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Ballarat Tramway Museum
Photograph - Black & White Photograph/s, 14/01/1952 12:00:00 AM
Black and white photograph of Geelong Tramways, Scrubber or track cleaning tram in Ryrie St, at Moorabool St.. Taken by Keith Kings 14/1/1952. Note the 'Safety Zone' signs and arrangements. Stamp on rear, purple ink 'K.S. Kings No. F(k)(14) Copyright Reserved', with number hand written in using blue ink. Also written on back of photograph "Geelong / Track cleaning car. / Ryrie St. at Moorabool St., City / 14/1/52."trams, tramways, scrubber tram, track cleaner, geelong, safety zone, tram scrubber -
National Wool Museum
Invitation
Invitation from the Mayor of Geelong to the President of the Geelong Branch of the RSSILA, to lunch after the laying of the foundation stone for the Geelong RSS Mill on Wednesday 15th February 1922 at 1.30pm.Invitation to the President of the Geelong Branch of the RSSILA to lunch, following the foundation stone laying ceremony at the RSS Mill, 15-2-1922.textile mills, returned soldiers and sailors mill, 1918: australians in france - exhibition (19/02/2000 - 30/04/2000) -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Wal Jack, 23/06/1949 12:00:00 AM
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 5 from Chilwell climbing up Pakington St Hill, from Mercer St. Chilwell. Has the destination of East. Photo by Wal Jack 23-6-1949. Printed on Ilford paper. See also Reg Item 7824 for another similar photograph. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 17/6/2020. On rear in ink "SEC Geelong No."5 from Chilwell climbing up Pakington St Hill, from Mercer St. Chilwell. 23-6-49" Has the Wal Jack copyright stamp in the top right hand corner with the number "T281" written in..trams, tramways, geelong, chilwell, pakington st, tram 5 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, c1942
Yields information about the appearance of Bendigo Birney trams mid 1950's.Black and white photograph, printed onto card (inkjet printer?) of the Geelong depot with five trams parked - Nos. 2, 13, 27, 26 and 21 in the front. Roads marked 1 to 5. c1942"28 / Geelong publicity view taken about 1929 (crossed out), 1936 (crossed out) 1942? with WFS Collection in bottom left hand corner and "William Scott" address label in bottom right hand corner.trams, tramways, geelong, depot, tram 2, tram 13, tram 27, tram 26, tram 21 -
National Wool Museum
Jacket
Jacket woven and made at the Commonwealth Woollen Mill and Clothing Factory, Geelong.Victorian policeman's jacket, woven and made at the Commonwealth Woollen Mill and Clothing Factory, Geelong.commonwealth woollen mills, uniforms -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1959
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets (man asleep in bed) Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros mills, physician, advertisement, australian women's weekly, geelong -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1959
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets -(mother and child)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros, physician, geelong, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1961
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets - (woman on telephone in bed under red blanket)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, physician, collins bros, geelong, advertisement, australian women's weekly -
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1964
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - the most beautiful blankets (double page)Vibrant colours or muted tones are yours in/Physician/pure lambswool, chillproof, mothproof, odourlessblanket, blanket fever, wool, collins bros mills, physician, geelong, advertisement, australian women's weekly -
National Wool Museum
Ephemera - Physician Blanket Cardboard Advertisement, Collins Bros Mill Pty Ltd, c.1980s
Physician blankets were manufactured by Collins Bros Pty Ltd, established 1874.Advertisement card featuring text and colour photographic image of a blanket. The back has a fold out stand. Printed: AUSTRALIAN / PURE WOOLLEN BLANKETS / PURE NEW WOOL / PHYSICIAN / BLANKETS, ESTABLISHED 1874 / by COLLINS BROS. PTY. LTD.blankets, physician, collins bros mill pty ltd, manufacturing, geelong, wool, advertising, sign -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Jul. 1915
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 12 at the Geelong depot July 1915, decorated and used by the National Defence Association as a recruiting tram. Has many lights and flags on the tram and the words "Come on Geelong" on the sides. See Inscriptions for further details. No details as to photographer or source. On rear in pencil "National Defence Association Recruiting car. This contained a brass band which played along the various routes. A speaker travelled with the car. The tram would stop at predetermined positions to allow of appeal for recruits." "July 1915".trams, tramways, geelong, decorated trams, world war 1, tram 12 -
National Wool Museum
Letter
Part of a collection of commecial documents relating to Burkinshaw Bros, "Wareek", and Strachan, Murray & Shannon Pty Ltd, Geelong, Geelong, including correspondence and sales accounts.Part of a collection of commecial documents relating to Burkinshaw Bros, "Wareek", and Strachan, Murray & Shannon Pty Ltd, Geelong.wool sales wool brokering wool sales - auction system, strachan, murray and shannon ltd, wool sales, wool brokering, wool sales - auction system -
Clunes Museum
Photograph
THIS NAVAL CANNON WAS ONE OF TWO IN CLUNES UNTIL AN ACCIDENT IN FIRING ONE OF THEM RESULTED IN AN EXPLOSION THE REMAINING CANNON WAS NAMED LORD BADEN POWEL. IT WAS REFURBISHED BY MEMBERS OF THE COMMUNITY BEFORE IT'S MOVE TO GEELONG.SIX PHOTGRAPHS SHOIWNG IMAGES OF MOVING OF THE CANON (LORD BADEN-POWELL) OUT OF THE CLUNES MUSEUM BUILDING ONTO A TRAILER FOR TRANSFER TO THE GEELONG MARITIME MUSEUM, GEELONG, VICTORIANILnaval cannon, lord baden-powell -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, c1950
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of an illuminated street sign, lamp, at the North Geelong terminus. Photographer not known, c 1950. Sign has the words "Geelong Electric Tramways / Destination? / No. 3 Terminus"On the rear in ink "Illuminated terminal sign"trams, tramways, geelong, signs, north -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Wal Jack, 1/01/1956 12:00:00 AM
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 5 in Corio Terrace, near the depot. Photo by Wal Jack 1/1/1956. The tram has destination of Chilwell. the Blakiston & Co building in the background. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 27/6/2020.Has the rear in ink "SEC Geelong No. 5 Corio Terrace, January 1st 1956". Has the Wal Jack copyright stamp on the rear with the number T129 written in.trams, tramways, geelong, corio terrace, tram 5 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Wal Jack, 24/06/1949 12:00:00 AM
Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong Nos 36, 3 and 31 at the depot building entrance, or inside depot, 24-6-1949. Photo by Wal Jack from the Roster Room landing. Shows the depot track arrangements. See Also Reg item 5891 for a ground level photograph. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 18/6/2020. On rear in ink SEC Geelong / Nos. 36, 3, 31 inside depot from Roster Room landing / 24-6-1949". Has the Wal Jack copyright stamp in the top right hand corner with the number T296 written in.trams, tramways, geelong, depot, tram 36, tram 3, tram 31 -
Bendigo Historical Society Inc.
Document - JAMES HENRY CURNOW ILLUMINATED ADDRESS, 1888
An illuminated address presented to James Henry Curnow, Esq., by the Committee of the Geelong Jubilee Juvenile and Industrial exhibition. Hand painted and written on card with committee members signatured, decorated with flowers and with scenes of Melbourne Exhibition building, sailing ship and bordered by a design in blue/grey.Markings - H Frank and Co, Geelong.person, individual, james henry curnow -
Emerald Museum & Nobelius Heritage Park
Photograph, Nightingale/Thompson Collection, c. 1900 - 1904
'Rosebank' house name, couple with 4 children standing in front of double fronted weatherboard home. Parents' name: Albert Paul THOMPSON (b.1865 d.1944) and Elizabeth Anna THOMPSON (nee FLEMING) (b.1874, m. 1899, d. 1954) Four daughters: Francis Ruby THOMPSON (b.1900 d. 1967) Violet May THOMPSON (b.1901 d.1966) Olive Doreen THOMPSON (b. 1902) Doris Grace THOMPSON (b. 1904)THOMPSON B/W Photograph mounted on card; Albert Paul and Elizabeth Anna THOMPSON with their 4 children at 'Rosebank' Geelong WestMarkers Mark: C Marshall Photographers on front of mount. On back: Marshall Photographers, O'Connell Street, Geelongthompson. nightingale, fleming, bedgood -
National Wool Museum
Textile - Dress, Wendy Waugh, 1996
Wedding dress originally made for Farmvision '96 from wool slivers produced by Geelong Wool Combing Ltd. Designed and made by Ann Wisby and Wendy Waugh of Gordon TAFE with the assistance of their students from Creative Studies Department. This dress has been modelled, professionally photographed and displayed at Farmvision '96 and National Wool Week '96 and '97. The dress was then given back to GWC and then donated to the Wool Museum.Wedding dress, made from wool top slivers. Halter neck, embroidered and appliqued bodice, long skirt. Also includes head dress and bouquet.fashion, geelong wool combing ltd, wool tops, waugh, ms wendy - gordon institute of tafe wisby, ms ann - gordon institute of tafe -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Wal Jack, 26/03/1939 12:00:00 AM
Black and white photograph of Geelong 27 at the old Moorabool St Wharf terminus Photographed by Wal Jack on 26/3/1939. Tram has the destination of Newtown. .1 same print in the Wal Jack photo album, Reg Item 5003. Note handwriting on rear is different to the other print.On rear in ink "SEC Geelong Birney No. 27 ex (MTT 303) at old Moorabool St Wharf terminus 26th March '39" and in top right hand corner, stamped in purple ink "W. Jack No. Copyright" with Number T265 in ink. 4214.1 - Geelong Tramways, Birney Steel Safety No. 27, J. C. Brill, Philadelphia USE in Adelaide 303. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. tramways, trams, geelong, birney, moorabool st, tram 27 -
