Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Denis Gibbons in camoflague gear taking a rest at the 1 ATF Base Nui Dat, Vietnam.photograph, 1 atf base, gibbons collection catalogue, denis gibbons, photographer, vietnam war, nui dat

The photo relates to the collection re George Frederick Pierce DCM. This is the same photo as per others in the collection. Refer Cat No 4136P for his service, award and death. Part of the collection of William (Bill) Thomason, refer Cat No 4136P for other items.Round B & W portrait showing a soldier in uniform with one arm leaning on a rest. On the rear is hand written in pencil. On rear, “George Pierce of Sebastion Vic DCM KIA France 4.10.1917 age 22 years”photography, military, aif

The two-door nineteenth century cabinet was purpose built with a curved back to fit the proportions of the lantern room interior and is likely to date from 1888-89 when the new lighthouse was fitted out and provided with furnishings and fixtures. The Public Works Department provided a range of lightstation furnishings including office desks and cabinets, and domestic settings for keepers’ quarters, with nineteenth century items often stamped with a crown motif and the PWD monogram. The curved cabinets installed in lantern rooms however do not appear to display this small feature. The cabinet needed to be custom made to fit the proportions of the room, and for this reason it was possibly made on site or perhaps even supplied by Chance Bros as part of the entire lantern room installation. The company usually provided timber panelling for their lantern room interiors (since removed from Point Hicks), and a cabinet may have been included in the assemblage. It may not have originally been painted; today doors area grey/silver colour and the rest of the cabinet is emerald green. It is not known whether it is freestanding or fixed to the wall. A similar cabinet with panelled doors remains in the Gabo Island lighthouse and evidence of green paint on the wood indicates that the cabinet frame was also formerly painted green but later stripped to reveal the wood finish. The Cape Nelson lantern room has a curved cabinet with the same door type but has a drawer above each door. It too was formerly painted emerald green before it was stripped back to its present wood finish. Cape Schanck’s lantern room cabinet is unique for its curved front as well as curved back, and it stands on a skirting. The two doors are in the same style, although they open with a brass knob. Further research into these distinctive cabinets may resolve the interesting question of their construction. The Point Hicks cabinet is a unique, original feature of the lighthouse lantern room and has first level contributory significance for its historic values and provenance. The Point Hicks cabinet has two doors, each framed and beaded around a central panel, and there is a simple door knob. The back is curved and the front is straight and the doors are painted a grey/silver colour and the rest of the cabinet is emerald green.

Europeans arrived in the Kiewa and Ovens Valleys in the 1830's and 40's. Following the drought of 1838-44, seeking out the rich pastures in the fertile Valleys. It proved to be perfect conditions for dairy farming and the raising of cattle. Miners Cottages and other similar wooden structures were a common sight in the area as they were a modest form of accommodation for their period, were quick to erect and economical as they made use of locally available building materials such as local timbers.These photographs provide a snapshot into the early dwellings and architecture of the Kiewa and Ovens Valley regions, including buildings such as the church, which provided an important gathering place for social interaction, especially in these isolated areas.1-Wooden church building with no identification. Large tree in the foreground in front of church 2&3- Black and white photographs of farmland and assorted dwellings, mostly miners style cottages in a valley with mountains in the background. A bridge with wooden railings is visible over the river in the middle of the photograph, also a more modern dwelling is visible in the north east of the photograph close to the river. 4-Black and white photograph of residential homes and farmland with an unsealed road running through the middle. Foreground shows a field which has been semi cleared of trees (stumps remaining). In the background are larger farming properties with the road disappearing into the distant hills. This might be Old Tallangatta before the town was moved in 1956. 1-3 - No inscriptions 4- Signature written on back in lead pencil - Sandra Templebuildings; church; farmland

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a group of men and women standing in an auditorium. Some are in band uniform and carrying their instruments whilst the rest are in highland dance costume. The band is St Hilda's with the conductor Frank Wright. The dance troupe is Roy Stewart Dancers of Scotland. The place is Morecambe Lanes, London.Handwritten on back - St Hilda's - F.W. Conductor, Roy Stewart Dancers, (Scotland), Morecambe Lanes, July 1934frank wright, cornet, conductor, ballarat, st hilda's band

