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Whitehorse Historical Society Inc.
Uniform - Puttees pair, 1942
World War 2 Army uniform of Capt. Noel Edmund Charles West. Donated by Mitcham RSL after it closed in 2013. After the war Capt West served in Japan with the 27th War Graves Unit.Pair of service green wool putees with cotton tapes. Labels on one end. V414 1942 size Made in AustraliaV414 1942 Size Made in Australiacostume, male uniform, military -
Whitehorse Historical Society Inc.
Textile - Pillow Shams
From the estate of the late Jean Ord, mother of the donor.Pair of white pillow shams with white crotchet edging scalloped and white embroidered flowers in four corners of rectangular sham.manchester, bedding -
Whitehorse Historical Society Inc.
Clothing - Stockings, c1915
Pair of cream fully fashioned stockings in fine lisle with double thickness in soles and tops and a fine centre back seam.costume accessories, female -
Whitehorse Historical Society Inc.
Accessory - Sunglasses
Used by Jack Foley, donor's fatherPair of clip-on sunglasses that fold in half with a gold frame. A cream case which separated into two. Glasses' are green in colour.personal effects, seeing aids -
Whitehorse Historical Society Inc.
Footwear - Shoes
A pair of black leather with black patent leather heel and toe. Gold bow on the instep and gold band on the flat heel.Taranto Internationalcostume, female footwear -
Whitehorse Historical Society Inc.
Domestic object - Pillow Case
White cotton pillow case with large border of crochet lace and white embroidery in centre. Part of a pair see NA1755.manchester, bedding, handcrafts, needlework -
Ringwood RSL Sub-Branch
Uniform - Gaiters, Circa WW2
WW2 short gaiters. Canvas with leather strapping and brass buckles.Mixed match pair with one gaiter having leather straps.G..27 L B 42 -
Whitehorse Historical Society Inc.
Photograph, Dick Best
Richard Best was an Australian Textile industry agent and Businessman. While travelling in Belgium he contacted the de Stoop family, textile manufacturers, whose business had been closed down by German occupation after the 2nd World War. They took up Dick Best's offer to relocate and join with him to set up a textile factory in Australia. Land was purchased in Blackburn North and when the de Stoop and Best Aust P/L traded, Dick best was in charge of marketing their products.2 Black and white photograph of the head and shoulders of Richard Best. He has a pair of glasses in his right hand(on smaller photocopy) Mr Dick Bestbest, richard, weaving mills, de stoop and best aust, p/l -
8th/13th Victorian Mounted Rifles Regimental Collection
Uniform - Jodhpurs
This style of trouser was worn by light horse soldiers. The jodhpurs were adapted from an ancient style of Indian trouser called the Churidar, which is tight around the calf and loose at the hips. It was adopted by British troops serving in India during the 18th century especially for sport. A British version was soon being produced by Savile Row tailors in London. The use of the Indian-style, ankle-length Jodhpurs allowed riders to use short, less expensive boots, as their calves were protected by the reinforced design and snug fit.Pair of Jodhpurs of the type most recently worn by 8/13 Victorian Mounted Rifles Light Horse Heritage Troop.jodhpur, uniform, light horse -
Kew Historical Society Inc
Footwear - Pair of Two-tone Pink and Beige Leather Court Shoes, Paragon Footwear, 1960s
The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s.A pair of two-tone cream leather and beige suede women’s court shoes with beige leather insoles by Paragon Shoes.Paragon / 49274 / 7 1/2women's shoes, court shoes, paragon shoes, footwear, shoes -
Kew Historical Society Inc
Clothing - Gaiters, Woven Wool, Leather & Metal Gaiters, Twentieth Century
Pair of knee-high tweed woollen gaiters with attached leather straps and metal buckles to tie around each footcostume accessories - gaiters -
Kew Historical Society Inc
Slide - Terraces, Gellibrand Street, 1979
One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created. 35mm colour transparency (slide) of the pair of two storey terraces in Gellibrand Street, Kew. The photo was developed in May 1979.terraces -- gellibrand street -- kew (vic.), two-storey terraces, victorian architecture -
Montsalvat
Photograph, Matcham Skipper Jewellery and Sculpture
Black and white promotional photograph for Matcham Skipper jewellery and sculpture displaying a bracelet, pair of cufflinks, a ring and pendant necklace.Nonematcham skipper, photograph, jewellery, bracelet, ring, cufflinks, necklace -
Nagambie Historical Society Inc
Clothing - Running spikes, Goldie Heath's running spikes, c1933
These spikes were worn by Goldie Heath at Stawell in 1933. They were also used by Tommy Deane when training, but as too large they were “tied around with a bit of bike tube”Running spikes worn by Nagambie local, Cyril ‘Goldie’ Heath, to win thew 1933 Stawell Gift. Also worn by Tommy Deane during training with Heath for the 1946 race.Hand-made kangaroo hide spikes, with hide laces, metal eyelets and spikes. Pair of black shoes, rubber solepedestrianism, stawell gift, goldie heath, tommy deane, athletics, running -
Brighton Historical Society
Shoes, 1850s
These shoes were worn by Emily Cock (nee Smith), the daughter of wealthy early settler John Matthew Smith. From 1856 until 1931 the Smiths lived at 'Castlefield', a mansion on a vast estate that at one time stretched along South Road from Bluff Road to Hampton Street. The land was gradually subdivided, and the house is now a part of Haileybury College.Pair of flat black kid leather indoor shoes decorated with pale blue silk, cut-away applique and embroidery.shoes, embroidery, applique, castlefield, emily smith, brighton -
Mont De Lancey
Gloves
One pair ladies' gauntlet-style cream, mesh-knit gloves with cream, floral applique' and embroidered trim on cuff.clothing accessories, gauntlet gloves, gloves -
Mont De Lancey
Gloves
One pair white/cream short lace gloves, with floral lace pattern on back of hand and scalloped edge to cuff.clothing accessories, gloves -
Mont De Lancey
Pillow Sham
A pair of white cotton pillow shams with a white, hand-embroidered floral design and a 7 cm. crocheted lace border.bed linen -
Kilmore Historical Society
Clothing - Kidskin evening gloves, c1940-50?
