the AFB. This issue includes: Wendy Bateman and her role as an Elanora nurse, volunteer June Day receiving the Citizen of the Year award for Murchison on Australia Day, Victoria's triumphant blind bowls team who, when tied with their SA competitors, decided to share the Catchpole trophy by keeping it for 12 months then sending it back to South Australia for 12 months, Julie Deutscher has won the tender to clean Kelaston, staff members Margaret Caldwell, Ada Fox, Maureen Gleeson and Lorelle McGain have completed five years of service with the AFB, Gale Burns, Glenys Drewitt, Fiona Jackson, Gena Kyne, Anne Menzel and Margaret Tozer have completed 10 years of service and Margary Paynter has completed 15 years of service with the AFB, Dennis Smith from the George Vowell Centre helping out as barman and waiter, RPH volunteers David Ditchfield and wife Janet received a special award for their service to the station, Judy Sutherland, Chrisi Tsafso and Jo Sisley were present for awards handed to police who had held a self defence course for vision impaired, the AFB boat in the Moomba Dragon Boat Race, Sherry Cuthbert and James Nevein toast to Ernie Stewart's 102nd birthday, Susan Marshall with her children, Dorothy Cleeland and John Dowdle hand of a $25,000 cheque, Easter Bunny promoting the world's largest Easter Egg hunt as part of the Tattersall's Kooyong fair, Elenoar Scott and her mum Julie and Roberta Ashby, the use of teleconferencing by Palm Mitchell, with Shane McCarthy and Joy Lindsay in the background, aims for the year ahead including a possible name change, staff members Esther Lalor and Alex Capporilli learning Braille, and the Braille and Talking Book Library party with Mieke Mellars, Rose Blustein, Julia Simmons, Beryl Simmons, Emma Pritchard, Lorna Hayter and Alison Forbes.8 pages of text and images about AFB clients, staff and volunteersnon-fictionFor Staff & Volunteers of the Association for the Blind Inter Link Print Post No. 327855/00001 Association for the Blind A.C.N. 007 428 284 7 Mair Street, Brighton 3186 Autumn 1998elizabeth maxwell, neil maxwell, association for the blind, palm mitchell, shane mccarthy, mieke mellers, emma pritchard, lorna hayter, alison forbes, rose blustein, julie simmons, beryl simmons, stephen jolley, allan heywood, esther lalor, alex capporilli, elanoar scott, julie scott, roberta ashby, dorothy cleeland, john dowdle, susan marshall, sherry cuthbert, james nevein, david ditchfield, janet ditchfield, judy sutherland, christi tsafso, jo sisley, dennis smith, julie deutscher, june day, wendy bateman