A sealed Wilson 'Championship Extra Duty' dome-top tennis ball can. Key winder attached to base. Materials: Metal, Ink, Rubber, Synthetic material, Wooltennis

A sealed can of three Sears 'Butch Buchholz Autographed' tennis balls. Has intact metal ring-pull seal. Materials: Metal, Ink, Rubber, Synthetic materialtennis

A sealed Ten Pro tennis ball can. Has intact metal ring-pull seal and a plastic reclosure cap. Materials: Metal, Ink, Rubber, Synthetic materialtennis

A Swallow & Ariell's Biscuits tin containing six white tennis balls and one yellow-green tennis ball. Materials: Metal, Paint, Rubber, Wool, Synthetic materialtennis

Item is part of soldiers clothing kit and proudly identifies the wearer as 'Australian'.As with all items of kit and clothing, these items can have lasting memories for the soldier.Army shoulder attachment 'Australia' x three. Top two are identical: heavier duty material backing; silver text. 3rd is on a lighter duty material with gold text.'Australia'.diamond valley vietnam veterans sub branch, uniform

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Miniature copies of old-style rice bales are fashioned of reed (and tied with the same material) to serve as packages for sweets from the city of Saidaiji, near Okayama City. The material is appropriate, for Okayama is famous as a source of reed for making the floor mats called tatami. The handsome label, made of dyed paper, is fastened to the package with mizuhiki, the cords traditionally tied around ceremonial gifts. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

These volumes reproduce the diary material and the landscapes and sketches of Charles La Trobe, the Superintendent of the Port Phillip District of New South Wales ( 1839- 1851) and Lieutenant Governor of the colony of Victoria ( 1851-54 ). La Trobe is regarded as the man most responsible for the establishment of Warrnambool in 1847. His diaries document his trips to the Warrnambool region in 1845, 1846, 1848 and 1849 before and after the town site was settled.These volumes are of artistic significance being beautifully and expensively produced. The volumes contain information of vital importance to our knowledge of our early Warrnambool history. Other important details in the diary include information on early shipwrecks and the first settlers in our district in our district, especially the Allan brothers..1 This is a burgundy leather bound book of 380 pages. It has gold lettering on the cover and the spine and an oval inset in the centre of the front cover containing a coloured portrait of Charles La Trobe. The pages contain black and white and coloured art works and sketches and printed material. There is a burgundy coloured ribbon for marking pages The book is encased in a hard leather cover with a cut out window with gold edging. .2 This is a burgundy leather bound book of 343 pages. It has gold lettering on the cover and the spine and a rectangular inset in the centre of the front cover containing a coloured sketch of a rock, sea and cliffs drawn by Charles La Trobe. The pages contain sepia and black and white drawings and printed material. There is a burgundy coloured ribbon for marking pages. The book is encased in a hard leather cover with a cut out window with gold edging . .1 Charles Joseph La Trobe AUSTRALIAN NOTES 1839-1854 .2 Charles Joseph La Trobe LANDSCAPES AND SKETCHES charles la trobe, early warrnambool, la trobe journals

This is a small paper back book with a cream-coloured cover with yellow and brown printing. The pages are unnumbered but there are 48 pages containing printed material, copies of photographs and other illustrated material. non-fictionFifty year history of the Grassmere Cricket Associationwarrnambool, grassmere cricket association, cricket, bushfield cricket club, wangoom cricket club, winslow cricket club, woolsthorpe cricket club, purnim cricket club, mailors flat cricket club, woodford cricket club, hawkesdale cricket club, orford cricket club, yambuk cricket club, killarney cricket club

Cream Fuji silk nightdress with flower pattern in the material. Applique embroidery on V neck and cap sleeves. Ties and small pocket at waist. Cut on bias. Edges bound with material.costume, female nightwear

A Slazenger Professional, wood/fibreglass squash racquet, with synthetic handle grip still sealed in original plastic wrap. Materials: Wood, Fibreglass, Ink, Synthetic material, Nylon, Plastictennis

A three-way strung Dunlop 'McEnroe Mad Raq' split shaft tennis racquet, with black plastic bridge. Materials: Metal composite, Plastic, Leather, Ink, Synthetic materialtennis

A Spalding 'GC-20' model racquet. Dymo label inside throat states: HOSPEL 414-546 /2995. Materials: Composite Materials, Plastic, Nylon, Adhesive tape, Leathertennis

This object consists of 8 identical racquets. Each is a Spalding 'Lotus One' racquet with no net and a paper shop tag attached. Materials: Composite Materials, Plastic, Adhesive tape, Leathertennis

