Newspaper clipping contained within Reg. Item 2488, pages 105, titled "Cutting the Ribbon" of Ballaarat Mayor, Cr J. Pryor cutting the ribbon to the open the extension of Lydiard St. North from Gregory St to Norman St or the New Cemetery. Notes the colour of the ribbon, the scissors and the Cr Pryor drove the tram over the extension. Features SEC No. 32 with flags and the SEC Logo over the headlight. Photo has name of the photographer "Richards & Co." Took place 9/1937. Note Item Not formally Numbered. See also Reg. Item 598 for another photo or this event.Has an inscription in ink "going to the End" in the bottom right hand corner.lydiard st nth, gregory st, sec, opening

Tender document - Tender "O" 594 - single foolscap duplicated sheet titled "Purchase from the Board or Eleven (11) Second-hand W2 Type Tram bodies", giving details of the tram numbers and some dimensions. Document refers to attached conditions, but no attachments. Tenders closed 20/9/1978. Trams: 359, 412, 424, 448, 527, 536, 550, 559, 585, 590 and 628.On rear in pencil re tram 386 going or gone to Sunbury Hospital.trams, tramways, mmtb, tramcars, tenders, sales items, tram 359, tram 412, tram 424, tram 448, tram 527, tram 536, tram 550, tram 559, tram 585, tram 590, tram 628

The medal was presented to James Boyd, first Dux of Ballarat College in 1868 for his excellence in the Christmas Examinations. James passed his matriculation exams in the same year at 14 years of age. Known at school as Boyd 'Major', James went on to practise as a solicitor at Port Fairy. James attended many school functions throughout his life. Old Collegians re-presented this medal to James during the school's 50th anniversary celebration. The medal was re-presented in a silver plated box inscribed with the school crest and motto and the words 'Re-presented to / JAMES BOYD / December 1918 / on the anniversary of his Duxship of / BALLARAT COLLEGE / from Old Collegians. The re-boxed medal was presented to James Boyd at Speech Night 1918. A recod of this event states, 'At the conclusion of the prize list for the year Principal Mr A S M Polson announced - 'Dux of the College 1868 - James Boyd'. When My Boyd arose from where he had been sitting amongst the boys, he met with a tremendous ovation. he was cheered again and again, the College boys sang their Jubilee song with the refrain, 'Ah, me! Ah, me! merrily we sang with glee / Ten, twenty, thirty, forty, fifty years ago, Oh!'Significant, unique record of the school committment to academic excellence. Silver-plated round medal with Minerva head and words on front side, inscription engraved around edge and motif and words on reverse. ; medal is encased in brown leather covered, wooden box. Front: Minerva head in centre / INGENIO / VIRTUTE / LABORE Reverse: Standing lion with axe / MUNIFICENTIA / HENRICI / CUTHBERT Around edge of medal: JAMES BOYD / BALLARAT COLLEGE / CHRISTMAS EXAMINATION MEDAL 1868james-boyd, christmas-examination, medal, ballarat-college, old-collegians, dux, matriculation, 1868

35056 Gnr Gavin H Williams served in the AIF during WW1, this is his Sausage Bag.This is an original Sausage Bag that belonged to 35056 Gnr Gavin H Williams.Oblong, canvas, buff coloured Sausage Bag, metal rings around the top for a tie to go through - the tie is missing. On the side - No 35056 Gnr Williams G H, 30th Bty AFA, AIF. On the bottom - VIC.ww1, knapsack, 35056 gavin h williams

Bendigo Advertiser ''The way we were'' from 1999. Go for gold: looking towards Golden Square, circa 1874.newspaper, bendigo advertiser, the way we were

Eppalock. Construction. The first charge going off on the rise in Lake Eppalock. Markings; Exploding first charge, Eppalock 1960.Kodakcivil engineering, water supply, eppalock

Black & white photograph of Queen Elizabeth and Prince Phillip on the Royal train going through Mitcham (at the railway crossing) in 1954queen elizabeth ii, phillip duke of edinburgh, royal tour 1954, mitcham railway crossing

Used by rider to get good support in saddle and to have more control over horseManufactured and sold by Holden and frost Ca1900Metal curved body with flat base with oval hollow section. Top has slot to enable strap to go throughequine, stirrup

