This is a set of 16 photographs of Army Survey Regiment personnel undertaking a non-tactical navigation exercise, part of the field phase of regimental training in the Wellsford Forest, Bendigo 1985. This was one of the six regimental training objectives outlined in the administrative instruction – Exercise “City Soldier” accompanying these photos. The other objectives were SLR rifle and M30 grenade handling revision, and first aid at Fortuna; RATEL at Wellsford Forest and rifle shooting at Wellsford Rifle Range. Personnel from Air Survey, Cartographic, Lithographic and Headquarters Squadrons were reallocated to four training platoons for one week from 7th to 11th October 1985.This is a set of 16 photographs of Army Survey Regiment personnel undertaking a navigation exercise in the Wellford Forest, Bendigo 1985. Black & white photos .1P to .10P are printed on photographic paper and scanned at 300 dpi. Photos .11P to .16P are on 35mm negative film and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1985, L to R: CPL Mick Minchin, SGT Alan Staley, CPL Megan (McBurney) Reynolds SPR Wendy (Leitinger) McCarthy. .2) - Photo, black & white, 1985, L to R: unidentified, SPR Wendy (Leitinger) McCarthy, CPL Megan (McBurney) Reynolds, unidentified, SGT Alan Staley, SPR Dave Lawler. .3) - Photo, black & white, 1985, L to R: CPL Greg Honan, CPL Grant McGuinness, SPR Leah (Hoffman) Peppler, CPL Ken Peters, SSGT Ian ‘Rock’ Thistleton, SSGT Kevin ‘Spook’ Kennedy. .4) - Photo, black & white, 1985, unidentified personnel. .5) - Photo, black & white, 1985, L to R: CPL Peter ‘Spoon’ Lefel, unidentified, CPL Mick ‘Buddha’ Ellis. .6) - Photo, black & white, 1985, L to R: SSGT Harald Mai, unidentified. .7) - Photo, black & white, 1985, unidentified personnel. .8) - Photo, black & white, 1985, unidentified personnel. .9) - Photo, black & white, 1985, WO1 Dick Manley. .10) - Photo, black & white, 1985, L to R: LT Brenton MacDonald, LT Kathie Ryan, WO1 Brian Mead. .11) - Photo, black & white, 1985, L to R: LT Carol Dunstan, unidentified, CPL John Reid. .12) - Photo, black & white, 1985, L to R: WO1 Dick Manley, unidentified, LT Carol Dunstan. .13) - Photo, black & white, 1985, L to R: unidentified (x2), WO1 Dick Manley. .14) - Photo, black & white, 1985, LT Brenton McDonald. .15) - Photo, black & white, 1985, L to R: CPL Megan (McBurney) Reynolds, SPR Wendy (Leitinger) McCarthy, CPL Mick Minchin. .16) - Photo, black & white, 1985, L to R: SPR Wendy (Leitinger) McCarthy, CPL Mick Minchin..1P to .16P – No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

The Hallford truck was made by J & E Hall, of Dartford, England, whose business commenced in 1785. In 1926 the Fisher family of Mongan's Bridge took delivery of the 1923 Hallford truck which was used on the farm to transport cream to the Kiewa Butter Factory in Tangambalanga. In 1967, the truck was sold to Mr Greg Bedstead and other members of the Kiewa Valley Historical Society for the KVHS who reimbursed them at a later date. The truck was housed at the Butter Factory for many years and was paraded on special occasions. The truck was purchased for $380. It's chassis no. 2439 and the price included a spare chain. (Ref. E. Fisher on 18th Dec. 1969) The KVHS group who paid $50 each towards the Hallford truck were: T Pyle; James Grave; P & E. Barton; K Shoebridge; K Plenderleith and SK Pearce.refunded in 1971 Hallford truck. Fisher family. Kiewa butter factory. J & E Hall Company of England. E FisherBlack and white photograph of Paddy Fisher's cream truck loaded onto a tray truck at the Tawonga Caravan Park. Seven unidentified people on the tray truckSmall typed note attached to back of photo 'Paddy Fisher's cream truck at Tawonga caravan park. 13th December, 1969hallford truck, cream truck, fisher family, kiewa valley farmers, mongan's bridge