A Caponex Implanter was used to chemically castrate roosters by inserting a caponex implantation tablet into the neck of the of male chickens to make them grow faster and become more docile. The caponisation of poultry has since been banned in Australia and UK as the chemical remained within the birds which proved to be toxic to human consumption.Evidence of expired practices. 'Boots' branded box containing Caponex Implanter and instruction leaflet. Small surgical applicator. Silver in colour, resembles a syringe with a finger flange and thumb rest on the plunger. Design is for the use of insertion of a tablet rather than fluid. Long black rubber tube on the end. In 'Boots' branded box with instruction leaflet. Box is light green and red with white bold block CAPONEX IMPLANTER, all other text is black. Instruction Leaflet is small on yellowed paper with black text.On the base of the thumb rest: CAPONEX Box front: Boots Logo, CAPONEX IMPLANTER for chemical caponisation of poultry for use with CAPONEX Implantation Tablets. Box Sides: BOOTS PURE DRUG CO. (AUSTRALIA) PTY. LTD Follows with the locations in Australia of Boots. Instruction Leaflet: CAPONEX IMPLANTER for chemical caponisation of poultry for use with CAPONEX Implantation Tablets Directions for use (Directions to follow back and front)poultry, caponex, caponisation

Document. Miner's Right. Miner's Right issued to John W Faul of Bendigo dated 3 August 1894, under provisions of the Mines Act 1890. No 104 of Book 52, Series M. Cost 5 shillings. 1 year licence. Printed - Robt. S Brain, Government Printer. Pale colour with black ink, and purple stamp. Signature unreadable. B. B?cottage, miners, miner's right, john w faul, robt. s brain government printer.

BHS CollectionGreen trifold document: Self Guided Tour No. 6 of the Bendigo Cemetery. Friends of the Bendigo Cemeteries 2000 - 2001. Theme : Federation: 100 years later, our Heritage. Map with 26 numbered graves, includes J.C.T. Ballerstedt, Christiana Atkinson ( Dr. Atkinson buried 4 wives in this cemetery ) John Dumphy miner of Hustler's reef, erected by Bendigo Miners Accident Society.Friends of the Bendigo Cemeteries Inc 2000bendigo, cemetery, bendigo cemetery tour

Enid Johnston was an student at the Ballarat School of Mines Technical Art School. The work depicted was reproduced in the Ballarat School of Mines Students' Magazine, 1939. White Flat is in close proximity to the Ballarat School of Mines so would have been a favoured site for drawing 'en plein air'.Line drawing with a tree as the central focal point. I post and rail fence runs from the left to the centre and a number of miners cottage are in the mid and back ground. ballarat technical art school, ballarat school of mines, art, johnston, enid johnston, white flat, e. gribble, max coward, enid johnston, r. mchutchison, violet d'angri, marian peirce, f.p. manning, w. rowe, kookaburras, caricatures, graham hopwood, geoege crawley, assaying room, don refshauge, ballarat technical art school, linda baily, nornie gude

Bendigo Advertiser '' The way we were'' from 2002. Camping out: miner Ben Densley in Rome Mine, Western Australia. Date unknown. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Diggers & Mining. Diggers and Miners. The tram-lines which carried firewood to the mines were made of wood. Markings: 39 994.5 WAL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. Diggers and Miners. The township struggled along the valley. Photo shows the township along the valley. Markings: 46 994.5 WAL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Dark red shield shaped badge with a red ribbon threaded through a hole at the top. Bendigo Miners' & Engine-Drivers Sports Committee badge. James, Printer.organization, mining, entertainment, badge, bendigo miners' & engine-drivers sports, james

Black and white photocopy of both sides of a £1 note. Also a copy of a photo of miners underground. Written in the left corner ?isk St Below Vic Quartz.bendigo, history, long gully history group, the long gully history group - vic quartz, £1 note

