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Melbourne Legacy
Document - Menu card, Complimentary Dinner to our President, Legatee P E Potts, 1928
A menu card for a dinner given to farewell Legacy President Philip Potts as he left to be part of the Scottish delegation in March 1928. Legatee Potts was the current Legacy President and this promotion meant he had to step down and Legatee CH Peters took over the rest of the 1927-8 tenure. The text of menu has joking references to other Legatees which shows their comradeship and camaraderie. An album of significant events in March 1928 was compiled and presented to Legatee Potts by Legatee Frank Doolan. (see 02134). The album includes the first annual demonstration, appeals for funds to build the Shrine and farewell notices from Legacy newsletters.A record that Legatees held very significant positions in their lives outside of Legacy. Their comradeship meant they celebrated achievements and promotions together.Black and white photo of Legatee Potts and his wife plus a dinner menu card from his leaving function.Handwritten on back of photo, 'L/ Phil Potts and Mrs Potts walking in the street ??' in pencil. Menu is titled, 'Complimentary dinner to our President, Legatee P.E. Potts on the eve of his departure with the Scottish delegation. Thursday, 29 March 1928, Cafe Francais'legatee event, past presidents, philip e potts -
Melbourne Legacy
Photograph, Visiting Group, 1991
Photos from a 10th anniversary of the Home and Hospital Visiting Group of the Melbourne Legacy widows' club at Legacy House in 1991. One photo shows Kath Mitchell, Vera Paydon and Valerie Parr (left to right) cutting the anniversary cake. The visiting group was formed to visit women in hospital or their homes or nursing homes. They met every third Wednesday at Legacy House. The photo was featured in the November 1991 issue of The Answer. In the 1990s Legacy was supported by generous donations from Fergusson Plarre Bakehouse with cakes often donated for the annual fete. This cake could have been donated. It was in a folder of photos from 1990-1993.A record of the importance of the Hospital Visiting group as an important function the widows performed with their desire to help each other, that their 10th anniversary was celebrated. Colour photo x 10 of a 10th anniversary celebration for the Home and Hospital Visiting Group.Handwritten on reverse '66%' in red pen which meant it was reduced to be published in a newsletter.widows, visiting group, cake -
Melbourne Legacy
Photograph, Patsy Adam-Smith, 1994
Patsy Adam Smith had a long relationship with Legacy and has been present at different functions (such as 00752). She helped promote Legacy during Legacy Week as celebrity of the year in 1994. This photo was published in the Answer in August 1994. Among her popular books are 'Australian Women at War', 'Heart of Exile', 'Prisoners of War: From Gallipoli to Korea' and 'The Anzacs'.A record that celebrated Australians were invited to attend events at Legacy House and to be celebrity of the year to promote Legacy Week. Colour photo of author Patsy Adam-Smith and Legatee George Woodward at Legacy House.legatee event, function, answer, patsy adam smith, george woodward -
Melbourne Legacy
Photograph - Photo, Visiting Group, 1990
Photographs of the 100th birthday celebrations for Mrs Katherine Ross on 21 November 1990. A photo of President John Sullivan with Mrs Ross as she cuts her 100th birthday cake. Also in the photo is a widow from the Home and Hospital Visiting Group, Vera Paydon (in bright blue dress on left). Mrs Ross' daughter Jessie is in the pale blue dress on the right. It was with a group of photos from 1990/91 in a folio with paper labels.A record of a widow reaching 100 years of age and being celebrated by Legacy.Colour photo x 8 of the 100th birthday of Mrs Ross and a yellow paper label.Paper label caption: "Mrs Ross 100th Birthday 21.11.90 / Party arranged by the Home and Hospital Visiting Group" in black type.widows, birthday, visiting group, cake -
Melbourne Legacy
Photograph, Nancy Ayres, 2002
Legacy widow Nancy Ayres won a Bronze medal at the World Masters Games in 2002 - possibly for the 50 Freestyle in 75-79 age group. She was 79 at the time. She also swam in the 100m and 200m freestyle races. According to the note it seems she was profiled in The Answer issue in December 2002. Later she went on to be part of a 4 x 50m relay team that set a world record in 2012, where the combined age of the 4 team members had to equal at least 360 years, swimming the race in 5 minutes and 45 seconds.It shows that Legacy celebrated the achievements of the widows in their care.Colour photo of Nancy Ayres.Printed on back widows, nancy ayres -
Melbourne Legacy
Photograph - Photo, 100th Birthday, 2003
Photos of Annie Townsend at her 100th birthday celebrations in 2003. The function is attended by President David Ford and many other Legacy widows. Rita Davidson is in 00779.8 and 00779.9 in black and grey stripped dress. The venue is unknown.A record of a widow reaching 100 years of age and being celebrated by Legacy.Colour photo x 10 celebrating 100th birthday of Annie Townsend.Printed on the back "widows, birthday -
Melbourne Legacy
Photograph - Photo, 100th Birthday, 1993
Photograph of 100th birthday celebrations for Eileen Tullo on 18 April 1993 at Colton Close. Legatees in attendance include Chas Munnerley, Committee Chairman, in the centre of the back row. Other legatees were Murray Fraser, Cliff Jesse, Jim Fyfe and their wives. A bouquet was presented on behalf of all at Legacy.A record of a widow reaching 100 years of age and being celebrated by Legacy.Black and white photo and proof sheet of the 100th birthday of Eileen Tulls and an article in the Answer.Stamped on back Copyright of Leader Newspaper Group in red ink. Hand written on the proof sheet is "Daughter Mrs Beth Groves / 100th birthday Eileen Tulls 18 April '93 at Colton(?) Close".widows, birthday -
Melbourne Legacy
Photograph, Legatee Donovan Joynt
A photo of Legatee Donovan Joynt VC, with three children and a dog. Their names are unknown, though they could be junior legatees. The date is unknown. Legatee Joynt was a long serving legatee and his life was celebrated in many ways, such as a biography and his uniform being presented to the AWM on his death.Black and white photo of Legatee Joynt with three children and a dog mounted on thick buff coloured cardboard.Stamped on reverse in blue ink 'Fashion Plant drawing board'donovan joynt, junior legatees -
Heidelberg Golf Club
Book, Geoff Allemand et al, Shepparton Golf Club 100: 1922-2022, 2022
The Shepparton Golf Club celebrated 100 years in 2022. This book describes the early days of golf in Shepparton and the gradual development of the Club. People, challenges and competitions are described in this book.104 p., colour illus.The Shepparton Golf Club celebrated 100 years in 2022. This book describes the early days of golf in Shepparton and the gradual development of the Club. People, challenges and competitions are described in this book.shepparton golf club, golf clubs, golf - history -
Wangaratta RSL Sub Branch
Honour Board, Women's Auxiliary - Secretaries
Wangaratta Sub Branch - Womens Auxiliary - Secretary from 1926 - present On the 18/5/2018 the Women's Auxiliary celebrated its Centenary and is believed to be one of the oldest if not the oldest RSL Women's Auxiliary in Victoria.Brown timber look laminate five sided with RSL Women's Auxiliary crest with two columns below 1926 - currentWangaratta Sub Branch Secretary Gold coloured plaque - Honour Boards presented by RSL Ladies Aux 2003wangaratta rsl, women's auxiliary -
Wangaratta RSL Sub Branch
Honour Board, Women's Auxiliary - Treasurers
Wangaratta RSL Sub branch Women's Auxiliary Honour Board of Treasurers from 1955 to present day On the 18/5/2018 the Women's Auxiliary celebrated its Centenary and is believed to be one of the oldest if not the oldest RSL Women's Auxiliary in Victoria.Brown timber look laminate five sided with RSL Women's Auxiliary crest with one column of names in gold coloured paintWangaratta Sub Branch Women's Auxiliary Treasurerswangaratta rsl sub branch, women's auxiliary treasurers -
Hymettus Cottage & Garden Ballarat
Tinplate Plaque, 1928 Sydney Eucharistic Congress Tinplate plaque, 1928
The Catholic Church held an International Congress at Sydney in 1928. This was the first such gathering in the Southern Hemisphere and special trains were run from other states to convey visitors to the event. A range of souvenir items were purchased by Catholic families and a collection of these souvenirs including Congress rail tickets were collected and remain in the Taffe family Hymettus collection.This, the 29th Congress was the first ever held outside Europe or the USA. It was first great public demonstration of faith celebrated by Catholics in Australia this event attracted a crowd of half a million, the largest religious spectacle ever seen in Australia to that time. catholic church, catholic families, souvenir, eucharistic congress, sydney -
Hymettus Cottage & Garden Ballarat
Souvenir - Medal, 29th Eucharistic Congress Sydney Sept 1928
The Catholic Church held an International Congress at Sydney in 1928. This was the first such gathering in the Southern Hemisphere and special trains were run from other states to convey visitors to the event. A range of souvenir items were purchased by Catholic families and a collection of these souvenirs including Congress rail tickets were collected and remain in the Taffe family Hymettus collection.This, the 29th Congress was the first ever held outside Europe or the USA. It was first great public demonstration of faith celebrated by Catholics in Australia this event attracted a crowd of half a million, the largest religious spectacle ever seen in Australia to that time.sydney, eucharistic congress, pope pius xi, medal, -
Greensborough Historical Society
Pamphlet - Program, Macleod High School Silver Jubilee Assembly, 1978_
A celebration of student awards 1978. Assembly program includes other jubilee functions to come in 1979. Macleod High School Silver Jubilee celebrated 25 years since the school was founded in 1954.Beige cover with black text. Single tri-fold program attached by silver string.macleod high school silver jubilee, macleod high school -
Sunbury Family History and Heritage Society Inc.
Photograph, Welcome Home, 1918 - 1919
The people in Sunbury were celebrating the end of World War 1. They gathered at the junction of Stawell, Brook and O'Shanassy Streets and around the Starkey Fountain which was the original site of the fountain.The World War 1 Armistice was an important world event and was celebrated in many countries in 1918 - 1919.A non-digital copy of a sepia photograph of a group of people celebrating outdoors/ world war 1, celebrations, starkey fountain -
Flagstaff Hill Maritime Museum and Village
Decorative object - Peacock, Minton Majolica life-size model, Paul Comolera, artist, Designed: c. 1873; Made: c. 1875
This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath -
Narre Warren and District Family History Group
Book, FC Hooper, At King Spud's Court: the story of the Kooweerup Potato Festival's first ten years (1972-1982), 1982
A chronicle of the first decade (1972–1982) of the Kooweerup Potato Festival in Victoria, Australia. It delves into the history, community involvement, and cultural significance of this unique festival, which celebrated the region's rich potato farming heritage.108 p.; 22 cmnon-fictionA chronicle of the first decade (1972–1982) of the Kooweerup Potato Festival in Victoria, Australia. It delves into the history, community involvement, and cultural significance of this unique festival, which celebrated the region's rich potato farming heritage. koo wee rup potato festival, koo wee rup (vic.), kooweerup (vic.)