Yields information about Geelong trams in the late 1940's on the Chilwell - East - West lines.Black and White photograph of Geelong No. 8 as altered for one man operation. Photo taken at the East terminus. Tram has destination of East on side indicator and Chilwell on the front. Photo by Keith Kings 2/51.On the rear in ink. " Geelong No. 8 as altered for one man operation. East terminus 2/51". Keith Kings stamp and number E(7)(3) in top right hand corner.trams, tramways, geelong, east, chilwell, tram 8

Geelong No. 6 in Ryrie St at Moorabool St, 15/1/1955 with T& G building in background and safety zone signs on either side of tram. Tram showing 'CITY' as destination. Photo by Keith Kings.Stamped on top edge 'K.S.Kings No. K(y)(15)' and in ink on base, 'Geelong No. 6, in Ryrie St at Moorabool St 15/1/1955 1/50. on f4 3/4'.tramways, trams, geelong, ryrie st, moorabool st, tram 6

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No.29 at the Chilwell terminus with houses behind. The tram has the destination of East. Photographer unknown, but similar handwriting on the back of the other prints such as Reg Item 5850. Printed on Kodak Velox paper. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On rear in ink "Geelong Tramways No. 29 Chilwell terminus June 1939 ex Adelaide 302."trams, tramways, geelong, chilwell, tram 29

Yields information about Geelong trams in the late 1940's and the appearance of trams 22 and 23 at Beach terminus.Black and white print of Geelong 23 and 22 at the Beach terminus. Tram 23 has showing special, has the AETA tour board and an auxiliary board showing "Chartered Tram". No. 22 has the destination of West. Photo dated 29/3/1948. Based on the handwriting on btm5869i, the photo is by Leon Marshal-Wood. Negative scanned at 3200dpi 9/6/2020 9/6/2020.On the rear in ink "29/3/1948, Beach terminus in Geelong, AETA tour"trams, tramways, geelong, aeta, beach, west, tram 23, tram 22

Yields information about Geelong trams in the late 1940's on the Chilwell - East - West lines.Black and White photograph of Geelong No. 24 at the West terminus. Tram has the destination of East. About 1954. Photo by CLC - General Manager of the Wombat Hill Railway,On the rear in pencil "With compliments by General Manager of the Wombat Hill Railway, Printed by the Public Relations Publicity Dept Wombat Hill railway, Geelong No. 24 West terminus about 1950." Has the Keith Kings number "CLC-8" in top right hand corner.trams, tramways, geelong, east, west, tram 24

The photograph shows Geelong tram No. 22 in Moorabool St with the destination of North. A number of ladies carrying shopping baskets are in the view. Photo by an unknown photographer on 14-1-1954.Yields information Geelong tram services in Brougham St.Black and white photograph with details on rear.In ink "22 at City Corner Geelong, ex Belmon bound for North 14-1-54" and number '1034" in ink.tramways, trams, geelong, brougham st, tram 40

Newspaper clipping from "Bachchus Marsh Telegraph", 9/1995? about the relocation of ex MMTB W2 340 from the Hungry Jacks Restaurant Melton to Greendale and Mr. Robert Lilburn who attended the loading of the tram. Has a photo of Bob, holding a trolley wheel ex Geelong as well and some details of Bob as a tram enthusiast. Date: - Assumed to be 25/9 by notation on cutting and that the tram arrived in Melton in 1989 and was being moved six years later. No date on the cutting and on the rear page is an advertisement from KFC Bacchus Marsh opening in November 1995 and seeking staff.On cutting "Trolley Wheel Geelong 19", "Tram 340 25/9 Mon 9am) and "Bacchus Marsh Telegraph".geelong, tramcars, melton

Negative and Digital images of the Wal Jack Geelong Negative file of Geelong 29 in Ryrie St, with the destination of Eastern Park. In the background is the Mayfair school of dancing and the Geelong Gas Co. Photo mid 1940's. trams, tramways, geelong, ryrie st, tram 29

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 17 to Belmont (right) and No 18 to West at the intersection of Moorabool and Ryrie Streets 8-1-1956. Photographer unknown. In the background is the Bank of New South Wales Building and a gifts building. The pole in the centre has a bar traffic light. Has written in ink on the rear "Intersection Ryrie and Moorabool Sts 8/1/56, Geelong"trams, tramways, geelong, ryrie st, moorabool st, tram 17, tram 18

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 1 turning out of Ryrie St into Garden St 3rd January 1945, with destination of East. Photo by Wal Jack. See also Reg Item 4395 for another copy of this photograph used by W. F. Scott. Printed on Ilford Paper. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 27/6/2020. On the rear in blue ink "SEC Geelong No. 1 to East, turning out of Ryrie St into Garden St 3rd January 1945" with Wal Jack copyright stamp in the top right hand corner and the number "T318" written in.trams, tramways, geelong, ryrie st, tram 1

From the Dennys Lascelles Geelong WoolstoreGEELONG INWARD AGENTwool stores, dennys, lascelles limited, brass, sign

The photo shows Geelong No 8 at the East terminus with the conductor standing alongside. The tram has the destination of Chilwell. Note the large steel pan alongside the trolley pole to assist crews in locating the trolley pole on the overhead at night. Dated May 1947 on the rear.Yields information about the Geelong East terminus and tram 8.Black and white photograph with typed details on rear.Typed on rear SEC system Geelong, car no. 8 at "East". Ken Magor stamp and "K Winney" tramways, trams, geelong, tram 8, east

The photo shows Geelong tram No. 10 at the Newtown terminus, showing the return destination of Beach. Note the large overhead pan to assist the crew in locating the trolley pole, particularly at night. Photo by Ken Winney May 1947.Yields information about the Geelong Newtown terminus and tram 10Black and white photograph with typed details on rear.Typed on rear "Car No 10 at the Newtown terminus (Geelong), May 1947". Ken Magor stamp and "K Winney" tramways, trams, geelong, newtown, tram 10

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 24 in Aberdeen St, 29-3-1948. Wal's album notes that the tram is in the new colour (all green) scheme. Printed on Velox Paper. Tram has the destination of East. Note the "Pay as you enter" sign. Has on the rear in ink "Aberdeen St, Geelong 29-3-48" and the L. M. Wood copyright stamp.trams, tramways, geelong, aberdeen st, east, tram 24

Sash to commemorate the opening of The National Wool Museum. White rectangle sash with black lettering to commemorate opening of National Wool Museum."To commemorate the opening of The National Wool Museum By the Premier of Victoria the Hon. John Cain M.P. on 21st December, 1988"premier of victoria, john cain, 1988, national wool museum, geelong

Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong

Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Standard sized fringed plaid blanket in red and blue with black and yellow accentsMothproofed/Godfrey Hirst/100% Pure Wool Rugwool, blanket fever, travel rug, godfrey hirst, geelong

Black and white image of the port at Corio Bay in 1850.thomas ham, corio bay, geelong, port, ships

Modern industrialized Berber carpets are distinguished by a loop pile construction type that gives a similar appearance to the distinct knot of traditionally woven Berber carpets. The modern carpets usually contain small flecks of dark colour on lighter shades of background colours resembling a natural undyed version of the traditional carpets. Berber is known for being one of the oldest and most durable kinds of carpet. Traditionally, Berber carpets are carpets hand-woven by the Berber people in North Africa and the Sahara. The carpets come in traditional and modern designs, which are distinguished by different knotting patterns, dyes and fabric textures. The origin of carpet weaving by the Berber populations dates back several millennia. The hand-spun cloth they created was named after the individual tribe, and they used natural fibres to create cloaks, rugs and other fabrics. Card showing printed text and graphic featuring an image of a sheep in tones of orange, brown and cream. Printed: PURE NEW WOOL / THE / LOOK OF / BERBERcollins bros mill pty ltd, manufacturing, geelong, wool, berber

Negative and Digital images of the Wal Jack Geelong Negative file of Geelong 2 at the North terminus. Photo early 1950's.. trams, tramways, geelong, north, tram 2

