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Ballarat Tramway Museum
Slide - 35mm slide/s - set of 11, Eldon Hogan, mid 1960's to early 1970's
Set of 11 Agfa Plastic mounted slides - from the Eldon Hogan collection - possibly on an ARE Bendigo tours - mid 1960's (black destination rolls) and late 1960's or early 1970's. Scanned on the Canon scanner at the depot 15/12/1971 at the time of the installation of the scanner. .1 - front of depot -26, 19, 24, 29 and 28 amongst those present. .2 - ditto .3 - 24 departing depot .4 - 26 at Eaglehawk .5 - No. 5 turning from Pall Mall into Mitchell St with town hall in background. .6 - No. 5 using crossover in Mitchell St - with Maples, CBA Bank, Astor, Homecrafts, Roger David shops or signs in the background. .7 - ditto .8 - bogie car at Charing Cross with the Fountain Plaza shopping centre in the background. .9 - Charing Cross, with the fountain in the foreground, The Beehive and three trams in the view. .10 - No. 24 outbound, Golden Square line crossing the bridge over the creek, adjacent to the discovery of Gold Monument. .11 - ditto. tramways, trams, bendigo, eaglehawk, depot, charing cross, golden square, tram 26, tram 19, tram 24, tram 29, tram 28, tram 26, tram 5 -
South Gippsland Shire Council
Photograph, Framed, Aerial town view of Mirboo North, 2004
One of a set of two. Framed colour photograph titled: "Mirboo North Township 2004". Features an aerial photograph of the township of Mirboo North. Set in maroon card window mount and decorative brown and gold wood frame. Engraved brass text panel with white lined border affixed below image. -
Tarnagulla History Archive
News clipping: Tarnagulla is the abode of the blest, Tarnagulla is the abode of the blest, Second half of 19th Century
Murray Comrie Collection. A small news clipping from unknown publication with a short section about Tarnagulla. Text begins 'Tarnagulla is the abode of the blest'. References the post office and town hall, children picking up gold nuggets in the street and notes that the only lockup is a 'pile of logs'.tarnagulla, gold, buildings, post office, hall, children, lockup, lock up, policing, media -
Bendigo Military Museum
Certificate - CERTIFICATE WW2, FRAMED, Osboldstone & Co, Post WW2
Gold wooden frame with glass front & cardboard backing. Coloured certificate with white border. King George photo with crown, Union Jack & Australian flags at top. South Africa, India & Australian State emblems around border & red seal bottom LHS. The Call to Arms 1940. Paying Tribute to Pte Frederick George Crosbie for Service in The World War 1939” Signed by: “Mayor & Town Clerk of Borough of Inglewood” On backing in black texta: “MRS J CROSBIE”certificate, shire, inglewood -
Ballarat Heritage Services
Digital Photograph, Dorothy Wickham, Vire, Normandie, France, 10/2016
The town of Vire is on a rocky promontory above the Vire River, situated in the south-west of the Calvados department of Lower Normandy, about half way between Caen (north-east of Vire) and Mont-Saint-Michel (to the south-west). Since 2016 the town has been part of the commune called Vire-Normandie. The town suffered quite heavily during bombardments at the end of the Second World War, and much reconstruction and renovation took place in the decade that followed the end of the war. (https://www.francethisway.com/places/vire.php) Julien Hardy, a stonemason and first discoverer of gold at Happy Valley, near Ballarat, Victoria Australia, was born near Vire, France. This photograph was taken by a descendant of Julian Hardy.Two colour photographs of buildings in the town of Vire, Normandie, France.julien hardy, vire, normandy -
The Beechworth Burke Museum
Photograph, unknown
This reproduced photograph is of Pennyweight Flat near Beechworth, a notable area of the 1850's gold rush in Victoria. Donald Fletcher, migrating to Beechworth from Scotland in 1855, had substantial claims at Pennyweight Flat and was amongst the first in the district to utilise hydraulic sluicing and water diverting methods.The flat is said to have seen a flurry of 200 miners to the area around 1857, and by 1861 when work commenced on extending Fletcher's tail race the census recorded 644 people residing there (European males, females and Chinese). Pennyweight Flat is also significant for the cemetery that resides on the hilltop and which noted approximately 200 burials from the gold rush period 1852-1857, known for a long period as a children's cemetery due to the number of children's graves present.