Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Jeweller's sample card with fourteen images of chain patterns. Each pattern is numbered with options for 9 ct. or 15 ct.jeweller's designs, chain patterns

Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Vyse Street Birmingham was once the centre of the jewellery making industry in Birmingham.Jeweller's sample card with samples of Cameo brooches, bar brooches, a necklet and a set of earrings. Design numbers printed below each design. A label glued on to the back reads " WALTER NEEDHAM, PARAGON WORKS, 34, VYSE ST., BIRMINGHAM, ENGLAND.jeweller's designs, cameo jewellery

George VI (Albert Frederick Arthur George; 14 December 1895 – 6 February 1952) was King of the United Kingdom and the Dominions of the British Commonwealth from 11 December 1936 until his death on 6 February 1952. He was also the last Emperor of India from 1936 until the British Raj was dissolved in August 1947, and the first head of the Commonwealth following the London Declaration of 1949, He married Lady Elizabeth Bowes-Lyon in 1923, and they had two daughters, Elizabeth and Margaret. KEELE STREET POTTERY (K.S.P) CO. LTD 1915–1958 Earthenware manufacturer at Keele St, Tunstall (to c.1958) and then at Meir Airport, Longton, as part of the Staffordshire Potteries Group.Coronation of King George VI and Queen Elizabeth c.1937 Commemorative Ceramic Mug. Individual Photo of King George and Queen Elizabeth surrounded by yellow wreath. 2 Flags either side. Crown in center of photos and G and E either side of Crown. Gold embossing on lip of mug. Writing at bottom of transfer is missing.KSP C England on basecoronation 1936, king george vi

Business flyers for products to improve homes and gardens. Brothers Frederick and Ernest Stillwell opened a hardware and general ironmongery in Hargreaves St Bendigo in 1895. They were later joined by Roy Stillwell. The shop further developed and advertised as selling furniture, home furnishings and HardwareThree flyers for Stilwell's, a local Hargreaves Street Bendigo business, for Fly wire doors, internal house blinds and lawn mowers, Postcard sized flyers for aspects of home improvements. Flyers dated around 1950s.stilwells, window furnishings, flyers

10559a Letter to Mr. G.V. Lansell, Mr. R.F. Hyett and Mr. G.R. Wheeler, authorizing the Trustees of the Bendigo Sub-branch of R.S.S.A.I.L.A. Building and Patriotic Fund to complete the purchase of a property in Mackenzie Street Bendigo, and authorizing the Trustees to borrow £2000 to complete the purchase. Dated 19 June 1950. Letter from Solicitors Hyett. Willis and Hyett. 10559b Indemnity agreement for five members of the Bendigo Sub-branch of The Returned Sailors' Soldiers' and Airman's' Imperial League of Australia Victorian Branch ( R.S.S.A.I.L.A.) dated 22 December 1950, in relation to the purchase of (11) McKenzie Street, Bendigo and borrowing £2,000 from the Commonwealth Bank to complete a property purchase. The members being Mr. George Victor Lansell, Mr. Frederick Eustace Jackson, Mr. John William Swatton, Mr. George Robert Wheeler, and Mr. Augustus John Skehan. r.s.s.a.i.l.a bendigo branch, mackenzie street

Brothers Frederick and Ernest Stillwell opened a hardware and general ironmongery in Hargreaves St Bendigo in 1895. They were later joined by Roy Stillwell. The shop further developed and advertised as selling furniture, home furnishings and HardwareStillwells, Hargreaves Street, Bendigo - flyer for paint, varnish and wallpaper; includes prices in pre-decimal currency. Single sided printing in B&W on thin paper. Unknown date of issue.stilwell's, wallpaper, paint

Thomas Oliver Hunter was born in1867 and died in Bendigo in 1941. Advertisements show the following:- 1891- manufacturer of aerated water and cordial. 1893 had a stock of ales and stout 1908 - joined with his brother Frederick and became Hunter Bros. 1912 - Brewer 1915 - Combined with Steward Bros. of Eaglehawk and the company became Steward and Hunter Pty Ltd. The site of manufacturing was the Kent Brewery in Bridge St., BendigoBottle Glass with marking on one side and down the bottom T.O.HUNTER TRADEMARK (EMBOSSED GREYHOUND) BENDIGO. THIS BOTTLE IS THE PROPERTY OF T.O. HUNTER BENDIGO AND CANNOT BE LEGALLY USED BY OTHERSbottle, glass

Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Burgundy leather look spectacle case. The case has a flip lid section at the top that opens to gain access to the case. The lid is held in place under a leather loop. In gold lettering on the front of the case "F Napoli Prescott Bendigo".spectacles, spectacles case, f napoli prescott

Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Brown leather look spectacle case. The case has a flip lid section at the top that opens to gain access to the case. The lid is held in place under a leather loop. In gold lettering on the front of the case "F Napoli Prescott Bendigo".spectacles, spectacles case, f napoli prescott

Part of series to record changes in BuninyongPair of photos, one B/W, one colour, of polished granite pedestal and engraved plinth, memorial for Hastie Family in Buninyong Cemetery."In Loving Memory of Thomas Hastie, Born 14th. Jan. 1813: Minister at Buninyong 1847-1891:Died 20th April 1898. And of his Wife Jane Smith, Born 15th Jun. 1820: Died 25th Jan. 1901. They rest from their labours and their works do follow them." LEFT FACE; "Their Daughter Jeanie, Born 14th Aug. 1842, Died 10th June 1923. Frederick Bowman, Loving Husband of Jeanie Bowman, much esteemed relative and friend, Died 6th. Jan. 1935."buninyong, cemetery, thomas hastie, jane smith, memorial

Part of series to record changes in BuninyongB/W photo, of polished granite pedestal with urn cap, and engraved plinth, memorial for Hastie Family in Buninyong Cemetery."In Loving Memory of Thomas Hastie, Born 14th. Jan. 1813: Minister at Buninyong 1847-1891:Died 20th April 1898. And of his Wife Jane Smith, Born 15th Jun. 1820: Died 25th Jan. 1901. They rest from their labours and their works do follow them." LEFT FACE; "Their Daughter Jeanie, Born 14th Aug. 1842, Died 10th June 1923. Frederick Bowman, Loving Husband of Jeanie Bowman, much esteemed relative and friend, Died 6th. Jan. 1935."buninyong, cemetery, thomas hastie, jane smith, memorial, jeanie bowman, fredereck bowman

Booklet produced in 1940 for members of the 2nd AIF by the Australian Comforts Fund Victorian Division. The 128-page pocket-sized book could be carried everywhere and provided Australian soldiers with a wide range of useful information about the requirements of war service and many other important details such as: The Laws and Customs of War - including Geneva Convention guidelines, notes on spies and insignia of rank; Things a Soldier should Know - including over 60 points; Signaling - including flags, morse code, shipboard bell times and time zone; Decorations Awarded to Australians in the Great War; Arabic and Japanese words; First Aid for gas injuries etc.; Australian Historical Events, facts and figures etc.; and Conduct Overseas - including expectations of behaviour when representing Australia. non-fictionaustralian comforts fund (victoria), second world war 1939-1945, hugh george ferguson

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.A series of photographs that depict family life in the period 1890-1914. The family is significant and the children achieved success in a number of fields.Framed large albumen silver photograph of Frederick Harwood Noble and his sister Winifred in the rear garden of the family home in Coburg (sic). Later Label on rear reads ‘F.H. Noble, W.M. Noble’.winifred noble, frederick noble, charnwood (coburg), station street (coburg)

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.A compelling group of family portraits. Members of the family were to achieve important roles as managers, journalists and writers.Framed and gazed albumen silver print of Mr and Frederick Warner Mrs Noble in the garden of their home in Coburg (sic) with their three children. There are minor losses to the gesso and paint of the original frame. Later labels to rear include: "Mr Noble, Mrs Noble’. ‘Frederick, Winifred, Wilfred"noble family, charnwood (coburg), station street (coburg)

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed photographic half portrait of Winifred Noble in the original carved wooden frame. Winifred lived at 'Avalon' in Molesworth Street, Kew.Handwritten label on rear "Winifred Noble c 1910-12"noble family, winifred noble, photographic portrait, kew

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed portrait of Frederick Noble"Frederick Noble". The name "PRENTICE" is handwritten below the label.noble family, frederick noble

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed oval portrait of Mrs P. W. Noble in a carved wooden frame."P. W. Noble" handwritten on label on reverse. noble family

The original Kew Town Hall offices were located in Walpole Street, Kew. Before 1960, even though it had been much discussed over a number of decades, Kew did not have a 'civic hall'. When required, events such as balls, exhibitions or theatrical events were held in the Kew Recreation Hall in Walpole Street. A new City Hall was to be opened by Sir Robert Menzies in 1960. It was located beside the Alexandra Gardens in Cotham Road. It is now used as the Kew Library. Cr Hugh George Ferguson (at right) was born in June 1900 in Williamstown. After his family moved to Kew, they lived in Fernhurst Grove while his future wife’s family lived in Fellows Street. He married in 1940 and subsequently joined the Australian Imperial Forces. After the war he worked as a Billeting Affairs Organiser for the Dutch Government, resettling migrants in Australia. He also worked in advertising as an account manager, and was campaign director for Arthur Rylah is Victorian politics. He organised the first major trade fairs at the Royal Exhibition Buildings after the Second World War, including a World Trade Fair. He built a home in Brougham Street and represented North Ward on Kew Council from 1952 to 1968. He was elected Mayor for the 1959-60 term. He died in 1975, aged 75, and is buried in Boroondara Cemetery.An item of historical interest donated by members of the Dods family in 2006. The Dods-Ferguson Collection includes a number of items once in the possession of the families related to or descended from two mayors of Kew: Cr. Hugh Ferguson and Cr. Frederick Dods.Publicity photograph of two men and a woman inspecting architectural models for a new Kew City Hall. The man at the right of the photograph is Cr Hugh George Ferguson, Mayor of Kew 1959-60. The Hall, now occupied by the Kew Library, was opened by The Hon H.E. Bolte MLA, Premier of Victoria in 1960.Herald Sun Feature Service / Hugh G. Ferguson & Associates / New Kew City Hall. kew city hall, hugh g. ferguson & asociates, architectural models - kew, cr hugh george ferguson

One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded. St Ives, (later known as Elstree, and Little Elstree) was designed by the architect Francis R Barlow in c.1890. The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created.Colour positive transparency (slide) of 'St Ives' (aka 'Elstree') at 21 Barry Street, Kew. FGA Barnard (1910) wrote that: "St. Ives, the residence of the Hon. Frederick T. Derham, built about 1890, was one of the first red-tiled houses built in Kew.'historic houses -- kew (vic.), st ives -- barry street -- kew (vic.), architects -- francis r barlow

One of a group of slides taken by members of the Society of built heritage in Kew in 1979-80. The selection of subject matter reflects the priorities of the period. The colour of some slides has degraded.The slides represent a snapshot in time of built architecture in Kew, much of which has changed in the forty-plus period since they were created.Colour positive transparency (slide) of a single-storey Victorian tuck-pointed polychrome villa (formerly known as 'Roylands', 'Myrambeek') on the corner of Redmond and Fellows Streets, Kew. Research by Lovell Chen established that the house was built in 1892-3 and that owners have included Charles Bennett, Zilpah Bennett, Catherine Bucknall, Frederick Umber, George Darby etc. The 2014 report recommended that the house be included in the Schedule to the Heritage Overlay of the Boroondara Planning Scheme as an individually Significant place."Cnr Redmond and Fellows Streets"historic houses -- kew (vic.), victorian villas -- kew (vic.), 16 redmond street -- kew (vic.), roylands, myrambeek

The Padbury family were the dominant funeral directors in Kew in the 19th and 20th centuries. Sepia photographic positive of Mrs Emmeline Lovell Ratten (nee Padbury) (1860-1941). It would appear that the later inscription on the reverse is incorrect as Frederick Ratten married Emmeline Padbury in 1885.Postcard format: "Auntie Ratten (nee Florence Padbury) wife of Fred Ratten - Kew councillor. Florence Avenue named in her honour". Stamp upper left: "The Allen Studio, 318 Smith Street, Collingwood." Postcard stamp upper right: "Kodak Australia".padbury family, ratten family, florence padbury, florence ratten, florence avenue -- kew (vic.)

A bi-monthly magazine published by the Deaf Committee of the Adult Deaf and Dumb Society of Victoria. 'The Victorian Deaf' Newsletter is a significant publication as an historical record giving and insight into the people, activities and events of the Deaf Community in VictoriaVol. 2 No. 1, February 1931; Size 21.5cmHx14cmWjohn e. muir, e. r. peacock, sarah lewis, frederick j. rose, deaf and dumb asylum, old kent road, lucy lewis, solomon moss, victorian deaf and dumb institution, a. r. thomson, georg quantock, canon crotty e. j. d. abraham, j. marks, mrs g. hawkins, gwen hawkins, dr cairns, box hill cemetery, w. j. mccaskil, nicholson, mrs f. holmes

For 100 years Doncaster-Templestowe was a major fruit producing area. The industry had a profound effect on the landscape and vegetation. Although orcharding families came from a variety of backgrounds, German families were an important sub-group.A comprehensive history of fruit growing in the Doncaster-Templestowe area between 1850s and 1950s when orchards began to be subdivided for housing. It includes B&W photos and line drawings and maps. It covers details of the varieties grown, the families involved, pests, machinery involved, markets, blacksmiths and reasons for the demise of the industry in the area.irvine green, eric collyer, doncaster-templestowe historical society, gottlieb thiele, ruffey creek, bismarck street, victoria street, thomas petty, george hislop, john whitten, john clay, august aumann, carl hanke, gottfried uebergang, waldau, max schramm, german lane, george street, john tully, henry crouch, george tortice, august zerbe, jane serpell, sidney williams, phylloxera, joseph bosisto, richard serpell, frederick thiele, w s williams, edwin lawford, james read, john finger, richard clay, ferdinand finger, leeds street, wetherby road, john russell, sarah uebergang, mary hislop, rudolph werner, john petty, archibald mclaren, john hicks, joe hicks, john smedley, william smedley, william hunter, sylvester mullens, laurie's forge, curtis hillman, anne hillman, dan harvey, calder's forge, hillman's blacksmith works, thomas serpell, gill smith, victorian fruit growers association, h g reynolds, alfred thiele, william webb, fred zerbe, mary anne clay, orchardist's coolstore, r h werner & co, j h land, orchardists and fruit cool stores association, a t petty, r read, r chivers, jack noonan, arthur ireland, jack robinson, george knee, donvale cool store, herb petty, frank petty, fred tolly, gordon white, blue moon fruit co-operative ltd, kathleen petty, peg chivers, jack russell, mathew adams, george mcgahy, edwin bullock, james hodson, edwin wilson, david corbett, edwin lowford, thomas beavis, william hanke, tom petty, edward crossman, andrew zander, carl aumann, heinrich fromhold, thomas chivers, william williams, reinhold denhert, henry finger, august furhmann, henry serpell, john ireland, frank smedley, william kent, william knee, thomas buck, henry white, gottlieb leber, alexander speers

Oil on canvas

Purchased, 2017Watercolour on paper on cardgippsland, artwork, permanent collection

87 pages, illustrated.

87 pages, illustrated.