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No 32 in Moorabool Street, 1-1-1956. Photo by Wal Jack. Printed on Ilford Paper. Tram has the destination of Belmont. In the background are Crofts Self Service, Austral Art Furnishers. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 27/6/2020.On rear in ink "State Electricity Commission of Victoria, Geelong / No. 32 with yellow stripes in Moorabool St. 1-1-56". Has the Wal Jack copyright stamp in the top right hand corner with the number T1302 written in.trams, tramways, geelong, moorabool st, belmont, tram 32

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 6 turning from Moorabool St in Corio St enroute to Beach. Has many wool store buildings in the background. Printed on Ilford paper. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 25/6/2020. On rear in ink "SEC Geelong No. 6 to Beach. Turning out of Moorabool St. into Corio Terrace 1.50pm 3rd January 1945" Has the Wal Jack copyright stamp in the top right hand corner with the number "T323" written in. trams, tramways, geelong, moorabool st, corio st, beach, tram 6

Photograph, Black and White of Geelong No. 9 being transferred at Byland from one shed to another on 3/4/1996. See note below.In ink on the rear: " TMSV - Lift body of Geelong 29 above the overhead wires and poles at Bylands on 3/4/96. It had been on temporary bogies on No. 6 road will be lowered onto the low-loader semi-trailer on the left for transfer to No. 3 tram shed (not yet connected by track). Has KSK number 372-29trams, tramways, geelong, tmsv, bylands, tram 9

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Geelong No. 15 at the Wharf terminus, Moorabool St, 26-3-1939. Photo by Wal Jack. Tram has the destination of Newtown. In the background are the Australian Steamships Pty Ltd Office and Sailor's Rest building. Printed on Ilford paper. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On rear in ink "SEC Geelong No. 15 Birney at Moorabool St Wharf terminus. 26-3-1939." Has the Wal Jack copyright stamp in the top right hand corner with the number "T264" written in.trams, tramways, geelong, moorabool st, wharf, tram 15

Black and white photograph of Geelong No. 26. The tram has the destination of East. Photographer - Leon Marshall-Wood, March 1947. The tram has a number of passengers on it. .1 - Copy small format print from Lloyd Rogers collection via Robert Green 2/2014. Added 4-4-2019On rear in pencil "S K, 3/47 L M-W, Owner J.R"?, On rear of copy print 4194.1 - "Geelong" in top left hand corner.tramways, trams, geelong, east, tram 26

This photograph depicts people gathered in the Growers Gallery on the 11th January, 1995 at the National Wool Centre, Geelong. It shows the emotions of Murray, Ian and Kaye Appledore while bidding took place for the million dollar bale. The wool was shorn from sheep of the Wyndarra and Rockbank bloodlines. A flock of 290 sheep were kept undercover at Kadinia, the property of the Appledore family from Brim in the Wimmera district of Victoria. Their record-breaking wool was produced by giving the sheep a special diet and providing each one with a UV-protective coat. Around 180 fleeces were selected for the million dollar bale. The sale of the first bale of wool measuring below 14 microns was held in the Auction Room here at the National Wool Museum. Bidding began at 40,000 (cents a kilogram) and steadily increased until there were only two bidders left. The bidders represented the Japanese firm Aoki International and Loro Piana of Italy. The hammer fell at 1,030,000 cents per kilogram, with Aoki International paying $1,194,800 for the 116kg bale. The fleece was scoured (cleaned) at the Goulburn Wool Scour, New South Wales. The degree of preparation and care taken with the task was extreme. The Scour closed production three days before and was extensively cleaned. On the day of scouring 12 tonnes of 17 micron wool was washed to condition the water, then nine bales of extra super fine wool, worth over $300,000 was washed as a trial run. Toabo Agaki Japan was employed to process the scoured wool into suit cloth. Taobo required the scoured wool to contain 0.5% residual grease, 12% moisture and a yield of 83kg. These requirements were met. The entire staff of the Scour wanted to be part of washing the best wool in the world. Without asking for payment both the night shift and afternoon shift crews assisted the day shift in the task. The bale was fed into the scour in seven minutes and fitted into three bowls, half the scour. It completely disappeared into the dryer and the last wool was fed before the first wool was out. The clean wool was hand-packed into cardboard cartons and freighted to Japan. Aoki International, based in Yokohama Japan, cut three suit lengths from the cloth, then blended the remaining wool into an exclusive line of commercially-available suits. These suits are labelled Kadinia.Colour photograph showing an interior view of rows of people seated and standing in room.michael crooks, auctioneer, wool industry, million dollar bale, geelong, auction, kadinia, appledore, keith jackson, sale room

Yields information about the appearance of the Geelong Scrubber Tram, 1955.Black and white photograph of the Geelong Scrubber tram on the depot fan. Photographed by John Webster, 21/8/1955. Two copies - different negatives.On rear in ink "Track Scrubber, Geelong, Vic, W. John Webster Photo", initials "JR" and in top corner "21-8-55". Track Cleaner Copy 1 - EI2 Copy 2 - EI3 On Negatives in ink "EI 2 " and "EI3" See Reg Item 4224 for another view - mainly of the truck. One of the two negs scanned at hi res 2/6/2020 and image updated.tramways, trams, geelong, depot, tram scrubber

The Orchid Tables were on display as part of the Ten Years of Dowel Jones exhibition at the National Wool Museum in 2024. The exhibition label reads: Sitting just outside this exhibition in the National Wool Museum is a 1910 Axminster Jacquard Carpet Loom. This loom was operating at Brintons factory in Geelong from 1960 to 1975, and then at the Melbourne College of Textiles, until it was donated to the museum. In the 1990's the museum commissioned an exclusive pattern called the Manor House Rug. Based on earlier designs from Brintons UK Persian Rug Archive Library, the museum continues to make this rug through the expertise of Loom Technician Michael Farquhar. The Manor House Rug features a central medallion with floral pattern. Working with illustrator Beci Orpin, and referencing Margaret MacDonald & Angair's book 'Orchids of the Anglesea District', we identified regional orchids. By a process of removal and addition, the original floral medallion was replaced with local species as decorative motif. Ten Year of Dowel Jones presents three altered Manor House Rugs, each with different orchids tufted in wool and placed in the centre of each rug. The rugs have been attached by cotton thread to three table frames at different heights to create the Orchid Tables.Three tables consisting of powder coated steel frames, with a woven carpet top. The table tops are made from wool with a jute backing, and feature a red, green, blue, black and cream floral design with an orchid in the centre. Each table is a different height.dowel jones, ten years of dowel jones, national wool museum, axminster loom, carpet, manor house rug, orchids, anglesea, design, art, furniture, beci orpin, brintons, geelong, melbourne college of textiles

The Melbourne Electric Supply Co. operated a Power Station in Richmond and provided power to the Prahran and Malvern Tramways Trust and the Hawthorn Tramways Trust. They also provided power to Geelong and operated the Geelong Tramway system. MESCo Geelong and Richmond operations were taken over the SECV in 1930. The book gives the requirements for wiring of building and switchboard. Yields information on the electrical requirements that electricians were required to work to where MESCo supplied electricity. It would have been used in the development of the SEC rules. Has a strong association with one of the MESCo Electrical Inspectors.Book - The Melbourne Electric Supply Co. Service and Wiring Rules - 64 pages, centre stapled, dark fawn covers. Provides rules for the Melbourne (Richmond) and Geelong undertakings. Dated 1/4/1918. Has a number of printed updates pasted into the book along with a typed and hand witten note. Price 6d. Has an index.Some hand written notes on the various clauses. Has the stamp of "Electric Inspector" in the top right hand corner. Numerous marks of red and blue pencil to high light specific clauses.rules, wiring, electrical, regulations, mesco, geelong, tramways

Negative No. 264 and colour print made by colour laser printer (stored in folder ) of a head on shot of No. 39 at Beach terminus Geelong, by Geoff Grant on 2/4/1955 while on an Australian Electric Traction Association tour. Scanned images - 1546i in jpg and psd formats and 1546p in jpg format.. .1 - Copy large format print from Lloyd Rogers collection via Robert Green 2/2014. Added 4-4-2019..1 - In ink in bottom left hand corner - "Eastern Beach Geelong 2-4-1955"trams, tramways, geelong, aeta, beach, tram 39