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in 1910. It also shows a location where sluicing was undertaken which provides insight into the impact of sluicing on the environment at a time when it was done. This image is important for current research into the history of Beechworth and surrounding area including Victoria's North East. The Rocky Mountain Extended Gold Sluicing Company was a long running and very active mine that was one of the most successful and largest in the district. Therefore, this image has the capacity to be beneficial for research into society and the motivations of those living and working in this region during this period and therefore, has social significance. The Beechworth Burke Museum has additional images relating to gold sluicing which can be analysed and studied alongside images like this one. When the mine closed in 1921, in a liquidation sale, Zwar purchased the tunnel and clear water supply that ran under the town of Beechworth. He directed the water to his tannery and over time built a major industry in leather works that was a major employer in Beechworth. In growing his leather business, Zwar installed crude oil engines for electricity in his factory. He oversaw working with local council to introduce electricity to Beechworth via a sub-station on Albert Street. In 1927 Electric street lamps replaced gas lamps in the streets of Beechworth. Black and white rectangular reproduced photograph printed on glossy photographic paperObverse: Reverse: 84.222.5/ digital print/ rocky mountain extended gold sluicing company, gold, sluicing, gold sluicing, hydraulic sluicing, gold mine, open cut mining, mining, gold mining, north-east victoria, beechworth, burke museum -
City of Greater Geelong
Artwork, other - Oil on Canvas, Frederick Strange, William Weire - First Town Clerk of Geelong 1850 -84", 1845
Both William Weire and Frederick Strange were originally sentenced to be transported to Van Dieman’s Land from England making the painting likely to be a portrait of a convict by a convict. Gaining his ticket of leave for good behaviour in 1841, Strange became recognised for his portraiture and landscapes although he also remains known for his mysterious demeanour. He rarely signed his works which is the case with the portrait of William Weire. Having served his time, William Weire was granted unconditional freedom and successfully worked his way into influential local Launceston business and society circles ahead of leaving for Geelong in 1848 and being made the first Town Clerk for the newly formed Town of Geelong Council in 1850. He oversaw an incredible period of the earliest development of the Town of Geelong including the first migrant arrivals and the dramatic change that came with the discovery of gold in Victoria in the 1850s. The ex-convict turned Town Clerk was to read the formal welcome address to HRH Alfred the Duke of Edinburgh and Princess Alexandra on the occasion of Geelong’s first royal visit. The portrait of William Weire was originally gifted to the City of Geelong by the Weire family in 1961.convict, geelong, town clerk, frederick strange, william weire -
Wodonga & District Historical Society Inc
Book - A Poor Man's Diggings, June Philipp, 1987
The town of Bethanga is located in the mountainous north-east of Victoria, near the Murray River. In the 1870s miners and itinerant workers came to the area to seek their fortunes.This history of Bethanga, covering the period from 1875 to 1912, tells the story of these people and the community they created.A publication relating the history of mining at Bethanga in Northeast Victoria, the miners and semi-itinerant workers, who came to the area in the 1870s in search of a fortune and the community they created. Thus publication of 222 pages includes text, images, maps and a detailed index.non-fictionThe town of Bethanga is located in the mountainous north-east of Victoria, near the Murray River. In the 1870s miners and itinerant workers came to the area to seek their fortunes.This history of Bethanga, covering the period from 1875 to 1912, tells the story of these people and the community they created. gold mining bethanga, miners victoria, history of bethanga -
The Beechworth Burke Museum
Photograph - Lantern Slide, c1900