Found in a box of clothing in the Courthouse holding cell. Unknown originPair of kidskin elbow-length evening gloves, discoloured & stained, misshapen, rust losses around fingers. Poor conditiongloves, evening wear -
Mont De Lancey
Baby shoes
Worn by Dorothy WilmsA pair of brown leather baby shoes with ribbon tie. Plus one additional brown shoe - not matching, with button tie.baby shoes, shoes -
Linton and District Historical Society Inc
Shoes, "Solid Value". Words form part of manufacturer's mark, Ladies' Boots, Brown Leather
Found in cellar of building formerly Barr's drapery in Sussex St, Linton. Donated to society by building's owner Fiona Watson.Pair of leather and fabric ladies' button boots. Manufacturer's mark and size "3" on soles. Thirteen buttons on each boot.shoes, boots -
Flagstaff Hill Maritime Museum and Village
Domestic object - Butter Pats
Butter pats (also known as butter paddles, butter hands and butter workers) were widely used until the mid 20th century to form and shape butter that came out of butter churns.The butter pats are an example of an everyday domestic object that would have been an item in most farm households particularly the dairy farms of South-West Victoria.A pair of wooden butter pats with shaped handles. One side of the pat is covered with fine grooves the other side is flat.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, domestic object, butter pats, butter making, butter paddles -
Mont De Lancey
Clothing - Velvet Belts, Unknown
Belts such as these would have been worn on special occasions as they are quite stylish.A homemade pair of wide elasticised velvet belts, one dark green and one black with ornate gold clip buckles.belts, clothing accessories, clothing, adornments -
Bendigo Military Museum
Uniform - LEGGINGS, LEATHER, C. WW1 onwards
.1) & .2) Pair of leather leggings, stitching, leather straps & brass buckles, rectangular shape used in a cylinder shape.uniforms - army, passchendaele barracks trust -
National Wool Museum
Socks
Pair of unfinished, cream socks.machine knitting -
Kiewa Valley Historical Society
Breeching Harness, Horse Equipment
A harness distributes pressure over a large area of the horse. The breeching harness can be used for a single horse, a pair, or in a larger team but only for the pair closest to the vehicle as only they have control of the vehicle.Used by residents in the Kiewa Valley prior to motorised vehicles.Goes around the horse's haunches ie. back end of the horse. Allows the horse to slow a vehicle or hold it back when going down the hill. Connects to the shafts. Leather with steel buckles and rivets and chains.horse equipment, breeching harness -
Kiewa Valley Historical Society
Breeching Straps, Horse Equipment
A harness distributes pressure over a large area of the horse. The breeching harness can be used for a single horse, a pair or in a larger team but only for the pair closest to the vehicle as only they have control of the vehicle.Used by residents in the Kiewa Valley prior to motorised vehicles.The harness has a round bit of leather that sits on top of the hind quarters and it connects to or is part of the breeching harness. Also connects to the crupper (the strap that hooks under the tail). Leather with steel buckles and chainbreeching straps, breeching harness, horse equipment -
Flagstaff Hill Maritime Museum and Village
Functional object - Vase, circa 1944
This vase, one of a part of a pair of organ vases, was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This vase, and its pair, is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Vase, one of a pair, of organ vases, polished brass church vases with truncated conical shapes. White sticker under vase with hand written number "136" This is one of the original items in our ‘St Nicholas Seamen's Church Williamstown Collection’.White sticker under vase with hand written number "136" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, vase, church vase, brass vase, conical vase, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, flying angel club, organ vase -
Wangaratta Art Gallery
Painting, Mary Watson, The Buckland River, 1988
Rural City of Wangaratta Collection. Gift of the Wangaratta Y's Men's Club.A river landscape painted with oils in shades of green, blue, brown, and grey.Obverse: MARY WATSON/ (bottom right corner) WINNER - PAIR SMALL PAINTINGS/ 1988 WANGARATTA ART SHOW/ Presented By WANGARATTA Y'S MEN'S CLUB/ (plaque mounted on frame)wangaratta art gallery, mary watson, painting, landscape, buckland river -
Wangaratta Art Gallery
Painting, Mary Watson, The Ovens River, 1988
Rural City of Wangaratta Collection. Gift of the Wangaratta Y's Men's Club.A river landscape painted with oils in shades of green, blue, brown, and grey.Obverse: MARY WATSON/ (bottom right corner) WINNER - PAIR SMALL PAINTINGS/ 1988 WANGARATTA ART SHOW/ Presented By WANGARATTA Y'S MEN'S CLUB/ (plaque mounted on frame)wangaratta art gallery, mary watson, landscape, painting, ovens river