These photos are part of the Fred Griffith Collection. Frederick Charles “Fred” Griffith was born in Albury, NSW on 2 March 1910. Educated in Albury and Geelong Grammar. Beginning in 1927 he spent many years working first as a jackeroo and on a range of prominent pastoral and merino stud properties in NSW and Queensland. In 1935 he repurchased his former family property “Toonallook", Bowna, NSW and developed it to be the largest Romney Marsh stud in the world, exporting rams to Argentina. He introduced many innovative practices on his property including rabbit control measures and aerial crop dusting. He was an active member of the Albury Show Society and in 1949 established the Albury Sheep Show. Fred was also the Albury representative on the Graziers’ Association Council for over 30 years. He became a life member of both the Albury and Commercial Clubs. Fred’s greatest hobby was snow skiing. His first visit to the snow was to Kosciusko in 1919. The Albury Ski Club was formed in 1935 and Fred was an inaugural member. In 1949 they were granted a site at Falls Creek to build their own lodge. Fred guaranteed the Club for finance from the Bank of NSW. The first portion of the prefabricated building was constructed in Albury. It was transported to Falls Creek on the back of Fred’s truck and erected in one day. This was the bathroom section and the rest was completed in 1950. The original lodge was burned down in 1952 and a new one built the following year. In 1955, Fred also built the Bowna Lodge for his family in partnership with David Fairbairn. He became head of the North Eastern District Skiing Association (N.E.D.S.A.) and successfully applied to run the Australian Ski Championships. Fred also inaugurated children’s races at Falls Creek and ran them for about 20 years. He also formed the company “Falls Creek Ski Tows”. In 1956 Fred along with a group of key people selected the site for Thredbo Village. Fred and his brother sold Toonallook in sections between 1951 and 1974. He moved to Albury and set up as a landscape gardener and fencing contractor. After a serious work accident, Fred retired in 1985 and moved to Rosebud, Victoria where he died on 19 August 1992.These images are part of an important collection donated by Fred GriffithA black and white image of a group of skiers going up the tow with slope in background. Possibly Skippy St Elmo in the foreground,skiers at bogong, fred griffith

Two pages document titled " easter Monday at Rheola" After 108 years the charity carnival is still going strong. easter monday, rheola

Photograph taken from Bairnsdale wharf just downstream from bridge. Train heading back to Bairnsdale from Bruthen OrbostBlack and white photograph of steam train going over railway bridge with road bridge visible behind at Bairnsdale Victoria waterways, bridges, transport

One postcard has an unsigned message on the back; not addressed and not postmarked: "These falls we did on the round trip of 16 miles on the Tuesday. They are very pretty and have more water flowing than what is seen in the picture. They can be seen clearly from the road." * all three postcards held are originals.Post Card shows Silverband Falls with male standing on rock in foregroundFront bottom: "The Rose Series P.619, Silverband Falls, The Grampians Vic". Hand Written message on back: "These falls we did on the round trip of 16 miles on the Tuesday They are very pretty and have more water flowing than what is seen in the picture. They can be seen clearly from the road.". Back: "Post Card, the "Rose Series De Luxe. A Real Photograph Produced in Australia".scenery, silverband falls

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red jumper with rounded v neck collar. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

This lifebuoy is part of the lifesaving equipment that would be carried on vessels in the late 19th and early 20th century. The strips of cork wood have been joined together to make the ring shape. A lifebuoy, or life-preserver, is used as a buoyancy device to keep a person afloat in the. It is usually connected by a rope to a person in a safe area such a nearby vessel or on shore. The lifebuoy is thrown to a person in distress in the water, allowing the rescuer to pull the person to safety. The lifebuoy is a made from a buoyant material such as cork or rubber and is usually covered with canvas for protection and to make it easy to grip. The first use of life saving devices in recent centuries was by the Nordic people, who used light weight wood or cork blocks to keep afloat. From the early 20th century Kapok fibre was used as a filling for buoys. Light weight balsa wood was used as a filler after WW1. In 1928 Peter Markus invented and patented the first inflatable life-preserver. By WW2 foam was combined with Kapok. Laws were passed over time that has required aeroplanes and water going-vessels to carry life-preservers on board. The lifebuoy is an example of equipment carried on vessels in the late 19th and early 20th century to help preserve life. There were many lives lost in Australia’s colonial period, particularly along the coast of South West Victoria.Lifebuoy, round cork filling inside white canvas cover with four reinforced bands. Four ropes are attached.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, life rings, lifebuoy, safety ring, life-saving buoy, ring buoy, life preserver, personal floating device, floatation device, safety equipment

Fireplace tongs were used to add wood to the fireplace as well as break down the crackling wood to add more oxygen to growing flames. Of the four tools that were usually found in an upright fireplace set, tongs had the biggest design variation. Some tongs looked like medical calipers that were rounded at the bottom, while others were almost like metronomes with their rectangular shapes. https://www.lovetoknow.com/home/antiques-collectibles/vintage-antique-fireplace-tools Tongs are tools used to handle items, and generally move the item from one place to another, or turn things, like a piece of meat on a barbecue. Tongs usually have flat ends to pick up items without damaging them and to grip onto the items easily, however, some tongs have claws or toothed ends to grab more bulky and slippery items. Tongs are used mainly for handling food or hot items. Modern tongs are usually made from plastic, metal, stainless steel, or other material, depending on their purpose. Originally, tongs were probably wood sticks that eventually became metal sticks around 3000 BC to handle hot items in a fire Tongs are used to extend the hand or as a replacement handler for potentially dangerous items. Tongs usually have a sprung end so that the operator is required to squeeze the middle of the tongs to grab hold of an item, or they have a pivot which requires the user to squeeze the handles at the end to grip onto items, these being more effective at holding heavy items due to the extra force able to be applied. There are many types of tongs including barbecue tongs, salad tongs, blacksmith tongs, crucible tongs, ice cube tongs, sugar cube tongs and fire tongs. Tongs are often called ‘a pair of tongs’ and the word comes from the Old English, ‘tange’ or ‘tang’, meaning ‘that which bites’. There is evidence of Egyptians using metal rods and tong like tools to hold objects over fire, in around 1450 BC. https://tenrandomfacts.com/tongs/Fire tongs are still used with most open fires in homes.Brass fire tongs with holding clip and flat rounded handle at the end.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, fireplace tools, tongs

Worn by male & female flight attendants 1999 - 2001Navy-blue wool-felt wide-brimmed hostess hat. Navy grosgrain ribbon trim bordered with yellow piping. Decorative tuck on front of trim & twist detail on back. Dent in crown. Black grosgrain sweatband. White maker's label with black print - "Weiss Australia". Faded blue biro with owner's initials (possibly SAR?or SPR?). 15mm round white label under sweatband with black upper-case lettering "SEP".White maker's label with black print "Weiss Australia". Faded blue biro with owner's initials (possibly SAR? or SPR?). 15mm round white sticker under sweatband with black upper-case lettering "SEP"flight attendants, stewardess / steward, navy blue fedora, yellow piping, 1999 - 2001, wool felt, weiss australia

S034.1 round silver paten with scalloped edges and S034.2 round silver paten.In centre: "IHS"

The butter stamp rolling pin was used in The Orbost Butter factory.It was rolled across the butter in a wooden box, lined with a wax paper.Bicarbonate of soda was added to the butter to stop it from going rank.The first shipment in about 1893 to England went rank and was only good for axle grease on wagons and carts.The milk was brought to the factory by horse and dray.Most people would take the whey home for their pigs,which were abundant on the farms in the Orbost district. The Orbost Butter and Produce Co. Ltd was registered on June 1st 1893 and was an important source of income to the Orbost district. Large, hand carved, round wooden roller with handle at each end. There is a central carved word, with a pattern of raised squares either side of the carved word and an uncarved area at either end of the roller. The stamp rests on a wooden plinth. "AUSTRALIA" carved in reverse around the width.orbost-butter-factory dairy butter

A jack plane (or fore plane) is a general-purpose woodworking bench plane, used for dressing timber down to the correct size in preparation for truing and/or edge jointing. It is usually the first plane used on rough stock, but in exceptional cases can be preceded by the scrub plane. Jack planes are 300–460 mm long and 64–76 mm wide, with wooden-stocked planes sometimes being slightly wider. The blade is 44–57 mm wide that is often slightly convex (or ground with rounded corners) to prevent digging in to or marking the work. The cut is generally set deeper than on most other planes as the plane's purpose is to remove stock rather than to gain a good finish (smoothing planes are used for that). In preparing stock, the jack plane is used after the scrub plane and before the joiner plane and smoothing plane. The carpenters' name for the plane is related to the saying "jack of all trades" as jack planes can be made to perform some of the work of both smoothing and joiner planes, especially on smaller pieces of work. Its other name of the fore plane is more generally used by joiners and may come from the fact that it "is used before you come to work either with the Smooth Plane or with the Joiner". Early planes were all wood, except for the cutter, or combined a wood base with a metal blade holder and adjustment system on top. Although there were earlier all-metal planes, Leonard Bailey patented many all-metal planes and improvements in the late 19th century. A jack plane came to be referred to as a "No. 5" plane or a "Bailey pattern No. 5" at the end of the 19th century. A vintage tool made by an unknown company, this item was made commercially for firms and individuals that worked in wood and needed a tool that could remove large amounts of timber. These jack or dressing planes came in various shapes and sizes to achieve a flat and even finish to timber surfaces before the use of smoothing planes and came in many sizes. A significant tool from the mid to late 19th century that is still in use today with early models sought after by collectors. It gives us a snapshot of how furniture and other finishes were created on timber by the use of cutting edged hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative or even finish that was needed for the finishing of timber items. Jack Plane handle is attached by large screw there is a round piece of wood tacked to front. noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, jack plane

Date of manufacture reference style of 'AGM' letters.Rectangular clear glass bottle.Embossed on base illegible numerals / symbols and the letters 'AGM' inside a round circle.glass manufacturer.