Beechworth's Anglican Church, Christ Church St Peter and St Paul, has served the Beechworth community since 1858 in its present form, following its beginnings in a tent in 1855. The Victorian branch of the National Trust classified the building as regionally significant in 1959 and the organ as of significance to the nation in 1992. Building a place for Anglican worship was a priority in the early days of Beechworth's settlement as the town was a site of regional administration due to its association with the economic and social expansion of Victoria during the Gold Rush period. The Church garden features several significant trees monitored by the Beechworth Treescape Group, including a cork oak growing near the Ford Street entrance, an Atlantic cedar, a bunya or bunya-bunya pine and two kurrajongs. Some of these long-established trees may be visible in this lantern-slide image. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's social amenities and religious infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.Obverse: 1 /beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, christ church, indigo shire, north-east victoria, churches, architecture, anglican, religion, atlantic cedar, organ, magic lantern, christ church st peter and st paul, beechworth treescape group, cork oak, bunya pine, bunya bunya, kurrajong, quercus suber, cedrus atlantica f. glauca, araucaria bidwillii, brachychiton populneus -
Stawell Historical Society Inc
Archive - Newspaper Supplement, Town And Shire of Stawell - 1985
1985 Callander with Coloured Picture of Gold Pour. Community Services Directory 1985.gold -
The Beechworth Burke Museum
Photograph, Unknown c.1900s
This image depicts a group of local counsellors from the Shire of Beechworth (est. mid to late 1900s). The identities of those within the photo remain unknown. The table and chairs featured in the image were produced in the late 19th century and have been in continual use for more than 100 years. The councellors would likely have convened in the Beechworth Town Hall. A History of Beechworth: Gold was discovered in the May Day Hills district in 1852. A canvas and timber settlement soon developed as prospectors rushed to the area. Over four million ounces of gold was recovered in the first 14 years. Between 1852 and 1857, Beechworth was a gold-producing region and centre of government, boasting many industries and a multicultural population. Beechworth was proclaimed a borough on the 11th of September 1863, a formalisation of the municipal incorporation of the town seven years before. This image is associated with the history of Beechworth; it reveals the identities of local counsellors, persons whose contribution to the Beechworth Shire could otherwise be lost to time. Black and white rectangular photograph, unmounted.beechworth council, indigo shire, local victorian government -
The Beechworth Burke Museum
Photograph, c1990
... . For the town of Beechworth, the gold rush began in 1852, when gold.... For the town of Beechworth, the gold rush began in 1852, when gold ...Taken in the 1990's, this photograph depicts a row of shop fronts in the 'Street of Shops' exhibition in the Burke Museum in Beechworth. This exhibition was created and opened in 1979 and was intended to reflect and imitate a historic peirod in the town's past. The time period decpicted is that of the Gold Rush which swept through many Victorian towns from the 1850's onwards. For the town of Beechworth, the gold rush began in 1852, when gold was discovered in Spring Creek, drawing in many new residents seeking to make a fortune and transforming a once remote town into a bustling centre brimming with hope and opportunity. By 1857, the town contained over 200,000 residents and with this, the need for more amenities and intsitutions arose. Multiple churches, banks, schools, shops, hospitals and other essential buildings appearing over the years. The wealth acquired through the gold rush is largely responsible for the vast development of the town and many of its significant buildings which still remain to this day. This photograph also highlights the significance of this type of exhibition, providing a new mode of experiencing and learning about the past. The street depicts the many supporting trades and industries that arose from the mass migration during the gold rush. The creation of the Street of Shops in 1979 was envisioned by Roy Harvey who was the curator at the time, with the intention of recreating an authentic feel to the environment while collecting from the community to accurately portray the multiculturalism that is ingrainded in many towns and communities of Victoria. This photograph contains historical significance as it relates to and portrays an especially important period of time within Beechworth and Victoria's history. The gold rush phenomena ushered in a wave of hope and prosperity for citizens and immigrants