Showing 1684 items
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Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland's War Memorial, Victoria, n.d
Black and white photo at Portland's War Memorial on Anzac Day. Floral display and crosses with wreaths in foreground, 2 cannons, memorial and hedge in background.Back: 'Portland', '198' - handwritten in pencil -
Flagstaff Hill Maritime Museum and Village
Textile - Tray Cover, Sarah Lees or daughter Ann Dale (nee Lees), ca 1910
This decorative embroidered tray cover or tray cloth is beautifully handmade and includes eyelet or Broderie Anglaise embroidery. It was made by either Sarah Lees or her daughter Anne Dale (nee Lees). In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” It was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. Many of the items were made by Daisy, a skilled dressmaker. Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest’, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future marriage. The item is a fine example of early 20th-century needlework and handmade domestic items.Tray cover, white fabric, elliptical in shape with a scalloped crochet edge, eyelet and white floral embroidery, Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, crochet, tray cover, tray cloth, tea service, eyelet embroidery, sarah lees, ann dale (nee lees) -
Australian Lace Guild - Victorian Branch
Textile - Tambour
Flouncing - costume trim.Embroidered net. Flounce of machine made net with floral design worked in chain stitch. Could possibly be handmade but is more likely to be machine made. -
Clunes Museum
Photograph, CIRCA 1914 /18
DARKLY TONED ORIGINAL PHOTO. STANDING POSITION, FLORAL BACKGROUND AUST. ARMY UNIFORM, LEGGING PUTTEES, CIGARETTE IN HAND. W. S. NOTMAN.LOUIS PHOTOGRAPH 29-89 B.4 ST MARTIN PARIS POSTCARD CARTES POSTALE COMMUNICATION - CORRESPONDENCE, DRIVER W.S. NOTMAN NO.3689 7TH. FIELD AMBULANCElocal history, photography, photographs, military -
Bendigo Historical Society Inc.
Domestic Object - CHINA TEA SET
China tea set consisting of 5 cups, 4 saucers, white and pink with gilding and floral decoration, number 84 impressed on bottom of cups.domestic equipment, table setting, cups -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: BHS BOOKMARKS, 1988
2 laminated Bendigo Historical Society Bookmarks with floral stickers attached. 1788 Bendigo Historical Society. Australia Day 26th January 1988.organization, club/society, community, malone collection, bhs bookmarks -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
Document. Greeting Cards. Small white card with green, pink white & blue floral border. Inside is a verse from Matt. XIX. 14.person, greeting cards, malone collection, malone collection, greeting cards -
Flagstaff Hill Maritime Museum and Village
Domestic object - Dinner plate, William Adams, before 1863-1875
The Asiatic Pheasant pattern is a transfer design and was the most popular design of the 18th & 19th centuries and is still being produced today. The design was produced as high quality, decorative dinnerware by the potters in the Staffordshire area of England, from the late 1830’s, but no-one is sure exactly who the original designer was. This particular example was made by William Adams of Tunstall, Stoke-on-Trent, Staffordshire at the Greengates Potteries probably after or around 1863 and is believed to have been part of a passengers goods. The Adams family have a long line of making pottery since 1584 until 1966 when they were acquired by the Wedgewood group of companies. But this items pattern is attributed to the Adams potteries. History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curle & Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. Plate recovered from the wreck of the Loch Ard. Earthenware dinner plate with blue and white transfer design (Asiatic Pheasant) with a clear over-glaze. The outer rim is scalloped. Stickers with inscriptions "Rec 373 A" "L 102" "From Loch Ard Wreck (1878) - - -" Design logo [Floral wreath with ribbon and text "Asiatic Pheasant" and text below "- - - -"}flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, asiatic pheasant, china dinner plate, earthenware plate, w adams potteries -
Mont De Lancey
Tray cloth and doily
Cream, hand-embroidered, linen tray cloth with orange, apricot, blue and green floral design and a scalloped, crocheted edging. Three cream, linen doilies, one with a scalloped edging and cream hand embroidery and one with two blue hand-embroidered baskets of pink flowers and with a crocheted edging. The third doily has a floral, hand-embroidered design, with a pink crocheted edging.table linen., table ware. -
Ballarat Tramway Museum
Photograph - Digital image, 4/03/1939 12:00:00 AM
