An accurate, absorbing account of the biggest unit level battle involving Australian forces in Vietnam. This saga in the histor of the modern da ANZACs exemplifies their spirit and indomitable corage, which has made the Australian "Digger" famous the world over.australia. army. australian task force (vietnam), 1st, vietnam war, 1961-1975 - participation, australian, battle of coral-balmoral

An accurate, absorbing account of the biggest unit level battle involving Australian forces in Vietnam. This saga in the histor of the modern da ANZACs exemplifies their spirit and indomitable corage, which has made the Australian "Digger" famous the world over.australia. army. australian task force (vietnam), 1st, vietnam war, 1961-1975 - participation, australian, battle of coral-balmoral, fire support base, anzac

An accurate, absorbing account of the biggest unit level battle involving Australian forces in Vietnam. This saga in the histor of the modern da ANZACs exemplifies their spirit and indomitable corage, which has made the Australian "Digger" famous the world over.australia. army. australian task force (vietnam), vietnam war, 1961-1975 - participation, australian, battle of coral-balmoral, anzac, digger, fire support base

Canister! On Fire! Tells the remarkable, but little known story of Australian tanks in the Vietnam War australia. army. armoured regiment, vietnam war, 1961-1975 -- tank warfare

Canister! On Fire! Tells the remarkable, but little known story of Australian tanks in the Vietnam War australia. army. armoured regiment, vietnam war, 1961-1975 -- tank warfare

Ammo was low no grenades the VC were all around us out of the 7 men around the M60, I had lost one dean and one wounded there was nothing I could do. 1961-1975 - participation, australian, vietnam war, battle of coral-balmoral, fire support base - coral

In Vietnam Randy Herrod saved Oliver North's life, then Oliver North came back to save himunited states. marine corps. division, 3rd battalion, vietnamese conflict, 1961-1975 - regimental histories - united states

Ammo was low no grenades the VC were all around us out of the 7 men around the M60, I had lost one dean and one wounded there was nothing I could do. 1961-1975 - participation, australian, 1961-1975 - campaigns, fire support base - coral, battle of coral-balmoral

The U.S. Navy Seals came to Vietnam to fight a new kind of war. They went home legends in the military annals of our nationvietnam, navy seals, u.s. navy seals

Black and white photo of four men with empty artillery shells. 161 battery RNZA somewhere in Phuoc Tuy ProvincePhotographed by Phil Hollingsworthphotograph, artillery, 161 battery rnza

Dance cards became popular in the Victoria era. They were often worn looped around the wrist and had a pencil attached. This card was worn by a man, as indicated by the female names written against the dances.Green coloured retangular shaped card, edged in gold, printed in black, with corner hole punched. Dance programme on the back. Names inserted in pencil.Names inserted in handwritten pencil. dance card, metropolitan fire brigade, 19th century, st patrick's hall

fire brigade, photograph, people

1939 Ballarat Demonstration Drill Contest.First in "C" Category. Back Row: T. Hogan, T Hunter, M Cussen, L Mitchell. Front Row. E Lockwood, W Day, M Pritchard, M Hogan and E Mitchell.photography, photograph, slides, film

Boyd discusses exemplar cases of historical preservation, and many lost opportunities. The task of preserving Australia's historic relics is left to volunteers and amateurs, with notable exception of Nunawading, unlike almost every other countries In other countries, the Government recognises its responsibility and Boyd presents examples. He suggests a model that Australia could follow.Original manuscript of an article published in "The Australian", 23.10.1965Typewritten (c copy), quarto, 9 pagesst matthew's church, francis greenway, robe, ormerod cottages, robe customs house, avoca lodge, andrew hayward newell, preservation, conservation, robin boyd, manuscript

Granny Goanna's homestead was burning. The Dogtor couldn't land his plane. Granny and the children were in despair. The Dogtor finally found a bag of the best 'Scientific & Industrial Research Seed for Rainmaking'. He steered the plane over the clearing, tipped the bag out and hoped for the best...The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 3 pages.Page 1, 'then' handwritten in between 'badly' and 'they'. Page 2, 'burned' crossed out with pencil and replaced with 'pulled' written in pencil.the flying dogtor, robin boyd, crawford productions, manuscript

Hardcover w/ Dust Jacketwalsh st library

These stories are written versions of legends handed down through the oral tradition of Aboriginal storytellers from the Riverina of New South Wales and Victoria, coastal regions and other parts of Australia.Colour photographs, illustrations, mapswongaibon, kamilaroi, kirrea, dharawal, ualarai, gandangara, darkinjung, dhurga, ngemba, bandjalang, wiradjuri, muruwari, riverina, lake eyre, murray river

Black & white photographdiamond creek gold mine, diamond creek

Wangaratta Art Gallery CollectionA small weaving with a colour palette of black, reds and oranges.esmae emerson, weaving, textile

Information booklet about the new Main Corner complex located at 1 Bay Road, Mount Gambier. The building and surrounds offer the opportunity to learn about Mount Gambier's local history and culture.For two years he was stationed at Penola in the Mount Gambier region where he led a routine life with no remarkable incidents or exploits to interrupt his daily duties. (from Australian Dictionary of Biography: http://adb.anu.edu.au/biography/gordon-adam-lindsay-3635)22 pages booklet with colour illustrations. Front page depicting the entrance of the Main Corner in Mount Gambiermain corner, mount gambier, gretel sneath, adam lindsay gordon

Landscape painting of a pine in the Australian bush landscape. Painted just after the devastating Victorian bushfires of 1962. Two figures run down the hill in the foreground. There are hills in the background and the sky is shades of pink and violet. Painted in warm earth tones in a painterly, tonal realist style.Lower right, grey paint, signature: 'Sonia Skipper'