Ballarat Tramway Museum
Photograph - Colour Print/s - set of 4, Dave O'Neill?, late 1980s
Yields information through a photograph of a former Ballarat tram (No. 43) who was returned to Geelong and displayed at Queens Park as Geelong 40. Shows the location the tram was stored in and why it deteriorated by the mid 1980's.Set of four colour photographs of Geelong No. 40, Ballarat No. 43, Queens Park Geelong. .1 - shows tram in the enclosure. .2 - close up of one end - showing its Geelong number. .3 - the other end - showing its Ballarat number. .4 - Side view with white combi van in the distance - Dave O'Neil's? Taken late 1980's?geelong, queens park, newtown, tram 40 -
Ballarat Tramway Museum
Negative, Wal Jack, mid 1940's
Negative and Digital images of the Wal Jack Geelong Negative file of Geelong 19 at the corner between Glenleith Ave and Esplanade with the destination of Belmont. Photo mid 1940's. trams, tramways, geelong, glenleith ave, esplanade, tram 19 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, John Webster, 21/08/1955 12:00:00 AM
Yields information about the appearance of one Geelong's single truck trams and its wool store environment.Black and white photograph of Geelong No. 19 with the background of the wool store area. Tram has the destination of Chilwell. Photographed by John Webster, 21/8/1955. Photo used on page 43 of Destination Eaglehawk. Actual print is part of the whole negative. See image 4210i3 On Negative in ink "EH 33" Negative scanned at hi res 4/6/2020 and image updated. ink on rear "Tram 19 Geelong Vic. W. John Webster Photo". On top edge "9263#" and EH33 21-8-55 and initials JR. In pencil is the instruction, increase to 31ems and pencil cropping marks on the rear.tramways, trams, geelong, tram 19 -
National Wool Museum
Program, The Creation
This was obtained by Ken Hirst who's Uncle Cedric Hirst was President and founder of The Geelong Association of Music and Art. The brochure was a program that included the playing of 'The Creation' from a music book originally owned by Godfrey Hirst.Small cream one page booklet outlining the acts for they performance 'The Creation'The Geelong Association of Music and Art Presents The/geelong Choral society In The Creation -
National Wool Museum
Book - A Forecast of the textile vogues for the coming season from R. S. & S. Woollen Mill, Geelong Part IV, Returned Soldiers and Sailors Mill, 1941
The Returned Soldiers and Sailors Mills was located near the Barwon river on Pakington Street, Geelong, where its building still stands. The mill was established in October 1922 with capital acquired from War Gratuity Bonds. The mill produced fine grade woollen products with its speciality being ‘Retsol’ travelling rugs.31 page red book bound with metal pins containing fabric samples glued onto paper, with some printed text.cover: [printed] A FORECAST OF TEXTILE VOGUES / FOR THE COMING SEASON / FROM / R. S. & S. Woollen Mill. / Geelongr. s. & s mill, soldiers, sailors, geelong, war, wool, mill -
National Wool Museum
Book - A Forecast of the textile vogues for the coming season from R. S. & S. Woollen Mill, Geelong Part 1, Returned Soldiers and Sailors Mill, 1941
The Returned Soldiers and Sailors Mills was located near the Barwon river on Pakington Street, Geelong, where its building still stands. The mill was established in October 1922 with capital acquired from War Gratuity Bonds. The mill produced fine grade woollen products with its speciality being ‘Retsol’ travelling rugs.25 page red book bound with metal pins containing fabric samples glued onto paper, with some printed text.cover: [printed] A FORECAST OF TEXTILE VOGUES / FOR THE COMING SEASON / FROM / R. S. & S. Woollen Mill. / Geelongr. s. & s mill, soldiers, sailors, geelong, war, wool, mill -
Ballarat Tramway Museum
Negative, Wal Jack, late 1940's
Negative and Digital images of the Wal Jack Geelong Negative file of a Geelong turning from Aphasia St into Pakington St. The City of Newtown and Chilwell offices are in the background. Photo late 1940's. trams, tramways, geelong, pakington st, aphasia st -
Ballarat Tramway Museum
Negative, Wal Jack, late 1940s
Negative and Digital images of the Wal Jack Geelong Negative file of Geelong 35 turning from Pakington St into Aberdeen St on its way to the Station. Photo possibly late 1940's. trams, tramways, geelong, aberdeen st, tram 35 -
Anglesea and District Historical Society
Label
Probably luggage labels from Geelong C. of E. Grammar School. P. - Western District.Geelong C. of E. Grammar School / CORIO, VICTORIA P. Western District. School crest - Shell brand around hole in label.geelong grammar school, corio, western district -
Morongo Old Collegians
Furniture, 1920 (estimated)
The chair's supplied for each student where used for seating of paretns at the School's Opening in 1920.A high-back slatted wooden chair in a medium Oak coloured wood. Miss Jean Rentoul's School Chair."Jean Rentoul" nameplate on the back.education, school, morongo, geelong, 1920 1994, presbyterian, uniting, furniture, classroom