Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0360costume, female head wear, accessories hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has a shiny black ball head, probably plasticcostume female head ware accessories, hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has the letter "J" as its head.costume female head ware accessories, hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin is adorned with a black shiny plastic "tear drop" shape head on a long shaft This is identical to KVHS 0366costume female head ware accessories, hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorshis hat pin is adorned with a black shiny plastic "tear drop" shape head on a long shaft This is identical to KVHS 0365costume female head ware accessories, hat pin

The stamp on this bench depicts a sheep hanging from its waist. This logo is on the Warrnambool City's coat of arms. It is also on the Bank of Australasia's coat of arms. However, there is no further information about the history of tis bench is currently available, it is believed to be homemade from around 1950s.Item at this time cannot be associated with an historical event, person or place, provenance is unknown.Bench, wooden, painted black. Made of planks. Inscription stamped onto wood.Depicts an imprint of a sheep hanging with back mid section. The words "Highly Inflammable" "H" (section missing) "GH"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, wooden bench, bench made of planks, bench, workbench, hanging sheep logo, suspended sheep

The photograph shows Ballarat Tram No. 19 at the Sebastopol terminus late 1950s with the driver/conductor standing by the front door before returning to Lydiard St North. On the opposite side of the tram is the "Pay as You Enter" sign. The Royal Mail Hotel is in the background. Photographer unknown. Yields information about tram 19 at the Sebastopol terminus, late 1950s.Black and white prints - plain back. tramcars, tramways, one man trams, sebastopol, royal mail hotel, crews, tram 19

Photo of VR tram No. 29 (St Kilda Rly Stn) standing outside the Elwood Depot, waiting for the crew before returning to St Kilda Station. A conductor can been seen walking back to the offices. Photo by Les G Poole, mid 1950s.Yields information about VR trams and Elwood depot.Black and white print with source stamp on rearHas stamp of the ARHS Vic Div L G Poole Collection on rear.trams, tramways, vr trams, elwood tram depot, tram 29, crews

This badge belonged to a member of the Peters Pals Club, a group established by the Peters Ice Cream business in 1947 and centred around radio stations in Victoria, in this case, 3YB in Warrnambool. Peters Ice Cream was established in Sydney in 1907 by an American Fred Peters. By 1927 the factory and business had its headquarters in Melbourne and continues there today. The Peters Pals club was associated with a radio program by the same name, a variety show that featured quizzes, talent quests, interviews etc. The Peters Pals club was very popular and had over 250,000 members in the 1950s. The radio show was replaced by another Peters Ice Cream- sponsored show on television in the late 1950s and this show ran for several years. This badge is of interest as it has been issued by a local Warrnambool radio station and is a memento of a popular club in Victoria that existed for about ten years over 70 years ago. This is a round metal badge with a pale yellow background and green lettering. The back of the badge has a metal clip for attachment to a lapel or other item of clothing. Peters Pals PP Station 3YB radio station 3yb warrnambool, peters ice cream, peters pals radio program and club

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a long tree lined boulevard with several 1940s-1950s automobiles in the distrance and pedrestrians crossing the road. At the far end of the boulevard is a large arch. The place is the Champs Elysees leading to the Arc de Triumph..Written in pencil on the back - Arc de Triumph from "Champs Eleises", Aug '52frank wright, paris, arc de triumph, champs elysees, france

Bendigo 1950s. Probably Bendigo’s Easter Procession. Small Chinese Dragon Easter 1958. In Mollison Street in front of Potter Bros Neptune Oil, along side is Potter Bros Vegetable Merchants, Phone 404 405.Kodachromeevent, easter fair, bendigo easter fair, bendigo 1950s. probably bendigo’s easter procession. small chinese dragon easter 1958. in mollison street potter bros neptune oil, along side is potter bros vegetable merchants phone 404 405

Bendigo Advertiser ''The way we were" from Saturday, February 5, 2005. Easter time: a large crowd watches the Easter Fair parade from View Point in Charing Cross in the early 1950s. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Commemorative set of seven boxes complete with matches.Set of seven matchboxes, with matches included, issued to Commemorates the wedding of Prince Charles and Princess Dianne at St Pauls' Cathedral in 1950s. Include Prince Charles, Princess Dianne, Queen Elizabeth. Prince Phillip, Earl Spencer and .............Redheads Contents 47 Matches|Made in Australia|Bryant & Mayspersonal effects, smoking accessories

Colour slide of people in an open sided tent on the Government House lawn. They are large style canvas tents on loan from the Army for the occasion. The caption implies it is a lunch for the helpers who got ready before the crowds arrived. Melbourne Legacy held an annual Christmas Party for Junior Legatees and Widows at Government House for many years. The year is unknown but likely to be during the 1950s. A group of slides in glass mounts with green tape are probably from a couple of consecutive years. They will be catalogued separately. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a Legacy Christmas party held at Government House.Colour slide of people under an open tent at Government House for a Legacy Christmas Party, in a glass mount with green tape.Caption in black ink says 'Helpers' Lunch'christmas party, government house party, tents

Cotton doilie, possibly hand made in the 1950s for domestic use. Doilies like this were used to protect furniture from scratches and for ornamental use. This doilie is crocheted using fine cotton thread in a six-point star circular design with 10 semi-circular details around edge.1 cotton doilie (small ornamental mat), cream crochet cotton. doilies, crochet

Historically this item highlights the middle to upper to middle socio economic levels of a rural community in the 1920s to 1950s. The fashion dictated to by the larger cities and towns were for some smaller items of house hold furniture encompassed by homes in the region, not only because of practicality but also for longevity of the item it protected.The significance of this item in showing that although the region was to a small degree isolated from the "latest" fashion of house hold dressage, it was to a certain degree not regional and that the fashion of the day in large cities and towns was instilled through magazines and Country Women,s organisations.Fine cotton table runner. Middle section has a 2cm wide crochet insert around it with another border of cotton around it 2cm wide. All the item is edged with a 7cm wide crochet band.hand craft, furniture dressing, lace, crochet, cotton furniture proctective coverings

Photograph of Bendigo Tram 12 with a North Bendigo destination, leaving at a tram stop. Has a shop in the background. Photographer unknown, 1950s given the colour scheme. Tram ex Melbourne No. 107 sold to SEC in 1935, as Ballarat 19, swapped with Bendigo during 1960 and became Bendigo 12. Yields information about Bendigo tram 12.Photograph, black and white on plain paper.tramways, trams, bendigo, tram 12, north bendigo

The photograph shows SEC Ballarat tram No. 32 at Hospital Corner, turning from Sturt St into Drummond St Sth. Has the Southern Cross Hotel in the background along with a Shell petrol sign. Note the signal contactor above the trolley pole. Photographer and date unknown - mid-1950s.Yields information about tram 32 and Hospital corner, mid 1950s.Black and White print on plain paper.tramcars, tram 32, hospital corner, sturt st, drummond st sth

A KEY MELBOURNE LANDMARK Although primarily dedicated to providing for the welfare of visitors from abroad, the Mission has always been a community-based organisation, and its doors are always open to the general public. Today, the Flinders Street complex lends its ample space to a variety of community pursuits – including yoga classes, religious sermons and gallery exhibitions. The Mission also continues as a popular venue for weddings and other social events, mainly due to the endearing historical connections and unique architecture and ambience. It is a distinctive and significant feature of Melbourne’s riverside streetscape. This window, titled ‘Thou of Little Faith’ is part of a pair that were installed at around the time the Mission was built in 1917. It is dedicated to a prominent family member of the ‘Forges of Footscray’ store fame, who were great supporters of the Mission’s work.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window in memry of James Leslie Forge, a photograph during a service in the chapel and a wedding photograph.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE RIGHT: Sunday services in St Peter the Mariner's chapel, attended by seafarers and the public, circa 1950s BELOW RIGHT: Mr and Mrs Lee under the arches after their wedding at the Mission on May 1st, 1967reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, james leslie forge, weddings, service, chapel of saint peter, catherine mclay, arthouse

Sub-titled A Ringwood State School Boy's Story - The World Of The 1940s And 1950s by Thomas J Guest. Hard cover book with photographs, poetry and stories recalling the author's family life growing up in East Ringwood, Victoria.

Bendigo Advertiser ''The way we were'' from 2002. Smithy: Dan Murdoch blacksmith was located in Napier Street, Eaglehawk, during the early 1950s. Bill Jones stands centre (the other two men are unknown). The clip is in a folder.newspaper, bendigo advertiser, the way we were

Congues and Mowlam families Images of two families who lived in Cruikshank Street from the 1930s to 1950s. .03 - Carmel MOWLAM (formerly CONGUES) outside 35 Cruikshank Street in the 1940s. This photo was sent to Albert during the war.families, congues family, mowlam family, carmel mowlam nee congues