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Ballarat Heritage Services
Photograph - Colour, Queen Victoria Memorial, Ballarat Town Hall [Detail], c1901, 15/09/2017
Photograph of the Queen Victoria marble memorial in the Ballarat Town Hall.In Memoriam Her Most Gracious Majesty Victoria the Good Obit 22nd January, 1901. Erected by the Citizens of Ballaarat.ballarat town hall, queen victoria, death, sculpture -
Ballarat Heritage Services
Photograph - Colour, Queen Victoria Memorial, Ballarat Town Hall [Detail], c1901, 15/09/2017
Photograph of the Queen Victoria marble memorial in the Ballarat Town Hall.In Memoriam Her Most Gracious Majesty Victoria the Good Obit 22nd January, 1901. Erected by the Citizens of Ballaarat.ballarat town hall, queen victoria, death, sculpture -
Ballarat Heritage Services
Photograph - Colour, H.R.H. the Duke of Clarence and AvondaleMemorial, Ballarat Town Hall, c1892, 15/09/2017
Photograph of a marble memorial in the Ballarat Town Hall.In Memoriam H.R.H. the Duke of Clarence and Avondale Obit January 14th 1892. This tablet was erected by the Citizens of Ballarat in the Month of September 1892.ballarat town hall, sculpture, coat of arms, duke of clarnence and avondale -
Ballarat Heritage Services
Photograph - Colour, H.R.H. the Duke of Clarence and AvondaleMemorial [Detail], Ballarat Town Hall, c1892, 15/09/2017
Photograph of a marble memorial in the Ballarat Town Hall.In Memoriam H.R.H. the Duke of Clarence and Avondale Obit January 14th 1892. This tablet was erected by the Citizens of Ballarat in the Month of September 1892.ballarat town hall, sculpture, coat of arms, duke of clarnence and avondale -
Ballarat Heritage Services
Photograph - Colour, H.R.H. the Duke of Clarence and Avondale Memorial [detail], Ballarat Town Hall, c1892, 15/09/2017
Photograph of a marble memorial in the Ballarat Town Hall.In Memoriam H.R.H. the Duke of Clarence and Avondale Obit January 14th 1892. This tablet was erected by the Citizens of Ballarat in the Month of September 1892.ballarat town hall, sculpture, coat of arms, duke of clarence and avondale -
Ballarat Heritage Services
Photograph - Colour, H.R.H. the Duke of Clarence and Avondale Memorial [detail], Ballarat Town Hall, c1892, 15/09/2017
Photograph of a marble memorial in the Ballarat Town Hall.In Memoriam H.R.H. the Duke of Clarence and Avondale Obit January 14th 1892. This tablet was erected by the Citizens of Ballarat in the Month of September 1892.ballarat town hall, sculpture, coat of arms, duke of clarence and avondale -
Ballarat Heritage Services
Photograph - Colour, H.R.H. the Duke of Clarence and Avondale Memorial [detail], Ballarat Town Hall, c1892, 15/09/2017
Photograph of a marble memorial in the Ballarat Town Hall.In Memoriam H.R.H. the Duke of Clarence and Avondale Obit January 14th 1892. This tablet was erected by the Citizens of Ballarat in the Month of September 1892.ballarat town hall, sculpture, coat of arms, duke of clarence and avondale -
Ballarat Heritage Services
Photograph - Colour, Interior Wall in the Ballarat Town Hall, 2017, 15/09/2017
Photograph of marble memorials in the Ballarat Town Hall.ballarat town hall, windows, sculpture, memorials -
Federation University Historical Collection
Book - Art Book, World Wide Art Books, Current Masters 2: World Wide Art Books, 2010 and 2016
.1) Art Book: Current Masters 2: World Wide Art Books. A artbooks featuring numerous artists. One of them is former Ballarat Technical Art School student and teacher Betty Collier (Thege). Collier's work is featured on pages 54-55. .2) Spotlight Contemporary Art Magazine, Issue 6 - Features the work of Betty Collier non-fictionbetty collier, art, sculpture, frog -
Bendigo Art Gallery
Sculpture, Charles RICHARDSON, Original model for The Fossicker, c. 1905
(verso) c; C Douglass Richardsonsculpture, carving, plaster, bronze, goldfields, panning, gold digging, mining, bendigo, fossicker, fossicking, miner, regional victoria -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Birth Atlas, 2nd edition, associated with St George's Hospital, Kew
This atlas was collected, along with fifteen other items, from St George's Hospital in Kew, Victoria, on the final day of obstetric services provided by the hospital. After 28/11/1998, all obstetric deliveries from the Birralee Maternity Service (St George's) were via Box Hill Hospital. Black hardcover book, with silver lettering on cover. Text printed on cover reads 'BIRTH ATLAS/SECOND EDITION/MATERNITY CENTRE ASSOCIATION/NEW YORK'. Book contains 17 pages with 24 plates of sculptures depicting the stages of fetal growth from conception to 14 days postpartum. Published by Dickinson & Buskie.st georges hospital kew, obstetrics -
Federation University Art Collection
Painting - Watercolour, [Landscape]
NEVILLE BUNNING Neville Bunning was a teacher of Sculpture and Ceramics at the School of Mines and Industry, Ballarat, 1945-1964. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Gift of Pauline DigginsFramed watercolour landscape art, artwork, landscape, neville bunning, bunning, watercolour, drawing, ballarat technical art school -
Eltham District Historical Society Inc
Newsletter, No. 56 September 1987
Contents: • Next meeting, guest speaker; Bruce Bence: Local fires and floods • September Meeting • Twentieth Anniversary Functions • Eltham Community Festival • Bronze Sculpture Project • Australian Bicentenary 1988 • Recent Activities • Other Brief Items The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society -
Dutch Australian Heritage Centre Victoria
Kruikezeiker (Jug Pisser) Statue
A link to the folkloric custom that the poor sold their urine to the wool industry where it was used in wool washing. Current depictions of a stereotypical Kruikezeiker are based on the Tilburg sculpture created by Henk Smulders (1925-1994). Said statue is located on Nieuwlandstraat, Tilburg. Tilburg has embraced this legend and named itself "Kruikezeiker Stad" (Jug City). The legend is brought to the fore during Karneval celebrations. It is a symbol of the city. Bronze (?) male figure depicting him about to fill a jug with his urine. His right hand lifts his garment while he holds the jug in his left. Base edge carries the name: "H.Smulders" on the back; "Tilburg" on the side and "Kruikezeiker" on the front.statue, tilburg, kruikezeiker -
Robin Boyd Foundation
Newspaper - Clipping, Craig McGregor, The Shapemakers: Architects, 23.11.1968
This is a full page article on disparate views on architecture - as a piece of sculpture or buildings which need to fulfill their purpose. Several Australian architects and their differing philosophies are featured, including Robin Boyd, Roy Grounds and Harry Seidler, Ian McKay and Ken Woolley.A full page feature with photographs.robin boyd, roy grounds, harry seidler, ian mckay, ken woolley, walsh st library -
Greensborough Historical Society
DVD, 2 Road Films, Homefront: a new kind of war memorial, 2019_
Description of the people, stories and signiificance behind the new sculptures in Greensborough War Memorial Park, including chainsaw artists Hikaru Kodama, Leigh Conkie and John Brady and blacksmith Roland Dannenhauer. Director: Michael Wilkins, Producer/Designer: Amanda Gibson.Colour DVD; with Councillors notes at special documentary screening, publicity leaflet and ticket for screening held 15 May 2019greensborough park, war memorials victoria, homefront project -
Greensborough Historical Society
Photograph - Digital Image, Homefront: Vietnam, 11/07/2018
"Homefront" is the name of the group of chainsaw statues in Greensborough's War Memorial Park. Banyule Council initiated the project. The sculptures were designed by Amanda Gibson, carved by Hikaru Kodama and Leigh Conkie. In this sculpture "Vietnam", the soldier is based on veteran Bill Cantwell’s experience in the Vietnam War. The young soldier wears an eye patch – Bill’s legacy of his wartime injury. The base of the statue represents being held down – you can see the hands reaching up the soldier’s legs. Carved by Hikaru. The laser-cut steel shield has a pattern of Huey helicopters flying over rubber trees, Bill’s memory of being evacuated after being shot in the eye. The Homefront project replaces Leigh Conkie's original chainsaw sculptures in War Memorial Park.Digital copy of colour photographsgreensborough war memorial park, war memorials, homefront project -
City of Ballarat
Artwork, other - Public Artwork, Deanne Gilson, Murrup Laarr by Deanne Gilson, 2019
Murrup Laarr translates as 'Ancestral Stones' in Wadawurrung. This artwork by Dr Deanne Gilson is located in the North Gardens Indigenous Sculpture Park. The park is a significant project for the City of Ballarat and features works by Aboriginal and Torres Strait Islander artists, celebrating the richness and diversity of culture and telling important cultural stories. Dr Deanne Gilson is a Wadawarrung Traditional Custodian and established artist. She installed the first artwork commissioned by the City of Ballarat for the Sculpture Park in early 2019. Murrup Laarr is a contemporary artwork consisting of a traditionally-built stone hut in the middle of a circle of basalt standing stones, marked with ceramic plates reflecting the stories and symbols of dreaming, memory, ceremony.The artwork is of aesthetic and cultural, social and spiritual significance to the people of Ballarat and to Wadawurrung peopleA traditional hut made from river stone and stacked rocks, with the hut surrounded by large basalt rocks with plaques featuring unique designs on stoneware plates imbedded into them. Murrup Laarr (Ancestral Stones), 2019 / By Deanne Gilson / Wadawurrung people have always used stones to mark places of ceremony and important business. The stones are the holders of memory and knowledge, Country and Spirit. They mark the cosmos and seasons. They follow the sun, marking the summer and winter solstice, important dates for planting and harvesting and telling stories of past, present and future. / The stones are alive and still present. Murrup Laar has been created using local basalt stones to tell Wadawurrung stories of dreaming, memory and ceremony. / “Creating Murrup Laarr (Ancestral Stones) at this time has placed Aboriginal people and practices back on Country and created a place to tell our stories. I am very honoured to have had this opportunity. An Aboriginal stone circle existed in Ballarat pre-colonisation; by putting back what was lost throughout colonisation I pay homage to my ancestors, past, present and emerging”/ – Deanne Gilson, March 2019 murrup laarr, wadawurrung -
Mont De Lancey
Tool - Draw Knife, ROBT SORBY AUS STEEL, Unknown
A steel curved bladed woodworking tool with two wooden handles used to remove thin slices and big chunks of wood from timber. It can be used to fashion wooden sculptures, debarking trees and trimming beams. The final finishing on such work was done by a Spoke Shave tool which we also have in our collection.ROBT SORBY AUS STEELwoodcarving tools, drawing knives, shaves, handtools, steel, wood, woodworking tools -
Bendigo Historical Society Inc.
Document - INTRODUCTION TO COLLECTION: BENDIGO ART GALLERY (1972), 1972
One page printed ''Introduction to Collection'' - Bendigo Art Gallery (1972). Covers Buildings and Site; Paintings (''over 600''); Prints (''relatively small collection''); Sculpture; Porcelain; The Dresden Vase (Baron Von Mueller); Contemporary Ceramics. This appears to be a hand-out to visitors to the Gallery as it states that ''It is hoped that you enjoyed your visit''government, local, bendigo art gallery -
Glenelg Shire Council Cultural Collection
Painting, Robert Ulmann, Goat, c. 1974
Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions) -
Federation University Historical Collection
Equipment - Object, Otto Waschatz, Cast of Hand, Plaster Cast Drawing Prop
The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. This plaster hand is inscribed “Waschatz, Modeller, Melbourne.” Otto Waschatz was a German plasterer who opened a plaster business in the Melbourne suburb of Richmond, and was responsible for the invention of the first true fibrous plaster - using a layer of hemp laid between plaster to create light and strong panels. By 1912 Waschatz's Lottoid Pty Ltd was a thriving and creative business, and possessed over 5,000 moulds for all kinds of plasterwork. The business closed in 1915, as the result of anti-German sentiment during World War One. Plaster cast of a hand used as a teaching aid at the Ballarat Technical Art School. The Victorian Education Department courses required art students to create studies based on ancient sculptures so copies of famous works were purchased as teaching aids. Among these courses were 'Drawing the Human Figure from Cast' and ‘Drawing from the Antique’. Waschatz, Modeller, Melbourneballarat school of mines, art, arts academy, ballarat technical art school, vikki nash, plaster cast, otto waschatz, lattoid pty ltd, school of mines, plaster copy, drawing from the antique, drawing the human figure from cast -
Nillumbik Shire Council
Sculpture: Michael WILSON (b.1943 Hastings, Victoria), Cicada, 1997
Michael Wilson learnt the craft of Goldsmithing after seeing well known sculptor and silversmith Matcham Skipper working in his studio at Montsalvat in and around 1970. This work is a gift to the Eltham Community in recognition of his twenty five years of developing his goldsmith skills and operating his business within the Shire. Wilson officially opened his commercial premises in 1985. Michael Wilson is a local jewellery maker. His work is influenced directly by the environment in which he lives. This sculpture is representative of his distinctive style of work as a nationally and an internationally recognised Designer and Goldsmith. Made of steel and powdercoated in aluminium with a concrete base. Decorative elements such as the ring encasing the cicada and the cicada's wings are guilded with 24ct gold leaf. The steel rod is burgundy in colour with the cicada painted a dark olive green to represent the 'Green Grocer' variety common in Eltham. The colours used in this sculpture match the surrounding Elm and Ash trees in the landscape. N/Apublic art, cicada, wilson, gold, green grocer, jewellery -
Bendigo Historical Society Inc.
Photograph - VAL CAMPBELL COLLECTION: PHOTOGRAPH OF FOUR CHILDREN STANDING ON A LOW WALL, 2003-2004
Colour photograph of four children standing on a low wall, two boys and two girls. In the background is a an athletics sculpture. All the children are wearing polo shirts and shorts with medals around their necks. Written on the back of the photo: Arandt All Junior Medalist 03/04 Jacob Lowry, Ben Murphy, Lauren Morgan, Olivia Arandt.recreations, sports, swimming -
St Kilda Historical Society
Photograph, Victoria Cross Memorial, Alfred Square, St Kilda - images collection
Sculpture by Peter Schipperheyn. Erected by the RSL in 1984 and dedicated on 21 April 1985. The sculpture is 3m high. The memorial commemorates four Victoria Cross recipients from St Kilda: Captain A. Jacka V.C. M.C. & Bar; Major W. Ruthven V.C.; Lt. L. D. McCarthy V.C., Croix de Guerre; Ft. Lt. W. E. Newton V.C. It is dedicated in 'memory of all Australians who died in war so that we may have peace'. The conflicts it lists are: World War 1 1914-18; World War 2 1939-45; Malaya 1948-60; Korea 1950-53; Borneo-Sarawak 1962-65; Vietnam 1962-72.colour photograph, unmounted, good conditionst kilda, vc memorial, alfred square, peter schipperheyn, jacka, ruthven, mccarthy, newton, vc recipients, victoria cross -
Mentone Grammar School
Sculpture (collection), 'Boy', 1967
Karl Duldig -
Kew Historical Society Inc
Photograph - Second World War Memorial, Kew Library, c.1960
George Henry Allen (8 February 1900 – 12 October 1972) was an Australian sculptor and teacher, an official war artist in the latter years of the Second World War. He served as an official war artist with the rank of lieutenant from December 1943, working at Port Moresby and the Australian War Memorial, retired February 1945. The plaque by George Allen on the exterior wall of the north side of Kew Library commemorating WW2 was funded by a bequest from the late Mrs Annie Anderson.One of two black and white snapshots (polaroid photos) of George Allen's sculpture at Kew Library. Mavis Rolley wrote about the memorial in 1980 as: This impressive piece of Sculpture, a memorial to the sacrifice of those who served in the Second World War, was completed in 1960 to coincide with the One Hundred Centenary Year of the City of Kew, and was unveiled on Anzac Day of that year by the Hon. A.G. Rylah, Chief Secretary, Deputy Premier of Victoria. Mr. George Allen, sculptor, submitted the winning design and through the contribution of a generous bequest of the late Mrs. Annie Anderson, a former resident of Kew, the Municipal Office was able to commission this gentleman’s work. The memorial is mounted on a wall of granite blocks and carved in Sydney Freestone, depicting a scene of war and loved ones at home.war memorials -- kew (vic.), memorials -- world war 2. -- kew (vic.), george henry allen, artworks -- kew library -
Kew Historical Society Inc
Photograph - Second World War Memorial, Kew Library, c.1960
George Henry Allen (8 February 1900 – 12 October 1972) was an Australian sculptor and teacher, an official war artist in the latter years of the Second World War. He served as an official war artist with the rank of lieutenant from December 1943, working at Port Moresby and the Australian War Memorial, retired February 1945. The plaque by George Allen on the exterior wall of the north side of Kew Library commemorating WW2 was funded by a bequest from the late Mrs Annie Anderson.One of two black and white snapshots (polaroid photos) of George Allen's sculpture at Kew Library. Mavis Rolley wrote about the memorial in 1980 as: This impressive piece of Sculpture, a memorial to the sacrifice of those who served in the Second World War, was completed in 1960 to coincide with the One Hundred Centenary Year of the City of Kew, and was unveiled on Anzac Day of that year by the Hon. A.G. Rylah, Chief Secretary, Deputy Premier of Victoria. Mr. George Allen, sculptor, submitted the winning design and through the contribution of a generous bequest of the late Mrs. Annie Anderson, a former resident of Kew, the Municipal Office was able to commission this gentleman’s work. The memorial is mounted on a wall of granite blocks and carved in Sydney Freestone, depicting a scene of war and loved ones at home.war memorials -- kew (vic.), memorials -- world war 2. -- kew (vic.), george henry allen, artworks -- kew library -
Nillumbik Shire Council
Public Art: Robert BAINES (b.1949, Melb, Aus), Robert Baines, Transaction (Location: entrance, Nillumbik Shire Council Offices, Civic Drive, Greensborough), 1994
The site specific sculpture is located at the entry to the office of Nillumbik Shire Council. It was commissioned in 1994 by the Shire of Diamond Valley for their 20 year celebration. Baines was chosen from a short list of three artists. He is an internationally renowned artist, particularly in the field of gold and silver smithing. 'Transaction' takes on the visual and aesthetic vocabulary of its surroundings. It is a statement of the geometry and idiosyncrasy of its immediate site. The series of arcs are reinterpreted into longitudinal curves in the sculpture. It is a transaction between the place and the anticipated entry to the building. The title also suggests the flow of civil and administrative procedures that take place daily within the Shire's offices. A large cascading form in stainless steel. Multiple rows of concave dishes set on long steel stems, which progressively increase in size as they rise in height. The work plays elaborately with perspective, and its repeated shapes are arranged in a orderly mathematical series. It faces a wheelchair ramp lined with polished steel rails, and is integrated with the architectural features of its forecourt setting, for which it was designed. The piece is sited in a small garden area and can be viewed from within the building's foyer. In bright sunlight, its dish-shapes cast elliptical shadows across walkways and lawns. N/Apublic art, transaction, ekphrasis2017, stainless steel, disks, poles, council -
Melbourne Legacy
Card, Widow and Children statue dedication 29 September 1998
Two notecards published by Legacy to commemorate the installation and dedication of the 'Widow and Children' statue on Tuesday 29th September 1998 in the Legacy Garden of Appreciation. The 'Widow and Children' statue was sculpted by Louis Laumen, a Melbourne artist. The sculpture symbolises the work of Legacy caring for the widows and children of veterans.A record of the 'Widow and Children' statue being dedicated in 1998.A commemorative card and a blank note card both with an image of the Widow and Children statue and the date of dedication.statue, garden, memorial garden, widow and children statue