Yields information about Ballarat 's 29 decorated for the 1939 Ballarat Floral Festival and its appearance and its use and publicity.Digital image from the Wal Jack Ballarat Album of a postcard featuring the 1939 Floral Tram, Ballarat No. 29 decorated for the 1939 floral festival. Photographed with the eight SEC hostesses standing inside the tram. Wal's Album notes give the date as 4-3-1939. Photograph printed on Kodak Paper, but no other details. See image i2 for rear of photograph.trams, tramways, floral tram, decorated trams, tram 29 -
Ballarat Clarendon College
Trophy
The Veterans Plate trophy was awarded at the Annual Sports Day. Thomas Anderson (BD 30/06/1886) entered Ballarat College in 1903 as a 17yo. He was the son of J W T Anderson of Waubra and had previously attended Waubra SS VI Class. The Ballarat Old Collegians Association notes in The Minervan 1913 that "each year the Association presents to the College Sports committee the College Cups (Senior and Junior), the Old Collegians Cup and the Veterans Plate. Squat, double-handle silver rose bowl cup with fluted rim and silver stand; ornate floral engraving on bowl and stand; folding detail on handles. Inscribed on face of bowl: VETERANS PLATE / 1910 / T ANDERSON Inscribed on rear of bowl: Ballarat College crestthomas-anderson, veterans-plate, athletics, ballarat-college -
Flagstaff Hill Maritime Museum and Village
Book, The International Scientific Series Vol 64
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The International Scientific Series Vol 64 The Origin of Floral Structures Author: Rev. George Henslow Publisher: Keegan Paul Trench & Co Date: 1888 Label on spine with typed text PAT 580 HEN Inside front cover has a sticker that reads Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, rev. george henslow, the international scientific series vol 64 -
Flagstaff Hill Maritime Museum and Village
Plate
Previous number PWO 0358.Plate Shard, china dinner plate segment with scalloped rim, floral arrangement with Asiatic Pheasant design, crazing. Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plate, loch ard, asiatic pheasant design -
Bendigo Military Museum
Souvenir - TRENCH ART, 1916
The item belonged to William David Maher No 68, 8th LH Regt AIF. Refer 532 for main details.Vase, brass, made from a shell, approx 40mm caliber, has floral brass/bronze arrangement on two sides with a small depiction of a medal in between.OKT, 1916, KT, L11.147arms-ammunition, metalcraft-brassware, illustrations-engraving, trench art -
Brighton Historical Society
Hat, 1960s
Thomas Harrison (1897-1981) was a leading Melbourne milliner from the 1930s. He began his millinery career in 1920, and by the late 1930s had a salon and workshop at 163 Collins St. He later moved the business to Toorak Road, South Yarra. He continued millinery work until 1975.Pink floral dome-shaped hat made up of silk and velvet pink hydrangea petals and mauve silk stems attached to a stiffened net base.Label, printed black on white acetate, centre back: THOMAS HARRISONthomas harrison, hats, 1960s fashion, melbourne fashion -
Stawell Historical Society Inc
Photograph - Portrait, Bride: Lorna Cleland (nee Huttley) (Wedding)
Huttley - Martin FamilyB/W: Bride with Bouquet in front of drapes, floral headband, floor length veil. Long sleeved, floor length dress v cut in neck.Lorna Cleland (Nee Huttley) (wedding)huttley, martin -
Clunes Museum
Photograph
SEPIA PHOTOGRAPH THREE LADIES AND ONE GENTLEMAN STANDING IN FRONT GARDEN, ALL WEARING WINTER ATTIRE. LADIES WEARING LARGE FLORAL SPRAYS AND HATS.local history, photography, photographs -
Mont De Lancey
Textile - Tray cloth
White cotton rectangular embroidered tray cloth. Has two blue embroidered bluebirds in floral circles. Finished with a scalloped crocheted edge in white and blue.table linen, tray cloths -
Parks Victoria - Days Mill and Farm
Domestic object - Ceramic fragments
Was found in an above ground rubbish pile at Days Mill and Farm.Four fragments of what may have been a jug or vase. The object was tall with straight ridged sides and a teal blue floral pattern on a white ground.yeswilliam day, ann day, joseph day, robert day -
Mont De Lancey
Child's Tea Set
Pink and white child's tea set. 6 saucers and 4 cups, with teapot, jug and sugar bowl. Plus a metal black tray with floral decoration.tea sets, toy cups, tea and coffee sets, toy bowls, trays -
Glenelg Shire Council Cultural Collection
Painting, (Untitled - still life), n.d
Painting, oil on board. Floral design, white flowers, green foliage, greenish-grey background. Gilded wooden frame. Two eyelets, wire for hangingBack: Picture framer's sticker, white, blue print. 'DG Coope and son, Bendigo -
Mission to Seafarers Victoria
Ceremonial object - Ceremonial trowel, John Round and Sons Ltd, c. 1907
