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Glenelg Shire Council Cultural Collection
Plan - Ship Plan / Mould, n.d
Wooden pattern for mould for boat fitting. Same as 6353.Back: '1 OFF 1¾ "....' black texta -
Glenelg Shire Council Cultural Collection
Functional object - Ships Plans/Moulds, Wooden pattern for mould for boat fitting, n.d
Wooden pattern for mould for boat fitting. Diamond shaped base, with rounded ends, disc attached to centre of base; cylinder attached to centre of disc; unpainted.Back: '1 OFF Brass' - blue biro -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
... commemorative plaque on Walter Withers Rock at the corner of Bible and ...[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Three colour photographswalter withers rock, walter withers reserve, mary owen -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
... commemorative plaque on Walter Withers Rock at the corner of Bible and ...[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Two colour photographswalter withers rock, walter withers reserve, mary owen -
Geoffrey Kaye Museum of Anaesthetic History
Bronchial Blocker, Macintosh Leatherdale Left Bronchial Blocker, 1955
This tube is designed for left pneumonectomy (surgical removal of a lung or part of a lung). The left stem bronchus may be completely blocked off, while the right lung is inflated. There is provision for aspiration of the left bronchus.Rubber tubing with curved and tapered end for insertion into lung. Three smaller tubes come off the larger end, two of which have small rubber valves attached. The tube appears with a banded effect however, the banding is represents the now disintegrated rubber cuff.Blue sticker with white writing on side of tube: S.I.6.bronchus, bronchial, blocker, pneumonectomy, macintosh, leatherdale -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, Black & White, V Peterson East Boundary Rd East Bentleigh loaded wagon c1900, original c1900
The Peterson family were early settlers in Moorabbin Shire and established a market garden in East Boundary Road East Bentleigh. Vic Peterson and family loaded the crop - cabbages - onto the horse drawn wagon and set off to the Melbourne market using the Plateways that ran along Centre Road and Nepean Highway. The early settlers like the Petersons , in the Parish of Moorabbin County of Bourke after Henry Dendy's Special Survey Brighton 1841, established market gardens, fruit & flower gardens, poultry & dairy farms, vineyards as well as shop businesses, blacksmiths, chemists, nursing homes and schools & Churches.Black & White photograph showing Vic Peterson beside the horse drawn wagon loaded with 35dozen ( 12x 35) cabbages setting off to market c 1900 Original re-digitised by H Stanley 2005Back Hand written informationwagons, vulcan trucks, draught horses,, peterson vic, marriott dick, cabbage crops, vegetable crops, poliomyelitis epidemics 20thc , elster creek, plateways moorabbin shire, smith j l; smith mary ann, stanley helen, smith vic, smith harry redvers, chaff cutter, horse drawn carts, toll gates brighton, motor cars 1900, steam engines, early settlers, bentleigh, mckinnon, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards -
Brimbank City Council Art Collection
Off-Set Lithograph, River Landscape
Off-set Lithograph -
Brimbank City Council Art Collection
Off-Set Lithograph, John Powell, Rowers and birds
Off-set Lithograph -
Bendigo Military Museum
Postcard - POSTCARD, MILITARY, Australian Military Forces, 23.2.1943
The notification to Mr Oliver Foster to tell him he will be notified in either off 3 ways to attend a medical examination. Refer Cat No 4783Military Post Card Eastern Command PRO FORM U 19A, rectangular shape, off white colour, front has green stamp & P.O stamp print in black, purple stamp hand written in black pen, rear all print in black stamped in purple hand written in black.On front in black pen, “Mr O FOSTER Rosedale St St Ives”, stamped, “Area 18B Hornsby”, rear signed by, “W Brown” area Officer 18B, date stamped, “25 Feb 1943”.card, post cards, medical, examinations -
Geoffrey Kaye Museum of Anaesthetic History
Handle, Flagg, circa 1915
