Landscape colour Photographavoca river

Landscape Coloured Photograph1973 flood, st arnaud road

Landscape coloured Photographavoca river, st arnaud road charlton

Landscape Sepia Photographhigh street charlton vic 3525

Landscape Coloured Photographjames patterson bridge, avoca river, calder highway bridge accross avoca river charlton vic. 3525

Landscape Sepia Photograph1909 floods

Landscape Coloured Photographavoca river, new charlton weir, barry steggall mla, november 1984

Landscape Coloured PhotographBridge built over the Avoca River in 1925 by H>B> Irwin. Lengthened in 1940, widened in 1964 and strengthened in 1992. Officially named James Patterson Bridge in 1995 in honour of the builder of the first bridge in 1867charlton flood 1995, james patterson, james patterson bridge, h.b. irwin, avoca river

Unframed landscape PhotoAugust 1st, 1923 Charlton Vic. 3525. No. 1 arrow - Jim House - McConnell (later home of Elsa Paterson). No. 2 arrow - Mothers house - Nurse McConnell Private Hospital. Taken from railway bridgemcconnell private hospital

Unframed landscape Sepia(Looking accross river towards Tower on Clifton Hill) - The Tower is arrowed - 1st August 1923, Charlton Floods. The arrow indicates highest point in Charlton. The water tower in the middle of picture. Submerged backyards are visible only.floods 1923

Alex Pittendrigh completed a degree in painting at the Victorian College of the Arts in 1994, was awarded an Australia Council residency at The British School in Rome and was a resident artist at Gertrude Contemporary Art Spaces. In his series of three artworks, 'Worlds through worlds III', 'Worlds through worlds IV' and 'Phenomenon', the scenes appear as if extricated through a kind of portal or void. They are landscapes as imagined or perhaps remembered, ‘pictured’ in the mind’s eye. Seen as an exercise in rococo excess and ornamentation, these artworks suggest a tension between the ornamental and pictorial. The decorative filigree within the painted surface set these scenes further away from the real world. They are ideal, and idealised, places that remain at a distance.In this dark landscape-like image, viewed from above, is a central pale yellow shape, bordered irregularly by twig-like forms, which is perhaps the earth, shone on by a moon in the top right. Ornamental vegetation - leaves, grapes - appear to be spinning off the earth into corners or out of the frame. Acrylic and ink on linen.stonnington contemporary art collection, painting, alex pittendrigh, landscape, memory

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan (1996) - Vol 2 by Andrew Ward and Associates The widening of Dandenong Road during the late 1980's has resulted in the destruction of the houses in the path of the roadworks and the construction of a high fence serving as a visual barrier between that thoroughfare and the remaining houses. Where comparatively large villas once stood on spacious allotments, only "Wisteria" survives at No. 135 Normanby Road. Adopting forms and timber enrichment characteristic of the American Queen Anne style, it has this in common with the largely reconstructed timber villa at no. 11 Normanby Avenue and to a lesser extent, 746 Inkerman Road. Normanby Road retains its comparatively opulent Edwardian character in a mature landscaped setting with spacious gardens and mature planes parallel with the railway reserve which, on account of the low lying ground in its vicinity has a high embankment commencing on the alignment of Malvern Grove and continuing to Caulfield Station. The earliest villas are Edwardian. Page 148 of Photograph Album with one landscape photograph of a house on Normanby Road (not Street).Handwritten: Normanby St [top right] / 148 [bottom right]trevor hart, verandah, porch, bull nosed verandah, tower house, tower, stone fence, normanby road, wisteria, american queen anne style, queen anne style, 1890's, mayfield grove, normanby street, timber houses, caulfield north, house names, edwardian, edwardian style, gardens

COLOUR PHOTOGRAPH OF building / landscape.photograph, building

The Sun Country Show Girl Quest, 1976. This presentation is on the stage of Wool Court on the Showgrounds. The compere in the suit is Brian Naylor. Naylor was an RASV Councillor from 1977-83 and a well-known news presenter, particularly for Channel 9. He often provided commentary and was a compere for several Show events, including the Miss Show Girl competition, Arts and Crafts, and the Australian Wool Corporation's Wool Fashion Parades, both before and during his time on Council.Black and white photograph, landscape.[Inscription on A4 History/Identification Project placed with photo] Approx date: 1976. The late Brian Naylor, Channel 7/9 news reader, RASV councillor. Presentation of Showgirl finalists on stage at Wool Court. Tim Morgan 23/4/2013royal melbourne show, naylor, brian naylor, miss show girl, sun miss show girl, 1976 royal melbourne show

Untitled landscape by Ray Crookeray crooke

Landscape with kangaroos and mountains in backgroundARTISTS SIGNATURE LOWER LEFT "LES GRAHAM". TYPED INFORMATION SHEET ATTACHED VERSO.

In 1989 the Principal was required to record the absence of each Teacher, their Educ. Dept. registration number, the date and reason for the absence ( and in this instance the name of the replacement teacher employed.) A list of replacement teachers is included inside the front cover.List of staff teaching at Grey St. Primary School, Traralgon in 1989 and any replacement teachers employed. Green covered paperback, landscape.Form No LE 361 (Education Dept of Victoria)traralgon, teacher register, primary school, grey street., state school

In 1938, Robin Boyd's grandfather Arthur Merric Boyd offered Robin his first commission, a studio for Robin's first cousin Arthur Boyd on the family property at Murrumbeena. This painting by Arthur Boyd was part of Ralph Madder’s estate and inherited by his daughter, Patricia, Robin Boyd's wife. Ralph Madder (1892 - 1986) was Arthur Boyd’s uncle and employed the young Arthur in his calcimine paint factory and bought the occasional painting to help the young artist. This painting dates from a later time when Arthur was living with, and looking after, his aged grandfather Arthur Merric at Rosebud (see the book “The Boyds” by Brenda Niall pages 188-9). “Wheat fields behind Rosebud” did not come to 290 Walsh Street until after Ralph Madder’s death in 1986. Note: Robin Boyd's uncle Merric Boyd (1888-1959) married Patricia’s aunt Doris Gough. This means that Arthur Boyd was a first cousin to both Robin Boyd and Patricia Madder. Landscape in gold wooden frameA.M.B Boyd 1938 on lower right hand sidearthur boyd, arthur merric boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_1

Armstong Railway Station now at Deep Lead Private Property has been there since Purchased in 1993. Converted to family accommodation when they visit owner gave permission for photograph to come to Stawell Historical Society.Colour Photograph Landscape: of Building

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Small framed landscape, 1973Lower left "Morning, Lake Wendouree July 1973art, artwork, david alexander, lake wendouree, available

Drawing of a figure in a boat in a landscape.

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of landscape with mountain range"Signed: D LIM (lower right) Verso (affixed): DAWN LIM BARKLEY & BEYOND $250 Acylic "

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture Landscape painting of Beaufort Townshipsigned: H FEATHERSTON (lower right)

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culturelandscape with Lexton Shire OfficesAffixed front: Presented by Lexton's Anniversary Committee to the Lexton Shire Council IN RECOOGNITION OF IT'S VALUABLE SUPPORT & ASSISTANCE IN THIS, VICTORIA'S 150TH ANNIVERSARY YEAR 14-4-85

Landscape unframed sepia photo1st August 1923. Floods Charlton - shows Tinsmith shop William McConnell, The flood water had started to fall when photo taken in the Mainstreet. The water rose to 6 inches over the floor and boats were able to travel this street.floods 1923, high st charlton, tinsmith shop, william mcconnell