A Wright & Ditson 'Championship' tennis ball sealed in original red viscose packaging. Printed on ball '1932/APPROVED BY U.S.L.T. ASSN/PERMAWELT'. Materials: Wool, Rubber, Synthetic materialtennis

A sealed can of three Wilson 'The Rosewall' tennis balls. Clear plastic reclosure cap over a ring-pull style lid. Materials: Metal, Ink, Rubber, Synthetic materialtennis

A sealed can of 3 Dunlop (U.S.) 'Championship Yellow' tennis balls with ring pull top and plastic reclosure lid. Materials: Metal, Ink, Rubber, Synthetic material, Plastictennis

A sealed Tournament 'Bill Tilden' tennis ball can. Flat top lid. Key winder attached to top of lid. Materials: Metal, Ink, Rubber, Wool, Synthetic materialtennis

This is a suitcase known as a Gladstone bag. It is named after William Gladstone (1809-1898), a Prime Minister of England. Gladstone bags were first produced by Edward Cole in London in 1854. These bags were commonly used, mainly by men, for business, work and sporting purposes. As it was compact and stored a large amount of material , it was a popular choice for men travelling to their workplace or carrying clothes and equipment to sporting event.This bag has significance as it was widely used by men throughout Australia. The original owner of this bag was a police officer in Bright, Victoria, although it is typical of those used by many local men in their daily life.This is a small suitcase, called a Gladstone bag, made of stiffened brown leather built over a rigid metal frame. It has a leather handle on top of the metal frame and a metal lock on the side of the frame. There are metal clips at each end of the frame.. Metal straps attached to the sides of the case. The bag is lined with light blue material and there are two pockets on one side of the bag, It is accompanied by a matching leather address label.gladstone bag, luggage, work bag

This photograph shows a group of workmen outside the Loch Street Printing Office of the Ovens and Murray Advertiser in Beechworth. The Advertiser was a local paper, first printed as a weekly in 1855, and then as a daily in 1857. It continues to be printed today, albeit in a different form. Initially based on Ford Street, the Loch Street office opened in 1893, after printing facilities were updated. The Advertiser was launched by architect Francis Hodgson Nixon with assistance from businessman John Henry Gray, and newspaperman Richard Warren. Warren was sole owner from 1860 until his death in 1906, and it responsible for much of the paper’s success. He appears in this photo alongside twenty of his staff and is the man standing directly in front of the doorway. When it launched, the paper’s goals included coverage of local events, as well as of global news, and the promotion of economic liberty, arts, and sciences. Beyond these initial goals, the Advertiser was instrumental in local politics, particularly Beechworth’s association with conversates and constitutionalism in the 1860s and 1870s. Numerous other papers sprung up to contest the Advertiser’s hold during the latter half of the nineteenth-century, but none were able to completely oust it from its post. As well as representing a key chapter in Beechworth’s history, the Advertiser can be used as a key source for the stories and figures of historic Beechworth. As well as managing the Advertiser, Richard Warren's owned or managed multiple businesses in Beechworth, founded the Ovens hospital and Benevolent asylum, invested in local companies, and participated in a range of religious brotherhoods and societies. He married Mary Ann Mitchell when he was twenty-six, and, while the couple were unable to have children, they adopted one son, who began managing the Advertiser in the late-nineteenth century. This photograph has historic significance afor its relationship to the history of the Ovens and Murray Advertiser, which is a key example of of successful nineteenth-century business in Beechworth, and for including an image of Richard Warren, a key figure in the period.Rectangular black and white photo printed on photographic material, unmounted. Obverse: Ovens and Murray/ Printing Office Reverse: Ovens and Murray Advertiser Staff 7721/ Beechworth/ BMM 79.15ovens and murray advertiser, the ovens and murray advertiser, newspaper, printing, richard warren, journalism, advertising, 1800s, 1800s beechworth, #beechworth, local business, advertiser, workmen, hats, printers, journalists, warren, mary ann mitchell, mary ann warren, r warren, loch street, 1890s, 1890s beechworth

Pale Blue, linen/cotton material with fringing at each endWhite cotton tape stitched to corner of scarf with W227689 Houget D . Written in black ink.clothing, scarf

Issued by the Maritime Union of Australia, in support of the wharf workers locked out by Patrick corporation, with the support of the Federal government of the time.Bumper sticker, adhesive on backing material, printed in blue on whitemaritime union of australia, australian waterfront dispute

metal plaque. Not identified as Southwood but amongst Southwood donated materialThis tree was planted to commemorate the centenary of state education in Victoria 1873-1973

Warships and War Material Published by Raithby, Lawrence & Co Ltd flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, warships and war material, book

Piece of silk-like material, printed with Union Jack image.event, war, world war 1

Black 4 ring binder with printed material in plastic sleeves.