A recording of the Coronation of Queen Elizabeth in 1953. It is possible it was shown to Junior Legatees at a special screening as captured in the Programme for the Coronation Rally at 01163.A copy of the Queen's coronation ceremony that was shown to junior legatees.Grey metal tin with 600 feet of 16mm film inside. Sheet of paper with info in centre of lid. Tape on lid.Paper on front: Telephone: FB3564 FROM:- MELBOURNE LEGACY "LEGACY HOUSE" 293 Swanston Street, Melbourne, C.I CORONATION FILM HER MAJESTY, QUEEN ELIZABETH II 1953coronation, junior legatee outing

During the Victorian era, the period (1837-1901) in which Queen Victoria ruled England. The queen’s influence was felt throughout the world, including in the United States and Australia where Victorian values shaped society and style, especially in home décor. This period’s distinct style presents an eclectic mix of highly ornamented furniture, wallpaper, and knick-knacks. Particularly in terms of furniture, and the characteristic floral patterns and rich, contrasting colours, wall hanging that enjoyed the height of its popularity during the Victorian era were of the spiritual type with an either embroidered or punched paper religious motto or bible quote. Mottoes were commonly hung high up on the wall or in an area of prominence, to remind the viewer of their important message, such as “He Leadeth Me” and “Honesty, Industry, and Sobriety.” Short and pithy, they embodied the ideals of Victorian society. Technological advances contributed to the boom of religious mottoes whereas before the Industrial Revolution home décor of this sort was handmade and therefore minimal, now consumers could purchase and fill their homes with all sorts of mass-produced ephemera goods similar to the subject item. Many of these mass-produced period pieces still exist today, often in their original frames, ceramic, or paper formats. Flagstaff maritime museum has many examples of mottoes on display that serve to reflect the period in which values of home, faith, and Christianity were very prominent in everyday Victorian society.An item that reflects the social values and attitudes of the late Victorian era that was used to promote good Christian and moral values in many households. These items of decoration were very popular at this time and the subject item is significant as it gives a snapshot into the social norms of past generations. Wall decoration white china with relief circular hanging pieces, paper folds pinned back to reveal words Paper is pinned by metal studs. Paper folds create star shape. (set of 2)Watch and Pray and Come Unto Meflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, paper wall decoration