alike. It provided many with the opportunity to strike it rich, while the town prospered and grew in many ways. This widespread development that accompanied the gold rush occured throughout Victoria and holds great historical importance when recording the social, economic and communal developments that occured throughout the time period which gave way to the beloved towns and communities we know today. Beechworth itself is acknowledged as Victoria's best-preserved gold mining town and deserves recognition of its significance. it also showcases the great significance of social develpment and globalization that occured throughout the state during this period. Coloured rectangular photograph printed on matte photographic paper and unmounted. Obverse: Dancing every night 8pm-6am [mirror] / Gold Diggers Arms Hotel façade / Star / Beechworth Gold / J. Davidson / Saloon Reverse: 3306 beechworth, burke museum, street of shops, gold rush, indigo shire gold rush, 1850s beechworth, burke museum exhibitions, saloon, gold buyer, hotel, historical streetscape, gold rush immigration -
The Beechworth Burke Museum
Photograph, circa. 1850
... a part of the town on Beechworth, Victoria. Beechworth became ...Date not confirmed, a farm in the Beechworth Warner property with a farmer overlooking calves, poultry and timber. This photograph depicts the farming and agriculture industry in Beechworth. The property, known as Daintree Stud or the Warner property, was formed a part of the town on Beechworth, Victoria. Beechworth became famous in the 19th century from a short- lived gold-rush. The town grew to the extent of building a hospital and mental hospital, court house, hotels, convent, and prison. During this time, the industrial growth of Beechworth was significant, seeing a rise in practices including tanning, cobbling, blacksmithing, and the selling of livestock. This photograph perhaps reveals a small degree of insight into the livestock business.Black and white rectangular photograph on matte photographic paper, unmountedReverse: 5896/ BMM 8093-1farm, agriculture, farming and agriculture, beechworth, beechworth farm, industry -
The Beechworth Burke Museum
Photograph, c1879
This image is believed to be taken in 1879. The photograph depicts gaol staff in front of what was believed to be the original timber gates of Beechworth Gaol. This has been proven false through photographic evidence but is believed to be somewhere within the Old Beechworth Gaol. The Old Beechworth Gaol opened in 1864 as a result of the gold rush boom that struck Beechworth in 1852, bringing with it a large population desperate for riches. It is most famously known for holding Australia's most famous outlaw, Ned Kelly, along with his relatives and supporters, the Kelly Gang. It is now open for tour for the public.This photo depicts Old Beechworth Gaol, which has extreme historical significance to the town of Beechworth through both the building and the prisoners who occupied it. This includes famous bushranger Ned Kelly, who was a prisoner here in 1871 and 1880. Black and white rectangular photograph printed on matte photographic paperReverse: 6201/kelly album, beechworth gaol, guard, old beechworth gaol, gaol, uniform, burke museum, #beechworth, gold rush -
The Beechworth Burke Museum
Photograph - Lantern Slide, c1900
This image shows the gorge adjacent to Beechworth in approximately 1900. Although the exact location of the photograph is yet to be determined, the present-day Beechworth Gorge Walk includes views of the Cascades at the point at which Spring Creek flows into the valley on the level below. Gold-sluicing techniques in use in the town during periods of active gold extraction may have altered the landscape since the photograph was taken, however. In the 1850s a mill was built at the top of the Spring Creek falls by Russian-born Louis Chevalier, brother of artist Nicholas Chevalier. The mill supplied the town with lumber that supported the town's initial construction boom. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, indigo shire, north-east victoria, spring creek falls, beechworth gorge, louis chevalier, nicholas chevalier, lumber industry, timber industry, 1850s, construction, building, mill, mills, waterfall -
Federation University Historical Collection
Photograph - Photograph, Black and White, Frank Wright, 02/1933
