A programme from the Annual Demonstration at the Olympic Pool Stadium on 28th and 29th September 1962. Melbourne Junior Legatees performed at Annual Demonstrations / Parades from 1928 through to the 1980's. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of a Junior Legacy Demonstration in 1962.Red folded cardboard programme for the Melbourne Junior Legatees Annual Demonstration held on 28th & 29th September 1962 at the Olympic Pool Stadium.Details of Junior Legacy Activities are outlined together with the of the Annual Demonstration.junior legatee, annual demonstration, legacy on parade

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Document, issued by the Council for Scientific and Industrial Research [CSIRO], East Melbourne in 1944, terminating the employment of Mr. G. H. Rogers of 29 Park Crescent, Kew. The Permit was issued by the Commonwealth Department of Labour and National Service."G.H. Rogers, Jun. Asst. from Council for Scientific & Industrial Research East Melbourne"second world war 1939-1945, csiro, george h rogers

The postcard shows St Vincent's Hospital, on the northern side of Victoria Parade, Fitzroy, circa 1914. At left is the original hospital building, a converted terrace house, alongside the first purpose-built wing opened 1905 and the Cullen Wing (with facilities for medical students and residents) on the right. A group of two men and three boys stands on the footpath outside the Cullen Wing and a car is parked outside the main hospital building in the centre of the photograph. The reverse of the postcard is a letter from a niece to her uncle and aunt detailing their day trip into Melbourne, the places they saw, the people they met and the activities they took part in.This postcard is significant since it provides a rare view of the hospital from this location at this point in its history.Black and white postcard showing photograph of St Vincent's Hospital Melbourne on the front and a letter is written in pencil on the reverse.On the reverse is a handwritten letter in pencil from a niece to her aunt and uncle about a day trip they took into Melbourne. The message is dated January 27, 1914.st vincent's hospital melbourne, streetviews, postcards, hospital buildings, fitzroy

Map showing the Melbourne cable tram system, with a list of opening and closing dates for the various lines, opened by the Melbourne Tramways Trust. Shows engine houses and car houses (or depots), location names, railways, and a scale. Includes notes on other dates tracks were changed and the Northcote to Clifton Hill line. No marks as to who prepared the map.Yields information about the Melbourne Cable Tram system.Foolscap sheet - Map - Melbourne cable tram system showing tracks, car houses and engine houses.Has a date stamp 22 Apr 1971 in bottom right hand corner.tramways, cable trams, trams, map, melbourne tramways trust, mtt, engine houses, depots, car houses

A version of the early days of Melbourne settlement. Includes anecdotes about John Batman and John Pascoe Fawkner.1960s view of Melbourne's history.178 pages, black and white illustrations. Hard cover with watercolour of early Melbourne on front. Covered in contact. Various property labels from Heidelberg Library and YPRL. melbourne history, john pascoe fawkner, john batman, agnes paton bell.

A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the ANZ Bank in Melbourne in 1975.A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the ANZ Bank in Melbourne in 1975. Wykeham Lindley Perry grew up near Marysville in Victoria and painted local scenes from a very early age. wykeham lindley perry, marysville, victoria, anz bank

Slovenian Association Melbourne - 35th Anniversary badge in the shape of a Linden leaf, an old Slovenian symbolic tree. The linden tree is a tree of friendship, love and loyalty. During the period of the Slovenian national awakening and the Slovenian people's increasing national awareness, the linden tree became one of the symbols of the Slovenian nation.Slovensko društvo Melbourne 35 - 1954 - 1989 Slovenian Associationbadge, slovenian association melbourne, 35th anniversary, linden leaf

Picture postcard 'Port Melbourne Railway Pier, Melbourne' 1904. Tinted photo on grey background. Penny stamp and Daylesford address on back, message beside picture on front.'6/5/04 Arrived home safe. (illegible initial)'transport - shipping, piers and wharves - railway pier

Golden Jubilee Anniversary of the Slovenian Association Melbourne was an unforgettable event for members, friends and visitors. The Slovenian hill at Research became alive with song, rainbow colours, dances, choir, poetry, sporting competitions, exhibitions, great food and drinks, children entertainment and many happy people.Slovenian Association Melbourne 2004 Golden Jubilee 50th Est. 1954badge, slovenian association melbourne, golden jubilee