This trowel was used by Her Excellency Lady Stanley in the absence of her Husband the State Governor of Victoria due to illness , at a ceremony in 1916 to lay the foundation stones of both the main Mission to Seafarers building designed by architect Walter Butler . A substantial photo story of the event appeared in a local newspaper. The trowel was discovered to exist around the centenary of the building owned by the Moss family in Toronto Canada who returned it to the MTSV in mid 2019 via Professor Uma Kothari, of Manchester University, and the Ross family who met at the Chapel of Mission to Seafarers, London for the presentation. This re-discovery and gift of this decorative arts object provides a link with the historic and ceremonial occasion of the laying of foundation stones for the first phase of the Mission to Seamen ( the chapel and main complex ) which opened in 1917 and has operated continuously at 717 Flinders Street. Significantly patron of the LHLG at the time, The State Governor's wife, Lady Stanley actually officiated and a record of this can be seen in contemporary press coverage in 1916. Ceremonial trowel : decorative carved ivory handle with silver diamond-shaped spade is decoratively engraved with floral and fernery designs above an engraved detailed inscription.Upper surface of trowel engraved: THE VICTORIA SEAMEN's INSTITUTE /MELBOURNE / To commemorate the Laying /of the/ FOUNDATION STONE / OF THE NEW BUILDINGS /BY / HIS EXCELLENCY / The Hon Sir Arthur L Stanley / K.C.M.G. / GOVERNOR OF VICTORIA / Nov.14th 1916 underside surface of trowel engraved stamped with: hallmark and maker's mark ( semi obscured and worn).trowel, state governors victoria, foundation stone, chapel of st peter, walter richmond butler, gillian ross, kenny ross, sir arthur lyulph stanley (1875-1931), lady margaret stanley (1875-1964), flinders street, central institute, mission to seafarers, seamen's mission, mission to seamen, israel neiman, toronto, canada -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Moulded dish, with a floral design on the base. The upper part of the dish has a mottled green and black glaze. The petals on the base are highlighted with a deep pink glazeSignature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Bendigo Historical Society Inc.
Accessory - BOX OF COSTUME JEWELLERY
Box of assorted items, costume jewellery, buttons, belt buckle, hat ornaments. Box covered with pink floral fabric with padded lid and pink bow.costume accessories, jewellery, assorted -
Bendigo Historical Society Inc.
Postcard - CONSERVATORY INTERIOR, BENDIGO
Postcard, color. Image shows interior of Bendigo Conservatory. Display of Cinnerarias, hanging baskets with ferns. On back' Bendigo Victoria, Floral Display, Bendigo Conservatory'Nu Color Vuebendigo, buildings, conservatory, bendigo, conservatory, pall mall. -
Bendigo Historical Society Inc.
Domestic Object - CHINA JUG
Small white china jug with hand painted floral decoration of Lilac & Lily of the Valley in tones of Lila and green, fluted bottom & gold on handle & rim.domestic equipment, table setting, jug -
Bendigo Historical Society Inc.
Photograph - DUDLEY HOUSE COLLECTION: BEDROOM
Black and white photograph of a bedroom at Dudley House. Furs and clothing draped over metal bed. Wardrobe with two mirrors. Lace curtains and floral drapes.buildings, dudley house -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: RELIGIOUS WALL HANGINGS, 1908
Two cardboard wall hangings with religious Psalms. One with floral decorations & silver lettering & one in shape of sail with silver lettering on pale portwine background.To Ruby Dowsey for highest possible marks for attendance and good behaviour for year ending Dec 1908. 1st Place. To Arthur Dowsey for Choir Year ending December 1908.personal effects, religious, malone collection, malone collection, religious wall hangings, ruby dowsey, arthur dowsey -
Ringwood and District Historical Society
Award, Ringwood and District Horticultural and Garden Club, Ringwood and District Horticultural and Garden Club Flower Show, First Prize, Mrs R.Yee (Autumn Arrangement) 1974, 2/03/1974
Awarded first prize to Mrs.R.Yee by the Ringwood and District Horticultural and Garden Club for best Autumn Arrangement at the Flower Show, on March 2, 1974.First in Ringwood and District Horticultural and Garden Club Flower Show, has blue ribbon with gold star attached on left-hand side. +Additional Keywords: Ringwood and District Horticultural and Garden ClubFirst - Ringwood and District Horticultural and Garden Club Flower Show Exhibited by Mrs.R.Yee Exhibit: Autumn Arrangement Class: Floral Art Class No: 2 Date: 2/3/1974 -
Glenelg Shire Council Cultural Collection
Decorative object - Salver, c. 1954
Silver salver, fonted round pattern of grapes and vines around rim. Inscription engraved in centre of salver. A salver is a tray, usually made from silver.Front: 'GLENELG CHAMBER OF COMMERCE FLORAL WEEK COMPETITION 1954 CLASS B SHOP WON BY OLIVERS' - engraved Back: 'Old Sheltiera' 'Reproduction Strachan' - engraved '4010' - stampedtrophy, silver salver, tray, glenelg chamber of commerce, 1954, 1950s, competition