These nine photographs were taken at a Commanding Officer Handover Parade at the Army Survey Regiment, Bendigo on the 28th of July 1975. A march past took place after the parade, with each squadron marching down the roadway past Fortuna Villa to salute the outgoing CO LTCOL Donald Ridge, as he stood on the steps at the front of the building. LTCOL Donald Ridge was the CO of Army Headquarters Survey Regiment from 1972 to 1973 and continued as the CO of the renamed Army Survey Regiment from 1974 to 1975. He handed over to LTCOL Peter Constantine AM, who commanded the unit from 1975 to 1976. This is a set of nine photographs of a Commanding Officer Handover Parade at the Army Survey Regiment, Bendigo on the 28th of July 1975. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black and white, c1975. L to R: CO LTCOL Don Ridge, LTCOL Peter Constantine AM, CAPT Errol Royle-ADJT. .2) - Photo, black and white, c1975. L to R: CO LTCOL Don Ridge, RSM WO1 John Hogan, ADJT CAPT Errol Royle, SPR Steve Egan, LTCOL Peter Constantine AM. .3) - Photo, black and white, c1975. L to R: WO2 Tibor Szentirmay BEM, ADJT CAPT Errol Royle, CO LTCOL Don Ridge, SPR Steve Egan, LTCOL Peter Constantine AM. .4) - Photo, black and white, c1975. L to R: LTCOL Don Ridge, SPR Steve Egan. .5) - Photo, black and white, c1975. L to R: WO1 John Hogan-RSM, unidentified (x2), CO LTCOL Don Ridge, CAPT Terry Edwards, unidentified. .6) - Photo, black and white, c1975. L to R: SPR Warren Hall, CAPT Arthur Henson, CPL Warren Chadwick, LT Don Maskew, CO LTCOL Don Ridge, CAPT Terry Edwards. .7) - Photo, black and white, c1975. L to R: CPL Jim Beard, unidentified personnel (x5), CPL Bob Scaddan, unidentified officer, CO LTCOL Don Ridge, CAPT Terry Edwards. .8) - Photo, black and white, c1975. L to R: unidentified personnel (x3), unidentified officers (x2) , CO LTCOL Don Ridge, CAPT Terry Edwards. .9) - Photo, black and white, c1975. L to R: unidentified officers (x3), CO LTCOL Don Ridge, CAPT Terry Edwards.The date of the parade is provided on a paper sleeve.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This book was owned and used by Professor Ferdinand M. Krause of the Ballarat School of Mines.Ferdinand Krause was a renowned teacher at the Ballarat School of Mines. He also produced many important Geological Maps. This book has seven reports that Krause had bound together for his own use. Half black leather bound book with hand marbled paper cover. Marbling on cover is grey, maroon and darker grey with gold bands on black leather spine. The book contains 7 papers on various subjects associated with ores. The book includes: 1. Auriferous, Leads, & Silver Ores at Upper Hungary - G.H.F. Ulrich, 1868 2. Nuggetty Reef, Maldon, Victoria - G.H.F. Ulrich, 1866 3. Internal Communication - Lieut. Amsinck, 1856 4. Roads for Victoria - William Macredie, 1856 5. Mining & Mineral Statistics of Victoria - Robert Brough Smyth, 1866 6. Physical Geography & Geology of Victoria - R.C. Selwyn, 1866 7. Mineralogy of Victoria - G.H.F. Ulrich, 1866 Leather component is black with gold bands on spine with "Silver Ores etc" written on spine. 'G" on square cream paper at top of spine; "2" on square cream paper on middle of spine; and "3" on square cream paper on bottom of spine. Inside front cover on red paper rectangle near spine "bound by W. PAUL 17 Lydiard St BALLARAT" "Ferdinand M Krause C E" handwritten in black ink on title page of first paper (right hand side)treatment, auriferous, lead, silver ores, nuggetty reef, maldon, victoria, internal communication, roads for victoria, mining, mineral statistics, geography, geology, mineralogy, ulrich, amsinck, selwyn, ferdinand krause, macredie

Farnell Mardling is believed to have been a Councillor and Mayor of Rutherglen Borough, and was on the committee that was responsible for the building of the Common School in 1872. Persons identified in the photograph are: Back row (left to right): John Brennan, H.O. Mardling, Mary Brennan, James Mardling, John Mardling. Centre Row: Pauline Brennan (Daughter of Michael), Hynes Mardling (on knee), Mary Anne Mardling, T.P. Mardling, Wilfred Mardling (on knee), Mary Mardling, Farnel Mardling, Sophie Brennan, Michael Brennan. Front Row: J.P. Mardling, Eileen Mardling (Daughter of H.O. & M.A.), Marie Mardling (Daughter of T.P. & Catherine), T.M. Mardling, Winifred Brennan, Josie Brennan (Daughters of Michael).Black and white photograph of a large family group, posing in front of a veranda with iron lace. Caption of separate piece of paper identifies the people in the photograph.Written at bottom of photo: "Photo. 1. Farnel's House, Springhurst" Written on the left of the caption: "Photo.1." At top of caption paper: "Summer Time. (1907 approx.)?"mardling family, brennan family, john brennan, h o mardling, mary brennan, james mardling, john mardling, pauline brennan, hynes mardling, mary anne mardling, t p mardling, wilfred mardling, mary mardling, farnel mardling, sophie brennan, michael brennan, farnell mardling, j p mardling, eileen mardling, marie mardling, t m mardling, winifred brennan, josie brennan