Ford Zephyr Mobile Traffic Section car with unidentified person in driver's seat. Circa 1960. Photo taken in Carlton Gardens with ICI building in the background.police vehicles; wireless patrol; motor transport branch; motor transport section; ford zephyr car

Two black and white photographs of a Bendigo Teachers' College dinner in 1958. One person of the three diners is Ms. J.C. Burnett. The remaining two are unidentified.bendigo, education, bendigo teachers' college staff, la trobe university bendigo collection, bendigo teachers' college, bendigo, education, hospitality , entertainment, male, female, person, ms. j.c. burnett, bendigo teachers' college staff, history, tertiary education, teacher training, photo, photograph, photographs, photography

Rosalie Rayment originally trained and worked as an Occupational Therapist. Following completion of studies in Theology she worked for 11 years with the Church in Thailand. Rosalie was ordained in 1988. Fred Vanclay B.D., Dip AgS. ordained 1964 in the Presbyterian Church. Served: Queensland 1961 - 1975; Victoria 1976 - 1985 Vermont - Parkmore; Northern Territory Tennant-Barkly Patrol 1985 - 1993. Died in 2016. Adapted from the eulogy given by his son, Jerry Vanclay One of Fred’s first placements as a minister was in Mackay, North Queensland. Mackay was a wonderful place for Fred, his wife Donna and their young family. They all loved the beaches and the bush, and the children completed a significant part of their schooling there. Whilst posted in Mackay, Fred and Donna enjoyed long road trips in their modest HR Holden sedan, with the family, to Uluru, to Broome via the Borroloola Track, and down the Birdsville Track to the Flinders ranges; along the way, developing the bushcraft that would stand them in good stead later in the Tennant-Barkly Patrol. After many years in ministry in Mackay, then in Vermont, Victoria, Fred and Donna were called to the Tennant-Barkly Patrol in the Northern Territory, where he served for eight years, probably Fred’s most satisfying years. All Fred’s parishes were welcoming and rewarding, but Fred said on more than one occasion that he had a special love for the Patrol. He felt that in an urban congregation, he ministered mainly to those who came to Church, but in the Patrol he ministered to everyone, and especially to those in need. Fred loved to get involved with the day-to-day activities of his people, to develop a deeper relationship and greater understanding. Some remarked that when Fred helped, everything took longer, but they loved him and his assistance nonetheless. Fred was proud to follow in the footsteps of his predecessor Padre Fred McKay, and sometimes joked that he was “Fred the 2nd”, not Fred McKay, but “Fred from Mackay”. During his last few weeks in hospital, Fred liked to reminisce on his time in the Patrol. He joked about how he surprised the selection panel with his knowledge of bush tracks and outstations – knowledge that he had gained on those long road trips from Mackay. He reflected that many aspects of his life were good preparation for his time in the Patrol. After their Patrol, Fred and Donna retired to Mt Waverley, in Melbourne, but they were both restless in retirement, and undertook supply ministries in Wedderburn, Kerang and North Cairns, and made several long journeys into the interior and into their beloved Patrol [in Tennant Creek] – as well as frequent visits to their eight grandchildren and two great-grandchildren, and occasional trips to Europe to reunite with distant family. They never tired of ministering and adventuring, but as age and infirmity progressively clipped their wings, they travelled more in spirit and less by car. Despite the many celebrations that he blessed – baptisms, marriages, and funerals – Fred never sought the limelight, and I think he would be surprised by our gathering today. I can almost hear him saying “Don’t make a fuss; just say a heartfelt prayer together”. – Jerry Vanclay Informal B & W gloss photo of Rev. Fred Vanclay, his wife Donna, Rosalie Rayment (later ordained) and one other unidentified person.

