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Warrnambool and District Historical Society Inc.
Uniform - RAAF Jacket and trousers, 1940s
This RAAF uniform is believed to have belonged to Flying Officer Russell Miller, the son of William and Muriel Miller of Warrnambool. Russell Miller attended Warrnambool High School and worked for the Warrnambool City Council before enlisting in World War 11. He was killed in flying operations over Germany in 1944. Died 28 Sept 1944. Remembered at Rheinburg War Cemetery, Nordrhein-Westfalen, Germany. More info @ https://cwgc.org/find/find-war-dead This uniform is a poignant memento of one Warrnambool's brave heroes of World War 11.1 The jacket is made of navy blue wool with a rever collar, four front pockets, eight buttons with air force insignia and navy cloth lining. The two sleeves have metal insignia and black and cream braiding. Above the front left pocket is a stitched blue and white applique. The jacket has a cloth belt with a rusted metal buckle. .2 The trousers are made of navy blue wool with two pockets, a buttoned fly and there are six buttons evenly stitched around the waist band. There is also a metal clasp on the waist band. RAAFraaf, flying officer russell miller, raaf uniform 1940's -
Eltham District Historical Society Inc
Photograph, Barak Bushlands Reserve, Eltham, March 2003, 2003
This area is urban and wetlands west of the Eltham gateway approach near the bridge over Diamond Creek and forms part of a walking trail. On 15 August 2004, the Shire of Nillumbik officially named the area "Barak Bushlands" as part of its commitment to Aboriginal reconciliation. The naming day memorialised the one hundred and first anniversary of the death of the last full-blood Yarra Aboriginal leader, William Barak. Source: Aboriginal reconcilation events in Nillumbik, Ken Eckersall, 2006.Digital scan from borrowed photobarak bushlands reserve, eltham, walking trail -
Flagstaff Hill Maritime Museum and Village
Functional object - Navigation Lamp, W. T George and Co. Ltd, ca 1941
William Thomas George was born in Birmingham in 1884 and was a tin plate worker. He and his wife Ellene had a son Leslie Thomas George. The firm W T George & Co was formed sometime later. In 1939 his firm produced ship lamps. The Patent Number GB546575 on the lamp's plate was assigned to Leslie Thomas George in 1941 for improvements in, or relating to, ships' lanterns. From that time the patent number was affixed to their namufactured Meteorite lights. The ship navigation lamp is important as an example of the evolution of marine safety technology. Countries began passing laws and regulations in the 1830s that required ships to show navigation lights at night or in poor weather. From the late 1840s colours were standardised; red for portside of the vessel and green for starboard, a white masthead light, and a white light at anchor. By 1914 the International Convention for the Safety of Life at Sea was formed and continues, with decisions and notifications on improvements and changes.. Lamp; Portside ship's lamp is rounded in the front with two flat sides coming to a point at the rear. Glass has circular ridging. Metal handle with lid and clasp. The reflector has red colouring. Inscribed on fixed plates on the front, with maker's details and Patent number. This Meteorite lantern was made by W T George and Co Ltd, of Birmingham. "Port" "W T George and Co Ltd" "Sherlock Street Birmingham" "Meteorite 68990 Patented No 546575 and others pending"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, portside ships lamp, portside, port lamp, ship's lamp, marine lamp, navigation lamp, w t george & co, coloured lens, red lens, ship fitting, marine technology, navigation light, signal lamp, leslie thomas george, gb546575, patent gb546575, meteorite, lantern, lamp, light -
Coal Creek Community Park & Museum
Bottle, glass, c.1935-1939
Ref: Searching for Nineteenth-Century Florida Water Bottles by Catherine Sullivan, p.88-9. 'New York City directories list Murray and Lanman, druggists, at 69 Water Street from 1835 to 1849; David T. Lanman, druggist, at 69 Water Street from 1836 to 1857; and Lanman and Kemp at 69 Water Street from 1858 to 1870, when they relocated to William Street (New-York Historical Society 1834-1873).'Tall aqua tinted clear glass bottle, round in section with embossed text on sides and numerals on baseEmbossed on base '24' (indistinct). On sides 'FLORIDA WATER, MURRAY & LANMAN DRUGGISTS NEW YORK'.florida water, druggist, wholesale. -
Port Melbourne Historical & Preservation Society
Photograph - Cricket team, J Kitchen & Sons
The man sitting extreme left in the front row is Fred Nicholson's father George Nicholson, Charlie Slowly is oh his right (Charlie later worked at Faram Bros Hardware). The leftmost man in cricket whites in the second row is Fred's uncle, Arthur Nicholson. Another uncle, William 'Bill' Condon is to his right. The man fourth from the left in the back row is Tommy Breen. He was the supervisor of the Velvet Soap room and lived in Dorcas Street.c1920/30s black and white photograph (original) of the cricket team of J Kitchen & Sonsindustry - manufacturing, sport - cricket, celebrations fetes and exhibitions, j kitchen & sons pty ltd, george nicholson, charlie slowly, arthur nicholson, william condron, tommy breen -
Rutherglen Historical Society
Photograph - Image, Artophot, 1920s (Approximate)
Margaret Ellen Holloway married William Hugh Hooke in 1892. Margaret is the daughter of James Charles Holloway and Mary Bennett. She was born in 1864 in Indigo,via Rutherglen at the gold lead. Her father James came out from Somerset England with a large family group to settle in the North East of Victoria and to try their fortune at gold mining. The Holloway’s and their descendants then went on to farm in the district including Rutherglen, Chiltern, Springhurst, Barnawartha and Browns Plains. Black and white portrait photograph of Mrs Hooke nee Margaret Ellen Hollowayhooke family, holloway family, margaret holloway -
Kew Historical Society Inc
Photograph - 'Raheen', Studley Park Road (Kew), c.1965
"The first section of Raheen was commenced in 1870 with an extension added in 1884. It was designed by William Salway and built for Edward Latham of the Carlton Brewery. Sir Henry Wrixon, prominent Melbourne barrister and solicitor, later owned and resided at the property. In 1917 Raheen was purchased by the Catholic Church and became the official residence of Archbishop Mannix, as well as four other Catholic archbishops of Melbourne. In 1981 the Church sold the property and it again reverted to a private residence." (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original, monochrome print copy of a photograph of Raheen in Studley Park Road (Kew). The unrendered red brick house with tower has a toe story section at right with a double colonnade and a single story section at left. The photographs predates the restoration of the gardens and house by te. Pratt family. Annotation verso: "Raheen. R. C. Archbishops Palace, Studley Park Road, Kew".reheen, mansions -- kew (vic.), studley park road -
Harcourt Valley Heritage & Tourist Centre
pulley block
The pulley block illustrates a moment in Harcourt history. According to the reminiscences of William Sanders the granite block for the Burke and Wills monument was of such weight that, in hauling it from the quarry, the weight split the yokes and snapped the chains of the bullock team employed in the task. "So Mr Blight got ropes and tackle, as, as there were plenty of trees along the route, they served as anchors to attach the ropes" Thus, with pulleys such as this, Joseph Blight moved the monolith, at snail's pace, to the Harcourt railway station in 1864.The object is significant for its connection with the explorers Burke & Wills and the foundation of the granite industry on Mount AlexanderA wooden pulley block designed for two ropes. Used for lifting heavy objects. A rope slung around the pulley block fixed the device to the rafters of the shed. Ropes were threaded over the pulley and used to lift heavy weights. Use of a pulley halves the effort required to lift or move an object. Possibly of nautical origin but applied to workshop use in later years. -
Melbourne Tram Museum
Ephemera - Ticket - "Zone 2 to Melbourne - Off Peak", The Met, 1983
These tickets were a replacement for the MetroCard Off Peaks introduced in 1980. However, the times of availability were now altered to being valid from 9am weekdays, but more importantly, could be used for return rail travel anytime that day. Like the MetroCards, they also allowed unlimited MMTB tram and bus travel within the Flinders, Spencer, Latrobe, William, Victoria and Spring Streets grid. No conditions were printed on the rear of these tickets. (Extracted from reference.)Demonstrates the development of Melbourne ticketing system that allowed travel in the CBD grid using trams.Edmondson size ticket, printed on pasteboard, and printed in blue ink on a green background. Has been date stamped 6 Oct. 1983. Purchased from Seaford Railway Station. Ticket No. 16478. Blank plain coloured rear.public transport, tickets, trams, tramways, railways, off peak, the met, melbourne -
Melbourne Tram Museum
Pamphlet, VicRoads, "Tram stop improvements works on Bourke St", 2005 to 2007
Set of four Pamphlets - DL - full colour for installation of Bourke St super stops or platform stops in Bourke St. 1 - Have your say - 3 fold DL - Nov. 2005 2 - Have you say - 5 fold DL with a proposed plan - June 2006 3 - Construction - Spring and Spencer St - 3 fold DL - with plan - May 2007 4 - Constructon - William, Queen and Russell streets - with plans - Sept. 2007Yields information about the installation of super stops in Bourke St 2005 to 2007.Set of four Pamphlets - DL - full colour trams, tramways, super stops, platform stops, bourke st, planning, construction -
Stawell Historical Society Inc
Photograph, “The Sycamores” Driveway entrance Gates
Entrance gates to “The Sycamores” Driveway. A show place on Concongella from mid 1860's. "The Sychmores" where William Osmand lived. Osmand's "Sycamores" was in a secluded block of the eastern side of the creek along which was planted pine and cypress trees. He built a comfortable house and line the carriage way with Sycamores. Osmand was on the of the men who made money in the Stawell reefs mines. "The Sycamores" has been owned by the West family since c 1920. Black & white photograph (2 copies) of an entrance gateway with an avenue of deciduous trees.concongella -
Kew Historical Society Inc
Slide - Hospital wing and Villa Alba entrance porch, 2001
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a olour 35mm slide, framed in a plastic mount, of the entrance to Villa Alba, 44 Walmer Street, Kew, 3101, in 2001. The transparency shows the grey rendered entry, viewed from the east, looking west. At this stage a wing of the hospital abutted the portico. The hospital wing was subsequently demolished and a Victorian era garden reinstated based on an original plan."Villa Alba 2001 / Les Littlechild photo"villa alba museum, mount royal hospital, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.) -
Kew Historical Society Inc
Slide - Hospital wing and Villa Alba entrance porch, 1987–2001
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a oolour 35mm slide, framed in a plastic mount, of the entrance to Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered tower, viewed from the east, looking west. At this stage a wing of the hospital abutted the south facade. The hospital wing was subsequently demolished and a Victorian era garden reinstated based on an original plan."Villa Alba exterior"villa alba museum, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.), mount royal hospital -
Kew Historical Society Inc
Slide - Hospital wing and Villa Alba's south-facing facade, 1987–2001
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a olour 35mm slide, framed in a plastic mount, of the entrance to Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered portico, viewed from the west, looking east. At this stage a wing of the hospital abutted the portico. The hospital wing was subsequently demolished and a Victorian era garden reinstated based on an original plan."Villa Alba ext"villa alba museum, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.), mount royal hospital -
Kew Historical Society Inc
Slide - Hospital wing and Villa Alba's south-facing facade, 1987–2001
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a olour 35mm slide, framed in a plastic mount, of the entrance to Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered portico, viewed from the east, looking west. At this stage a wing of the hospital abutted the portico. The hospital wing was subsequently demolished and a Victorian era garden reinstated based on an original plan."Villa Alba ext"villa alba museum, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.), mount royal hospital -
Kew Historical Society Inc
Slide - Rear of Villa Alba with adjacent hospital wing, 1987–2001
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a olour 35mm slide, framed in a plastic mount, of the portico of Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered rear of the building, viewed from the east, looking west. A two storey wing of the Mount Royal Hospital, facing Nolan Avenue is at the right. The slide shows a set of wire gates separating the east garden of Villa Alba from the main house."Villa Alba"villa alba museum, mount royal hospital, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.) -
Kew Historical Society Inc
Slide - Hospital wing and Villa Alba portico, 1987–2001
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a oolour 35mm slide, framed in a plastic mount, of the entrance to Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered portico, viewed from the west, looking east. At this stage a wing of the hospital abutted the portico. The hospital wing was subsequently demolished and a Victorian era garden reinstated based on an original plan."Villa Alba ext"villa alba museum, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.), mount royal hospital -
Kew Historical Society Inc
Slide - Snapshot of earliest framed photograph of Villa Alba
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a oolour 35mm slide, framed in a plastic mount, of the earliest known photograph of Villa Alba, 44 Walmer Street, Kew, 3101. "Villa Alba photo / 1800s"villa alba museum, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.) -
Kew Historical Society Inc
Slide - Villa Alba entrance porch, 1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. Digital copy of a olour 35mm slide, framed in a plastic mount, of the portico of Villa Alba, 44 Walmer Street, Kew, 3101. The transparency shows the grey rendered tower and entrance, viewed from the east, looking west. The bay window of the drawing room is in the foreground."Villa Alba Exterior 1987"villa alba museum, mount royal hospital, historic houses -- kew (vic.), victorian architecture -- melbourne (vic.) -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: WM RAE CRUSHING WORKS
William Rae (1823-1887) was born into a farming family in Scotland and came to Australia in i852. After coming to the Bendigo area, he established a puddling machine in American Gully. He then bought a claim on the Victoria reef and was quite successful. Subsequently he bought a steam engine and three batteries to begin crushing quartz. This was such a boon that he moved to a more convenient location in Happy Valley, where he set up a crushing battery with 35 heads.Sketch of a crushing works. Printed underneath is: Wm. Rae's Crushing Works, Happy Valley, Bendigo. Written on the back is: Happy Valley Rd. South side below Wells St. Picture shows a crushing works building with a tall chimney and some smaller outbuildings. On the hill in the background are poppet legs, other mine structures and some trees. There are heaps of mullock and in the foreground are a number of people.bendigo, history, long gully history group, the long gully history group - wm rae crushing works, george ellis -
Warrnambool and District Historical Society Inc.
Book - Family Bible, John Murphy Company, The Holy Bible Douay Version, 1899
This Bible and cover belonged to Ethel Ardlie, nee Ryan (1880-1967). In 1903 she married Arthur Stanley Ardlie of Warrnambool. Arthur Ardlie was the son of the prominent Warrnambool lawyer, William Ardlie and his wife Mary and the grandson of John and Mary Ardlie, pioneer settlers in Warrnambool. Ethel and Arthur Ardlie had three daughters, Olive (1905- 1912), Dorothy (1910-1993) and Agnes (1915-1993). They lived at Aroona, Princess Street, Warrnambool.These items are of great interest firstly because they are examples of the type of Bible and cover that families owned in the mid 20th century. Also they are mementoes of a prominent family in Warrnambool in the 20th century, with the Bible containing important information on this family. .1 This is a Bible with a black cover with gold lettering on the spine. The cover is stained. The pages contain the Old Testament (1086 pages), a Family Register section, the New Testament (306 pages) and some coloured maps. Amongst the pages are two pressed pansies and two loose sheets. .2 This is a brown tooled leather cover for the Bible with a brown silk lining and a brown cord attached to the top of the spine for use as a bookmark. The front cover has an embossed image of seven figures. The edges of the spine of the cover are torn. Ethel M. Ardlie (x2) Aroona, Warrnambool ardlie family, history of warrnambool -
Melbourne Tram Museum
Photograph, Cable tram 534 in Bourke Street outside the St. James Building, 1924
The photograph shows a cable tram set with trailer No. 534 east bound in Bourke St on its way to Nicholson St passing the St. James Building at William Street. The conductor standing at the back of the grip car is in MMTB uniform with his ticket wallet in his left hand and bag visible. The grip man appears to be ringing his bell. There is a side advertisement for the "All Australian Exhibition". A reference to the exhibition is in The Argus of 3/11/1924 - see reference.Yields information cable trams in Bourke St and their crews.Photograph, black and white, plain backtrams, tramways, cable tram, bourke st, conductors, tram crews, william st, tram 534 -
Bendigo Military Museum
Postcard - CARTOON POSTCARD, Inter Art- Co, 15.11.1916
The letter details how the writer GEORGE saw George yesterday and waved and yelled but he did not see him as they were marching past. It also describes how they just came out of the trenches with mud over their knees and higher. The George walking past is possibly George Frederick Pierce DCM. Refer Cat No 4136P for his service details, award and death. Part of the collection of William (Bill) Thomason, refer Cat No 4213P for more items.Cartoon coloured postcard depicting a boyish soldier surrounded by boys and girls. On the rear is a letter from France to a girl, the writing is in blue pen.On the rear “15/11/16 France, Dear Gaddis”. The letter ends “I remain yours sincerely George H..........postcards, military, cartoons -
Bendigo Military Museum
Award - MEDAL SET WW1, post 1919
William George Pyke enlisted in the 1st reinforcements 21st Batt AIF on 8.4.1915 No 1565 age 33 years 4 months. He was hospitalised at Anzac was returned to Australia and discharged medically unfit on 13.3.16. Classed “Asthma. He re enlisted again on 30.4.17 No 4869 in the 13th reinforcements 29th Batt then transferred to the 38th Batt on 1.1.1918. He was gassed severely on 11.8.18. He was discharged medically unfit on 8.7.1919. He passed away 26.7.19.Medal set, court mounted, set of (3) re W.G Pyke. 1. 1914-1915 Star. 2. War medal 1914-18 replica not engraved. 3. Victory medal 1914 - 19 replica not engraved. .1 "1565 Pte W G Pyke 21 BN AIF"medals, history, military, ron mills collection -
Bendigo Historical Society Inc.
Document - LA TROBE UNIVERSITY BENDIGO COLLECTION: BENDIGO TEACHERS' COLLEGE GRADUATION CEREMONY 1954
A light blue document titled "Bendigo Teachers' College 1954". Also on the front cover is a list of the staff working at the college at that time. On the inside cover is the "Significance of the Graduation Ceremony" and "Order of the Ceremony". Mr. F. M. Courtis gave a welcome to visitors whilst the Principal gave the college charge to the graduands. The 'Graduation Book' was presented to Mr. E. C. Krieger Inspector of Schools by Miss J. C. Burnett. The final call for 1954 of the graduands was called by Mr. F. G. East. Finally the Occasional Address was given by Mr. O. C. Phillips Chief Inspector of Primary Schools. The following page contains a list of the graduands and on the back cover is the "Principal's Charge to the Graduands". There is also a white typewritten insertion within the booklet which contains words to the hymns and a plan of the physical arrangement of the school hall for the graduation. Bolton Print Bendigo. The names of the Bendigo Teachers' College staff are- Miss J. C. Burnett, Miss D. I. Hollyock, Mrs. F. M. Petri, Miss J. Coad, Mrs C. I. Skehan, Miss B. H. Cowling, Mr. C. C. Archibald, Mr. F. M. Courtis, Mr. L. J. Pryor (Principal), Mr. C. L. Barker, Mr. F. G. East, Mr. M. Brown, Mr. A. H. Fry, Mr. H. T. Pattenden, Mr. R. Macdonald, Mr. M. Pratt and Mr. R. L. Strauch. The 1954 Graduands - Graham Robert Allinson, Marie Therese Andison, Mary Ruth Baker, Norma Jean Baker, Beryl Joan Barbour, Marie Therese Barry, Edith Gwenda Black, Robert Graham Boyce, Keith John Brereton, William Harry Brittain, Mary Ruth Burrows, Noreen Ellen Byrne, Kevin Frederick Carr, Doreen Beverly Cole? Rita Beverley Cook, Barrie McKenzie Cruickshank, Eril Davey, Veronica Anne Donohue, Laurence Raymond Douglass, Roberta Ann Ewing, Kenneth Leslie Fowler, William Ernest Gartside, Avis Greenway, James Lindsay Hahnel, Mervyn Denis Hall, John William Hammer, Monica Patricia Harrop, Patricia May Humphries, Peter Laurence Hynes, Norma Marian Ireland, Colin Charles Jackson, Judith Elaine Keating, Joyce Isabel Kellett, Ronald Alan Kneebone, Francis Veronica Laughlin, Frederick David Le Deux, Ann Nicholson Leslie, Maureen Catherine McGrath, Shirley June Mason, John O'Hara Medwell, Helen Elizabeth Menzies, Kathleen Valerie Mullan, Lindsay Ray Nicholls, Alan Brose Norman, Ian O'Halloran, Vincent Stanley Pannell, Joan Mary Pilcher, Wendy Anne Purches, Elizabeth Anne Pywell, Valerie Mary Reid, Claude Rogers, John William Rogerson, Adele Winifred Scheffer, Robin Ann Seage, Judith Patricia Smith, Maureen Caroline Spencer, Edwin Alfred Stevenson, Elizabeth Mary Stewart, Jeanette Mary Stewart, Alison Mary Stone, Una May Swanton, John Joseph Toll, Janet Emily Voss, Ellen Julia Waldron, Bernard Vincent Walsh, Valma Lesley, Raymond Charles Reginald Wearne, Valerie Joyce Williams and Lenore Estelle Woodward.bendigo, education, bendigo teachers' college, latrobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, students, bendigo teachers' college students, bendigo teachers' college staff, tertiary education, teacher training, graduation, graduands, graduation ceremony, history -
Kew Historical Society Inc
Archive (series) - Subject File, Artists II (Kew), 1958
Various partiesReference, Research, InformationKHS OrderThe second of two reference files on artists in Kew, this file including research and printed copies of a publication by Elizabeth Mackie, ‘The Artists of Kew’ (self-published 1981 - ISBN 0 9594081 0 X). The publication is attached to this record as a PDF file, but it should be noted that copyright is still held by the descendants of the author, but may be used and quoted for research purposes. One of the copies in the file of the publication is an ex-library copy and includes an index. The other unpublished material/research is held in copyright by the Kew Historical Society Inc. The files include descriptions, addresses and or dates relating to artists mentioned in the file. Within the file, there is also detailed correspondence and notes from and relating to Gwen Walker, Marguerete Mahood, Stanley Ballard, and Kathlyn Margaret Ballard. Index - ‘The Artists of Kew’ (Mackie E, 1981): Louis Abrahams, Edith Alsop, William Nichols Anderson, Louis Anquetin, Dorothy Baker, Alice [Marion Emily] Bale, Kaye Ballard, Stan Ballard, George Bell, Leila Bell, Charles Bennett, A Bolam, Shirley Bourne, Arthur Boyd, John Brack, Louis Buvelot, Donald Cameron, Robert Camm, Sir Hugh Casson, S Cochrane, Alexander Colquhoun, Amalie Colquhoun, Archibald D Colquhoun, Beatrice Colquhoun, Elizabeth Colquhoun, George Colville, Charles Conder, Colin Coulihan, Noel Counihan, David Cox, Sir William Dargie, Isobel Davies, Miss De Mole, L Dunn, Frank Emery, Albert Enes, Alma Figuerola, W H Fitchett, Paul Fitzgerald, George Frederick Folingsby, E Phillips Fox, William Frater, John Frith, Miss Fullwood, Alistair Cameron Gray, Harley Griffiths, Gilda Gude, Nornie Gude, Dora Hake, Elsie Bernard Hall, Robert Hannaford, John Hassell, Carl Hempel, Harold Herbert, June Hobart, Kenneth Jack, Jean Jeffery, Cliff Judge, Lois Kahan, William Kearney, Percy Leason, Bastien Le Page, J Lewis, Norman Lindsay, Percy Lindsay, Sir John Longstaff, John Loxton, Arthur Loureiro, Gordon McCrae, Frederick McCubbin, Herchfield Mack, Alan Martin, Karlis Mednis, Max Meldrum, Bertha Merfield, Anne Montgomery, David Moore, Lillian Morrison, Carl Nelson, Sydney Nolan, Ambrose Patterson, Lawrence Scott Pendelbury, John Percival, John Perry, W Pinderson, Marie Pinschoff, John Piper, J Reverdy, Tom Roberts, James Robertson, John Russell, Jan Hendrik Scheltema, Arnold Shore, Joseph Simpson, Joy Stewart, Sir Arthur Streeton, Jane Sutherland, Ruth Sutherland, Evelyn Syme, Eric Thake, Isobel Thorn, Albert Tucker, Tudor St George Tucker, Isobel Tweddle. Other artists noted in file include: Marguerete Mahood, Leopoldine Mimovich, Julius Wentscher, Tina Wentscher, Sigismonde Zacutti, Napier Waller, Percy Gair, Stuart Warmington, Len Annois, Margaret Baskerville, Clara Southern, Andre Maszaros, Michael Maszaros, Walter Withers, Edith Ussher, Arthur Wills, Douglas Annand, and Gwen Walker.artists - kew (vic)artists - kew (vic) -
Eltham District Historical Society Inc
Negative - Photograph, Harry Gilham, Grave of Abraham and Ann Taylor, also Mary Taylor, Eltham Cemetery, Victoria, Sep 2009
Abraham Taylor was born 20 October 1811 in Derrycarn, Drumcree Parish, County Armagh, Ireland, the son of Richard William Taylor and Annie Abraham. He married Ann McClelland on 19 February 1852 in Dumcree. They emigrated to Australia arriving in Geelong aboard the Ann Thompson on Christmas Day, 1852. His younger sisters Mary and Martha and brother William John all having separately preceded them in 1851 and 1852. Abraham and Ann settled in Little Eltham, Abraham was recorded as being 40 years of age and Ann, 36. They made their home and living as an orchardist and gardener where they had three sons, William John (1853 Little Eltham), Richard (1855 Eltham) and Robert David (1857 Eltham), tow of whom became Councillors of the Shire of Eltham; William (1890-1911) and Robert David (1911-1920). In June 1871, Abraham Taylor, Eltham gardener, applied for a 120-acre allotment half a mile northeast of the Research Gully Hotel on June 30, 1871. A license was issued to him January 30, 1872, for 114 acres, being Allotment 8, Section 18, the balance of 6 acres being retained for reserve. He built on the land a two roomed dwelling of slabs and palings. He and his family lived there or at their 6 ½ acre Eltham property, which was used for orchard and garden as a residence. In January 1875 a lease issued to Abraham Taylor for the land one chain wide each side at the gully named ‘Wet Gully’ was excluded. In August 1881 Abraham Taylor paid up all fees and applied for a Crown grant. He vainly requested that the grant be issued to his son, Robert David Taylor, Eltham however the grant was in fact issued to Abraham Taylor, Eltham, gardener. Abraham died at home on June 1, 1890. He was greatly respected by all who knew him. His sister Mary predeceased him 1873and is also buried at Eltham cemetery. Wife Ann died at home 1 September, 1893 and was buried with him. In Loving Remembrance of Abraham Taylor Who died June 1st 1890 Aged 80 years Also Ann Taylor Wife of the above Who died September 1st 1893 Aged 75 years Also Mary Taylor Who died September 22nd 1873 Aged 45 yearsRoll of 35mm colour negative film, 6 stripsKodak GC 400-9eltham cemetery, gravestones, abraham taylor, ann taylor, mary taylor -
The Beechworth Burke Museum
Geological specimen - Gold-Sulphide Ore
This particular specimen was recovered from two hundred feet down in the Golden Mile in Kalgoorlie, Western Australia. The Golden Mile, named after the estimated sixty million ounces of gold worth around one hundred billion dollars, was the birthplace of the largest gold rush in Australia almost one hundred and thirty years ago when William Brookman and Samuel Pearce leased the Great Boulder mine. The Golden Mile is also the home of the Super Pit, Australia's most well-known mine.The majority of gold deposits will form as a native metal, however, on occasion, it can form a compound with another element, in this case, sulphur. Therefore, this specimen is a rare example of gold naturally forming into a compound mineral with sulphur. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A small gold-sulphide ore mineral specimen in shades of silver and grey with flecks of gold. Precious metals are often found in Sulphide Ores, as sulphides usually bind to these metals. They are also extremely symmetrical in crystaline form. Gold-Sulphide Ore occurs when gold forms a natural compound with other elements. In this form, gold can be present in one of two ways. It can be fully immersed in the sulphide, or a portion may be partially free. This specimen has minimal gold visible, with only a few flecks being partially visible.burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, gold-sulphide ore -
Flagstaff Hill Maritime Museum and Village
Book, Wool Wool Cookery Book
The book belonged to Mrs Bessie Neil, a daughter of Mr and Mrs William McKenzie who came from Scotland, possibly in the 1860s, and were employed at Glenample station, near Port Campbell. In about 1905, the Neills moved to South Africa, and the cookery book went with them. Recently Mrs Roger Pearce, formerly Lorraine Snell, who is married to a great grandson of Bessie Neill, thought it fitting that the book should be returned to this locality, and sent it to her mother, Mrs Mary Snell. Wool Wool Cookery Book Publisher F W Cheshire Printed in Camperdown by the Camperdown Chronicle 1903 inside cover has hand writting Bessie Keill, "Merkeering" (W), 27 Browning Street, Moonee Ponds. March 16th 04 flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wool wool cookery book, book, glenample homestead -
Flagstaff Hill Maritime Museum and Village
Book - Stamp Album, CF Lucke, publisher, Illustrated Postage Stamp Album, ca 1900
The inscription in the book indicates that it once belonged to Edwin J Dale, who may have received it May 13th 1901, the date on the inscription. The album was made in Germany and has English, German, French and Spanish language on the fly page. It has 2000 pockets for holding stamps and is illustrated. The printer, Spottiswoode and Co., was established in 1738 by William Strahan, with premises in New Street Square, London. The growing firm advertised as Printers, Lithographers, Stationers, Electrotypers, Publishers, and Booksellers and by 1914 there were 1,000 employees.The stamp album is of Victorian vintage and shows that at the end of the 19th century people collected stamps. It represents the hobbies and past times of the people of that era.Illustrated Postage Stamp Album. Publisher: Lalso by CF Lucke, Leipzig, Germany Printer: Spottiswoode & Co Ltd, London Date: 1908 Red hardcover, illustrated with a robed figure image and text in English, German, French and Spanish. Book has information, advertising and pages divided into blank squares for attaching stamps. Some pages have cutouts where squares would have been, perhaps holding stamps. An inscription with the name Edwin J Dale, 13 May 1901 is on the first turned page..Inscription: Edwin J Dale, May 13th 1901" Cover: "Illustrated POSTAGE STAMP ALBUM" Inage on cover: "within a floral border, a robed figure wearing a winged helmet, holding a staff with two snakes in one hand, and a sealed letter in the other." Fly: "Registered" "Schaubeks Postage Stamp Album" "Victoria" "Briefmarken"[German - stamps] "Pour Timbres-poste" [French - for postage Stamps] "Para Selloyde Correo" [Spanish - for postage stamps] "With 1070 reduced illustrations, 2200 blank cases for stamps" (also in German, French and Spanish) "Made in Germany"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, illustrated postage stamp album, postage stamp album, stamp album, book, postage stamp, stamp, edwin j dale, may 13th 1901, stamp collecting, german stamp album, spottiswoode & co ltd, germany, cf lucke leipzig, cf lucke, leipzig