The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Colour photographs of the Melbourne restauranter and music and television personality, Geoff Brooke, in live performance. Brooke was a close friend of Robin Kelly and the item forms part of the Vaderluys-Kelly Collection, donated by her in 2018.geoffrey (geoff) brooke, performing arts - 20th century

The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Colour photographs of the Melbourne restauranter and music and television personality, Geoff Brooke, in live performance. Brooke was a close friend of Robin Kelly and the item forms part of the Vaderluys-Kelly Collection, donated by her in 2018.geoffrey (geoff) brooke, performing arts - 20th century

The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Colour photographs of the Melbourne restauranter and music and television personality, Geoff Brooke, in live performance. Brooke was a close friend of Robin Kelly and the item forms part of the Vaderluys-Kelly Collection, donated by her in 2018.geoffrey (geoff) brooke, performing arts - 20th century

The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Colour photographs of the Melbourne restauranter and music and television personality, Geoff Brooke, in live performance. Brooke was a close friend of Robin Kelly and the item forms part of the Vaderluys-Kelly Collection, donated by her in 2018.geoffrey (geoff) brooke, performing arts - 20th century

The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Colour photographs of the Melbourne restauranter and music and television personality, Geoff Brooke, in live performance. Brooke was a close friend of Robin Kelly and the item forms part of the Vaderluys-Kelly Collection, donated by her in 2018.geoffrey (geoff) brooke, performing arts - 20th century

Cuff links, key rings and badges were issued to Councillors of the City of Kew.A ring with a clip fastener to which is attached a close linked chain with an enamelled medallion with a black background, a gilt outline of the City of Kew crest with red enamel infill, in it's original packaging x 2City of Kew and Council Crestkey rings, civic souvenirs, city of kew

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil self portrait by Wes Walters drawn close to the time he completed the Archibald Prize winning portrait of Phillip Adams. Signed and dated lower centre: '1/2/79 Walters' art, artwork, walters, wes walters, portrait, sketch, available

Brown lidded box with blue velvet lining - spaces for 6 small teaspoons or cake forks or 12 cigarettes. Covered in brown patterned paper with four lines decoration on the lid. A decorative clip to close. boxes, cigarette boxes, cutlery boxes

Mt Beauty began as a construction town built by the SECV during the construction of the Kiewa Hydro Electric scheme from the 1940s to 1961. This photo gives a glimpse of the development of the town's shopping centre with modern cars and street landscaping.A photo enabling comparisons to be made on the development of the Mt Beauty shopping centre.Coloured shiny photo labelled at the bottom "Mt Beauty" and on right side "Vivienne Harvey". On the white back in black is the name of the photographer and her contact details. The photo is a close up of part of the shopping centre.mt beauty shopping centre

This is one of a collection of items associated with Dr Felix Henry Meyer (1858-1937). Meyer was a very prominent early obstetrician and doctor, playing a part in the establishment of the role of the chair of obstetrics at the University of Melbourne in 1929. He was also a foundation member of the Royal Australian College of Surgeons.Metal surgical tool with bakelite handle. Tool consists of a metal shaft with a hook/clip at the end. Metal fixture on the side of the shaft, just above the handle, can be used to open and close the loop of the hook.surgery

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Jury Osypenko and Tamara Osypenko of the Feb-Mar 70 South Australian Concert Party perform in close harmony for the wounded and sick Diggers at the1st Field Hospital, Vung Tau. photograph, 1st field hospital, vung tau, jury osypenko, tamara osypenko, gibbons collection catalogue, south australian concert party, entertainers, wounded serviceman, feb-mar 70 south australian concert party, diggers

Belonged to Keith Purves CLARKE NX34844. Refer Cat 3607 for his service details..1) Leather case, brown with internal sections to hold handle & blades. Closes via press stud. .2) Handle, screw in, metal with knurled surface. .3) Razor & holder, metal, silver colour..3) “VALET AUTO STROP SAFETY RAZOR COY LTD LONDON ENGLAND”accessory, shaving, kit

Handwritten notes from the North Old Chum Mine Manager, J. Tregear's Report. Report details measures and recommendations taken to close the mine. Mine Manager is of the opinion if their crushing is not payable, they will abandon their tribute.document, gold, mining reports, north old chum mine manager's report 16 - 8 - 1900, fortuna, water dept., c anderson, j tregear

Northern District School of Nursing nurse's base uniform 1950s - 70s.Blue cotton uniform worn beneath white apron. The uniform is open at the front with eight button holes in right placket for buttons and shanks to attach. There are corresponding buttonholes on left side for closing, a small pocket at top left and a pocket at RHS of skirt. There is a small buttonhole at back of neck to attach white collar and white cuffs are attached to sleeves with two white buttons. The front has gathering from below the shoulders and the back top has an inverted pleat at centre. There is a white belt with two white buttons at one end attached with shanks and three sets of two button holes at the other end for closing. There is a white cap with frill and a line of blue braid above the frill indicating a third year trainee. There is a white apron with four buttonholes at the waist for closing and for the two shoulder straps.A white tag with Joy Lewis' in red is attached to all items. N.T.S in black marking pen is printed on back hem of neck. There are many black marking pen numbers and letters on the cap: NTS, BAS, 574, BH5, 530, 574 The apron has the name Lewis and figures 638 in black marking pen on inside of waist.nurses uniform, northern district school of nursing

A sheave is a pulley with a grooved wheel for holding a belt, wire rope, or rope. The grooved wheel spins on an axle or bearing inside the frame of the block. This allows the wire or rope to move freely minimizing friction and wear on the cable. Sheaves can be used to redirect a cable or rope, lift loads, and transmit power. The words sheave and pulley are sometimes used interchangeably. The sheave was recovered at the time of the discovery of the Loch Ard wreck site in the 1970s. History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Pulley sheave; round wooden block with metal disc in centre. Metal disc has large central machined hole and three equidistant small holes closer to the edge. Part of the rope groove is uneven. Recovered from the wreck of the Loch Ard. Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, pulley sheave, pulley, ship rigging

History unknown.This item is of aesthetic significance. The identity of the subject is unknown as yet but is likely to be a local woman.A large black / white studio photograph of a bride, sitting down, holding a large bouquet of flowers. She is wearing a long wedding dress with a close-fitting beaded cap. Her veil is long and ornately embroidered. bottom right - hand-written "Ruth Hollick"photograph-wedding

A photo of the Comfort Station in the Halls Gap Picnic and Camping Reserve.The photo shows a wood and stone building at the rear of a clearing with a large eucalyptus tree growing close to the front of it. In the background is heavy bush. A tent or large cloth can be seen on the right beside a large tree stump.buildings, mountain grand

The first Tawonga bridge was built in 1884. It was destroyed by floods in 1916. The new bridge was constructed in 1923 and destroyed in 1953. The present concrete bridge was constructed in 1986 and named Ryders Bridge. Also refer to ?KVHS 0962 and KVHS 1051, KVHS 1090, KVHS 1123Bridge constructed over the Kiewa River in 1923 and destroyed in 1953.1. Dark Brownish photo framed by thin wood. Photo shows bridge with mountain behind and river and river bank in the foreground. 2. Small photo showing 2 sides of the bridge - a close up view.tawonga bridge, kiewa valley, kiewa river

Portrait of Johanne Christiane Adler, nee Uebergang, c1880. Christiane's story is recorded in the Uebergang family history (The Uebergang Families in Australia 1848-1985, pp.43-48) and includes a list of descendants. A companion portrait of her husband Johann Gottlieb Adler is also in the collection.Black & white portrait of woman wearing a dark top with pale jabot and a close-fitting bonnet tied in a bow under the left ear. The photograph is mounted in an oval mat in a brown wooden frame with plaster decorations.allansford, murtoa, penshurst, penshurst, germany, costurme, female, costume, female headwear, portraits, farmers, selectors, uebergang

EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1966. Bendigo Institute of Technology, Engineering School, Applied Science. Close up of the entrance, circular theatre behind main building. Markings: OCT70M7Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1966. bendigo institute of technology, engineering school, applied science. entrance, circular theatre behind main building

One of five colour photos of ruins of Borer's Bakery ovens at 116 Princes Street, prior to demolition, May 1999. Close-up on detail of manufacturer of baking oven door: 'Engineers Small & Shatell Melbourne'demolitions, business and traders - bakers, g borer & co

Colour photograph of the exterior of the Corryong U.C. including the AD 1895 foundation stone. The photograph shows a close up of the bell housing. A centenary plaque commemorates the construction of St. Andrew's church in 1895 by Thomas Greenhill.corryong u.c., st. andrew's presbyterian church corryong, thomas greenhill

The triple block at 419 - 423 Burwood Highway, Vermont South, has a combined size of 1972 sq. m. with double Street frontage and access via a service lane. Tenders close 8 Dec 2017.vermont south, burwood highway, vermont south nos. 419 - 423

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the district working from an original settlement map in an effort to cover all areas. Edward Joseph Price took out Lot 1, Section 1 of the Village Settlement and became the first settler, moving his family up into a slab hut on his selection in 1896. Edward Joseph had two sons (Charles Joseph and Edward John) and a daughter (Kathleen Nathalie Caroline). Edward Joseph Price is holding his grandson Teddie, son of Edward John Price. Photo taken 1936.Black and white photograph in close up showing an old man with a white beard wearing a brimmed hat holding a male toddler under the arms. Reverse of photograph has handwritten description by John Lundy-Clarke.Edward Joseph Price and his grandson Teddie son of Edward John. E. Joseph was the first settler in the Village Settlement choosing LOT 1, part of which is still family property (1974). He worked for the surveyors who were marking out the blocks, and disregarded their advice as to which had the best soil, and so doing he obtained the best commercially. He died in 1943 leaving two sons & daughter. Edward John born 1899 died 1974. Charles born 1892 died 1958. Kathleen born 1895 died 1954. Wife Annie nee Ross died 1932.edward joseph price, edward john price, teddie price

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Unique collection of photographs showing the first years of an armoured regiment of the post-Second World War era Citizen Military Forces showing equipment, uniforms, training and social activity and some personalities.Black and white photograph of line of ten General Grant tanks parked close together along side of road. One of a collection of photographs of 8th/13th Victorian Mounted Rifles Regiment between 1948 and 1951.' Grant training at Puckapunyal )armour, tank, grant, puckapunyal

Newspaper article with two coloured photos, one of Anthony Edwards and his medal with the children and another with Monique Stokie and Jesse Long, who are having a closer look at Anthony's medal. Mounted on black laminated card.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, anthony edwards, victoria institute of sport, heather bissett, monique stokie, jesse long