Glass negative with image of unidentified seated soldier. The soldier is wearing the Brodie pattern steel helmet issued to Australian soldiers on the Western Front 1916 - 1918.first world war, ww1, world war one

One of a group of photographs of Rutherglen collected from magazines (Pix or People or Post), then pasted onto orange paper, date unknown. Group of unidentified people

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.alma figuerola album, arists - kew (vic), art exhibitions - kew (vic)

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.On reverse, handwritten "4583 Alma Figuerola" Photographer stamp" Copy Right This photograph may not be reproduced without permission in writing from the Editor of "The Age", *** Collins Street, Melbourne, and Pitt Street, Sydney"alma figuerola album, arists - kew (vic), art exhibitions - kew (vic)

The City of Kew (1860-1994) was a municipality within the boundaries of suburban Melbourne, bordering on the inner suburbs. It was governed by a Council who employed council officers and workers. Services offered to ratepayers included garbage collection. Workers also carried our rubbish removal. From the evidence of photographs, garbage trucks has a semi-circular top with openings on the side of the top and at the rear. Rubbish carts were simple open top containers. Both garbage trucks and rubbish carts were drawn by horses and, in the interwar years and after, operated out of the Council Depot in High Street (formerly the 'horse tramway' sheds and later was to be replaced by the Kew Recreation Centre. The depot was on the corner of High and Disraeli Streets, kew. Small, original black and white positive photograph of a council worker, horse and rubbish cart. This rectangular cart has an open top. An unidentified house is in the background.Annotation in pencil by donor verso: "Kew Council Rubbish cart / Pre & during WWII / from Eliz Bentley"rubbish collection, garbage collection, rubbish carts, city of kew, council workers, horse-drawn vehicles, kew depot

Colour photograph. Grand opening weekend of the QVWC building. Taken from the front steps towards the gathered crowd on Lonsdale street. People all unidentified. official events, historic buildings, cultural structures and establishments

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. An unidentified woman seated on a chair outside. There is a house partially hidden in the trees on the right of the scene.wodonga pioneers, haeusler family, glass negatives, dry plate photography, wodonga families

Black and white photograph of shipping at Bairnsdale wharf, Mitchell River. Vessels unidentified, passenger vessel tied up, small shed on wharf. Bairnsdale Victoria jetties, ships and shipping

Vision Australia Foundation volunteer Edna Allen. Dianne Kerr (right), unidentified female and Edna Allen (left)2 x col. photographdianne kerr, ballarat office

Also two other black and white photographs, one of Nicholson State School, and one unidentified students and parents.Sepia toned photograph of Nicholson State School no. 1716, showing small wooden building with porch, both with corrugated iron roof, two windows with sunshades, square ships water tank at corner, fourteen students and two teachers, not named. Nicholson Victoriaschools, buildings

35mm colour positive transparency Mount - Black and Whiteunidentified, significant tree, koala