Designed by Dr Paluel Flagg around 1915 and later used for 25 years. This laryngoscope was designed to meet certain expectations about laryngeal access and to avoid major tracheal injuries in patients (Ball, 2014). Article reference: C. M. Ball & R. N. Westhorpe. 2014. Anaesthesia & Intensive Care. Nov 2014, Vol. 42 Issue 6, p687-688. 2p.Flagg laryngoscope handle only. The handle has a serrated grip for easy use; it is also a container for two batteries and has a switch on its base with an ON - OFF switch black button which quite rusty. The handle has a screw on top of it, used to secure the blade. The full piece has minor scratches over its surface. It has a small crack in the switch area and a missing screw bellows it. The handle has an inscription about the manufacturer company seal and name stamped at the top of the handle ring.Stamped on top handle blade base, AUBURN, [W/A seal], N.Y.U.S.A. Stamped on the handle base power source button, ON [red colour], OFF [blue colour]flagg, handle, switch, laryngoscope -
Bendigo Military Museum
Photograph - PHOTOGRAPHS BCOF
Various photos taken by Richard McGilvery of the transfer to Japan of the while part of BCOF. Item in the collection of RICHARD WILLIAM McGILVERY, RAAF. Refer Cat No. 7287P for his service. Details photos and awards.Black and white photos of various sizes. 1. Photo of various service personnel at a lookout point. Looking over a landscape. 2. Image of a man in civilian clothes standing in front of a tree. 3. Image of man standing in front of a kitchen, possible R. McGilvery in civilian clothes. 4. Picture of service men and women on board HMAS Kanimbla off Samarai on 24/4/47 at sea. 5. Picture of various men, two in uniform, rest in civvies sitting in or leaning against a vehicle. 6. Various service personnel sitting around tables in a mess. 7. Group of large No. of Service men and women posted in front of a giant statue of Buddha.2. No. “939” written on the back. 4. On back is written "HMAS KANIMBLA off Samarai 24/4/47". 5. No. “256” Stamped on back. bcof, japanese occupations -
Mortlake and District Historical Society
Sign, 22/03/1935
This public notice of 1935 warns of the dangers of Infantile Paralysis. It advises scalding dairy products and reporting stock illness, even though the disease was viral (discovered by U.S. researchers in 1908), not bacterial. There was little chance of protecting children against contracting the disease as the Salk vaccine was not available until 1955, although medical research into the development of preventative serum was well advanced in the 1940's. Treatment of the disease was primitive and a cure not possible.Infantile paralysis was a fearful disease increasingly prevalent in the early 20th Century. Children under 3 were especially susceptible. It could be said to be forever associated with this part of the Western District as a result of the celebrated author, Alan Marshall (1902-1984) suffering its effects. He immortalised his childhood, which was profoundly affected by his paralysis, in the autobiograhical novel 'I can jump puddles'. Calico rectangle off white"Shire of Hampden. Recommendations by the Medical Officer of Health. During the last few weeks eighteen cases of INFANTILE PARALYSIS have occurred in this district. PARENTS are advised to seek Medical advice early in any case of sickness. It is not wise while this sickness is about to treat sick people by home remedies for a few days, for the mild fever-headache, &c., may be the early stage of INFANTILE PARALYSIS, and if a doctor is consulted then he has his best chance of protecting the patient from paralysis. All persons in the district are advised to scald all milk and cream used in the home, even that taken by adults. The people in the district may help solve the puzzle of where this disease comes from, by reporting at once to the Stock Inspector any sickness among the animals. SHIRE OFFICE, CAMPERDOWN, 22nd March, 1935. THOS.F.LITTLE, Secretary, Shire of Hampden." disease, infantile paralysis, poliomyelitis, shire of hampden, public health, childhood -
University of Melbourne, Burnley Campus Archives
Administrative record - Stationery, Stationery Requisition
administration, office, staff -
Melbourne Tram Museum
Drawing, Chris Andrews, MMTB class L, 5/1967
