The Australian Paramount Prize Packet available from the Footscray Display.Australian Paramount prize bag for the Royal Show, no content: craft paper bag with loosely woven string handle, and text in black lettering[obverse] The Australian / PARAMOUNT / Royal Show / PRIZE PACKET A Prize in every bag - only obtainable at the / Footscray Display / Stands 347-8, Industrial Hall / [reverse] Webb Printing Co / 226 Nicholson st, Footscray, W11 / or Webb's School Shop, Hyde St, Footscray / Quality paper in our Bigger and Better Books / Robber stamps, Paper Bags, Geneal stationery / School Books / Bought, sold or exchangedindustry, showbag, australian paramount, commercial

These copies of five oil on gum leaf paintings by Alfred William Eustace (1820-1907) display the subjects and detail of his small gum leaf paintings. A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Alfred William Eustace was a well-known self-taught Australian artist who was known worldwide for her unique oil on gum leaf paintings. He was also a prominent Chiltern citizen.Copies of five A.W.Eustace oil paintings on gum leaf, under glass, displayed on blue paper in a black metal frame.alfred eustace, gum leaf painting, chiltern

This model of the ship H.M.S. Lady Nelson was researched and built as the vessel Lady Nelson by David Lumsden, a professional ship model builder. His Majesty's Armed Survey Vessel Lady Nelson was commissioned in 1799 to survey the coast of Australia. This vessel was purpose-built before the British Admiralty requested plans for a Schooner for Port Jackson. At the time large parts of the Australian coast were unmapped and Britain had claimed only part of the continent. The British Government were concerned that, in the event of settlers of another European power becoming established in Australia, any future conflict in Europe would lead to a widening of the conflict into the southern hemisphere to the detriment of the trade that Britain sought to develop. Against this background, Lady Nelson was chosen to survey and establish sovereignty over strategic parts of the continent. Lady Nelson left Portsmouth on 18 March 1800 and arrived at Sydney on 16th December 1800 after having been the first vessel to reach the east coast of Australia via the Bass Strait. Before that date, all vessels had sailed around the southern tip of Tasmania to reach their destination. Lady Nelson's survey work commenced shortly after she arrived in Sydney, initially in the Bass Strait area. She was involved in the discovery of Port Phillip, on the coast of Victoria, in establishing settlements on the River Derwent and at Port Dalrymple in Tasmania. She also successfully chartered much of the Victorian coastline and was heavily involved with the exploration of the Queensland coast with Matthew Flinders; investigated the Hunter River; made numerous visits to New Zealand and Norfolk Island and was involved in the founding of numerous settlements. In comparison to most colonial vessels, the Lady Nelson was technically unique she was fitted with sliding keels, or centreboards, and water-tight trunks reaching to the deck. Captain Schank invented these sliding keels that, when raised, reduced her draught to less than six feet. Her life as an exploration vessel ended while accompanying HMS 'Tamar' to Melville Island in 1825, the 'Lady Nelson' was captured and later abandoned by pirates off the island of Babar (Indonesia). This brought the vessel's 25 years of coastal exploration and navigation to a close.The Lady Nelson made was the first British ship to survey of the southern or south-western coast of Australia and traverse the Bass Strait. The vessel holds a special place in Australia's history of exploration as the first to explore and establish settlements in the then-new British colony of Van Diemans Land. The model gives an insight into what life must have been like onboard sailing vessels of the time and Australia's early history of establishment and exploration. This model acts as an important legacy of the full-scale ship which no longer survives. Ship model of the 60 ton British brig HMS Lady Nelson. Timber model of a two-masted brig with rigging but no sails, displaying the British Union Jack flag. The ship is in a glass exhibition display case on metal stand. HMS Lady Nelsonflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, by captain john schanck, sliding keels or centreboards, lady nelson, british brig hms lady nelson, david lumsden ship model builder, lieutennant james grant, bass strait discovery, surveying king island and port phillip bay, philip gidley king

John Heath tool boxBox wooden tool box painted green used as display for John Heath shipwright tools. 850mmL x 410mmH x 375mmW (Note inside box: The missing tools are stored in a box in the cupboard in the shipwright display area)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tool box, j heath

These original columns are marble, made in 113AD. They come from Rome, Italy and are held in the Cast Courts at the Victoria & Albert Museum, London. The collection of casts at the museum is one of the most important in the world. Their original purpose was educational when it was not easy to trail and see original works. they thus provided an opportunity for students to study. The Cast Courts opened in 1873 and allowed the display of large monuments. These galleries are currently divided by nationality. Photograph of a cast of Trajan's Column at the Victoria & Albert Museum, London. The column has been displayed in two parts. he massive cast is a tremendous feat of both engineering and casting. Displayed in the Architectural Courts from the time of their opening in 1873, it provided the opportunity for students (and others not able to travel to Rome) to see this iconic monument of the classical world. The cast of the column is made up of sections of plaster reliefs that are attached to an inner chimney built of brick. Each section was individually numbered so that the column could easily be assembled like a giant jigsaw puzzle. (http://www.vam.ac.uk/content/articles/t/trajans-column/)trajan's column, roman forum, plaster casts

2 B&W photographs taken by Ringwood Historical Research Group: 11059A: 19.11.29 - Paintings of the Ringwood Artists, N. Ringwood 11059B: 28.11.92 - N Ringwood - Ringwood Artists Display

Gladys Elva Mole VFX17199 Australian Army Nursing Service. Refer Cat No’s 1899, 1901.4 medals and service history. .1) Two photos, colour, side by side in the one frame. On the left is a Nurse in grey uniform with hat & tie. On the right is same Nurse in uniform with red cape. The frame is brown stained wood with gold band. .2) Photo, colour showing Gladys Mole standing beside her uniform that is on a mannequin. The frame is brown stained wood with gold band,.1) " Capt Gladys Mole VFX17199" .2) "Gladys Mole with her wartime uniform prior to going on display."photography - photographs,, frame accessories, medicine, nursing, military history, army

Royal Selangor high quality cast pewter consists of 92% to 97% tin, with a small proportion of copper and antimony added to strengthen the alloy – the highest international standard for pewter. It is heavier and stronger than spun pewter. When struck gently, it produces a resonant sound.Boxed Pewter plate with a wide border around a central disc, alternating with bands of ceplok grid, dotted line work, diagonal parang and meandering Peranakan flowers. Federation University Australlia Asia and Africa Support Cente and SaMsung as Display Technoogy Partner 7th November 2016.international visitors, international visits, souvenirs, gifts, valet tray, plate, samsung

Copy of a black and white photograph, laminated.1940 girls gym display to aid the war effort. Courtesy Peg Clark (Mrs Bonwick), centre of photo.williamstown high school, gym, 1940

NilGreen and yellow pennant from the Army Apprentices School.Army Apprentices School written in yellow with Army Apprentices School emblem in yellow and red displayed at the end of the pennant.

The Stinson L - 5 Sentinel was a World War 11- era liaison aircraft used by the United States Army Air Forces, U.S Army Ground Forces, U>S Marine Corps and the British Royal Air Force. It was produced by the Stinson Division of the Vultee Aircraft Company (Consolidated - Vultee from mid- 1943). Capable of operating from short unimproved airstrips the L - 5 Sentinel delivered personnel, intelligence, and supplies to the front line. On return flights it carried wounded soldiers who were evacuated to rear area field hospitals for treatment. The L - 5 carried a pilot and observer. It had a length of 24.1 feet, wingspan of 34 feet, It had a maximum speed of 130 mph, a cruise speed of 100 mph with a range of 375 miles.The L - 5 was a significant asset to the allied war effort.Wooden propeller from Lycoming engine, with photograph of aircraft. Stinson L 5 Sentinal reconnaissance plane used in Korea and Vietnam. Propeller displayed from a similar plane.

A promotional car sticker of Healesville Sanctuary specialising in Australian Fauna and Flora. This item was displayed at the front entrance to encourage visitors to purchase and promote the Sanctuary. This car sticker was a very popular and sought after souvenir selling for 25 cents contributing to the Sanctuary's income. Healesville Sanctuary was the first institution to breed platypus in a total captive situation.and is also the only institution in the world to breed LyrebirdsA promotional circular car sticker depicting a lyrebird tail in full display above a platypus side on. Has dark green border at ouside edge of sticker; colours are black, gold and green. Sticker is in a wooden glass frame and has a dynamo label glued to upper edge of glass. There are 2 eye hooks screwed into the upper edge of frame. Inscription on car sticker is "Sir Colin MacKenzie Sanctuary" on the bottom half of the perimeter circle. With "Healesville" at top of perimeter of circle. At the top of the inner circle the word "Victoria" is placed above a green horizontal band which reads "The Wild-life Sanctuary".healesville-sanctuary, first-institution, breeding, platypus, lyrebird

Mr Carl Otto (Clyde) Drevermann was born at Lucknow and worked in various parts of Victoria before coming to Orbost in about 1902. In July 1902 he entered into partnership with Mr Edward Fisher Reynolds and the ironmongery, hardware and tinsmithing business was carried on by the new firm as Drevermann and Reynolds. In about 1905 Mr Drevermann assumed proprietorship and the tinsmith and plumbing section of the business was sold off to Mr Edward Swan. The ironmongery, hardware and timber business was known as Carl Dreverman & Co until 1917 when it was changed to Orbost Hardware and Timber Co. This shop had a row of nails on the window sill to prevent people sitting on the ledge. He married Carrie Bird and had children: Molly and Bill. Carl died in 1946.This is a pictorial record of a general store in early Orbost. It carried general merchandise, a variety of goods and staples needed by the surrounding community. The rural general store played a vital in regional communities throughout the 19th century and into the 20th century.. A black / white photograph of the inside of a shop with many good displayed on the floor, walls and ceiling.on back - "In Dreverman's shop"dreverman-carl-orbost shops-hardware-general

From the estate of Jack Jenner. Found at the Phillip Island Hotel, corner of The Esplanade and Osborne Ave, Cowes. Possibly given to L Wilson or J Edgar.(proprietor of the hotel and President? of Phillip Island Football Club). Collected by Edith Jeffrey. Black and White photo of football team, umpire and staff displaying shield, , mounted on cardboard.Found at Phillip island Hotel after condemned. Possibly given to L. Wilson or J. Edgar, J Jenner. [ W. Harrison Lee Studios, Wonthaggi , Vic. stamped on cardboard mount]football, jack jenner, sport, local sporting teams, photograph

Produced as part of Australian Remembers Commemoration.Miniature medals displayed on dark cardboard background surrounded by silver coloured plastic frame.Printed top centre: “Decorations, Campaign and Service Medals. Awarded to Australians”passchendaele barracks trust, medals, awards

Photographs taken or copied by M. Smith in 2011, framed for the school's 90th anniversary in 20179 col. photographs of Briar Hill primary School in glazed frame and display mountbriar hill primary school

Gold plate with image of Shenzhen University, mounted in a hinged wooden box allowing for display.gold plate, chinese, shenzhen university, wooden box

No.30 tram (Birney) leaving depot displaying destination as Quarry Hill, C 1964. '3/64' on back written in pencil on top left.basil miller

Plant display by Knight Bros. of Sandhurst, Nurserymen, at the Exhibition Building, Melbourne, circa 1880.Bent,. Pall Mall , Sandhursttopic, floral display, knight bros. nurserymen, exhibition building, bent

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of 'Modern History' display in the Visitor's Centre with written information and photographs mounted on boardCatalogue number on reverse in pencil.churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of the 'Homestead Garden' Visitor's Centre Display with informational text, photographs mounted on cork.Catalogue number on reverse in pencil.churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of 'Dirt on their hands' display in the Visitor's Centre showing maps, photographs, and informational text.Catalogue number on reverse in pencil.churchill island, photograph

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series documents the Working Horse and Garden show held in 2001.Photograph of a display of pumpkins and vegetables arranged around an old wagon with people walking beside it.Catalogue number written on reverse in pencil.churchill island, harvest festival, photograph, apple, pumpkin

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series documents the Working Horse and Garden show held in 2001.Photograph of a entrance sign reading 'the Digger's Club' and a display of pumpkins with a market festival in the background.Catalogue number written on reverse in pencil.churchill island, harvest festival, photograph, pumpkin, diggers club