Hardcover w/ Dust JacketSlip of Paper inserted inside book - partial sheet from minutes of National Gallery Women's Association meeting, 11th October 1977. On reverse, diagram of table seating plan, with names including Dame Peggywalsh st library

Pins used in Donalds D/box wool press Patent No 4, Serial No 87086These pins belong to Donald D/Box press in G1/ given originally by Mr Penna. We now have the full set of 6./ JC /22 Sept 89 ....6th pin in press in Gallery 1...shearing wool bales shearing sheds, wool press, shearing, wool bales, shearing sheds

Pins used in Donalds D/box wool press Patent No 4, Serial No 87086.These pins belong to Donald D/Box press in G1/ given originally by Mr Penna. We now have the full set of 6./ JC /22 Sept 89 ....6th pin in press in Gallery 1...shearing wool bales shearing sheds, wool press, shearing, wool bales, shearing sheds

Pins used in Donalds D/box wool press Patent No 4, Serial No 87086These pins belong to Donald D/Box press in G1/ given originally by Mr Penna. We now have the full set of 6./ JC /22 Sept 89 ....6th pin in press in Gallery 1...shearing wool bales shearing sheds, wool press, shearing, wool bales, shearing sheds

Painting depicting two male figures wearing glasses and a female in an abstract composition with shadow and cracked glass. Signed (L. r) 'Clifton' and dated L.l) 'Apr '78'. On reverse Label 'Artmet Ltd Rudy Komon Gallery Retrospective/ 26th April - 21 May 1988/ Assassination (Clive Cameron) 1978 No. 31'.clifton pugh, painting, assassination, clive cameron

Sixty eight page knitting pattern book featuring black and white text and colour images. The colour cover features five inset images of women wearing knitwear.front: [printed] Patons / 766 / gallery / ISSUE 1 / 1 / The Shape of / Things / Yolanda / Cholmondeley- / Smith / 2 / Kate / Summers / 3 / Julie / Rubenstein / 4 / Jo-ann / Cittadini / 5 / Kate / Summersfashion, design, knitwear, home made, wool, pattern book, patons

Acquired by Portland Council for the Encouragement of Music and the Arts (CEMA) as a winner of its annual Art Price in 1964; later presented by CEMA to Portland Town Council.View of the interior of a cave. In foreground is a triangular pool of dark blue water with lighter highlights. The walls of the cave curve up both sides of the water, meeting at the back of the cave. At back of cave is a ledge with 7 seals on it. One seal is diving into the water. The walls are painted in brown and dark blue, the seals in pale blue with highlights in white.Front: Malseed (lower right, red paint) Back: Nancy Malseed "Seal Cave" Portland Art Gallery Trust, c/c C. Woolcock (upper and mid left, black felt tip pen).sea, seals, coastal, seascape

This book by Dr Don Edgar, a well-known Australian sociologist, educator and historian, tells of the establishment and development of art galleries in regional Victoria. This includes the Warrnambool Art Gallery, established in the early 1880s. The book documents the efforts of local groups and individuals to set up art galleries and their battles with government indifference and lack of adequate funding extending up to the present day. This book is of considerable interest as it gives details of the founding and development of the Warrnambool Art Gallery, set in the context of the establishment of other early regional galleries in Victoria. It is an important addition to our research library. This is a soft cover book of 400 pages. The cover has a white spine with black printing, a back cover with a colour photograph as a background and black printing and a front cover with a collage of colour photographs as a background with white printing. The pages contain a preface, an introduction, seven parts of text material, an appendix, an index and a bibliography.Don Edgardon edgar, warrnambool art gallery, regional art galleries of victoria, history of warrnambool

Black and white photograph of hallway decorated with many paintings, statures, chairs, etc. Decorated ceiling. History of object: James Lerk 2000 'Quartz King George Lansell's portrait hangs over the marble overmantle of the fire place in the foyer of 'Fortuna Villa'The bronze incense urns are now in the Bendigo Art Gallery collection'. Photographed for Bendigo Advertiser 11.1.2001W Ninnisbuildings, residential, fortuna villa

Black and white photo of Last Council Meeting of City of Nunawading held in Council Chambers, Civic Centre, Whitehorse Road, Nunawading, November 1994. Back Row of Gallery in doorway - Valda Arrowsmith, Bill Gray, Beryl Gray. Under photo of Queen - Lewis Roper. Front seated - Crs. Peter Allen, Terry McDonald, Les Cooper.city of nunawading, arrowsmith, valda, gray, bill, beryl, roper, lewis, allan, peter, mcdonald, terry, cooper, les

Programme - 3 fold printed on semi gloss light card, titled "Tracking - an art project on the Melbourne Tramways" for an exhibition at the Linden Gallery, St Kilda Arts Centre May to June 1995. Has extensive notes on the basis of the exhibition, list of contributors, and talks about a "Tracking Vehicle". Names include Hugh Waldron and Roberto D' Andrea.In ink in top left hand corner "KS 16-6-95"trams, tramways, art, exhibitions, tramways