Drawing - special size sheet - titled "MMTB Class L", drawing Chris Andrews 5/67 for the TMSV giving a GA type drawing of the MMTB L class tram. Includes data on the tram such as truck, seated load and motors. Yields information about the MMTB L class tramPrint on off white paper.Has a stamp on the rear.drawings, mmtb, l class -
Melbourne Tram Museum
Drawing, Chris Andrews, MMTB class W2, 9/1967
Drawing - special size sheet - titled "MMTB Class W2", drawing Chris Andrews 9/67 for the TMSV giving a GA type drawing of the MMTB W2 class tram. Includes data on the tram such as truck, seated load, controllers, numbers and motors. Yields information about the MMTB W2 class tramPrint on off white paper.Has a stamp on the rear.drawings, mmtb, w2 class -
Greensborough Historical Society
Book, The Tower of Remembrance and War Memorial Park on Garden Hill at Kangaroo Ground, Victoria, 1919o
... The Tower of Remembrance and War Memorial Park on Garden ...Outlines the history of the Kangaroo Ground Tower of Remembrance from 1918 and the process undertaken by Nillumbik Council's Advisory Committee to refurbish the Tower. The Tower of Remembrance is a local landmark in Kangaroo Ground which had fallen into disrepair. This book documents the restoration of the Tower and Park c1997-2002Soft clear plastic front cover, red back cover. 107 pages, black and white illus. tower of remembrance, war memorials, kangaroo ground, nillumbik council, eltham district historical society -
Greensborough Historical Society
Family History, The adventured of the Brown brothers on the playing fields of Greensborough by Val Wilson (nee Rolfs), 1890o
... The adventured of the Brown brothers on the playing fields ...Val Wilson (nee Rolfs) recounts the problems faced by the Brown brothers in their quest to play cricket for Greensborough Cricket Club in the late 1800s.This story is supported by articles in the Evelyn Observer.3 typed pages.val wilson, val rolfs, greensborough cricket club, brown brothers, william brown, thomas brown, adam brown, henry brown, bundoora -
Greensborough Historical Society
Article, The Willis Diary by Anne Paul. Based on A Pioneer Squatter's Life, 09/04/1837o
... The Willis Diary by Anne Paul. Based on A Pioneer ...The Willis Diary by GHS member Anne Paul is based on A Pioneer Squatter's Life (Item158). The Willis family were early settlers at Lower Plenty, just near where the hotel and old bridge are today. Anne has reviewed and analysed this chapter from Historical Records of Victoria, Vol. 6. The Crown, the land, and the squatter, 1835-1840. She includes further information on the Willis family and photographs of the archaeological dig at the Bridge Inn Hotel Mernda in 2017.Diary of James L Willis from 1837, portraying hardships suffered in the young colony of Victoria.15 page, text and colour illustrations. Digital copy.willis family, plenty river, lower plenty, james willis, bridge inn hotel mernda -
Greensborough Historical Society
Article, A Squatter's life on the Plenty River at 'Wanstead' by Anne Paul, 09/04/1837o
... A Squatter's life on the Plenty River at 'Wanstead' by Anne ...The Willis Diary by GHS member Anne Paul is based on A Pioneer Squatter's Life (Item158). The Willis family were early settlers at Lower Plenty, just near where the hotel and old bridge are today. Anne has reviewed and analysed this chapter from Historical Records of Victoria, Vol. 6. The Crown, the land, and the squatter, 1835-1840. She includes further information on the Willis family and photographs of the archaeological dig at the Bridge Inn Hotel Mernda in 2017.Diary of James L Willis from 1837, portraying hardships suffered in the young colony of Victoria.10 pages, text and colour illustrations. Abridged hard copy of item 4491.willis family, plenty river, lower plenty, james willis, bridge inn hotel mernda -
Phillip Island and District Historical Society Inc.
Photography, Fishing on rocky headland
... Fishing on rocky headland ...Part of collection of Rose & Valentine Series of Postcards - Copied by John Jansson 1984Black & White Postcard. Picnic party on rocks looking towards Pyramid Rock. CopyRocks Headlands near Cowes, Phillip Island. over printed "A Merry Xmas"local history, photography, photographs, postcards, views phillip island, picnic party, beach rocks, pyramid rock, phillip island -
Phillip Island and District Historical Society Inc.
Photography, Wool team on road
... Wool team on road ...Part of collection of Rose & Valentine series of Postcards - copies by John Jansson 1984Black & White Postcard - Copy. Wool team of two wagons on narrow tree lined road.Phillip Island Wool team on road to Cowes - over printed "A Happy New Year"local history, photography, photographs, postcards, views phillip island, wool team, cowes, wagons, phillip island -
Phillip Island and District Historical Society Inc.
Photograph, People on Cowes Pier
... People on Cowes Pier ...Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. view from end of Cowes Pier looking back at the Isle of Wight Hotel. Large crowd of locals on pier, some sitting on Rail Trolley. Children in foreground Gwenda & Keith MacIlwraith.local history, photography, photographs, postcards, phillip island, black & white postcard copy, cowes pier, jetties, rail trolley, macilwraith children, isle of wight, cowes -
Phillip Island and District Historical Society Inc.
Photograph, Genista on Western Port
... Genista on Western Port ...S.S.Genista - built 1886, Sydney. Western Port Ferry 1889 to early 1930's.S.S. Genista sailing on Western Port Bay.local history, photographs, transport, shipping, maritime technology, fisheries, ferries, black & white photograph, phillip island, western port -
Phillip Island and District Historical Society Inc.
Photograph, Shark catch on Pier
... Shark catch on Pier ...From Jessie Smith's collection of Island events & landscape. Weighing of shark on jetty caught by Mr. Arnie Brown.Shark hanging on pier. Women surrounding it.local history, photographs, fisheries, cowes pier, commercial fishing, black & white photograph, arnie brown, jessie smith collection, stan mcfee -
Phillip Island and District Historical Society Inc.
Photograph, Bi-plane on Phillip Island
... Bi-plane on Phillip Island ...From Jessie Smith's collection of Island Events & Landscapes. 1st plane to land at Phillip Island.Pilot sitting in Bi-plane. Man in suit welcoming.local history, photographs, transport, aviation, aircraft, phillip island, black & white photograph, jessie smith collection, stan mcfee -
Phillip Island and District Historical Society Inc.
Book, EVANS, Maurice et al, architectural history of Phillip Island - to commemorate the centenary of open settlement on Phillip Island and Churchill Island from 1868 to 1968, 1967
... the centenary of open settlement on Phillip Island and ...Stamped 'Phillip Island & District Historical Society'.phillip island, architectural history, churchill island -
Phillip Island and District Historical Society Inc.
Book, REID, J. Arbuckle, Australian reader : selections from leading journals on memorable historical events, with introductory remarks and explanatory notes, 1882
... Australian reader : selections from leading journals on ...Inscribed 'With the publishers compliments, 7th Oct 1884'. Labelled 'Cowes Free Public Library'. -
Phillip Island and District Historical Society Inc.
Book, Rankin Kennedy, C.E, book of the motor car : a comprehensive and authoritative guide on the care, management, maintenance, and construction of the motor car and motor cycle
... guide on the care, management, maintenance, and construction of ...Inscribed: W.A.C. (Dick) Goddard, 39 Hackney Rd., St Peters. Stamped: Phillip Island & District Historical Society. -
Phillip Island and District Historical Society Inc.
Book, CUTTER, June M, Companionship, welfare and achievement of Cowes Branch of the Country Women's Association of Victoria : the first fifty years of C.W.A. on Phillip Island / written by June M. Cutter, 1985
... years of C.W.A. on Phillip Island / written by June M. Cutter. ...2 copiescountry womens association of victoria, cowes branch, history -
Phillip Island and District Historical Society Inc.
Book, Adam & Charles Black, Encyclopaedia Britannica or dictionary of arts, sciences, and general literature ; with preliminary dissertations on the history of the sciences, and other extensive improvements and additions, including the late supplement, A General Index, and numerous engravings
... , and general literature ; with preliminary dissertations on the ...