Slovenian Club Melbourne participated many times at the Royal Melbourne Show with the musicians, dancers, folk dances, art and craft exhibitions. They were always warmly welcomed.The second Slovenian children of the first generations keeping up the traditionsColour photo of the large decorative heart with the Slovenian children in national costumes and boys playing piano accordions at the Royal Melbourne Show. The children are:Young generation of Slovenians, born in Australia, keeping the Slovenian traditionsslovenian traditions, slovenian national costume, slovenian music, slovenian polka

The Melbourne Exhibition was held as part of the centennial celebrations in Australia in 1888. This glass engraved with the purchaser’s name, was a souvenir of the occasion.The Melbourne Centennial Exhibition held in 1888 was a major event covering exhibits of most aspects of life. Large numbers of people attended, in this case a Mr Robb, Joseph Robb, grandfather of the donor.Small clear glass tumbler with etched leaf design .Melbourne Exhibition 1888 Mr Robbwarrnambool, melbourne centennial exhibition, 1888 centennial exhibition, joseph robb

Produced with financial input from Australian oil companies for Victoria's 150th anniversaryStiff cover book with black and white photographs of Melbourne streets along with descriptive captions facing each photograph. Dates from1850's to early1900. Approx 60 pagesPhotography design Joe Murray Text Peter McIntosh

A regular event for the widows was a Christmas concert at the Melbourne Town Hall. Often the performers were the RAAF Central Band. Held in December each year. The photos show President Ray Ward presenting flowers to Elaine Ward, Gwen Gunn and another lady. Usually the concert was the time the Widows Clubs presented Legacy with funds raised through their fundraising each year - in this case $15,500 - and the president acknowledges with flowers. The RAAF Central Band was conducted by Sq. Ldr. Graham Lloyd, and Rozanne Dew also performed. A regular event for the widows was a Christmas concert at the Melbourne Town Hall. Often the performers were the RAAF Central Band. Held in December each year. A record of regular events for widows to attend and enjoy together.Colour photo of a Christmas concert at the Melbourne Town Hall in 1996 and an article in the Answer.widows, concert, christmas, activities, answer

Postcard - cartoon of a Melbourne tram, in The Met colour scheme, cut out in the shape of the tram. Produced by Nu-color-vue, late 1980s or early 1990s. Card number 11 ML342, NCV 7009Demonstrates a cartoonists view of a Melbourne tram.postcard - printed full colour divided back cut out in the form of a Melbourne tram,tramways, melbourne, postcards, cartoon, the met, nu-color-vue

A leisure guide to the mountains of Melbourne beginning in the eastern suburbs, going through the Yarra Valley and into the Great Dividing Range. This was produced by Michael Cheshire as a free publication to promote Melbourne tourism. The magazine featured Healesville, Marysville, Warburton, Eildon, Alexandra, the Upper Yarra area, and includes information on wineries in the district. It was released in the summer of 1984-1985.A leisure guide to the mountains of Melbourne beginning in the eastern suburbs, going through the Yarra Valley and into the Great Dividing Range.Summer Edition 1984-85 Featuring:/ Healesville, Marysville, Warburton, Eildon,/ Alexandra, Wineries and Upper Yarra Area.healesville, warburton, eildon, alexandra, upper yarra, marysville, victoria, australia, leisure guide, michael cheshire, blackwood holiday flats, black spur motel and caravan park, tudor lodge road house, nanda binya lodge, marysville caravan park, marysville recreation and fun park, scenic motel, the tower motel, the cumberland, cathedral restaurant, cathedral restaurant gallery, taggerty golf course, taggerty holiday units, marylyn guest house

Colour print of a reproduction of an oil painting - Swanston Street from a point north of Little Bourke St looking south towards the Kings Domain. Reproduced by Kew Cottages and St Nicholas Parent's Association from a original print and lithographed by F Cogne, printed and published by Charles Troedel in his Melbourne Album 1863. Appears to have a number of horse drawn cabs parked in the centre of the street.Yields information about early Melbourne after the start of the gold rush.Reproduction of an oil painting - card - Swanston Street Melbourne 1863melbourne, horse drawn vehicles, swanston st

oil on linen landscape painting. High horizon line. Melbourne cityscape in the distance in cool colours (blues, purples). Varieties of foliage in warm colours (red oranges and yellow) in the foreground. mitchell, oil painting, landscape, melbourne

HMAS Melbourne never fired a shot in anger during her career, having only peripheral, non-combat roles in relation to the Indonesia-Malaysia confrontation and the Vietnam War. She was, however, involved in two major collisions with allied vessels; though Melbourne was found not to be the primary cause of either incident. The first occurred on the evening of 10 February 1964, in which Melbourne rammed and sank the RAN destroyer HMAS Voyager when the latter altered course across her bow. Eighty-two of Voyager's personnel were killed, and two Royal Commissions were held to investigate the incident. The second collision occurred in the early morning of 3 June 1969, when Melbourne also rammed the United States Navy (USN) destroyer USS Frank E. Evans in similar circumstances. Seventy-four American personnel died, and a joint USN–RAN Board of Inquiry was held. These incidents, along with several minor collisions, shipboard accidents, and aircraft losses, led to the reputation that Melbourne was jinxed. HMAS Melbourne was a Majestic-class light aircraft carrier of the Royal Australian Navy (RAN). Operating from 1955 until 1982, she was the third and final conventional aircraft carrier to serve in the RAN. Melbourne was the only Commonwealth naval vessel to sink two friendly warships in peacetime collisionsMoulded patterned black plastic frame and mount containing black and white print of hand drawn ship at seaThe Majestic Melbourne Dedicated to those who servedhmas melbourne, ran, aircraft carrier

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Hot pink chiffon tiered evening dress.Label: Hartnell of Melbournehartnell of melbourne, women's clothing, australian fashion - 1960s, evening dresses

Ann Austin of Melbourne was the name of a Melbourne millinery house. Thelma Prentice was one of the partners in the house, and the chief designer/milliner. Very little information about the millinery house and the milliner are available online but there is an interesting article, published in the Brisbane Courier Mail on 8 October 1949 which describes the influence of French style on fashion and design in Australia. The article by Lucy Gough recounts the views of Thelma Prentice who had just returned from the Paris fashion shows. "Australian millinery toes line with Paris From LUCY GOUGH LONDON, October 7 (Special) Australian hats can compare very favourably with those designed in Paris, and are considerably cheaper, says Miss Thelma Prentice, partner in a well-known Melbourne millinery firm, who has just completed six months' visit to England and the Continent. An ordinary hat, Miss Prentice said, would cost at least £15 from any of the top Paris houses. Australia could achieve the same effect for a lot less money. Miss Prentice went to all the Important dress shows as well as the millinery houses in Paris, because she believes that millinery is an accessory to fashion and to obtain the best idea of new trends hats must be shown with frocks to get a complete follow-through and tie-up between the two. At their packed shows, with standing room only, Path and Dior were selling hats they designed, faster than many well known Paris millinery houses, Fath's favourite line was the becoming 'wing treatment,' which he achieved by a profile flattering side swing of material jutting out almost 10 inches from the face. This was completely different to the side drape already seen in Australia. Dior, as a direct contrast, was specialising in skull hats, which almost followed the hair line, to show very little hair at the back of the head. His cocktail hats were heavily sequinned and beaded. Every model was designed exclusively for short hair, and Miss Prentice, whose own hair is beautifully short cut by a Paris hairdresser, said that French mannequins' hair was so abbreviated at the back it was almost a semi-shingle. Hats generally she found were plain, with sharply angled self trimming, and black one of the most popular colours." The hat was donated by Kathleen Gervasoni, a resident of Kew, and during the 1970s a Mayoress of the former City of Kew. The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.High crowned hat made of burgundy felt with decorative pink jersey turban folds attached to the side by clusters of pink beads. The hat was designed by Thelma Prentice of the ' Austin of Melbourne' millinery house. Label, inside centre crown, woven in black on white polyester: *ann austin / OF MELBOURNEmilliners, hats, ann austin of melbourne, thelma prentice, australian fashion - 1960s, kathleen gervasoni