Bendigo Advertiser "The way we were" from Thursday, October 30, 2003. History: a group of miners from the New Chum Consolidated Mine, circa 1904.newspaper, bendigo advertiser, the way we were

Born: Dundee, Forfarshire,Scotland 1851; Arrived: Melbourne, Victoria, Australia 1872; Lived and worked: Scotland 1875-1884; Died: Carlton, Victoria, Australia 1912VictorianLedger Bequest, 1993Oil on canvas on composition board, depicting a rural landscape and miner's commune off a dirt road. Gold brushed timber frame with decorative gesso edges and corners Recto: Signed and dated “J FORD PATERSON / 1884” in blue oil in l.r.c of composition; Not titledpainting, landscape, house, trees, path, road

Diggers & Mining: The Diggings - The Diggers. Golden Point, Ballarat, 1851. Picture depicts tents and miners. Markings: 8 994.LIF 6. Used as a teaching aid.hanimounteducation, tertiary

Donald Clark Collection.A newspaper clipping from the Bendigo Advertiser newspaper, article titled 'Hopes Bright For Miners' about Reef Mining NL finding a rich deposit near Tarnagulla.

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. Two men sitting outside a wood and bark miner's hut at Felltimber Creek near Wodonga.wodonga pioneers, haeusler family, glass negatives, dry plate photography, felltimber creek, mining victoria

Black charcoal / crayon print of sketch of horses resting under trees. Wooden frame, glass covered, cream border surrounds.Handwritten bottom left: “Group under cover, Glisy, A Streeton”illustrations-prints, military history, glass technology, horses

The photograph is an enlargement taken from a small oval photo. Photograph of the Shelter Shed/Rest House at The Nobbies, Phillip Island. Archie Findlay (Kevin Findlay's father) standing in front of the building.the nobbies rest house phillip island, archie findlay, kevin findlay

Alfred Edward Clarke was a member of the Stock Exchange. He married a niece of Reverend Kerr Johnston, Margaret Helen Gowan (daughter of John Denovan Gowan, himself brother of Eliza Denovan Gowan) in 1886. His first wife, Caroline Long, died in 1884. One of his daughter, Linda Clarke (later married to John William Begg) was secretary of the Malvern branch of the Ladies' harbour Lights Guild. Article in the Standard (Port Melbourne, Vic. : 1884 - 1914), Saturday 17 April 1909, page 3 "SAILORS ENTERTAINED. Picnic at Glen Huntly. A very enjoyable picnic was held on Monday in connection with the Victoria Mission to Seamen, at Mr. Clarke's grounds, 'Heatherbrae,' Glen Huntly. About 90 sailors from ships in the Bay and river were entertained, and a happy time was spent. Tea was provided by ladies connected with the Mission, and cricket, football, and other sports were arranged and carried out with great zest. At the close of the day cheers were given for Mr. and Mrs. Clarke and family, the Mission workers, and all who had helped to make the outing a success."Small monochrome photograph depicting outdoor scene of a small number of men resting. Photograph somewhat faded, particularly on right side heatherbrae, easter, picnic, lhlg, caulfield, alfred edward clarke 1840-1913, margaret helen gowan 1863-1937, linda begg nee clarke 1877-1954, eliza johnston nee denovan gowan, john denovan gowan

Ear Speculums, .1 marked AESCULAP, .2, .3, .4, marked Mayer & Co London. Rest are unmarked. Height 1?"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Black and white photo of 'Bogie' tram resting on roadside after derailment on Golden Square line. Note S.E.C. livery colours.person, individual, basil miller

Card, part of series, with coloured illustration showing a group of Teamsters making camp with horses drinking in background, titled Teamsters Rest.unknownartwork, print, landscape

8707.1 - This is a stamp made of predominately wood. The knob-like handle is painted black where as the rest is either naked or stained wood.8707.1 - This A/C is PAST DUE we have sent you several statements calling attention to it unless you give this one prompt consideration we shall be compelled to place the A/C in the hands of a collector

Black and White Photo of a girl in white dress, looking left with arm resting on column, mounted in a silver frame with gold decorations,person, individual, portrait, girl, female, woman, female portrait