This is a set of 31 photographs of 4th Field Survey Squadron undergoing adventurous training held at unknown locations in South Australia, in 1994. It is also possible the training was in the Grampians region of Victoria. Off-road driver training and abseiling were key activities of this adventurous training as well as teamwork, leadership, and field craft. Elements from units of the Army Reserve may have participated in the training. See items 6562.33P, 6563.33P and 6564.28P for more photos taken during this training activity.This is a set of 31 photographs of 4th Field Survey Squadron personnel undergoing adventurous training held at unknown locations in South Australia in 1994. The colour photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, colour, 1994. Old ruins. L to R: SGT Steve McGuiness, SPR Chris Pearse, SPR Mark Linwood. .2) - Photo, colour, 1994. Old ruins. L to R: CPL Steve Wegener, SPR Mark Linwood. SGT Steve McGuiness. .3) - Photo, colour, 1994. Old grave. SPR Mark Linwood. .4) to .7) - Photo, colour, 1994. Driver training. Unidentified personnel. .8) - Photo, colour, 1994. Driver training. CPL Steve Wegener. .9) to .12) - Photo, colour, 1994. Driver training. Unidentified personnel. .13) - Photo, colour, 1994. Driver training and hiking. L to R: SPR Greg Richards, SPR Mark McInerney. .14) - Photo, colour, 1994. Driver training and hiking. L to R: SPR Chris Pearse, WO2 Simon ‘Andy’ Capp. .15) - Photo, colour, 1994. Driver training and hiking. Unidentified personnel. .16) - Photo, colour, 1994. Driver training and hiking. L to R: CPL Steve Wegener, CAPT Rob Gray, unidentified (x2), SPR Chris Pearse, WO2 Simon ‘Andy’ Capp. .17) to .18) - Photo, colour, 1994. Driver training. Unidentified personnel. .19) - Photo, colour, 1994. Driver training and hiking. L to R: WO2 Simon ‘Andy’ Capp, SPR Chris Pearse, CPL Stuart Adrain, SPR Mark McInerney. .20) - Photo, colour, 1994. Driver training and hiking. L to R: CPL Stuart Adrain, unidentified, CAPT Rob Gray, WO2 Simon ‘Andy’ Capp, SPR Chris Pearse, SPR Mark McInerney. .21) - Photo, colour, 1994. Driver training and hiking. Unidentified personnel. .22) - Photo, colour, 1994. Driver training and hiking. L to R: unidentified, CPL Stuart Adrain, SPR Mark McInerney, CAPT Rob Gray, remainder unidentified. .23) - Photo, colour, 1994. Abseiling. L to R: SGT Steve McGuiness, unidentified, CPL Steve Wegener, CPL Stuart Adrain. .24) & .25) - Photo, colour, 1994. Abseiling. WO2 Simon ‘Andy’ Capp. .26) - Photo, colour, 1994. Abseiling. CAPT Rob Gray. .27.) to .31) - Photo, colour, 1994. Abseiling. Unidentified personnel..1P to .31P – There are no personnel identified. ‘1994 ADV TRAINING’ annotated on negatives sleeve.royal australian survey corps, rasvy, 4 fd svy sqn

Taken in the mid 1900s, the photograph depicts seven unidentified male and female performers. They are all dressed in different theatrical costumes.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5656 /1900s, beechworth, theatre, actor, actress, costume, entertainment, entertainment album

Taken in the 1950s, the photograph depicts eleven unidentified men and women attending a concert party in Beechworth. They are dressed in different costumes.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5649 /entertainment, entertainment album, 1950s, beechworth, concert party, recreation, leisure, costume, social

The Grinton Collection. This 38th Bn Stretcher Bearer is unidentified at this point. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting an informal portrait of a soldier seated on an earth bank. Trees in the background. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance". "G. Stretcher bearer of the 38th Battalion". framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Three unidentified 38th Bn Soldiers at this point. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting an informal full-length portrait of three soldiers standing below and in doorway of a timber bulding. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance". "J. Three 38th Battalion soldiers".framed accessories, camera on the somme, ww1, 38th bn, grinton

Staff, 1960s. See I/00736 for names. Some unidentified. Please contact [email protected] to request access to this record.shakespeare grove

Image appears to be copied from an original postcard, maker unidentified|Also and enlarged copy of photograph 27 x 17Colour photograph of the LookOut Tree on Jemmys Point, shows a dead standing grey box tree supported by two logs and with a ladder over thirty feet long attached for access to the four branches used as a viewing platform. One person sitting on top, man in Indian dress halfway up ladder. Lakes Entrance Victoria.LookOut Tree at Lakes Entrance Cunninghame, Victoriahistoric sites, navigation

On the 19th of October, 1999, the Accessible Cities and Shires Forum was held in Bendigo. In this photo, two unidentified people are chatting at the event. COL photo of two people sitting on the edge of a small stage, holding cups of tea.arthritis foundation of victoria, rural access project, accessible cities & shires project, audience, forum, bendigo

This is a set of three photographs of an Open Day held at the Army Headquarters Survey Regiment, Fortuna Villa, Bendigo, circa 1960s. Although most of the photos were taken outdoors, a technical tour may have been conducted through the production areas of the unit. It is likely the band performing next to Fortuna’s lake in photo .3P was the 3rd Military District Band.This is a set of three photographs of an Open Day held at the Army Headquarters Survey Regiment, Bendigo c1960s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. They were scanned at 300 dpi. .1) & .2) - Photo, black and white, 1960s. Unidentified civilian visitors. .3) - Photo, black and white, 1960s. The 3rd Military District Band, unidentified civilian visitors..1P to .3P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr