Assigned by Reuters to Vietnam, twenty-five year old correspondent Hugh Lunn left London with just 10 pounds for expenses and a one way ticket to Saigon. Arriving at the height of the war in 1967, he witnessed some of the most bloody and dramatic events, culminating in the 1968 Tet Offensice. Bombed, shot at, and lied to by the military, Hugh Lunn discovered that there was a war of words - and inages - as well as bullets.vietnam war, 1961-1975 - personal narratives, australian, tet offensive (1968), saigon

This is the story of the Vietnam War, told in the words of the people who lived it - soldiers and civilians, officers and political leaders, reporters and diplomats.vietnamese conflict, 1961-1975 -- united states

See Item 4533The diary is still a significant witness to the cruel persecution of Jews and attempted extermination of Jewry by Hitler and his adherents. The Frank family's hiding place at Prinsengracht 263 Amsterdam, is a much visited museum. Translations, plays and movies have followed the diary's publication. Travelling exhibitions have included one in the Melbourne Jewish Museum. The diary is often used as teaching material in secondary schools.A 269p. soft cover edition of this famous WWII diary of a Jewish teenager in hiding. Apart from the text it contains a number of photos of Anne in the pre-war years. These had not yet been published in the earlier editions (see Item 4533). A secondary titile reads: "Dagboek brieven 14Juni 1942 - 1 Augustus 1944". (Diary Letters 14th June 1942 - 1st August 1944)

Anne Frank was one of a group of eight Jews in hiding from the Nazis. After their betrayal and transportation only her father Otto Frank survived. Her diary was saved by one of the helpers who brought them food and news during the 2 years in hiding. The diary bears witness to Anne's budding talent as a writer. It is also an invaluable record of a Jewish family in hiding during WWII. It has been translated into over 70 languages and formed the inspiration for several movies and plays. The house on the Prinsengracht quickly became a major Amsterdam tourist destination and is the home of the Anne Frank Foundation.120pp hard cover book about the world-wide reactions to Anne Frank's diary. Hence the title "Echo". It describes a stage play and quotes many reactions from readers worldwide. Some of these are in the form of poetry. Authors are Otto Frank and Henri van Praag, President of the Anne Frank Foundation."For my daughter Bettina Christina - to remember her Mam. Jan.1976."

Tiziano Terzani slipped back into Saigon on April 27th, 1975, determined to witness the end of Vietnam's most tragic war. vietnam war, 1961-1975 - personal narratives, saigon - capture, 1975

Assigned by Reuters to Vietnam, twenty-five year old correspondent Hugh Lunn left London with just 10 pounds for expenses and a one way ticket to Saigon. Arriving at the height of the war in 1967, he witnessed some of the most bloody and dramatic events, culminating in the 1968 Tet Offensice. Bombed, shot at, and lied to by the military, Hugh Lunn discovered that there was a war of words - and inages - as well as bullets.vietnam war, 1961-1975 - personal narratives, australian, tet offensive (1968), saigon

The inside story of the Communit take-over of North Vietnam - a vivid eye-witness account of brtrayal of a revolutioncommunism - vietnam, vietnam - history, north vietnam

Hardcover w/dust jacketwalsh st library

Sunshine High School had the system of Prefects being elected by the students from candidates nominated by the teachers. It is unknown whether the exact number of votes each elected Prefect received was ever released to the students. Prefects were used to supervise the behaviour of other students, and to book them for offences such as not wearing caps on the way to and from school. In the Pledge book there are empty pages after 1971 so it is unknown whether the signing of the Prefects Pledge was abandoned after then. Sunshine High School existed in its own right in the Melbourne suburb of Sunshine for a relatively short period between 1955 to 1991. The school amalgamated with the following five secondary schools: Sunshine Technical School, Tottenham Technical School, North Sunshine Technical School, Sunshine West High School, and Ardeer High School to form the multi campus Sunshine College in 1992. The buildings of the former Sunshine High School on Ballarat Road now form part of the Sunshine Campus of Victoria University. The book is a historical record of the names and signatures of the Prefects that signed the Prefects Pledge, and served the Sunshine High School over the 14 years between 1958 to 1971 inclusive. It also contains the names and signatures of witnesses to the signatures. Small brown hardcover book with cream pages. Contains the Prefects Pledge hand written in black ink, and the signatures in blue and black inks of boy and girl Sunshine High School Prefects from the years 1958 to 1971sunshine high school, prefects pledge, book, 1958 to 1971, prefects signatures

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt

tommy marks, thomas marks, eureka stockade

Photo of former St Mary's College library established by the first Principal of the College - Mother Francis Frewin The Collection was later amalgamated with the Newman College Collection to form the Academic Centre Newman/St Mary's.This photo is significant because it shows what the former library of St Mary's College looked like. This is important for new students of the College and also for alumni who might want to reminisce about their time at the college and their days spent studying in the library.It also bears witness to the foresight of the Principal at the time who viewed the library as an important part of the College.Francis Frewin Library St Mary's College, University of Melbourne - interior viewSt Mary's Collegemother francis frewin, st mary's college library

The wreck site identified as the Columbine, a two masted brig built in 1839 in Aberdeen, Scotland and wrecked on the 1st April 1854 at Ocean Grove, Victoria, was formally reported to Heritage Victoria as located on the 15th January 2003 by Peter Ferrier and Don Love. As the site is over 75 years old it is automatically protected under the Commonwealth Historic Shipwrecks Act 1976. This diary is important as it outlines the eye witness account of the last moments of the Barque Columbine which is primarily of historic, technical, social and archaeological significance internationally and to the State of Victoria. It is a unique original account of that episode in early migrant history of Victoria and of Australia.A small leather bound black diary containing entries by John Clarke from 1843 to 1883, recording aspects of his life in Australia from the wreck of the Colombine as a child [approx 13 y.o.a.] to his experiences working in the gold fields and around the Geelong area. The diary is extensively damaged.john clarke, barque colombine, approaches to port phillip, ship wrecks, south coast

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic Gardens. Interviewer is Lindy WallaceA primary source of information on memories of the Gardens. Iris was born in Williamstown in 1943, has lived in Williamstown all her life and has been witness to changes in the Gardens over those years. CD and transcript of interview with Iris Whitehurst and her memories of the Gardens from her childhood through to adulthood. Iris was born in Williamstown and has memories of the Gardens from an early age. In the interview she talks of playing on the cannons, memories of the Gardens appearance over the years and the contribution of the Friends of the Gardens.iris whitehurst, fish pond, ornamental lake, gates, curator, horse, cannons, williamstown botanic gardens, hobsons bay city council

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic GardensA primary source of information on memories of the Gardens and witness to changes in the Gardens over those years.CD and transcript of interview with Patti Gerkens and Eileen Gleeson and their memories of the Gardens from their childhood through to adulthood. Pattie and Eileen are the daughters of Jack and Millie Gerkens who lived in Power Street, Williamstown before moving to 25 Gellibrand Street, Williamstown. Jack worked at the Newport Railway Workshops. Patti lived overseas for many years and Eileen has lived in Williamstown all her life. Patti and Eileen recall memories of the Gardens during their childhood and of taking their own children there during the 1960s and 1970s. pattie-gerkens, eileen-gleeson, jack-gerkens, millie-gerkens, newport-railway-workshops, fish-pond, fountain, yoga, father-cassidy, con-gleeson, palms, williamstown-botanic-gardens, hobsons-bay-city-council

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic GardensA primary source of information on memories of the Gardens. Anne moved to Williamstown as a small child in 1952, lived in Williamstown until her marriage and has been witness to changes in the Gardens over those years. CD and transcript of interview with Anne Cocks and her memories of the Gardens from her childhood through to adulthood. Anne’s family migrated from Holland in 1952 when she was three years old. The family lived in Lyons Street for a short while before moving to Altona. Her parents, Kees and Betts Huisman bought the Old Royal Hotel in Nelson Place, which was a boarding house for men in 1958. They stayed there until 1971 when they sold it.anne-cocks, old-royal-hotel, nelson-place, boarding-house, holland, dutch-migrants, huisman, nellie-street, civic-parade, alma-cocks, eddie-cocks, 34-schutt-street, newport, 27-schutt-street, palms, williamstown-botanic-gardens, hobsons-bay-city-council, nordini

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic Gardens, surrounding areas and Fearon ReserveA primary source of information on memories of the Gardens and witness to changes in the Gardens over those years. CD and transcript of interview with Ken Speakman. Also present was his daughter, Nola Wilson. His son visited part of the way through the interview. Ken’s family moved to Williamstown in 1918 when he was a baby and he has lived in Williamstown, close to the Gardens since that time. He was a keen lacrosse player, playing on Fearon Reserve. Ken was interviewed for his memories of the Gardens and its relationship to Fearon Reserve. ken speakman, nola wilson, fearon reserve, lacrosse, 1918, bill crowe, william crowe, bird cage, bandstand, ramsay’s café, horses, harry stitt, cannons, aci glassworks, woollen mills, oil refinery, sims cooper, abattoir, mobil, palms, williamstown botanic gardens, hobsons bay city council

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic GardensA primary source of information on memories of the Gardens and witness to changes in the Gardens over those years. CD and transcript of interview with Michael Wilkins. Michael first worked in the Gardens for the Municipality of Williamstown in 1987. He was there for eleven years. A few years after the amalgamation of Williamstown and Altona into the City of Hobsons Bay City Council he transferred from the Gardens to other sites within the City. He returned to the Gardens in 2006. Michael recalls people with whom he worked and horticultural practices over those years. michael wilkins, barry heath, bob anderson, 1987, shelley wood, ian mcleod, john wilson, mary malhallchek, glasshouse, maarten hulzebosch, ransome mower, buffalo lawn, parker reserve, trench digging, 2006, bird cage, palms, williamstown botanic gardens, hobsons bay city council

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic GardensA primary source of information on memories of the Gardens and witness to changes in the Gardens over those years. CD and transcript of interview with Shelley Wood. Shelley was born in Williamstown, as was her mother Margaret McLean. Shelley recalls her mother telling her about spending many hours in the Gardens when she was young with her friend Chic, who was the daughter of the Curator Ernie Anderson. Shelley, who was the first female gardener appointed in the western region, served her apprenticeship at Gardens and is currently the Curator. shelley wood, margaret mclean, tom wood, chic anderson, ernie anderson, 1979, apprentice, fish pond, pinetum, barry heath, golden elm, palms, brian turner, dean splatt, robert anderson, 1988, bicentennial funding, 1987, angela altair, helen page, mary klestadt, mike hirst, john hawker, landscape advisory group, williamstown technical school, gates, buffalo lawn, ian brown, storytime, adam lindsay gordon, statue, archie matthews, aviary, williamstown botanic gardens, hobsons bay city council

Booknon-fictionThe Containment of Communism in Southeast Asia

Index, ill, p.303.non-fictionFrom September 1950 Reginald Thompson reported from the frontline during the four months in which the Korean War was 'won' and 'lost'. After the Inchon landings, he followed UN forces up to the Chinese border and back, witnessing scenes of appalling brutality. No newcomer to war, Thompson was sickened by the carnage left in the wake of America s military machine, and horrified by the implications of this new form of warfare. Cry Korea is not only a powerful piece of reportage, but a cry for us all to examine the all too resonant issues of modern conflict and intervention.korean war 1950-1953 - history, korean war - american participation