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Photograph of Frank Wright .1) Black and white photograph of a man dressed in a suit and hat and standing on what appears to be the deck of a boat with a sail above. The vessel is a short distance from the shore. In the distance is a field and a town nestled at the base of rolling hills. The man is Frank Wright. .2) Black and white photograph of 4 men on the deck of the 'Rangatina', Lyttelton, New Zealand. The men are Bill Stevenson, Frank Wright, John Osborne and Charlie Patchett.frank wright, conductor, brass band, rangatina, bill stevenson, john osborne, charlie patchett -
Federation University Art Collection
Work on paper - Artwork - Digital archive print, The Corry (from the series: Cake Walking in Scotland, 2015/2016), 2016
David FERRY (1957- ) Born in Blackpool, United Kingdom. David Ferry studied painting at the Camberwell Schools of Art and printmaking at the Slade School of Fine Art in London. He is currently Professor of Printmaking and Book Arts at the Cardiff School of Art, Cardiff Metropolitan University,Wales. He was Former Associate Professor of Fine Art Media, at the Long Island University, New York, USA, and former Head of Printmaking at the Winchester School of Art, UK. David Ferry was awarded a Fellowship of The Royal Society of Arts for his contribution in the foundation of the Curwen Print Study Centre in Cambridge where he became its first Artistic Director in 2003. In 2010 he was made Professor of Printmaking at the Cardiff School of Art and Design, and a full Fellow of the Royal Society of Painter / Printmakers (RE).Framed screenprint which forms part of a series called ‘Cake walking in Scotland’ which was printed 2015/16. It is a Digital Archive print with gold and silver leaf and glitter and varnish. "Upon entering a strange place, the visitor is disorientated. He looks for key markers that can act as signposts to help him find his way. These markers are taken from his past experiences, giving shape to his perceptions.’…’ Ferry was born in the seaside town of Blackpool and educated at London art colleges during the late 1970s at the height of British Punk. These early foundations continue to assert themselves in the mischievous and disruptive nature of his photomontage. He argues that early understandings of oneself, along with the characters and situations one encounters, shape our viewpoint. These act as familiar signposts that enable us to negotiate our understanding of the world. Employing what he refers to as a collage mentality, Ferry collides and layers fragments to explore his subjects.’ Writes Stephen Clarke on David Ferry’s work in ‘The Double Negative’. (htt05 April 2019)ps://www.roeandmoore.com/shop/the-corrie-by-david-ferry/, accessed One of an edition of 12.david ferry, printmaking, artist in residence, screenprint, art, artwork -
Buninyong & District Historical Society
Photograph - Original B/W Photograph, De Soza park, Warrenheip St., Buninyong, with poppet head, rotunda and Chilean Wheel sculpture, July 1993
De Soza park was developed as a public amenity from the early 1980s. The poppet head and Chilean wheel sculpture are representative of the gold mining origins of the town.The park, located centrally in Buninyong is of social and historic significance.Original B/W photograph of streetscape of De Soza park frontage to Warrenheip St., Buninyong, with poppet head, rotunda and Chilean Wheel sculpture, former post office in background. Large eucalypt tree present behind rotunda, large cypress tree to north of park.buninyong, de soza, park, rotunda, poppet head, sculpture, chilean wheel, post office, warrenheip st, streetscape -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Textile - Flag, Framed, Japanese Good Luck Flag, 1942-1945
World war 2 Japanese good luck flag carried by Japanese soldier in the Pacific. Good luck flags were commonly carried and bore the names of members of the soldiers home town.It is believed that this flag had previously been on display at the old Footscray depotJapanese flag comprising of red circle centrally located on a stained white background with black conji lettering surrounding the central red circle. The flag is quite badly stained and has rips and moth holes distributed evenly across its face. there is some slight bleeding of the red colour into the lighter fabric above the circle. Framed behind consevation glass in stained wood and gold frame on a black card board backing. ww2, japan -
Stawell Historical Society Inc
Photograph, Magdala Shaft, 1986
7082a: - Induction fan discharge from the Stawell Gold MIne, this gunck would include the diesel fumes of trucks and mining machines. The steam Plume drifts over the nearby trees blackening and killing the. It also drifts over the reservior adding a touch of spice to the town's drinking water. site closed in 2001. Another fan is located near to Darlington Lane and McLennan Street.2 Photographs: 7082:Showing workmen drilling a shaft with a car in the background 7082a: Showing Steam? coming from the shaft.On Reverse: 7082 Mick Walsh 52 Patrick Street Phone 053 ******mining -
Glenelg Shire Council Cultural Collection
Print, Will Longstaff, Menin Gate at Midnight, 1927
CEMA Art Collection Previously located in History HouseThe print depicts a natural landscape with a large classical style building (Menin Gate, Belgium) to the left. In the foreground are hundreds of ghostly figures of soldiers. The background appears to be a distant view of a town with several lights visible. The work is completed in various shades of blue and green. Mounted with brown card the work is framed in a black and gold frame, and has an exposed canvas.Front: Lower Right: Will LONGSTAFF 1927 Brass embossed plate:MENIN GATE AT MIDNIGHT BY WILL LONGSTAFF, PRESENTED TO THE COMMONWEALTH GOVERNMENT OF AUSTRALIA, BY LORD WOOLAVINGTON. COPYRIGHT RESERVED Back: (No inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - opalotype, Thomas Must, n.d
Possibly Portland Town Council. Thomas Must, a wealthy Sydney merchant arrived in Portland in 1845. In 1855 prospect was built for Must to a design by local architect George Mathewson. The two storey home was built in expansive grounds with sweeping views of Portland Bay and the township. The stuccoed house is of Regency/Italianate style with a single storey verandah and single storey kitchen wing. In 1878 the original posted verandah was replaced by new verandah and a conservatory to a design of architect Daniel Nicholson. Nicholson had also been responsible for the design of the Assembly Rooms at the London Inn. Thomas Must was active in the Portland Community. He was a Trustee of the Port Philip Savings Bank, a Justice of the Peace, Treasurer of St. Peters Church at Bridgewater and the first Chairman of the Portland Borough Council. Prospect was Thomas Must’s home until his death in 1905. The building has been considerably altered over the years and much of the original Italianate character has been lost. Subsequent owners include B. Cunningham, G.S. Beresford (who changed the property’s name to Waterford), and long-term Liberal Senator Sir Magnus Cormack. Cormack was President of the Senate from 1971 to 1974. In 1976 the Prospect became an aged accommodation centre.Wooden Frame - light brown. Gold inner frame. Fawn mount. Man with long white beard and hair facing right wearing dark jacket.Front: (no inscriptions) Back: (no inscriptions)photography, opalotype, thomas must -
Glenelg Shire Council Cultural Collection
Book, George L. Craik et al, The Pictorial History of England, Vol. VII, 1792-1801, 1846
History of EnglandLight brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine.History of Englandenglish history, 1992 to 1801 -
Glenelg Shire Council Cultural Collection
Book, George L. Craik et al, The Pictorial History of England, Vol. V, 1760-1784, 1846
Light brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine.english history, 1760 to 1784 -
Glenelg Shire Council Cultural Collection
Book, Susan Warner, The House in Town, c. 1892
Blue cloth binding over carboard covers, with title in gold at top edge. Man riding a chariot with four horses depicted in a roundel at lower edge of cover, with details in gold. 200 pp.childrens fiction, fiction, women authors -
Glenelg Shire Council Cultural Collection
Book, Chambers' Encyclopaedia, Vol. IX, 1889
reference book; encyclopaedia;Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges.reference book; encyclopaedia; -
Glenelg Shire Council Cultural Collection
Book, Chambers' Encyclopaedia, Vol. VI, Humb to Malt, 1889
Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges.reference book -
Glenelg Shire Council Cultural Collection
Book, Chambers' Encyclopaedia, Vol. V, Frid to Huma, 1889
Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges.reference, encyclopaedia -
Glenelg Shire Council Cultural Collection
Book, Chambers' Encyclopaedia, Vol. IV, Dion to Pric, 1888
Brown leather bound spine with maroon cloth-covered board covers. Gold lettering and gold graphics in six rectangles on spine. Leather corners on outer edges.reference -
Glenelg Shire Council Cultural Collection
Book, George L. Chalk and Charles MacFarlane and other contributors, The Pictorial History of England, Vol. VII1, 1802-1815, 1846
Light brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine.