This chair is one of a set of four chairs from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. * for more detailed history please see our Registration Number 658, Set of chairs This set of chairs is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of chairs is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this set of chairs to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Chair: Australian Colonial rail back dining chair. Chair is one of a set of four (4) cedar wood chairs. Each chair has a rounded rail back, flat cross rail, flat solid wood seat, curved back legs and colonial turned front legs. Mid-brown colour, veneer finish. The set of chairs is part of the St Nicholas Seamen's Church Williamstown Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, sailors rest, sailors’ church, bethel sailors’ church, bethel floating church, ladies harbour light guild, lightkeepers’ auxiliary, missions to seamen victoria, mission to seafarers, flying angel’s club, ann street williamstown, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, religious furniture, religious worship, anglican church, chair, dining chair, kitchen chair, domestic furniture, colonial chair, australian colonial period, cedar chair

An R.M. Co. (or M.R. Co.) West End flat top tennis racquet, with solid concave throat, and fine-grooved handle. Manufacturer and model details on throat on obverse, and seem to be a very early use of decal and laminated framing. Impressed inscription: ORIENTAL GUT, along right side of shaft implies silk was used for racquet strings. Materials: Wood, Lacquer, Glue, Metal, Silk, Inktennis

Troy ounces are slightly heavier than avoirdupois ounces that we commonly use. 1 troy ounce equals roughly 1 1/8 ounces and is used for the weighing of precious metals and gems. It is believed that the troy ounce dates back to the 16th century to the town of Troyes in Frances. This was a major trading centre for Europe and a standardised for of weights was needed. One troy ounce equalled 480 grains of barley.Four circular Troy weights - three have raised outer edge/lip with weight details imprinted in the centre. Large weight has the number 2 embossed in the middle. Second has the number 1.0 in the middle third has the number 1/2 in the middle. Fourth weight is solid and has a smaller inner circle. All appear to be made out of brass All taper down to smaller base.gold mining, gold mining equipment, gold mining history

JOHN WILLIAMS COLLECTION: NEWSPAPER ARTICLE FORGING A SOLID CRAFT Newspaper Article Bendigo Advertiser Thursday May 29, 2003 Photo and article of Tom Morton and his replica Ned Kelly armour. Tom, a pupil at Quarry Hill Primary School yesterday submitted his latest piece of homework to grade 5-6 teacher John Williams. The article descrives how Tom went about it.

A wooden flat-top racquet with a solid, convex throat, and fine-grooved, bulbous handle grip. Across the throat of the obverse is a decal of the model 'ASHBY' above the Bliss company trademark of a 'B' linked to an anchor, within a shield device. Around the crown on the obverse is the barely legible decal inscription, in blue: EXPERT. Initials etched into the butt: McN. Materials: Wood, Gut, Ink, Metal, Glue, Lacquertennis

A wooden, transitional flat-top racquet with a solid convex throat, and fine grooved handle. Manufacturer's mark stamped across throat on obverse, comprises of a hexagram with the text: BEST IS BEST/S&S/L/THRO' THE WORLD. Stamped model name along stem on obverse: THE RENSHAW. Stamped inscription across throat on reverse: BENETFINK/LONDON. Materials: Wood, Gut, Leather, Metal, Glue, Lacquertennis

A wooden racquet with solid, convex throat, cloth tape, and parchment shoulder reinforcements, and deep grooved handle grip. Inscription across and along throat on obverse: DRIVA/WILLIAMS & CO. PARIS. Inscription across butt cover, in French: WILLIAMS & CO/1. RUE CAUMARTIN/PARIS/A GARDER SOUS PRESSE. Materials: Wood, Gut, Cloth tape, Ink, Glue, Lacquer, Leather, Metal, Parchmenttennis

These hair tongs were used to curl or wave hair. They have the name’ Marcel’ on them. In 1872 Francois Marcel Grateau invented a hairstyle called the ‘Marcel Wave’ where women’s hair styles had mostly deep waves rather than curls. The tongs that were held manually and heated and used at home to produce deep waves or curls become a commonplace item in a woman’s home in the late 19th and early 20th centuries. By the 1930s electric hair tongs were introduced but the non-electric ones continued to be used until the 1950s. These hair tongs belonged to a woman from England and would have been used in the 1930s or 40s. They are a good example of the type of household article used by women 70 or 80 years ago and will be useful for display.This is a scissors-like article with wooden handles and metal blades for waving or curling hair. One blade is heavily curved and the other is a solid round shape. The ends of the blades are tapered. The blades were heated over a stove and used manually to enclose part of a woman’s hair to produce waves or curls. The handles were originally polished black and are somewhat rubbed and the blades and other metal parts are a little rusty. ‘Marcel’ ‘12’ hair curling tongs, warrnambool

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; an unpainted, rectangular wooden frame with a top and sides, similar to a small rectangular stool. A solid half-cylinder shape was added under the horizontal 'seat' with another smaller half-cylinder attached to it, end-to-end. A string is tied between two metal loops attached to the back. There are two X marks stamped into the back. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.Stamped: "X" "X"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

Black and white negative, by Wal Jack, of S158 and S 157 turning from Ballarat Road into Gordon St, while running a SPECIAL E or Explosives factory service. Note the paper boy on the step of S158 with many papers (appears to be a few people on the tram) and a solider in uniform walking across the street. Photo dated 20-4-1945 in the Wal Jack album along with details of the location and the tramcar.trams, tramways, ballarat road, gordon st, footscray, world war 2, special e, s class, tram 158, tram 157

The Stanley Works was founded by Frederick Trent Stanley in 1843 located in New Britain, Connecticut USA. The Stanley Rule and Level Company was founded by Frederick's cousin Henry Stanley in 1857. Stanley introduced the first steel tape, Stanley introduced utility knives in 1936. Stanely buildt the largest hand tool plant in the world in New Britain, CT (Connecticut). In 1920, the Rule and Level Co. merged with the Stanley Works, which in turn merged with Black and Decker in 2010.Owned by Kiewa valley resident, Lankey Higginson.Solid wooden plank with brass attached by screws. brass plates at each end, around the level 'window' and further along. Also with a 'badge'. This latter one is beside a ound hollow which has a level window to measure the vertical side. The horizontal level measure is in the centre on the narrower ledge of wood. On the centre wider edges is a groove to assist in hold in the spirit level steady. Above the glass levelAbove the glass level, inscribed on a brass plate is "Stanley / Rule and Level Co. / New Britain Conn. U.S.A. / Pat. 6 -2-91 and 6 -28 -96" Also, 2 small brass plaques / badges inscribed: "ADJ pat. Feb. 1890 / screw."stanley rule and level co., spirit level, higginson family

Ann Dale (nee Lees) was given this frame by her younger brother Thomas Chamberlain Lees, who was eighteen at that time. Thomas was the youngest son and seventh child of Lees and Sarah (nee Chamberlain) Lees. Ann loved her little brother’s artistic talents, which are demonstrated in this frame he designed and carefully carved for her. Thomas had cleverly finished the back with timber pieces around the images, and a section of a 1904 calendar. His “GOOD LUCK” is below the image of Ann, her husband Ellis Dale and their five children, c 1900. Sadly, Thomas died in 1911, aged 25. Ellis Dale’s father, William, was a quarryman who sailed from Yorkshire to Australia in 1852. He later bought land for Dale’s Quarries on the edge of Warrnambool in the area of Dale and Aberline roads. From the age of about eleven, Ellis and his brother worked in the quarry beside their father. In 1890 Ellis Dale married Ann Lees. Ann had lived nearby at Wangoom with her parents, Lees and Sarah Lees, who had had her photograph taken when she was a little girl, wearing her black dress. Ellis built a bluestone cottage for himself and Ann on his father’s land in Dales Road. He later added weatherboard rooms, and they named their finished home “Latrigg”. Early in their marriage Ellis recycled some empty dynamite boxes from their quarry to build a cupboard with drawers for Ann’s flat irons and other ironing equipment. The cupboard was used by future generations until recently, when Ann’s granddaughter, Betty Stone, donated it as part of the Chamberlain Dale Lees Collection. It is now in the kitchen of the Port Medical Office. Chamberlain Dale Lees family – local Colonial Pioneers Centre: Ellis Dale and Ann (nee Lees) and their five children - c 1900. Sons lvor William, Robert Ellis, Alfred John, and daughters - Elsie Mary Dale, and Daisy Elvena Dale. Top Left: Ann Lees - c 1868, (the little girl in the black dress) Top Right: William Dale Jnr. and Ellis Dale - c 1871 Lower Left: Ellis Dale and Ann (nee Lees), married 22 Jan. 1890 Lower Right: William Dale Jnr. and Agnes (nee Gillies), married 1883 Oval Photographs: unidentified but presumed to be family members [NB Spelling of Ann Dale – The spelling of Ann’s name has been confirmed by Betty Stone as being “Ann” (Not Anne), by phone conversation with Flagstaff Hill Maritime Village, K P 14th April 2014] (Note: For additional information please refer to Betty Stone’s book “Pioneers and Places - A History of three Warrnambool Pioneering Families” ie. Chamberlain, Dale and Lees Families)This item is associated with the families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The handmade frame is a unique example of clever craftsmanship and carving skills used by early pioneers with limited access to materials.Family photographs, nine, set into carved, solid wood frame, stained and lacquered. Carving includes leaves, flowers, a horseshoe and a ribbon with the words "GOOD LUCK" Photographs are of the Lees family of Wangoom, from the 'Chamberlain Dale Lees Collection’ Made by Thomas Lees for his sister, Ann. The little girl with black boots on is Betty Stone's grandmother. The back of the frame has a London calendar dated 1904.Words in carved ribbon "GOOD LUCK" Calendar for the year 1904flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, thomas lees, wangoom, ann dale, ellis dale, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, thomas lees, wangoom, ann dale, ellis dale, thomas chamberlain lees, handmade photograph frame, carved photograph frame, dynamite

A wallpaper sample donated to the collection by Frances Alexandra (Frankie) Derham (1894–1987). Derham was an Australian artist and educator. A lecturer in art at the Melbourne Kindergarten Training College (1928-64) , she later taught at the Associated Teacher Training Institution (1949-61). Her commitment to `child art’ developed after 1935 when she accepted an invitation from Margaret Lyttle to teach at Preshil school.Frances Derham's collection of nearly ten thousand children’s drawings and paintings was acquired by the Australian National Gallery in 1976. Her interest in art for and by children is reflected in her donation to the Villa Alba Museum of an important and rare collection of early wallpapers designed for children's rooms. Section of a longer nursery wallpaper dado depicting kittens playing with a groups of mice watching. Under the solid and fine lines creating a border at the top is a series of tassels on a green background. Above the similar lower border are sections imitating a wooden batons with the wood grain picked out in black on a yellow background. The colourway used in the sample includes outlines in black, grey, pale yellow and teal green.decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- children's, frances derham, wallpapers -- dado borders

In the foreword the Chairman and General Manager, W.H. Connolly, wrote: "Australia's progress since the Second World War has been remarkable - and nowhere more so than in Victoria. Although the smallest pf the mainland States, Victoria is today the most highly industrialised, the second most populous and the most rapidly developing State in the Commonwealth. Many factors have contributed to this growth, bu the one of greatest importance is the vast wealth of easily extractable brown coal in the Latrobe Valley which is the source of Victoria's electricity and a major part of its solid fuel. ... "White and green soft covered book of 34 pages with black & white and coloured illustrations. The book includes starts with an historical section, and includes information the open cut, Yallourn Power Station, Yallourn Briquette Works, the town, Morwell Open Cut, and includes a map of the Latrobe Valley Brown Coal resources.yallourn, connolly, open cut, power station, kernot, coal, briquette, lyle, monash, yallourn open cut, yallourn power station, yallourn briquette works, morwell open cut, hazelwood, brown coal, gippsland, horses, turning sod

This specimen was recovered from Silverton Mine in Broken Hill, New South Wales. Otherwise known as the 'Day Dream Mine', the Silverton Mine was first established in 1883, when silver and lead deposits where discovered. Within a few short years, the population of Broken Hill reached 3000 people. As of today the Silverton Mine is still open, and has produced over 200 million tonnes of ore, which has generated over $100 billion. The Silverton Mine was also famous for a number of specimens such as silver, iron and zinc.Copper is considered to be a rare ore in that finding it in its pure form is rare. Nowadays when mining for Copper it is often found in mixed in with other minerals or it is recycled from use. Moreover, Copper is found in a range of everyday uses such as coins, cookware, pipes, heating conductors and anything that generate electricity. The fact that Copper is heat a heat conductor, electricity conductor and it does not corrode easily, makes this ore a versatile and useful. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid hand-sized cube-shaped sulfide and oxide with shades of green, grey and brown throughout. Copper is typically found as nuggets in the ground. It can be found in a range of forms such as its native state; mixed with other ores, such as zinc and iron; as porphyry copper deposits; and as major deposits. Porphyry deposits are when the mineral is scattered evenly throughout the rock. Major deposits are when the mineral is scattered amongst other minerals.burke museum, beechworth, indigo shire, beechworth musum, geological, geological specimen, mineraology, copper, copper ore, copper ore speciment, broken hill, new south wales

According to the 1912 Department of Mines Bulletin of the Geological Survey of Victoria, basalt covers a considerable portion of the Macedon area including Mount Macedon. Basalt is the most common form of rock underlying the earth's surface and is found in three kinds of rock forming environments: ocean divergent boundaries, oceanic hotspots, and mantle plumes and hotspots beneath continents.This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid mass, geological specimen in shades of grey and white. Hyalite is a colourless variety of opal. It occurs as globular and botryoidal masses and irregular crusts in volcanic and pegmatite environments where the silica deposits from the gas phase. Basalt is dark in colour, fine-grained igneous rock composed of plagioclase and pyroxene minerals. It is commonly formed as an extrusive rock, such as lava flow. It is one of the most common forms of rock underlying the earth's surface.burke museum, geological specimen, department of mines, geological survey of victoria, basalt, mount macedon, beechworth

The soldier in the photo's is unknown but all of the same person..1) Photo, sepia colour, solider in uniform, shorts and puttee's, standing beside stand with vase or flowers. .2) Photo, sepia colour, portrait of soldier, with slouch hat down with emu plume, sergeants strips. .3) Photo, sepia colour, soldier standing, hands behind back hot on small table, corporal stripes, stamped on rear "july 1918. Photo has been cut into an over shape.photograph, photography, soldier

Religious text used in Victoria's mental institutionsA good example of the texts relating to Protestant Missions in the late 1800s18.5 cm x 25 cm. 160 pages. Hardcover [publisher’s original navy blue pebbled-finished cloth]. Gilt-stamped device with title and black tooled borders on front board. Blind border tooling to rear board. Fair condition with some significant signs of external wear. Faded and torn cloth at spine. Binding relatively firm and solid. Sharp cornered interior clean and with some aging. Tricoloured Bookplate carrying “Sin, Subsitution, Salvation” and similiarly themed quotes. bible, biblical commentary, protestantism, religious literature

Used to take a sample from the cervix as part of a cervical biopsy. 'Rostfrei' is a German word meaning 'rust free', which is an equivalent term for stainless steel.Stainless steel cervical punch. Consists of a long, thin metal shaft, extending out in a perpendicular fashion from the handle. There is a small cutting tooth at the end of the shaft. Handle consists of an oval shaped trigger attached to a solid metal handle. A curved metal spur extends from the back of the handle to provide purchase for thumb grip. Overall shape of the instrument resembles a handgun in style. Inscription on handle of instrument reads 'ROSTFREI'. obstetrics

A Diamond Manufacturing Co tennis racquet with convex solid throat, and an octagonal handle. Has a leather end wrap. Decal with manufacturer name and other text printed across throat on obverse: TRADE/QUALITY/DIAMOND MANUFACTURING CO/DIAMOND BRAND/COUNTS/MARK. Decal also features winged dragons on either side facing in. Materials: Wood, Lacquer, Metal, Glue, Gut, Leather, String, Cloth, Inktennis

'Wimba' is of significance as one of the key nineteenth century houses of Kew and for remaining in a substantially intact state. Although probably built some time earlier, the first mention in the Rate Books of the property later known as 'Wimba Lodge' appears in the entry for 1870 when the property, owned by John Sharpe Denbigh, a civil servant, was given an N.A.V. of £72 2. Denbigh did however occupy a house in Cotham Road in 1863, and it is possible that was the same premises'. The house was occupied by Denbigh until at least May 1876 when the 'family residence...' \ 'as auctioned to Carlington George Edmund Marston 5, a chemist of Smith Street, Collingwood. At the time of the auction the house was described thus: The residence and grounds of the late J.S. Dendigh, situate in the most elevated part of Cotham Road Kew. The grounds comprise an area of 4a Or29p or thereabouts, and have a frontage to Cotham-road of 4 chains. The house has two large rooms in front, with 6ft hall built of brick, bay and side windows (plate glass), four rooms of wood behind with slate roofs, bathroom and closets, detached kitchen and servant's room, large shed with washing boiler, pantry and cellar under, brick and cement tank, and the Yan Yean laid onto house and grounds, cowshed, pigstye, &c, the whole securely fenced. First class orchard and flower garden. The paddocks laid with English grasses and drained... .' (Sanderson P, City of Kew Urban Conservation Study, Volume 2, 1988)This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.The front entrance of Wimba in Cotham Road, Kew. The entrance is flanked by two polygonal bay windows, and a verandah with a concave corrugated iron roof returns around three facades, and accentuates the projections of the windows. The solid render parapet is very ornate and tall for the date of construction. It has panels of decoration along it and is surmounted by a number of render urns. The image was used by Dorothy Rogers in 'A History of Kew' (1973), facing page 144.Wimba ca. 1860 built by J.S. Denbigh (has been altered).wimba, kew, dorothy rogers

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. It may fit together with one of the other patterns with a similar outline. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century.Pattern; thick square mostly unopainted wooden block with a solid half-cylinder added to the top, which has rounded shoulders. A disc is added to the front, aligned with the curve at the top. The top curve has orange paint and the dial is pink. Three holes are drilled in the back, in a triangular configuration. It is similar in shape to a mantle clock or an early-style radio. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

Percival Sylvester LANYON NR V 14661 enlisted 21 May 1941 Aged 45, Discharged 5 June 1944 Rank PTE. UNit 3 Garrison Bde. Heavy copper medallion and chain. At the top of the chain is a solid rod, 5 rings in the chain. Medallion is gold colour, top has the Rising Sun Badge covered with a saluting soldier. Two rifles go from his waist to the ground. A blue enamel across the medallion. Centre has a small shield with a concave recess in its centre. A wreath up from the bottom on both sides, bottom has a boomerang.Front. “DUTY. BRAVELY. DONE. P.S. LANYON in the boomerang Back is stamped “presentation from Bendigo” ww2, bendigo, medallion thankyou

This item commemorates the war in Vietnam (1962 - 1972.) It was donated by Sapper Gordon Skidmore, who served Royal Australian Engineers in Vietnam 1968-69.A 50 cent commemorative coin is presented in a green envelope. Images of a huey helicopeter to the left, an ink stamp of a helicopter with the date of issue, a postage stamp is located on the top right hand side. The coin is located in a plastic cover, to the right of the coin is a sepia photo of a solider looking at a map hanging up. The coin commemorates Operation Overlord. South Vietnam Long Khanh Province, South Vietnam, 5 - 14 June 1971.Operation Overlord/Long Khanh Province, South Vietnam/ 5 - 14 June 1971.commemorative coin, 50 cents, operation overlord, long khanh province, 5 - 14 june 1971, skidmore, 39570, 17th construction squadron, 21 engineer support troop, auspost

Before the introduction of electricity, irons were heated by combustion, either in a fire or with some internal arrangement. An "electric flatiron" was invented by American Henry Seely White and patented on June 6, 1882. It weighed almost 15 pounds (6.8 kg) and took a long time to heat. The UK Electricity Association is reported to have said that an electric iron with a carbon arc appeared in France in 1880, but this is considered doubtful. Two of the oldest sorts of iron were either containers filled with a burning substance, or solid lumps of metal which could be heated directly. Metal pans filled with hot coals were used for smoothing fabrics in China in the 1st century BC. A later design consisted of an iron box which could be filled with hot coals, which had to be periodically aerated by attaching a bellows. In the late nineteenth and early twentieth centuries, there were many irons in use that were heated by fuels such as kerosene, ethanol, whale oil, natural gas, carbide gas (acetylene, as with carbide lamps), or even gasoline. Some houses were equipped with a system of pipes for distributing natural gas or carbide gas to different rooms in order to operate appliances such as irons, in addition to lights. Despite the risk of fire, liquid-fuel irons were sold in U.S. rural areas up through World War II. In Kerala in India, burning coconut shells were used instead of charcoal, as they have a similar heating capacity. This method is still in use as a backup device, since power outages are frequent. Other box irons had heated metal inserts instead of hot coals. From the 17th century, sadirons or sad irons (from Middle English "sad", meaning "solid", used in English through the 1800s[4]) began to be used. They were thick slabs of cast iron, triangular and with a handle, heated in a fire or on a stove. These were also called flat irons. A laundry worker would employ a cluster of solid irons that were heated from a single source: As the iron currently in use cooled down, it could be quickly replaced by a hot one. https://en.wikipedia.org/wiki/Clothes_ironThis iron is typical of the clothes iron used before electric irons superseded it.Salter iron no. 6, painted black but with rust showing through. Salter iron no. 6.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, iron, clothes, laundry

This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment.Used for rectal examinations. Stainless steel. 2 parts. Shaped like a gun the handle of the hollow holder being at a rectangle. The connections are attached to a cone shape. The part that fits inside this holder is straight with a handle at one end, with a shield to stop it travelling into its holder too far.Then it continues as a rod, half way along which is another shield until the rod stops at a solid half cylinder. The handle of the 'rod' is rounded with 8 faces.medical equipment. hospital equipment. sigmoidascope. rectum. mt beauty. tawonga.

These wooden trees for riding stocks are a concept that was brought to early colonial days from "mother" England. Gentle folk of wealth and status used these trees from early 1800's to keep and maintain their riding boots in their correct form. This form of maintaining the tall riding boot structure was maintained in Australia by the rural "elite" both on cattle properties and smaller cattle stations in the early 1900's. Good riding boots were a status symbol in rural and outback Australia. The riding stocks "wooden trees" are very significant in the Kiewa Valley because they were used by members of some of the original grazing cattle families to settle there. Both cattle and sheep properties occupied large areas of the Kiewa Valley and they also herded their flock and herd on the Bogong High Plains region. These stocks and boots were worn by Fred Roper whose great grand daughter donated them to KVHS. Therefore these boots and stocks would date from 1880's to 1920's and are a good representation of the style of boots worn during this period. This pair of wooden stocks for riding boots trees has been manufactured to a very high standard. Each of the four boot tree parts fit snugly together and maintain their form, and that of the boot that they occupy. The groove channels and foot forms (tongue and groove) are exact and once snapped together become very solid. There is a brass ring, attached by a small brass "peg" on each of the thin "sliding" middle uprights. See KVHS 0177 - Riding boots.On top "L" (for left boot), "R" (for right boot)horse. country. leather. gaiters. high plains. grazing. cattlemen. laces. studs. stocks. roper family. bogong high plains.

This set of pairs of pintles and gudgeons was recovered from the wreck of the sailing ship Schomberg and was part of its rudder steering system. A reconstruction that includes four pairs is currently on display at Flagstaff Hill. The rudder installation of the Schomberg was almost seven metres tall. A pintle and gudgeon pair is a mechanical fitting that works like a pair of door hinges. One of the uses for this type of fitting is for ships’ rudders. On a ship, one or several gudgeons would be attached to the vertical rudder stempost on the rear of the ship’s hull. On the ship's rudder, an equal number of pintles would be fitted onto it. The rudder assembly would then fit down into the gudgeons on the ship and would be connected to its steering mechanism, allowing it to be moved from side to side and steer the vessel. The SCHOMBERG- The three-masted clipper ship Schomberg was built in 1855 by Alexander Hall and Co in Aberdeen, Scotland, for James Baines' famous Black Ball line. It measured 288 feet (88 meters) in length, with a beam of 45 feet (14 meters), a depth of 29.5 feet (8.99 meters) and 2,284 tons. The mainmast was 210 feet (64 meters) high and the ship carried 3.3 acres of sail. The wooden vessel was constructed with three skins; one planked fore and aft, and two diagonally planked. All skins were fastened together with screw-threaded trunnels (wooden rails). The Schomberg was one of only three clippers wrecked in Victorian waters that operated the England-to-Australia run. It was built to outrun Donald MacKay’s two American-built ships, the Empress of the Sea and the Lightning. It was hoped that Schomberg would make Liverpool to Melbourne voyage in sixty days, setting a record for the voyage. The Schomberg sailed from Liverpool on 6 October 1855 on her maiden voyage, under the command of Captain James Forbes. Her general cargo for Australia included jewellery, spirits, machinery, and 2,000 tons of iron rails and equipment for building the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn, and17,000 letters and 31,800 newspapers. She also carried a cow for fresh milk, pens for fowls and pigs, plus 90,000 gallons of water for washing and drinking on board. There were approximately 473 passengers, including migrants for Australia, and a crew of 105. Light winds encountered at the equator dashed the expectations of a record-breaking voyage. On Christmas day the ship sighted Moonlight Head in southwest Victoria and even though there was a deadly combination of wind, currents and unmarked sand spits, the vessel continued on. Then the next day, December 26th 1855, the huge ship gently ran aground on a spit that juts into Newfield Bay, east of Curdies Inlet and the present town of Peterborough. Fortunately, the coastal trader, SS Queen, was nearby and managed to save all passengers and crew. In 1975 Flagstaff Hill’s former Director Peter Ronald and the team of divers recovered many objects and artefacts from the wreck of the Schomberg such as the ship’s fittings, equipment and personal effects including a diamond hidden for years in a communion set. This set of pintles and gudgeons is an example of steering equipment used on ships over 150 years ago, equipment that is still in use in today's shipping industry as well as many other everyday hardware applications.. The equipment is significant for its association with the ill-fated vessel Schomberg, which was wrecked in the local water in 1855 on its maiden voyage. The ship was built for speed and luxury, to sail on journeys with passengers, including migrants, travelling from Liverpool to Melbourne.Pintles and gudgeons, six pairs, plus one single pintle, from the wreck of the SCHOMBERG. Cast iron horse-shoe-shaped fittings with tapered ends. each with metal bars between the long sides. One piece of each pair has a round hollow cylinder and the other has a round solid shank. The single pintle has a tall shank with a pintle hook through it. Some pieces have remnants of grey paint.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, schomberg, shipwreck, pintles, gudgeons, ship's rudder, ship's steering, clipper ship, james bain, black ball line, alexander hall and co., capt. james bully forbes, rudder pintles and gudgeons, rudder steering, pintles and braces, immigrant ship, maiden voyage, peterborough, 1855, marine technology

The Hall Cherokee II glider is an American design for amateur construction from plans. The designer was Stan Hall (1915-2009), a professional engineer, who gained extensive experience in the United States aviation industry during World War 2 including the programs for military gliders. He continued to work as an engineer for aircraft manufacturers and as a consultant to the industry after the war. He was active in gliding and, in particular, the home built sailplane movement. The Cherokee II was one of about 10 glider designs that he produced: it came out in 1956. It is understood that over 100 Cherokee gliders have been built. In Australia the number is possibly 10 or 11. The Hall Cherokee VH-GVO was built by R.D Meares of Caringbah, New South Wales. The glider was registered as VH-GVO on 11 October 1973 and given serial number “GFA-HB-82” by the Gliding Federation of Australia. The Logbook for VH-GVO appears to be a complete record of the flying history; in aggregate 210 hours 40 minutes in the air from 331 flights. The first test hop occurred on 29 July 1972 at Camden, New South Wales. VH-GVO was last flown on 22 July 1986. Many of the flights recorded are of one or two hours duration. The glider was last inspected and certified as airworthy and in a reasonable condition at the Hunter Valley Gliding Club in July 1986. Since that time, until transferred to the Australian Gliding Museum, the glider was in storage. Structural restoration work has been completed on the fuselage and one wing. However, inspection of the other wing revealed extensive damage to the ribs and spars and consequently a decision was taken to make it a static exhibit. The exhibit is an example of home built construction of a type that has proved popular amongst amateur glider builders.The Hall Cherokee (formerly registered as VH-GVO) is a single seat wooden home built glider. The glider is constructed from wood, plywood, fabric and metal fittings, all commercial grade except for main wing fittings, pulleys, cables and bolts. The fuselage is simple with four main longerons and bulkheads with diagonal bracing. The wing has two identical solid spars which form a geodetic structure, hence the leading edge is non-structural. Registration VH-GVO – serial number GFA-HB-82 australian gliding, glider, sailplane, hall, cherokee, meares, hunter valley gliding club