A leaflet created for a Christmas gathering of the Comradeship Committee. The hand drawn images and handwritten song lyrics have been printed on yellow paper. The songs include; O Come All Ye Faithful, Silent Night, Hark the Herald Angels, White Christmas and Jingle Bells.Comradeship meetings were very important to the Legatees. Legatees supported each other by coming together for various events throughout the year. This carol booklet shows that Legatees enjoyed singing together.Yellow paper program containing lyrics of Christmas carols, single A4 page folded in half.comradeship, songs, legatee event

Photocopies of Hume Weir photographs 1928-29One of three black and white photographs, photocopied onto a single sheet of A4 paper. This one is of construction work on a cliff face, with train lines, tunnel and cable.Written on paper next to photo: "Detail of open cut for [illeg.]. Train lines for taking rock to crusher tunnel & stay ropes of suspension bridge showing"hume weir, suspension bridge, bridges, tunnels, construction

Blotting paper is made from different materials of varying thickness, softness, etc. depending on the application. It is often made of cotton and manufactured on special paper machines. Blotting paper is reputed to be first referred to in the English language in the 15th century but there is a tradition in Norfolk, England that it was invented by accident at Lyng Mill on the River Wensum. It is reported that a Berkshire (England) paper mill worker in East Hagbourne failed to add sizing to a batch of paper that was being produced. The batch was discarded. Subsequently, someone tried to write on a piece of this discarded "scrap" paper and found that it rapidly absorbed any ink applied, making it unusable for writing. Its marked absorbency having been noted, however, led to its subsequently being produced and used as blotting paper, replacing sand, which was the material that had been used for absorbing superficial wet ink. In a time when most paper was produced from "rags", red/pink rags, from which it was difficult to remove all colour and had generally been discarded, were now directed to the production of blotters, hence the historically characteristic pink colour of blotters. https://en.wikipedia.org/wiki/Blotting_paper This blotting paper holder and blotting sheets were donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine and administration from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Blotting paper holder, part of the W.R. Angus Collection. Wooden rocking blotting paper holder, arc-shaped with handle and blotting paper inserted in slots (paper is used). Two books of blotting paper sheets, (1) advertising printed on cover. “ACIBAN ANTACID”, “G.P. PTY LTD / Sydney Australia” (2) Folder of blotting paper, with advertising “AMPHOTABS” and “WYETH”“ACIBAN ANTACID”, “G.P. PTY LTD / Sydney Australia” “AMPHOTABS” and “WYETH” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, blotting paper holder, office stationery circa 1910, rocking blotting paper holder

Hard cardboard cover, red buckram with black print on spine, black outline on front. 255 pages, cut, plain, beige. Illustrated with black & red print folded maps attached at back of book. Inscriptions & markings throughout the book, too numerous to document. Found on front end paper & other pages. Attached to p92 are 2 newspaper clippings.Handwritten in faded blue ink: “Many notations on front end paper & numerous other pages”book, field guns, france

Tickets were bundled by the printer in sets of 1000 and issued to each depot Revenue Office clerks for distribution to the Conductors. These tickets comprise 30c City Section (green printing on off-white paper) and 50c (purple printing on off-white paper) tickets with numbers printed in black. Commencing numbers 837001 and 415001 respectively. Illustrates the method of issuing tickets to Revenue Office.Set of two bundles of MTA tram tickets, in set of 5 blocks of 200 tickets each. Each block stapled onto a heavy cardboard back. Bundled together with a strip of brown paper and adhesive tape.tramways, tickets, mta, metropolitian transit authority, city section, revenue clerks, revenue office

Peter Ball collection, refer Cat No 4704.Soft cover book. Cover - cardboard, black print on front and spine, beige background, small illustration. British Coat of Arms. 192 pages, cut, plain, white paper. Illustrated black and white illustration, diagrams and photographs. Handwritten - signature of author and owner's name.Handwritten signatures - front end paper - owner "Peter C Ball". Title page - author - "Rick Landers".books, reference guide, history, military accoutrements, british

During WW1 soldiers communicated with family in Australia. When they were not required 'in-the-field' they occupied themselves with souvenirs and art work. This includes his ration book and tickets, and artwork consisting of 2 leaves, a fan and Xmas Card all attached to a white piece of paper. This collection may have been attached to the paper by family in Australia or by Percy before his return.Pte. Percy Sutton No. 3942 served in France in WW1. He joined the army on 3rd August 1915, aged 19 years and 5 months and was in the 8th Battalion. He was a railway employee, son of Margaret Sutton of William St, Wodonga. He was 5 feet 7and a half inches tall and a Methodist. He was discharged on 13th April 1919. He was born on 27th January 1897, the son of George and Margaret (nee McIntyre) Sutton. He returned to Wodonga. He died on 29th May 1971 at Mt Beauty in the Kiewa Valley. Attached to white paper a collection of souvenirs from WW1. It includes a Ration book and tickets, 2 gum leaves with French coloured ribbons, a fan inscribed with 'Forget me Not' and a 'Christmas Greetings' Card.On the Ration book - "Sutton, P. Pte. No. 3942". End of Leave or Duty: "7-1-19". Signed: "G.E.Tait" Stamped: "No. 1 Command Sutton Veny"pte. percy sutton, ww1 soldier

A very damaged, stained red antique hardcover book for girls with the title printed in gold lettering in the middle of the front cover. There is a gold outlined drawing of a girl sitting looking out of a window. There are red flowers and green leaves decorating the cover. The spine has the title printed in gold letters with red flowers and green leaves.On the front right side end paper is an inscription for a Sabbath School award dated 1882. The frontispiece balck and white illustration is of a girl sitting at a table at a fair. Tissue paper protects it. The title page has the title, author Howe Benning as well as publisher details. 296Pp. Throughout are black and white illustrations. There are four pages at the back are lists of Recent Gift Books published by the Religious Tract Society. The spine is broken from the pages.fictionThe book is an example of a story dealing with a girl's (Margaret) life in America which is readable, pleasing and instructive, without the ordinary excitement of a love story. It has strong religious themes. It hopes that in many 'quiet corners" of our native land it may help to develop the spirit of self-sacrifice and true Christian thought for others.religious stories, family life fiction, stories for girls

These five photographs were taken at a formal Army Survey Regiment medal presentation at the lakeside of Fortuna on the 11th of December 1992. The CO of the Army Survey Regiment – LTCOL Bob McHenry presented the Defence Force Service Medal to five RA Svy personnel in recognition of 15 years of efficient remunerated service. They were SSGT Greg Byers, SGT Peter Hardy, SGT Garry Kerr, SGT Laurie Justin and WO2 Rhys De Laine. LTCOL Bob McHenry was the CO of the Army Survey Regiment from 1992 to 1993.These five black & white photographs were taken at a Defence Force Service Medal Presentation on the 11th of December 1992 at the Army Survey Regiment, Bendigo. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) Photo, black & white, L to R: SSGT Greg Byers and LTCOL Bob McHenry. .2) Photo, black & white, L to R: SGT Peter Hardy and LTCOL Bob McHenry. .3) Photo, black & white, L to R: SGT Garry Kerr and LTCOL Bob McHenry. .4) Photo, black & white, L to R: SGT Laurie Justin and LTCOL Bob McHenry. .5) Photo, black & white, L to R: WO2 Rhys De Laine and LTCOL Bob McHenry..1 to. 5P – annotations identifying personnel and the date provided on paper.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. A folio of thirty three drawings and paintings undertaken by Alice Watson at the Ballarat Technical Art School. The works include including the application of Australian flora to designs, including for pottery, leather and applique. .2) is a design for a table runner to be executed in richelieu work .3) frieze including fish .4) "Design for a border to be executed in stencil". 1932 .12) "Design on the waratah for a bowl to be executed in clay". 1932 .14) "Time test" .12) .17) .15) .18) show the combination of Australian flora with Art Nouveau-inspired designs .9) is a design for a wallet to be executed in raffia showing elevation, side elevation and plan views .11) is a design for a prayer book carrier to be executed in leather work .10) is an example of pencil transfer method of design seen on .11) .18) Design for a fan, image of birds and berries on a blue ground. .25) landscape illustration .27) "development" design based on a correa .29) "Design for a tea cosy based on the Cobia-Scanden to be executed in applique. 1931 (see also .31) .30) "Design for a writing tablet to be executed in embossed leather work and based on the native fuschia" (correa). 1931 .31) a completed doily holder: applique workMost are signed A. Watson 1931 .2) Paper is embossed with stamp of 'Goodall's Bristol Boards' stamp. (Crown depicted in centre) .20 and .22) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)ballarat technical art school, alice watson, flora, design, artwork, folio, art nouveau, alumni, leather work design, richelieu work, applique, doily holder, doyley holder, general design, edith alice watson

A collection of silver and brass colour balance weights stamped variously in g,c,or cm (carat) units. . The smaller weights from 0.05 to 2 Carats are stored in small brown paper bags. The weights and a pair of silver colour tweezers are stored in a grey tin box Mass CARAT - Number of 0.05 - 14 0.1 - 5 0.2 - 10 0.5 - 17 1 - 8 2 - 5 100 g - 2 40 g - 4 20 g - 8 20 g - 3 10 g - 5MarkingsThe brown paper bags have marking of DISAL London stamped on frontweights, scientific instruments

This is a soda syphon for holding soda water used by the aerated waters business of Reeves of Warrnambool (possibly bottled in the 1970s or 80s). It is a Fletcher bottle. John Davis established a cordial business in Warrnambool in 1859 and this business was taken over by John Fletcher. Ralph Reeves purchased the Fletcher business from the estate of the late John Fletcher in 1931 and continued to use the Fletcher bottles. The business of Reeves soft drinks continued in Koroit Street until the 1980s.This soda syphon is of considerable importance as it links two prominent soft drinks makers in Warrnambool – Fletcher and Reeves. It will be useful for display as it tells of a time when this sort of soda syphon was in use.This bottle is a soda syphon with an oblong-shaped glass base and a metal spout. It has a solid glass base and a pink-coloured tube inside the bottle. It has a chip on the base and the spout is a little corroded. The name and logo (scrolls and patterns) of J. Fletcher of Warrnambool is etched into the glass. There is also a red and cream paper label of Reeves.Paper label: ‘Reeves soda water’ Glass etching: ‘J. Fletcher, Warrnambool, F. Trade Mark’ john fletcher, reeves family

Farnell Mardling is believed to have been a Councillor and Mayor of Rutherglen Borough, and was on the committee that was responsible for the building of the Common School in 1872. Persons identified in the photograph are: Back row (left to right): John Brennan (Father Jack - Redemptionist Order), John Mardling (Son of Farnel), Mary Anne Mardling (nee Hayes - sister of Catherine, wife of H.O.), Henry Oliver Mardling (Son of Farnel), William Mardling (Son of Farnel), James Mardling (Son of Farnel), Nell Mardling (Wife of William). Centre Row: Michael Brennan, Sophie Brennan (nee Mardling - daughter of Farnel, Wife of Michael Brennan), Farnel Mardling, Mary Mardling (nee Purtell, Wife of Farnel), Thomas Purtell Mardling (son of Farnel), Catherine Mardling (nee Hayes - Wife of T.P., sister of Mary Anne. Front row: Hynes Henry Mardling (Son of H.O. & M.A.), James Patrick Mardling (Son of H.O. & M.A.), Kathleen Mardling (Daughter of T.P. & Catherine), Thomas Mathew Mardling (Son of T.P. & Catherine, Wilfred Mardling (Son of T.P. & Catherine).Black and white photograph of a large family group, posing in front of a veranda with iron lace. Caption of separate piece of paper identifies the people in the photograph.Written at bottom of photo: "Photo. 2. Farnel's House, Springhurst" Written on the left of the caption: "Photo.2." At top of caption paper: "Winter time. 3rd June 1912" mardling family, brennan family, purtell family, john brennan, redemptionist order, john mardling, mary anne madling, henry oliver mardling, william mardling, james mardling, nell mardling, michael brennan, sophie brennan, farnel mardling, mary mardling, thomas purtell mardling, catherine mardling, hynes henry mardling, james patrick mardling, kathleen mardling, wilfred mardling, thomas mathew mardling, farnell mardling

Automated Computer Processing (ADP) was instrumental to the successful operation of the Royal Australian Survey Corps Mapping capability and production. This paper describes elements of the ADP with a comprehensive description of each. They Include, PDP 11/70 Memory, Map Stock Control System, Digital Terrain Elevation Data, Digital Terrain Model Package, ASMAPS, ASTIS, Reflectance Hill Shading, Aerial Triangulation and Terrain Analysis.Two page paper report about Automated Data Processing, unstapledHand annotated "Folio 74" in top right hand cornerroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Set of 8 plans, including blue-prints, of various gardens, dated c. 1947 - 1981. See paper catalogue for complete list.Plans by Hilda Marriott Dance (1) Sketch plan and 2 blueprint copies of School of Horticulture Burnley. Garden Alterations New Building Area, Working Drawing by H. Dance, Scale ⅟₂₀"=1', 2/4/47, on reverse handwritten,"Proposed Garden Lay-out for New School Building (H. Dance-plan)." (NB Emily Gibson was also involved in the planning of this site.) (2) Tracing paper, paper and blueprint copies of Ararat & District Hospital Garden Plan - MacDonald Memorial & Court, Landscape Architect - H. Dance, Scale 1 inch=8 feet. Includes handwritten note, "Replacement for Ararat Hospital Nov. 1979," list of plants. (3) Blueprint Proposed Design for Garden Watermill Farm, Newbury for Norman Gadsden Esq., Scale ⅟₄₀"=1 ft. (4) Sketch Plan for Garden, Barcombe, Buangor - January 1981 by Hilda Marriott, Scale - Approximate Only - 1:40. (5) Tracing paper copy of plan of Garden at Plumhill, Templestowe, for Mr. & Mrs. Colin Smith. Hilda Dance, Designer 26/4/47, Scale ⅛"=1'. (6) Blueprint Garden House - Sketch. (7) Tracing paper and paper copies Ararat Medical Centre Courtyard Garden, Landscape Architect - Hilda Marriott, Scale - 1:25, Date 8.5.79. (8) Tracing paper copy National Trust of Australia (Victoria) The Heights, Newtown, Geelong Garden Plan, Scale 1:250, Drawn by - Hilda Marriott, Date 12.10.79.(1): on reverse handwritten,"Proposed Garden Lay-out for New School Building (H. Dance - plan)." (2): Includes handwritten note, "Replacement for Ararat Hospital Nov. 1979," list of plants.hilda marriott ( dance), burnley school of horticulture, students

Cash's first began manufacturing name tags, woven badges and woven labels in Australia in 1913, and since then countless Cash's labels have been sewn onto school and club jumpers. The Boy Scouts commissioned this point paper design featuring a boy, puma and snake. It is inspired by imagery from Kipling’s Jungle Book.Point paper design featuring boy, puma and snake. Corresponding clothing label attachedtextile design, design

Photo of the reopening of the Widows' Clubrooms, showing Legatee Mehan, President of Melbourne Legacy presenting the key to Mrs Ina Kearney, the President of the Melbourne Legacy Widows' Club. The club rooms had been renovated. This event was mentioned in a Legacy newsletter for Widows' Clubs in March 1980 (see 01214).A record of the opening of the renovated Widows' Clubrooms in 1980.Black and white photo of Widows Clubrooms. Typed paper label.Stuck to the back is a paper label saying "1980 At the official opening of the Legacy Widows' Clubrooms, Legatee Mehan, President of the Melbourne Legacy, hands over the key to Mrs I. Kearney, President of the Melbourne Legacy Widows' Club." On the reverse of the photos is "Box 11" in black pen.widows, activities

Photos of people selling badges around Melbourne in 1992. Some are in defence force uniforms and other are civilians.A record of a Legacy Week in 1992.Colour photo x 7 of people fundraising for the Legacy Appeal. Yellow paper label with "Badge Day 1992" in blue pen. AGFA photo paperlegacy appeal, fundraising, badge week

Late WWI German gas mask tinThis item was used by German soldiers to house and carry gas masks to protect them against chemical weapons during WW1Late First World War German field grey carry tin for gas mask. One tan cotton strap for wearing over the wearers shoulder. Shorter tan cotton strap with button hole to attach to wearers belt. Inside tin lid has piece of paper with German inscriptions.Inside tin lid has piece of paper with German inscriptions. Inscription 'SS' overlapping on tin lid lip.ww1, gas mask, tin, german, wark vc club

The Red-Necked Grebe is a medium sized bird with a long neck and pointed bill. During the non-breeding months, this bird has grey, white and brown plumage. During the breeding seasons, the Red-necked Grebe has a rusty red coloured fore-neck and breast with a black bill and white cheeks. This species can be located in freshwater lakes of the northern hemisphere. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A Red-Necked Grebe of medium size stylised in a standing position with the face positioned forward. The bird stands on a wooden pedestal with two tags around its legs. One tag is paper and documents cataloguing information and the second is metal and lists the number 4403. This Red-Necked Grebe has pale feathers of white, grey and browns typical of this species in the non-breeding months. The face is positioned towards the front and the small eyes are made from dark glass.On metal tag 4403. On paper tag "32. Red-Necked Grebe.Catalogue, page, 43"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, red-necked grebe

" THE DAWN OF LIBERATION" War Speeches by the RIGHT HON, WINSTON S. CHURCHILL, C.H., M.P.Hard cover book. Cover - cardboard, light blue colour buckram. Dark blue print on spine. 314 pages - cut, plain, off white paper. Illustrated with black and white photographs. End paper - front - owner's stamp. Title page - handwritten name.End Paper - Owner's stamp, black ink "BENDIGO DISTRICT RSL SUB BRANCH INC/ PO BOX 42/ LONG GULLY 3550" Title page - handwritten blue ink - "F. B. McKAY".books, military history, ww2, churchill, speeches

Photographs of Junior Legatees doing outdoor activities. Melbourne Legacy arranged many events for Junior Legatees to experience. One photo has 12 children on bicycles in a forest. Another has four children in kayaks playing and having a water fight with their paddles. Another photo has a young child with a supervisor getting ready for abseiling. Names are unknown. It was with a group of photos from the 1990's in a folio with paper labels. The article in The Answer explains it was a the annual two week summer camp for Junior Legatees. In 1995 it was held at Cave Hill Creek, near Beaufort and the nearby Mt Cole State Forest. The children were supervised by a team of 12 experienced leaders from the Melbourne Legacy Leadership group assisted by educational instructors. A total of 50 attended the camp (27 boys and 23 girls). Most came from Melbourne but some from country Victoria and 9 from South Australia. A record of events run for Junior Legatees by Melbourne Legacy.Colour photo x 3 of junior legatees on bikes, in kayaks and abseiling and an article in the Answer about the youth camps.White paper label: "Junior Legatees participate in a wide range of recreational activities" in black type.junior legatee outing, answer, camp