Copy is faded and stained|This is the paired before photograph used in the 150 year Lakes Entrance 1858-2008 display.|The paired after photograph number 01182.1|One other framed 12 x 16 photograph used in room display.Black and white photograph of the Club Hotel, showing a large weatherboard building, iron roof, three chimneys, partly surrounded by wooden picket fence. Large hiproofed building at right. Hotel has observation gallery included at rear of building. Bluestone wall at lake edge in front of hotel. Four people standing at front of hotel. Lakes Entrance Victoriahotels, tourism, architecture, people, room display

Associated with - Castlemaine Art Gallery Buildings - Mine

Associated with - Castlemaine Art Gallery Buildings - Mine

Presentation Convent Daylesford was later the Convent Gallery.Image of a 1st prize certificate made out to John Hogan Gervasoni of Presentation Convent Daylesford. john hogan gervasoni, presentation convent daylesford, deportment, award, carre school of deportment

Returned to RDHS from Federation Estate Art GalleryPhoto 1 (7009a) - Former "Ringwood Mail" newspaper office, Adelaide Street, 1955, looking along laneway to west. Lane between Bamford's Timber Yard, corner Warrandyte Rd. and Maroondah Highway, and went to Melbourne St, later called Civic Place. Other buildings were Ham's Billiard Saloon, the two-story Renong Chambers, bottom left Jack Orr's clothes hoists and bottom right Horman & Woolhouse plumbers. All demolished for the building of Eastland in the 1960s. The photo shown is a typical example but may not be in the collection.

1 Black & White print. National Gallery of Victoria This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, walter withers

1 Black & White print. National Gallery of Victoria This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, walter withers

1 Black & White print. National Gallery of Victoria This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, walter withers

1 Black & White print. National Gallery of Victoria This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, walter withers

1 Black & White print. National Gallery of Victoria This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, walter withers

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Several views of flowers, buds and leaves, and one view of cutting. Stem cutting with pointed, thin leaves with dark green tops and pale green undersides. Flowers are white with pink colouring at the ends. Their shape is cup-like with five petals forming a star at top. Stamens end in brown pollen clusters. Work is mounted in a double matt (grey on mauve) and framed under glass in a gold painted wooden frame.Front: CEW/73 (lower left in image, signature) (maroon pencil), Peach heath. Lissanthe strigosa (lower left) (pencil) 34 (lower right, pencil) (erased). Back: (no inscriptions)cema, botanical, collin woolcock

Part of "Woolcock Gallery Collection" Exhibition 1989 CEMA.Different detail studies of plant. From top-bottom, right to left are a side study of red flower with elongated petals in tube shape. Stem with three pale-gree leaves. Top view of dark green leaf with serated edges. Stem and flower bud study. 2 stems joined with many clusters of spikey green leaves coming off central stems and 6 flowers and 3-4 buds. A seed study. A view into tube of flower. Work mounted in double matt (taupe on sage) under glass in gold frame. Artists signature next to last flower study, lower left.Front: Astroloma humifusum (Cranberry Heath). CEW/82 (artist's signature, lower left in image) (coloured pencil). Back: 10 (upper left) (pen)cema, botanical, collin woolcock

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of a cutting of plant with dark green foliage and eight white flowers. Single drawing on white background with name and signature in lower corners. The work is on white paper mounted in a double matt (grey on gold), unframed and wrapped in plastic.Front: White Correa Correa alba (lower left) (blue pencil) CEWoolcock (lower right) (brown pencil) Olearia speciosa (Netted Daisy-bush) (lower left) (pencil) Back: 23 (upper left) (pen) White Correa (Correa alba) $80. C E Woolcock (sticker, upper left)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Part of 'Woolcock Gallery Collection' Exhibition CEMA 1989.Detail of plant stem on left and on right details of pea flowers and stem views. Stem view on right is a long stem with many fine green leaves (long and thin). At top of stem is a cluster of range pea-flowers and buds. On right of page (t-b): view of pea-flower from top, showing orange petals and dark pink and magenta colouration at centre; side view of emergent bud; stem detail with leaves; side views of full bloom flower; rear view of flower. All views are numbered in both pencil and on typed paper affixed to surface of image. Mounted in double matt (white on faun) framed under glass in wooden frame with gold detail.Front: Dillwynia cinerascens (lower left) (pencil). CEW (lower left, in image) (purple pencil). Back: 41 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Par of "Woolcock Gallery Collection". Exhibited CEMA 1989.Flower stem view on left, with flower details on right, leaf and stepal details on left. On far left are two leaf views of front and back in dark green - back view shows smalls hairs on leaf. On lower left is a side view of the leaf. The stem study depicts leaves up both sides of the central stem and side stems. Two stems have flowers near the top end. The flowers are dark yellow with an orange tinge, with red and purple centres. On right is a detail of stem and leaves, two side views of flower buds, a top view of full flower and a side view of full flower. Mounted in a double matt (off-white on pale tan) in a gold paint and wood glazed frame.Front: Pultenaea humilis (lower left) (pencil) CEW 29/1/77 (signature, lower left) (pencil) Back: 3 (upper left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection