2. Note by J H Kneen 26.02.1991 "Student is J. M. (Pixie) Scott."Black and white photographs. 2 copies of each photograph, 1 set had been mounted on cardboard. 1. Students pruning fruit trees in the Orchard. 2. Female student ploughing with a draught horse in the Orchard.Front: "Students at Burnley Neg 132 Section State Farm Burnley, Publicity Branch Department Of Agriculture. (1) On reverse, "Students pruning fruit trees at School of Horticulture, Burnley. June 1940." (2) On reverse, "A girl student ploughing in the Orchard School of Horticulture, Burnley, (June 1940.)" state farm burnley, pruning, fruit tree, 1940, female students, ploughing, orchard, students working outside, draught horse, publicity, pixie scott, j. m. scott

Black and white photograph. A female student, H. Mactier, with a pruning a fruit tree with a pruning saw in the Orchard.On reverse, "Miss Mactier." h. mactier, pruning saw, students working outside, orchard, pruning, publicity

Black and white photograph. Female students pruning a fruit tree in the Orchard with secateurs and sawsOn reverse, "On left H. Mactier on rt. Peg Gibson." female students, h. mactier, peg gibson, students working outside, orchard, pruning, secateurs, pruning saw, fruit tree

Black and white photograph. Female student, Elspeth Newman, empyting pears out of canvas bag, attached to her with a harness, into wooden packing case. Pear tree and wooden ladder behind her.On reverse, Athol Shmith Studio Illustrative Photography 125 Collins Street, Melbourne, C.1. Cent 27. No. 17701 Position E.elspeth newman, pears, canvas bag, packing case, athol shmith studio, students working outside, orchard, pear tree, ladder, publicity

These students are from the first intake for the Diploma of Horticulture who graduated in 1961.Black and white photographs. Students picking apples and pears. The students are wearing special bags which attach by straps round the neck and around the waist, with a flap that opens at the bottom allowing the fruit to be removed. The bags are stamped "Burnley Gardens,". 7 photographs by the Publicity Branch Victorian Department Of Agriculture Ref. No. c.1317. (1) D Left to right: John Richards, Dorothy Issell, Helen Page, picking pears. Also see B92.560 enlarged. (2) E Doroth Issell picking apples. (3) F (2 copies) 6 students picking apples. (4) H Helen Page picking apples. (5) I John Richards, ?, Helen Page, picking apples. 3 unmarked photographs (6) 1 John Richards, Helen Page, Dorothy Issell, picking pears. This photograph used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p99. (7, 8) 2, 3 John Richards, Dorothy Issell, Helen Page picking pears. fruit picking, apples, pears, diploma of horticulture, 1961, bags, john richards, dorothy issell, helen page, green grows our garden, a.p winzenried, students working outside, orchard

Note by T.H. Kneen 4 March 1992, "Student is Margot George (1951)."2 copies black and white photograph, one an enlargement. Female student watering pots of Begonias and Cyclamen in a glasshouse with a hose.Inscribed on photograph, "Burnley B21-1324 Student in glasshouse."glasshouse, margot george, students working outside, begonias, cyclamen, watering, hose

Date estimated from Ref. No. Note by T.H. Kneen 4 March 1992, "Ferguson tractor drawing modern (Auto) mist spraying plant. Operator wearing protective clothing. The prominent tree on the left is Cupressus macrocarpa planted 1857. Note also emergent Araucaria spp."Black and white photograph. Student driving a tractor in the Orchard in Spring. Automatic spraying machine on a trailor. Student wearing protective gear.On reverse, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. D1101 F."ferguson tractor, mist spraying plant, machine operator, protective clothing, cupressus macrocarpa, araucaria spp., student working outside, orchard, auto mist spraying plant, tractor, publicity

The original photograph was lent to the Archives by Anne Latreille. It was used as an illustration for an article in, "The Age," in 1991. It was used as an illustration in, "Green Grows Our Garden," A.P. Winzenried.Black and white/Sepia photograph. Female student carrying a tree in a tin container. Appears to be in the Old Nursery. The student is wearing boots, gaiters and jodhpurs.female students, trees, container, boots, gaiters, jodhpurs, green grows our garden, a.p. winzenried, student working outside, old nursery, nursery

Photographs taken by A.P. Winzenried to be considered as a possible illustration in, "Green Grows Our Garden."2 copies black and white photographs. Copy of photographs in, "The Argus." Top 1., 15-4-36, "Orchard Workers - A merry group in one of the orchards at the Burnley Horticultural School, where the girl students share the hard work with the men." 4 female students and a male instructor in the Orchard, carrying tools and wheeling a wooden wheelbarrow. Bottom 2. -4-36, "Tall and Short - Brook Gipps (left) aged 19 years, height 6ft 1 ⅟₂in., and Graham Grant, aged 17 years, height 4ft., in the orchard at the Burnley Horticultural School." 2 male students holding spades in the Orchard.a.p. winzenried, green grows our garden, female students, brook gipps, graham grant, orchard, students working outside, tools, wheelbarrow, male students

Photograph taken by A.P. Winzenried for consideration as an illustration in, "Green Grows Our Garden." The caption reads, "Wattle is in full bloom at the Burnley Horticultural College. These girl students had a pleasant task gathering the golden glory."Black and white photograph. Copy of a newspaper article taken by A.P. Winzenried. 4 students collecting branches of wattle at the entrance to the Gardens. 2 standing on wooden ladders and 2 holding toolss next to a wooden wheelbarrow.Handwritten underneath, "W. Thompson, M. Younger, H. Dance, E. Pearce, The Argus 13-8-35."a.p. winzenried, green grows our garden, wattle, female student, w. thompson, m. younger, h. dance, e. pearce, students working outside, wooden ladders, wooden wheelbarrow, tools, entrance gate

Photograph was taken by A.P. Winzenried as a possible illustration for, "Green Grows Our Garden." 3 copies black and white photograph. Copy of a b/w photograph of a group of female students, some riding on a horse drawn cart with one leading the horse and some walking carrying tools.Handwritten caption underneath states, "Students at Burnley Horticultural College.-Victoria."female students, horse drawn cart, tools, a.p. winzenried, green grows our garden, students working outside, orchard, draughthorse

Photograph probably 1937, taken by A.P. Winzenried as a possible illustration for,"Green Grows Our Garden." Colour photograph. Copy of a newspaper article in, "The Argus," probably 1937, taken by A.P. Winzenried. Caption reads," Land Girls Find Work Pleasant at Burnley. Farm work appears to be a pleasant task for these girls photographed yesterday at Burnley Horticultural College. The plough horse is being returned to the stable after a day's work in the orchard." 2 girls leading Don, the draughthorse.Handwritten underneath, "M. Atkins, Don, J. Wakeford."a.p. winzenried, green grows our garden, female students, orchard, m. atkins, don, j. wakeford, donald, horse, land girls, students working outside, draughthorse, newspaper cutting

Photograph made by A.P. Winzenried as possible illustrations in, "Green Grows Our Garden." Colour prints. Copy of 2 newspaper articles made by A.P. Winzenried. 1. Top, "- An Autumn Study. Only 3⅟₂ miles from the City streets, the Plough Girl stirs the earth into fertility for a new season as the bare limbs of a fruit tree connote the death of the last - A study today at the Burnley Horticultural School." Female student using a horsedrawn plough in the Orchard. 2. A female student holding a bull wearing a head stall and a rope attached to a ring in its nose.Handwritten, "M. Younger. "The Herald." 12-5-36. Bottom, handwritten, "J. Wakeford & Vida's Boy. "The Herald." 12-5-36."a.p. winzenried, green grows our garden, plough, female students, fruit trees, j. wakeford, m. younger, students working outside, horse-drawn plough, bull, orchard, vida's boy

Photograph made by A.P. Winzenried as a possible illustration for, "Green Grows Our Garden." Note by T.H. Kneen 18 March 1992, "Note the very early form of spray equipment - hand pump and hand delivered." Also see B91.440.2 copies black and white print. Copy of a photograph in A.E. Bennett's book, "Prize Essays," published 1894. 2 male students using spraying equipment from a wheeled cart in the Orchard.On reverse, "The Orchard area at Burnley Gardens 1891-4 from A.E. Bennett's book 1894.a.e. bennett, prize essays, a.p. winzenried, green grows our garden, orchard, spray equipment, students working outside, hand pump spray

1 copy made by A.P. Winzenried as a possible inclusion in, "Green Grows Our Garden." Note by T.H. Kneen 16 March, 1992, The "Administration Building" referred to frequently in these photographs was the building erected to replace the old Pavilion which housed the School of Primary Agriculture & Horticulture and also the Pasture & Fruit Preserving Branches of the Department of Agriculture. The new building also provided for a future Plant Breeding Branch and some additional facilities such as the Assembly Hall, Library, two additional class rooms." Another comment on 8 April 1992, "The willow, a basket willow, was heavily pollarded annually."3 copies black and white photographs, different sizes. Photograph taken about 1960 showing Administration Building, pond, lawns and garden bed in foreground, student mowing in background. On reverse of 2 copies, "Photograph by Information Branch Victorian Department of Agriculture Ref. No. D1099C." On reverse of 1 copy, "from box the Garden/Land." On reverse, "The Main Building at Burnley photo taken winter approx 1960. This building replaced the original building - The Pavilion."administration building, pond, lawns, garden beds, students, mowing, a.p. winzenried, green grows our garden, school of primary agriculture & horticulture, pasture & fruit preserving branches, department of agriculture, plant breeding branch, assembly hall, library, basket willow, student working outside

Photograph made by A.P. Winzenried for, "Green Grows Our Garden," p73.Colour photograph. Copy made by A.P. Winzenried. Photograph appeared in the "Sun News Pictorial," July 10, 1934. The caption reads, "Things are never down on the farm at Burnley Horticultural School while Don, the old dray horse, is on the job carting his load of happy students back to the lecture room after a session of practical work. Most of the 30 pupils now at the school are engaged in the study of pruning." See B94.-902. A large group of male and female students seated on a cart darwn by a draught horse.a.p. winzenried, green grows our garden, don, dray horse, students working outside, draught horse, students, orchard, newspaper cutting

Photograph made by A.P. Winzenried for, "Green Grows Our Garden," p73Colour photograph. Copy of newspaper article, made by A.P. Winzenried. Caption reads, "Down on the Farm-at Burnley. New recruits at Burnley Horticultural School drove in rustic state to gather the maize crop yesterday. So popular has the school course become that there are no more vacancies for students this season. These beginners tackled a tall job, for the maize produced in the school paddock is 10 to 11 feet high." Horse drawn cart with 6 female students seated on it and one astride the horse.a.p. winzenried, green grows our gardern, maize crop, students, students working outside, west orchard, horse-drawn cart, draught horse

Photograph made by A.P. Winzenried for, "Green Grows Our Garden," p73Colour photograph. Copy of a patchwork of 5 photographs of female students which appeared as newspaper illustrations c.1933, made by A.P. Winzenried. The caption reads, "Girl Harvesters at Work. Girl farming students at Burnley Horticultural Gardens are busy this week. They undergo two years practical and theoretical training in many... farming work. Pictures show: 1. Hay forking by the "weaker" sex. 2. Miss Joy...Miss Freda Poynter, typical students, enjoying billy tea. 3. A happy group on the...a crop of oats. 4. A reaping mower going round the crop. 5. Miss Thelma (Johnson?) drives old Don and the mower." See B99.1057.female students, a.p. winzenried, green grows our garden, burnley horticultural gardens, freda poynter, thelma johnson, don, donald, horse, srtudents working outside, west orchard, horse drawn mower, hay, recreation, oats, farming, reaping mower, newspaper cutting

Photograph made by A.P. Winzenried for, "Green Grows Our Gardern," p73Colour photograph. Copy of newspaper article, made by A.P. Winzenried. Caption reads, "The harvest of oats is finished at the Burnley School of Horticulture and Agriculture, but these cheery girl harvesters will not be able to stack the crop until the weather improves. There are about 20 girl students at Burnley this year learning chiefly horticulture, but they are taught to grow and reap crops for fodder as well." 9 female students standing in a line holding forks in a paddock.Handwritten underneath, "Barbara Betty Herald Dec 1st/45."a.p. winzenried, green grows our garden, harvest, oats, burnley school of horticulture and agriculture, female students at burnley, barbara betty, students working outside, forks

Note by T.H. Kneen 1 September 1992, "I think the spray operator is a student Rod Cantrill (1953) & the spray plant was a stationary unit reticulated through the orchard." and on 8 September 1992, "Note also irrigation spray lines at rear."Black and white photograph. Student spraying fruit trees in the Orchard with a hose. Irrigation spraying equipment in the background.spray operator, students, rod cantrill, orchard, stationary spray plant, student working outside, irrigation

Black and white photograph. Group of 6 men with gardening implements standing and seated on the lawn. Corner of Pavilion on the left and a timber fence behind. On reverse, "1911." students working outside, gardening tools, pavilion

Black and white photographs. (1) Ref. No c.1695C, 3 students learning how to spray with equipment on tractor. Wearing protective apparel. Instructor not wearing protective gear. (2) Ref. No. c.1695D (also enlargement). (3) Ref. No. c.1995L.On reverse, "Photograph by Publicity Branch Victorian Department Of Agriculture" protective apparel, spraying, students working outside, orchard, tractor, fruit trees, instructor, publicity

This 1952 document provides a historical record of the type of some of the manufacturing jobs at ICI Deer Park, and the pay scales and working conditions for the various jobs.20 page white paper booklet with brown stains and some wrinkling both possibly resulting from water contamination. The document is legible.Filed on Principal Registry Commonwealth Court of Conciliation and Arbitration 22nd September 1952federated ironworkers' association, industrial agreement, ici, icianz, ironworkers', 1952

Nurse Protest, c.1982, Ballarat Base HospitalNurses protesting for better pay and working conditions. March in Sturt St near Drummond St and hospital.Photo - black & whiteprotest, nurse, ballarat, conditions

Clara Jane Matthews was born in 1870 as the eldest daughter of Robert Matthews. She married William Frederick Busse on the 5th of December, 1894 at St Columb’s church, Hawthorn. Clara and her husband lived on Main Street in Chiltern, and her husband was a Clerk of Courts in Chiltern and Wodonga throughout his life. Clara and William also owned a 640 acre farm called Clairedale Park, four miles (6.5km) outside of Barnawartha. They had both crops and sheep on the property, and adopted innovative farming practices. It appears that Clara was heavily involved in the farm business, as she is listed as a purchaser of sheep in multiple stock reports between 1914 and 1918. This is very unusual for the era, as women were not generally involved in stock markets, especially if her husband was still alive. Clara’s husband’s work at the court likely meant that he wasn’t able to travel to the markets in order to purchase stock. Clara’s taking the reigns in this manner was highly unusual, and signals just how strong of a woman she must have been. Clara Busse died in Chiltern in 1968, when she was 98 years old. She is also the mother of Wilfred C Busse, who was an author and a member of the Chiltern Athenaeum. This photograph is of a woman who lived most of her life in Chiltern, and undoubtedly contributed to the community of the town within her 98 years. She will most likely be remembered as the wife of William Frederic Busse, Clerk of Petty Sessions, or as the mother or Wilfred Clarence Busse, author and barrister. Although the records of her time almost entirely connect her with the men of her life, her father, husband and then her son, some digging can reveal that she was an entire person of her own, who broke norms of her time and is worthy of being remembered for her own sake.Black and white rectangular photograph printed on matte photographic paper mounted on board in a textured metallic frameObverse: Clara Jane Busse / (nee Mathews) / Mother of W. C. Busse / clara jane busse, clara busse, c j busse, busse, women in agriculture, remarkable women, 20th century women, women's history, working women, wilfred busse, wilfred clarence busse

This etching by British engraver Arthur Willmore was created from Russian born artist Nicholas Chevalier’s original watercolour landscape of Bontharambo, Wangaratta (Chevalier’s watercolour is held in the collection of the National Library of Australia). Chevalier moved to Australia during the Colonial period and is famous for his landscape paintings, which were most commonly commissioned by wealthy landowners or merchants wanting to record their material success. Bontharambo is a historic property located in Wangaratta which was made famous by pastoralist Joseph Docker who took up the Bontharambo run in 1838 and has remained in the family since. The historic homestead on the property was built between 1857-1859 and was designed by architect Thomas Watts.ColonialWangaratta Art Gallery CollectionA rectangular landscape etching of the homes on Bontharambo station printed in black ink on off-white paper.Obverse: N. Chevalier/ A. Willmore/ THE OLD & NEW HOME STATIONSwangaratta art gallery, arthur willmore, nicholas chevalier, bontharambo, wangaratta

Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back