This table was installed originally in the front office of the Soldiers Memorial Institute Bendigo 1921 funded by the "Australian Mining Comforts Fund". It was still in use up till approx 2012 when the office was renovated. After the renovations to SMI in 2016 - 18 it was installed in what is now called the "Building and RSL History Room"Office desk, heavy timber construction rectangular shape, has two pull out side drawer's that originally had a filing system in, one pullout drawer central in the sit position. Side drawers have steel handles, central one timber.brsl, smirsl, comforts

The Crown Hotel was a one of two very early hotels in Buninyong and has played a significant part in the local community ever sinceThis photograph is a record of Buninyong and District Historical Society's ongoing activities in areas of local significance An illustration advertising Francis Selleck's Crown Hotel from an 1860's Ballarat DirectoryFrancis Selleck's Crown Hotel, Buninyong. Good Accommodation for Travellers, and Good Stabling. Billiards and Bagatelle Tables, &c.

Plan of the Hustler's Reef & Hustler's Reef No 1 Mines on the Hustler's Line of Reefs, Bendigo Bulletin No 33, Plate No XIV. No 8 connecting No 10 (Hustler's Reef), No 11 connecting No 13 (Hustler's Reef), No 13 (Hustler's Reef No 1) connecting No 15 (Hustler's Reef) and No 10 Hustler's Reef No 1 rise to Comet Mine. Map shows different levels in relation to the two shafts, the lines of the Hustler's Line of Reefs and the Lightning Hill Line of Reefs, the approximate Boundary of Lease and the Comet Co., the adjoining lease. Table on the left shows the levels and their depths of the two mines. Signed by H A Whitelaw, Underground Survey Office, Bendigo, September 1913. Geological Survey of Victoria emblem. mining, parish map, hustler's reef & hustler's reef no 1 mines, hustler's line of reefs lightning hill line of reefs, comet co., h a whitelaw, underground survey office bendigo, geological survey of victoria

Textiles. Damask weave fabric, with a design of a rose, with buds, and two stems of leaves, and a lovely soft sheen. Two bands of six zig zag peaks, are made by using pulled thread embroidery, and form a border either side of a row of pulled threadwork diamond shapes, 7 cm x 7 cm. This decorative border is at each end of the runner, which also is completed with a 12 cm deep fringe. A geometric patterned weave forms the background to the pulled thread embroidery, while a single rose and bud weave is tucked into each zig zag, and a scroll design features at each fringed end.textiles, domestic, double damask table runner

Willcox and Gibbs: Serial No. 158679.|The Willcox& Gibbs Sewing Machine Company was founded in 1857 by James E. A. Gibbs and James Willcox and opened its London Office in 1859 at 135 Regent Street . By 1871 the Company's Chief Office for Europe was at 150 Cheapside, London, this office was later moved (post 1885) to 94 - 96 Wigmore Street, then 37 & 39 Moorgate Street (by 1891 to post 1907) and later 20 Fore Street, London .Right from the initial production the manufacturing of the Company's single thread, chain stitch machine was undertaken by Brown & Sharpe, Rhode Island and this continued up until 1948.|A special hand crank mechanism was produced in England for the European market, but the general design of the Willcox& Gibbs remained essentially the same throughout its production. The only major improvement was in 1875 when the glass tension discs were replaced with an automatic tension device which ensured the machine could not get out of adjustment.|In addition to the domestic hand and treadle machines the company produced a wide range of industrial models.|The Company finally closed in 1973.|This Willcox& Gibbs came complete with its wooden carry case. The machine was made in America in the late 1860's but it has the ornate hand crank produced at Coalbrookdale near Telford, England which was, in Victorian times, renown for producing high quality ornate iron castings. This machine has the glass tension discs which were used on domestic models until 1875. The Willcox& Gibbs badge is located on the rear of the base casting and it also has a deep wooden base.|The cloth plate has various American patent dates, four dating between 1857 & 1860 relating to J. E. A. Gibbs, three dating between 1860 & 1864 relating to Chas H. Willcox (son of James Willcox), the machine was also licensed under five other patents including the infamous Elias Howe patent of 1846.|There are only two English patents one for J. E. A Gibbs and the other for James Willcox.Upright sewing machine. Machine is quite small and set on wooden table. Ornate metal sides and treadle feet. One drawer. Brass name medallion on back.Willcox & Gibb Sewing Machine co, New York.|Other inscriptions are :-|London, Paris|Measures|Thread type|Needle 12 stitches to inch|Brevettees G.D.G.|En France|Eten Delgique|Under Royal Letters|Patent|James Willcox|July 4 - 71 [1871]handcrafts, equipment

Linton residents Joyce Dickson, nee Kerr, Bill Grigg Snr., and Doris Fordyce, wife of Bank of New South Wales manager.Black and white image of three people, two women and a man seated at a table holding glasses of alcohol.joyce dickson, bill grigg snr., doris fordyce

Black and white photograph of the interior of the Kaleidoscope Café, 295 Sydney Road, c1994. The image reflects the ambience of the venue. Three musicians play guitar, violin and accordion. They are Doug DeVies, Dan Burk and George Butrulis. Two men enter the café. A group of people sit at tables with bottles of wine and glasses. The stained glass sign for the Empire Cafe can be seen at the top of the image.

Yields information about tram services and how timetables were printed using a clock face for use in Ballarat. Demonstrates timetable making.Twenty Eight page, white paper, saddle stapled booklet, titled "Electricity Supply Department - Ballarat Tramways - Official Time Table January 1939", numbered TYE 1-48-5918. Gives notes on the through routing of the tram service, how the clock style format works and that it operates from the Tramway Centre. Also details when extra services are run and times as specific points along the route. Pages 24 and 25 detail the fares and charges, page 26 - luggage, page 27 - section destinations for the various routes and page 28, notes recent reductions in electricity charges. Two copies held. In the worksheet file is the basis of an article that appeared in Feb. 2006 Fares Please! See Reg Item 5637 for the August 1937 version.In blue pencil, the deletion of the 8.47am extra tram from Haddon St in both copies.timetables, ballarat, fares

Sia (Aspasia) Koutsouvelis pictured with her sons, Harry and George. Aspasia was the daughter of Ioulia and George Raftopoulos. Her sister was Effie Cominos.A coloured photograph of an elderly lady sitting in a wheel chair with two younger men standing behind her. There are Christmas decorations on the RHS of the photograph and a man is seated at a small table in the background.

Enjoying an evening in one of Plaka's taverns are Yiannis Raftopoulos (Tsagari), unknown, Chrysaida Paizis and Manto Raftopoulos. A black and white photograph of three ladies and two men seated around a table in a taverna. A mural is on the wall behind them.

A black and white photograph of a group of men in suits gathered around a table which is set with food and drinks. The celebration is taking place min the lounge or dining room of a house. A young boy is standing in the front between two older men. A priest is standing behind him. A large oval framed photograph is on the wall behind the group and three photographs are displayed on the mantle piece.unknown, celebration, gathering

Helen Vlass and Kassiana Raftopoulos are at an Ithacan function at a Greek tavern. In the background are Leo and Jeanette Kostos.A coloured photograph featuring two women seated at a restaurant table. A waiter is standing on the LHS of the photograph. In the background there is a couple.social events, taverns

The function was a cabaret dance held on the 11th May 1954 and organised by the Ladies Auxiliary of the Ithacan Philanthropic Society. Initially men could only join the society so the women formed an auxiliary committee. They organised the social functions for the society. Seated around the table are from L-R: Nina Black, Athanasi Moraitis (Morris) and Jim Kandiliotis.A scanned black and white photograph of a lady and two men dressed in semi- formal attire and seated at a table at a dance. The photograph has been printed on A4 copy paper. Handwritten details about the photograph are written underneath the image.

The photograph of Dennis (Menelaos) Varigos and his son John was taken at Maxims on 5 August 1998 at a family gathering celebrating Dennis' eightieth birthday. Dennis was the son of Ioannis and Ioanna-Giannoula (Lekatsas) Varvarigos who arrived in Melbourne from Ithaca in 1914 and owned The Palace Tea Rooms, adjacent to the Palace Theatre in Bourke Street, where Dennis grew up. Dennis was a very active member of the IPS and served as president from 1960 - 1965. Family gatherings and celebrations are a very important part of Greek family life.A photograph of two men at a celebration. One is standing at the table and is making a speech while the older man is seated.

Some Ithacans on arrival in Melbourne moved to the larger regional country towns and opened food vending businesses. John (Ioannis) Raftopoulos (Fiakas) was one such Ithacan who established himself in Mildura. He opened the Sport Cafe in Langtree Avenue. The Spot was an elegant and sophisticated establishment and as well as serving meals, also served the latest sundaes and cool fountain drinks. By the late 1930s he had also opened a milk bar in Mildura’s Astor Theatre. Raftopoulos was a true entrepreneur and ran a number of business in the Mildura and Red Cliffs. John's father, Efstathios Raftopoulos (Levendis) arrived in Australia in 1895 and John soon followed. John's brother-in-law Dimitrios Vlassopoulos arrived from Ithaca in 1922 and opened the Golden Key Café in Red Cliffs. Dimitrios had previously spent about 10 years in America where he gain knowledge and experience in the food and hospitality business. The Golden Key Café shared similarities with the Spot Sundae ‘Parlor’. Ithacan settlement in Mildura area dates back to the early 1900s. A black and white photograph of the interior of a cafe. There are five waitresses and two waiters; three of the women are behind a counter and the other two are standing beside the tables which are lined up on either side of the restaurant. One of the waiters is at the rear is behind a counter while the other is in the background. The restaurant is adorned with Christmas decorations and potted plants.

The Spot Cafe was in Elizabeth Street, Melbourne and owned by Athanasios Raftopoulos, Michalis Mavrokefalos and Anastasios Flocas. It was one of the many cafes owned and run by Ithacans in Melbourne's CBD in the 1930s and 1940s. Arthur Raftopoulos and Hector Andrews are standing 2nd and 3rd left in the photograph. Many Ithacans established businesses throughout the CBD and inner suburbs. These establishments also provided employment for other family members and friends as during the first half of the twentieth century migrants from Southern Europe were often unable to find employment in the wider Australian community.A black and white photograph mounted on grey board with a darker grey border of the interior of a restaurant. Tables set out with white tablecloths are in the foreground with four men standing behind them and a man and two ladies are standing in curtained cubicles in the background.ithacan businesses.

The photograph was taken when Kalypso Sofianos (nee Raftopoulos), seated in the front, was presented with her Honorary Life Membership of the Ithacan Philanthropic Society on the 4 June 1995. She is surrounded by her family: Front, her son and daughter Spiros (Pip) Sofianos and Nina Mills. At the back from L-R: Theone Sofianos, Kevin Mills, Eva Mills and Nick and Lynne Sofarnos. Kalypso arrived in Australia in 1936 from Ithaca and in 1937 she married Dimitrios Sofianos, also from Ithaca.The Honorary Membership is awarded to long time active members of the Ithacan Philanthropic Society in recognition of their years of service they have given to the Society and the wider community. A coloured photograph of five women and three men standing and seated in a room. A table with refreshments can be seen behind the group and there are some decorations on the wall behind them. One of the men and two of the women are seated in front and the rest of the group are standing behind them.

Dimitri Sofianos is seated in foreground of the photograph with his two children, Nina and Spiro (Pip). They are at an annual Ithacan picnic which they always attended as a family. The annual Ithacan Philanthropic Society's picnic is a very popular event on the club's social calendar as has been the case for many years. A partly faded black and white photograph of a group of people at a picnic. In the foreground a man has his arms around a little boy and girl. A table set out with food is in the background on the RHS of the phoptograph

IPS committee members and special guest Spiros Arion (seated with his partner) at an Ithacan dinner dance held a The Acropol. Spiros was a well known wrestler in Australia. The Acropol was a reception business located on the top of floor of Ithaca House (level 2). The IPS club rooms were located on the first floor. Dinner dances were held at the Acropol. From L-R: Jim Kandiliotis, Stathi Raftopoulos, Alkinos Paizis (IPS president), Anastasia (Sia) Fatouros-Beasley (president of the social committee), Evangelos Metaxas?, Kiki Razos, Dennis Lourantos. Spiros arrived in Australia in July 1964 and was know in the wrestling scene under the name of 'The Golden Greek'. He joined f World Championship Wrestling where he wrestled until its end in 1978. He was a favorite among Greek wrestling fans.A black and white photograph with a crinkled edge of seven men and two ladies at a social gathering. A couple are seated at a table and the others are standing behind.

Elsie and Nick Varigos (left) pictured at the wedding of Harry Koutsouvelis and Kris Yaramanis together with Harry's mother, Aspasia (Sia) Raftopoulos Koutsouvelis. The reception was held at Lincoln Receptions in Toorak. A coloured photograph of two ladies and a man sitting at a table in a reception venue.

Pictured at an Ithacan social function are from L to R, Artemis Sikiotis, unknown, Leah Kandiliotis, Rita Varigos, Jim Kandiliotis, Dennis Varigos and Sotiri Sikiotis. A black and white photograph with a white border with crinkled edges on two sides. The image is of four ladies and three men seated around a table at a social function.

Jim Kandiliotis is pictured on the right with two friends at the 1952 Ithacan Ball which took place at the Melbourne Town Hall.A black and white photograph of three men standing in a reception centre at a social function. There are vases of flowers arranged on tables in the background.

The men in the photograph are Nicholas ands Alkinos Paizis who migrated to Australia from Kioni. Alkinos Paizis was a past president of the IPS.A sepia photograph mounted on board of two smartly men standing on either side of a small round table in a photographer's studio.

Also four black and white photographs taken at the Wedding Fair 03817.1 Mother of bride, size 15 x 8.5cm, 03817.2 models size 11 x 8.5 cm, two of brides 03817.3 and 03817.4 size 16.5 x 8.5 cmBlack and white photograph of Linda Brew and Emily preparing reception tables for Wedding Fair at Bellevue Lakes Entrance Victoriahotels, fashion, wedding, commerce

A blue hard-covered volume of 145pages including a frontispiece, illustrations, tables, graphs and an index.non-fictionA publication from the series "Sports Medicine Guides" with an introduction by Allan J. Ryan. It is divided into three sections:- Part One - Advances in Cross-Country Skiing Part Two - Training Part Three - Nordic Sports Medicine cross country skiing, sports medicine for skiing

Nusra Latif Qureshi was trained in Mughal miniature painting in Lahore, Pakistan. From this, she has developed a rich contemporary visual style. Her works feature themes and techniques from the past and present. Qureshi often layers appropriated images from colonial photography. Balancing Act II is a gouache painting that depicts the outline of two figures balancing on bottles placed carefully on a small table. This drawing is layered on top of an orientalist colonial image that has been appropriated for the work.

Refers to the service of Sgt "George Michell" of Bendigo Regt No 45. Enlisted 26/7/1915 aged 27 years. Embarked 6/6/1916 for England. Rank - Provisional L/Sgt. Embarked for France with 3rd Pioneer Bn 24/11/1916 (He was in 3 PNR Band). Hospital sick with mumps 1/2/1917, rejoined Unit 25/2/1917. Posted to School of Instruction 8/3/1917, rejoined Unit 6/4/1917. Promoted to SGT 10/10/1917. Discharged from the AIF 4/8/1919 Previous Service - 3 years Snr Cadets. Black and white portrait of a Bandsman. He is wearing a military Style Jacket with high collar. He is wearing one medal. The jacket has two breast pockets. His left hand is holding a cornet. His right hand is resting on a table top. On that table is his peaked cap. This is a studio portrait, probably a copy of an original.On the rear are ”Kodak” photo paper stamps.band, music, george michell, pioneers